Kitabı oku: «The Call of Cthulhu / Зов Ктулху», sayfa 7
Then, whispered Castro, those first men formed the cult around tall idols which the Great Ones showed them; idols brought in dim eras from dark stars. That cult would never die till the stars came right again, and the secret priests would take great Cthulhu from His tomb to revive His servants and resume His rule of Earth. This time would be easy to know, for then mankind would become as the Great Old Ones; free and wild and beyond good and evil, with laws and morals thrown aside. And all men would be shouting and killing and revelling in joy. Then the liberated Old Ones would teach them new ways to shout and kill and revel and enjoy themselves, and all the Earth would flame with a holocaust of ecstasy and freedom. Meanwhile the cult, by appropriate rites, must keep alive the memory of those ancient ways and tell about their return.
In the elder time chosen men had talked with the entombed Old Ones in dreams, but then something happened. The great stone city R’lyeh, with its monoliths and sepulchres, had sunk beneath the waves; and the deep waters, full of the one primal mystery through which not even thought can pass, had cut off the communication. But memory never died, and the high-priests said that the city would rise again when the stars were right. Then the black spirits of Earth would come out, mouldy and shadowy, and full of dim rumours. But old Castro dared not speak much of them. He became silent hurriedly, and said nothing more. He curiously declined to mention the size of the Old Ones, too. Of the cult, he said that he thought the centre lay amid the pathless desert of Arabia, whereIrem, the City of Pillars66, dreams hidden and untouched. It was not connected to the European witch-cult, and was virtually unknown beyond its members. No book had ever mentioned it, though the deathless Chinamen said that there were double meanings in the Necronomiconof the mad arab Abdul Alhazred67 which the initiated might read, especially the this couplet:
“That is not dead which can eternal lie68,
And with strange ages even death may die.”
Legrasse, deeply impressed, had inquired about the historic affiliations of the cult. Castro, apparently, had told the truth when he said that it was wholly secret. The authorities atTulane University69 could say nothing about either cult or image, and now the detective had come to the highest authorities in the country and met with the Greenland tale of Professor Webb.
The great interest aroused at the meeting by Legrasse’s tale is echoed in the correspondence of those who attended; although it was not mentioned in the formal publications of the society. Caution is the first care of scientists who often face charlatanry and imposture. Legrasse lent the image to Professor Webb. When Professor had died, it was returned to him. I viewed it not long ago. It is truly a terrible thing, and akin to the dream-sculpture of young Wilcox.
I did not wonder that my uncle was excited by the tale of the sculptor. Professor Angell started an investigation immediately; though privately I suspected young Wilcox of trickery. He could invent a series of dreams to heighten and continue the mystery. So, after thoroughly studying the manuscript again and correlating the theosophical and anthropological notes with the cult narrative of Legrasse, I made a trip to Providence to see the sculptor and accuse him of imposing upon a learned and aged man.
Wilcox still lived alone in the Fleur-de-Lys Building in Thomas Street, a hideousVictorian imitation of 17th century Breton Architecture70. I found him at work in his rooms, and understood at once that his genius is indeed profound and authentic. I believe one day he will be well-known as one of the great decadents; for he has crystallised in clay and in marble those nightmares and phantasies which Arthur Machen71 evokes in prose, and Clark Ashton Smith72 makes visible in verse and in painting.
Dark, frail, he asked me about my business without rising. Then I told him who I was, he displayed some interest; for my uncle had excited his curiosity studying his strange dreams, yet had never explained the reason for the study. In a short time I became convinced of his absolute sincerity, for he spoke of the dreams in a manner none could mistake. They had influenced his art profoundly, and he showed me a morbid statue whose contours almost made me shake. He could not recall the original of this thing except in his own dream bas-relief, but the outlines had formed themselves insensibly under his hands. It was, no doubt, the giant shape he had seen in delirium. But he really knew nothing of the hidden cult.
