Kitabı oku: «Erdogan Rising», sayfa 2
I was bored and sad. I had left Syria, a story I had moved countries for and invested so much energy in. I yearned for the day I could go back and start reporting from there again. I was still dating a Syrian man down in Antakya, and I spent half of my time there with him. Strange as it feels to remember it now, there just wasn’t much of a story up in Istanbul.
But one day I fell in love. Travelling back from Antakya to Istanbul on the cheap late-night flight, I looked out of the window as the plane came in to land in a huge swoop across the city. On either side of the black scar of the Bosphorus, millions of pinprick lights marked out the shape of the shoreline, the traffic-clogged roads, the bridges and the palaces. From above, this scruffy city glistens, and I was glad to be back: it’s a feeling I still get every time the seatbelt sign comes on over Istanbul. It had taken me six months to realise that my banishment from Syria had landed me in the most beautiful, melancholy, fascinating city in the world. Gradually I stopped going down to Antakya, and my relationship with the Syrian fell away.
So, by chance rather than by my own good judgement, I was one of the few reporters based in Turkey full time when the news started flowing – the bombings, the diplomatic spats with Europe, and the overwhelming interest in Erdoğan. As the months progressed, I realised that even the most parochial, insignificant Turkish story could make a headline if Erdoğan were somehow involved. One I particularly remember is a story about his wife, Emine, and a speech she had made suggesting that the Ottoman sultans’ harem, the place where scores of potential sexual partners were kept, could be considered a bastion of feminism. The Western press went nuts – even though there is a serious line of academic debate that would concur with Emine. The interest in Erdoğan, as well as the growing chaos in Turkey, soon landed me regular work filing reports for The Times.
I found myself fascinated by him, too. The first time I saw Erdoğan in the flesh was not for a story – it was just because I happened to be in the area and was interested. In May 2013, while I was still living in Antakya, a double car-bombing hit Reyhanlı, another small Turkish border town hosting thousands of Syrian refugees. The attack was the first spill-over from the Syrian conflict, and the toll was horrific: fifty-two people killed and the heart of the town ripped out. Pieces of seared flesh were later found in the town’s sewers, so intense was the force of the blasts. Some Syrians headed back across the border into the war zone, fearing they might soon feel the brunt of the locals’ anger if they stayed. A week later, Erdoğan went to Reyhanlı to speak to the people. As it was only half an hour down the road from Antakya, I decided to go.
Compared to what I would see in later years, the crowd then was small and calm and Erdoğan’s speech was measured. But that day I noticed certain things I would go on to see again and again: how hundreds of people appeared to have been bussed in from every corner of the country, how party volunteers were handing out flags and baseball caps which, when televised, gave the appearance of a sea of red, and how the people who had showed up seemed to care far more about being close to Erdoğan than about what had happened in Reyhanlı.
How different that low-key event was to the time I saw him four years later, on a chilly May Sunday in 2017. It was a month after he had snatched narrow victory in a constitutional referendum to switch legislative power from the parliament to the president, and the AKP was holding its party congress in Ankara’s main basketball arena. By the time I took my seat at 8 a.m., the entire place was packed and rowdy with young men chanting for their hero. Erdoğan was due to take the stage around noon, to reclaim his place at the head of the party. He had nominally stepped down when he resigned as prime minister and was elected president three years earlier – the head of state was supposed to be politically unaffiliated according to the old, now-discarded constitution. In reality he had never loosened his grip over the party. He continued to campaign for the AKP in parliamentary elections, and had publicly ousted a prime minister who had dared to stray too far from his line.
As a political spectacle, the congress was incredible. There were men in the crowd who had arrived dressed as Ottoman sultans, sitting alongside Kurdish women holding banners proclaiming they were from şırnak, an eastern town that had recently been decimated by fighting between Turkish security forces and Kurdish militants. ‘Everything for the homeland!’ they whooped, ululating as Middle Easterners do at weddings – a bizarre celebration of their home town having been smashed to rubble. Music boomed non-stop from the speakers – a limited repeat playlist of Ottoman marching music, and the referendum campaign song titled ‘Yes, of course’. The one that got the loudest singalong was the dombra, a paean to Erdoğan and an unashamedly cringing anthem. ‘He is the voice of the oppressed, he is the lush voice of a silent world. Recep Tayyip Erdoğan!’ the lyrics begin, continuing on a similar theme through four verses.
