Kitabı oku: «Hans Andersen's Fairy Tales. Second Series», sayfa 13
EVERYTHING IN ITS RIGHT PLACE
MORE than a hundred years ago, behind the wood and by a deep lake, stood an old baronial mansion. Round it lay a deep moat, in which grew reeds and rushes, and close by the bridge, near the entrance gate, stood an old willow that bent itself over the moat.
From a narrow lane one day sounded the clang of horns and the trampling of horses. The little girl who kept the geese hastened to drive them away from the bridge before the hunting party came galloping up to it. They came, however, with such haste that the girl was obliged to climb up and seat herself on the parapet of the bridge, lest they should ride over her. She was scarcely more than a child, with a pretty, delicate figure, a gentle expression of face, and two bright blue eyes – all of which the baron took no note of; but as he galloped past, he reversed the whip held in his hand, and in rough play gave the little goose-watcher such a push with the butt end that she fell backward into the ditch.
"Everything in its right place," cried he. "Into the puddle with you!" and then he laughed aloud at what he called his own wit, and the rest joined with him. The whole party shouted and screamed, and the dogs barked loudly.
Fortunately for herself, the poor girl in falling caught hold of one of the overhanging branches of the willow tree, by which she was able to keep herself from falling into the muddy pool. As soon as the baron, with his company and his dogs, had disappeared through the castle gate, she tried to raise herself by her own exertions; but the bough broke off at the top, and she would have fallen backwards among the reeds if a strong hand had not at that moment seized her from above. It was the hand of a peddler, who, at a short distance, had witnessed the whole affair and hastened up to give assistance.
"Everything in its right place," he said, imitating the noble baron, as he drew the little maiden up on dry ground. He would have restored the bough to the place from which it had been broken off, but "everything in its right place" is not always so easy to arrange, so he stuck the bough in the soft earth. "Grow and prosper as much as you can," said he, "till you produce a good flute for some of them over there. With the permission of the noble baron and his family, I should like them to hear my challenge."
So he betook himself to the castle, but not into the noble hall; he was too humble for that. He went to the servants' apartments, and the men and maids examined and turned over his stock of goods, while from above, where the company were at table, came sounds of screaming and shouting which they called singing – and indeed they did their best. Loud laughter, mingled with the howling of dogs, sounded through the open windows. All were feasting and carousing. Wine and strong ale foamed in the jugs and glasses; even the dogs ate and drank with their masters. The peddler was sent for, but only to make fun for them. The wine had mounted to their heads, and the sense had flown out. They poured wine into a stocking for him to drink with them – quickly, of course – and this was considered a rare jest and occasioned fresh bursts of laughter. At cards, whole farms, with their stock of peasants and cattle, were staked on a card and lost.
"Everything in its right place," said the peddler, when he at last escaped from what he called the Sodom and Gomorrah up there. "The open highroad is my right place; that house did not suit me at all." As he stepped along, he saw the little maiden keeping watch over the geese, and she nodded to him in a friendly way.
Days and weeks passed, and it soon became evident that the willow branch which had been stuck in the ground by the peddler, near to the castle moat, had taken root, for it remained fresh and green and put forth new twigs.
The little girl saw that the branch must have taken root, and she was quite joyful about it. "This tree," she said, "must be my tree now."
The tree certainly flourished, but at the castle, what with feasting and gambling, everything went to ruin; for these two things are like rollers, upon which no man can possibly stand securely. Six years had not passed away before the noble baron wandered out of the castle gate a poor man, and the mansion was bought by a rich dealer. This dealer was no other than the man of whom he had made fun and for whom he had poured wine into a stocking to drink. But honesty and industry are like favorable winds to a ship, and they had brought the peddler to be master of the baron's estates. From that hour no more card playing was permitted there.
The new proprietor took to himself a wife, and who should it be but the little goose-watcher, who had always remained faithful and good, and who looked as beautiful and fine in her new clothes as if she had been a highly born lady. It would be too long a story in these busy times to explain how all this came about, but it really did happen, and the most important part is to come.
It was pleasant to live in the old court now. The mistress herself managed the housekeeping within, and the master superintended the estate. Their home overflowed with blessings, for where rectitude leads the way, prosperity is sure to follow. The old house was cleaned and painted, the moat dried up, and fruit trees planted in it. The floors of the house were polished as smoothly as a draftboard, and everything looked bright and cheerful.
During the long winter evenings the lady of the house sat with her maidens at the spinning wheel in the great hall. Her husband, in his old age, had been made a magistrate. Every Sunday evening he read the Bible with his family, for children had come to him and were all instructed in the best manner, although they were not all equally clever – as is the case in all families. In the meantime, the willow branch at the castle gate had grown into a splendid tree and stood free and unrestrained.
"That is our genealogical tree," said the old people, "and the tree must therefore be honored and esteemed, even by those who are not very wise."
A hundred years passed away, and the place presented a much-changed aspect. The lake had been converted into moorland, and the old baronial castle had almost disappeared. A pool of water, the deep moat, and the ruins of some of the walls were all that remained. Close by grew a magnificent willow tree, with overhanging branches – the same genealogical tree of former times. Here it still stood, showing to what beauty a willow can attain when left to itself. To be sure, the trunk was split through, from the root to the top, and the storm had slightly bent it; but it stood firm through all, and from every crevice and opening into which earth had been carried by the wind, shot forth blossoms and flowers. Near the top, where the large boughs parted, the wild raspberry twined its branches and looked like a hanging garden. Even the little mistletoe had here struck root, and flourished, graceful and delicate, among the branches of the willow, which were reflected in the dark waters beneath it. Sometimes the wind from the sea scattered the willow leaves. A path led through the field, close by the tree.