Erdoğan entered the building as scheduled, accompanied by his wife and son-in-law, the then-energy minister Berat Albayrak, who most believe he is priming as heir. Tubs of red carnations had been strategically placed around the edges of the stands and Erdoğan threw them out to his adoring crowd as he did a victory lap. The grey men on the stage must have felt rather outshone as they reeled through their dry lists of candidates for various posts within the party. For top job Erdoğan was standing uncontested, and that was the only item on the agenda that really mattered.
Turkey is different from the other countries falling under the sway of strongmen. It boasts not one, but two – perhaps even three or four – coexisting personality cults.
There is Erdoğan’s, a cult in the ascendant I have seen evolve before my eyes. There is the cult of Abdullah Öcalan, the grandfatherly-cum-psychopathic leader of the PKK (Partiya Karkerên Kurdistanê, the Kurdistan Workers’ Party – the Kurdish militia fighting against the state in eastern Turkey), who has been banged up in an island prison since 1999, yet still commands a huge following among the Kurds and their diaspora. As well as the Turkish PKK there are affiliated militias fighting in his name in Syria, Iraq and Iran. His appeal stretches to Western leftists who are so enchanted by his ideas on women’s equality and government without the state that they are willing to overlook the atrocities that his gunmen and women commit. As the latest peace process broke down in the summer of 2015, I went to interview Öcalan’s brother in the south-eastern mountains of Turkey, having been told I would find him an intelligent, sensible kind of guy who would give me an honest account of his notorious sibling. Mehmet Öcalan’s home-grown figs were delicious, but the interview quickly veered into the bizarre. He tried to convince me that his brother knew, and by extension controlled, exactly what was going on in the Middle East day by day from his solitary prison cell, thanks to his psychic powers. Throughout, he referred to him as ‘Serok’ (Kurdish for ‘leader’) – never Abdullah or ‘my brother’.
There was, and perhaps still is, the cult of Fethullah Gülen, a wizened Islamic cleric who has been commanding a network of secretive followers since the 1960s. He has been living in exile on a secluded and heavily guarded ranch in Pennsylvania, USA since the 1990s, but until recently his devotees occupied high ranks within the Turkish bureaucracy, police and judiciary. They used their positions to bully and punish anyone who opposed them, most notably secularists who were uneasy with the idea of a secret Islamic cult wielding so much power in their country. Erdoğan and Gülen were allies, of sorts, until they fell out spectacularly in 2013 and began a personal war played out through the state. Erdoğan accuses Gülen of organising the attempted coup of 2016. At present, a Turk’s life can be ruined by the mere suggestion that they have at any time and in any way been affiliated with the movement.
And then there is the cult of Mustafa Kemal Atatürk, founder of the Turkish republic and possibly the only man capable of raising a serious challenge to Erdoğan despite the fact that he has been dead for eighty-one years. Atatürk – or at least the Atatürk who is still very much alive in the imagination of today’s Turks – stood for almost everything Erdoğan despises, and vice versa. He was an unbending advocate for secularism, non-aggression in dealings with other states, and a Turkey that is allied to Europe and the West.
Atatürk has always been a Turkish hero, but increasingly he is also the figure Erdoğan’s opponents rally around. During the 2017 constitutional referendum campaign the streets of my Istanbul neighbourhood – a secular bastion that voted 81 per cent against Erdoğan’s plans to gather power in his own hands – turned into an open-air gallery of Atatürk-inspired artwork. The ‘İzmir March’, an anthem to militarism and Mustafa Kemal, was the unofficial theme tune of the ‘No’ campaign. It is common, both inside Turkey and without, to hear Erdoğan’s detractors bemoan how he is unravelling Atatürk’s legacy.
Maybe it said more about the state of the opposition than it ever did about the enduring strength of Atatürk. There is no question that this cult continues, but its cracks are beginning to show. Over the course of Erdoğan’s reign, those who have in the past quietly loathed Atatürk and all he stands for have found they can finally speak out. They are primarily the religious poor, dispossessed by Atatürk’s unbending secularism, though they also include liberals who wince at the thought of unbridled adoration in any direction. But those same liberals who once supported the downgrading of Atatürk’s legacy are now recoiling at Erdoğan’s transformation from man to deity by his followers. And so, Turkey has become a fascinating Petri dish – a perfect place to observe one cult of personality in the ascendant, alongside another in slow decline.
Over six years I have travelled to every corner of this huge, diverse, often baffling and always fascinating country, and have also reported on the chaos it borders in Iraq, Syria and south-eastern Europe. Along the way I have spoken to politicians, criminals, policemen, taxi drivers, warlords, flag-sellers, refugees … My notebooks are so stuffed with characters that the material could keep me writing for years. In Erdoğan, I have found the most compelling protagonist a writer could wish for.
But it wasn’t the coup attempt that spurred me to write this book, despite all its Hollywood drama and the front pages it garnered. That night in July 2016 was just the prologue, the scene-setter for the real tragedy that then unfolded. I started writing this book a year on, after the grandiose celebrations held on the first anniversary of the coup attempt revealed fully the depth of the personality cult that Erdoğan had assembled. By the time I had finished the first manuscript eleven months later, he had sealed power through the presidential elections that will keep him in his palace until 2023 – two decades at the top of Turkey.
This story is bookended by those two events, but at its core is the entire period in which I have taken a front-row seat at Turkey’s descent. When I arrived here in early 2013, thinking that I would stay for a few weeks to report on Syria before going back to my life in London, Erdoğan was just tipping over from being a flawed but largely tolerated democrat to a relentless autocratic populist. Within two years he had turned into a hate figure that the whole world had heard of – and then he led his country into its most turbulent era in decades. In the space of eighteen months in 2015 and 2016, Turkey suffered a refugee crisis, a wave of terror attacks, a fresh eruption of violence in its Kurdish region, and a coup attempt. Since then, even with some kind of daily stability and normality restored for most Turks, Erdoğan has consolidated his position further and stamped down harder on his opposition.
Spotting the narrative’s threads has not been easy: his path has not always been steady or clear. Multiple plot lines unfold simultaneously, linears converge and loop back on themselves. Events outside Turkey wash over its borders, feeding forces that are brewing inside the country while Erdoğan holds up his own skewed version of the world to his people like a fun-fair mirror. I worked forwards and backwards through shelves of my notebooks from Turkey and Syria as I wrote, trying to work out what I’d witnessed. I reread old diaries and rang up old friends, trawled through newspaper cuttings from the past twenty-five years and plundered the historical archives at The Times. I spoke to historians and political scientists and drew up huge lists of diplomats, Erdoğan’s insiders, lobbyists, advisers and opponents and contacted them all, asking them to speak either on the record or privately. Most of them ignored me, some of them refused. The ones that agreed usually did so on condition of anonymity, and each has shaded their own part of this portrait of Erdoğan and Turkey. Some names have been changed, usually in order to protect people who are still inside Syria or who have families there. In other cases I have referred to interviewees by first names only, or by the position they held. It is a mark of the current state of the country that I cannot thank or acknowledge by name most of the people who have helped me write this book; in the future, in better times, I hope I will be able to do so.
There is a vague chronology to this story, but Turkey never makes sense on a single timeline. To understand the present you need to link it to the past, and to unravel Erdoğan and his followers you must also acquaint yourself with all the other bit-part players who share his stage. Remembering recent history has become an act of rebellion in Erdoğan’s Turkey; memories are being erased and events rewritten as he fashions the country to his liking. By 2023, when the next elections are scheduled, the memories of the old parliamentary system will have faded and no one much under forty will have ever voted in an election in which he or his party did not, somehow, claim victory.
So this book is my attempt to document what I have seen, before it is erased from Turkey’s official story in the way that history’s winners always rub out the bits they do not like. It starts a year on from the coup attempt, in a country that has started to believe its own lies and the middle of a crowd high on the rush of its leader’s ascent.
1
TWO TURKEYS, TWO TRIBES
July 2017 Coup anniversary
Stout old grandmas, svelte young women, mustachioed uncles and thick-set hard men: they are all moving together like a single being, and all waving Turkish flags high above their heads. I’m in the middle of a river of red. When I break away and climb up onto the footbridge over the highway they look like microdots in a pixellated image. I squint, and their fluttering crimson flags merge into one pulsating mass.
Serkan watches them stream past with a humorous, anticipatory eye.
‘BUYURUUUUUUUN!’ he shouts – the call of the Turkish hawker, which imperfectly translates to: ‘Please buy from me!’
A family stops to eye his wares, which he has spread on the pavement – a rough stall laden with cheaply made T-shirts, caps and bandanas on which are printed the serious face of a man with a heavy brow and a clipped moustache, usually depicted beneath an array of sycophantic headings:
OUR COMMANDER IN CHIEF!
OUR PRESIDENT!
TURKEY STANDS UPRIGHT WITH YOU!
Serkan – his own mannequin – dons the full set, a cap above his round and ruddy-cheeked face, one of his T-shirts stretched over his middle-age paunch, and his accessories of armbands and a scarf. He wears it all with aplomb, his friendly grin at odds with the stern printed image of Recep Tayyip Erdoğan on display.
‘It’s just business,’ he confides once his customers have moved on. ‘I’ll sell at any political rally, but right now the Erdoğan merchandise sells the best.’
A few metres further down the pavement the next seller, Savaş, expands.
‘Maybe it’s because the people who buy the Erdoğan stuff are younger,’ he ventures. ‘But I sell about six or seven times more at the Erdoğan rallies than I do at the others.’
He is right. Turkey’s youth, its largest and most frustrated demographic, is over-represented in the crowd packing through an unremarkable Istanbul neighbourhood this July evening. There are families here too, and ballsy young women in headscarves hustling along in tight groups. One of them waves a printed placard: WE HAVE ERDOĞAN, THEY DON’T! But the more I keep moving with the mass of people, the more I might fool myself that I’m on my way to a football match.
Tonight these streets are theirs – the Erdoğan fanatics – celebrating the first anniversary of the failed coup, which, in the year since the guns fell silent, has opened the way for Erdoğan to grab even more power. For this crowd, that is a reason to party. We are heading for one of the icons of Istanbul, the graceful bridge arching over the Bosphorus Strait that, when the sun sets, sparkles with thousands of colour-shifting fairy lights. One of my favourite indulgences is to cross this bridge in a speeding public minibus late at night, boozy and sentimental. Look to the right as you cross from Europe to Asia and you see the southern end of the strait open out suddenly into the Sea of Marmara, backlit by the silhouettes of Istanbul’s Ottoman centre in the distance. To your left you see a decadent spread of rococo palaces along the river banks, alongside the turrets of the Kuleli military high school, alma mater of generations of ambitious young officers, and the minarets of the monumental, neo-Ottoman Çamlıca Mosque, Erdoğan’s tribute to himself. However rowdy the bus is in the early hours, it always falls silent on the approach to this mesmerising vista.
Within weeks of the coup attempt the bridge was renamed and rebranded – now it is the 15th July Martyrs’ Bridge, a monument to Erdoğan’s finest hour. The road signs have been rewritten, and new announcements recorded for the bus routes. On this anniversary night it is the epicentre of the commemorations; the roads leading onto it have been lined with loudspeakers blasting out patriotic music to spur on the thousands of people milling around.
Erdoğan is the star of this show. First, he unveils a memorial to the martyrs. Stuck up on a grassy hill at the east side of the bridge, it resembles a space-age luminescent moon: huge, bright white and incongruous. Inscribed inside it are the names of the civilians who died. The Islamic funeral prayer is broadcast from here loudly, twenty-four hours a day, though, as one of my cynical friends points out, it is impossible to hear it over the roar of the traffic.
Next come the speeches from the stage set up at the apex of the bridge. The immediate audience is VIP only, but big screens have been arranged in the area just outside the eastern entrance for the tens of thousands who are here in order to be in close proximity to their leader. The event is also being streamed live on every Turkish TV channel. As Erdoğan takes his seat, a range of dignitaries take turns to pay homage.
‘Thank you to our martyrs, and thank you to our commander in chief!’ shrieks the announcer. ‘Recep. Tayyip. ERDOĞAAAAAAAAAN!’
Devout men in skullcaps spread flattened cardboard boxes on the road and kneel in the direction of Mecca. Everyone else falls silent as the announcer rolls through the names of the dead. Then Tayyip himself takes to the podium to deliver a speech full of invective against the traitors and the meddling foreign powers, packed with promises to chop off the heads of those responsible. He is then chauffeured to his private jet, which will fly him and his retinue to the capital, Ankara, where they will do it all over again.
Those who do not belong to Erdoğan’s fan club escape to Turkey’s liberal coastal towns, avoid the TV and newspapers, and drink cocktails on the shores of the Mediterranean until it is over. Yet their president finds them. Shortly before midnight, anyone using a mobile phone gets Erdoğan’s recorded message on the other end of the line: ‘As your president, I congratulate your July fifteenth democracy and national unity day. I wish God’s mercy on our martyrs and health for our veterans,’ he says in his distinctive, drawn-out tones. I get six calls within an hour from friends who just want to test it out, not quite believing that even Tayyip would pull such a stunt.
Events like the coup anniversary have become Turkey’s rock concerts – especially since the actual concerts dried up. I had tickets to see Skunk Anansie, a band I was obsessed with as a teenager, with an old school friend in Istanbul a few days after the coup. But the band cancelled the gig soon after the news broke of the 15 July massacres. Attendance at football matches – a working-class passion in Turkey – has also fallen since the Passolig, an electronic ticketing system designed to stamp out hooliganism, was introduced in 2014. Turkish politicians, though, always seem to find reasons to get on stage to bellow to their flag wavers.
At least the street sellers still have events where they can hawk their merchandise.
‘I used to sell at the football matches,’ says Mehmet, a small, gnarled old man with a thick grey moustache and a clear disdain for this evening’s show. ‘You know – fake team shirts, scarves, that kind of thing. Then they started cracking down on us. The Zabıta’ – a unique Turkish cross-breed of trading-standards-officer-meets-traffic-warden – ‘started issuing fines, and now the teams’ lawyers walk around and check out our stalls. If they see you selling anything with logos, they sue you.’
‘When did the crackdown begin?’ I ask.
‘When Erdoğan came to power!’ he laughs as he replies.
Even here, at Erdoğan’s own event, Mehmet is being screwed: official event marshals are riding around in pick-up trucks laden with Turkish flags and baseball caps bearing the official coup commemoration logo, cheap mementoes they are handing out for free. I pick some up to add to my burgeoning collection of Turkish political tat, and continue on towards the bridge.
Just before the arch takes flight the crowds grow so thick I lose the will to keep pushing through. Instead I stop, look around, and take in the febrile buzz. A friend and fellow journalist has texted me, warning that the riled-up crowd has been chanting abuse at the CNN news crew. I thought that, with my notebook firmly in my rucksack, I would blend in. I was wrong.
‘Excuse me, are you a journalist?’ asks a slight young woman in black abaya and headscarf who emerges from nowhere, catching me by my elbow, and off guard.
Yes, I reply, I am.
‘Which channel?’
Her eyes are hard and suspicious, not friendly as those of nosy Turks usually are. I tell her I work for a newspaper, not for TV, but she doesn’t believe me.
‘Really?’
My companion for the evening was caught in a mob attack during the coup in Egypt four years ago, and is alert to the warning signs. Other people are beginning to look around, so I shake the woman off and we push deeper into the crowd. When I stop again, I notice a young man with terrible teeth, dark brown and shunted into his mouth at weird angles, gazing up at the screen and grinning.
‘Tayyip!’ he yells as live pictures of his hero, just a few hundred metres down the road, flash up. ‘TAYYIIIIIIIIIIP!’
He is so enraptured he doesn’t notice me staring.