On the top of a hill, near the forest, with a splendid prospect before it, stood the new baronial hall, with panes of such transparent glass in the windows that there appeared to be none. The grand flight of steps leading to the entrance looked like a bower of roses and broad-leaved plants. The lawn was as fresh and green as if each separate blade of grass were cleaned morning and evening. In the hall hung costly pictures. The chairs and sofas were of silk and velvet and looked almost as if they could move of themselves. There were tables with white marble tops, and books bound in velvet and gold. Here, indeed, resided wealthy people, people of rank – the new baron and his family.
Each article was made to harmonize with the other furnishings. The family motto still was, "Everything in its right place." Therefore the pictures which were once the honor and glory of the old house now hung in the passage leading to the servants' hall. They were considered mere lumber; especially two old portraits, one of a man in a wig and a rose-colored coat, the other of a lady with frizzed and powdered hair, holding a rose in her hand, each surrounded by a wreath of willow leaves. Both the pictures had many holes in them, for the little barons always set up the two old people as targets for their bows and arrows; and yet these were pictures of the magistrate and his lady, from whom the present family were descended. "But they did not properly belong to our family," said one of the little barons; "he was a peddler, and she kept the geese. They were not like papa and mamma." So the pictures, being old, were considered worthless; and the motto being "Each in its right place," the great-grandfather and the great-grandmother of the family were sent into the passage leading to the servants' hall.
The son of the clergyman of the place was tutor at the great house. One day he was out walking with his pupils – the little barons – and their eldest sister, who had just been confirmed. They took the path through the fields, which led past the old willow tree. While they walked, the young lady made a wreath of hedge blossoms and wild flowers, "each in its right place," and the wreath was, as a whole, very pretty. At the same time she heard every word uttered by the son of the clergyman. She liked very much to hear him talk of the wonders of nature and of the great men and women of history. She had a healthy mind, with nobility of thought and feeling, and a heart full of love for all God's creation.
The walking party halted at the old willow tree; the youngest of the barons wanted a branch from it to make a flute, as he had already made them from other willows. The tutor broke off a branch. "Oh, don't do that," exclaimed the young baroness; but it was already done. "I am so sorry," she continued; "that is our famous old tree, and I love it very much. They laugh at me for it at home, but I don't mind. There is a story told about that tree."
Then she told him what we already know: about the old castle, and about the peddler and the girl with the geese, who had met at this spot for the first time and were the ancestors of the noble family to which the young baroness belonged. "The good old folks would not be ennobled," said she. "Their motto was 'Everything in its right place,' and they thought it would not be right for them to purchase a title with money. My grandfather, the first baron, was their son. He was a very learned man, known and appreciated by princes and princesses, and was present at all the festivals at court. At home, they all love him best, but I scarcely know why. There seems to me something in the first old pair that draws my heart towards them. How sociable, how patriarchal, it must have been in the old house, where the mistress sat at the spinning wheel with her maids while her husband read aloud to them from the Bible!"
"They must have been charming, sensible people," said the tutor, and then the conversation turned upon nobles and commoners. It was almost as if the tutor did not belong to an inferior class, he spoke so wisely upon the purpose and intention of nobility.
"It is certainly good fortune to belong to a family that has distinguished itself in the world, and to inherit the energy which spurs us on to progress in everything noble and useful. It is pleasant to bear a family name that is like a card of admission to the highest circles. True nobility is always great and honorable. It is a coin which has received the impression of its own value. It is a mistake of the present day, into which many poets have fallen, to affirm that all who are noble by birth must therefore be wicked or foolish, and that the lower we descend in society the oftener we find great and shining characters. I feel that this is quite false. In all classes can be found men and women possessing kindly and beautiful traits.
"My mother told me of one, and I could tell you of many more. She was once on a visit to a nobleman's house in the town; my grandmother, I believe, had been brought up in the family. One day, when my mother and the nobleman happened to be alone, an old woman came limping into the court on crutches. She was accustomed to come every Sunday and always carried away a gift with her. 'Ah, there is the poor old woman,' said the nobleman; 'what pain it is for her to walk!' And before my mother understood what he said, he had left the room and run downstairs to the old woman. Though seventy years old himself, the old nobleman carried to the woman the gift she had come to receive, to spare her the pain of walking any farther. This is only a trifling circumstance, but, like the two mites given by the widow in the Bible, it wakes an echo in the heart.
"These are subjects of which poets should write and sing, for they soften and unite mankind into one brotherhood. But when a mere sprig of humanity, because it has noble ancestors of good blood, rears up and prances like an Arabian horse in the street or speaks contemptuously of common people, then it is nobility in danger of decay – a mere pretense, like the mask which Thespis invented. People are glad to see such persons turned into objects of satire."
This was the tutor's speech – certainly rather a long one, but he had been busily engaged in cutting the flute while he talked.
There was a large party at the Hall that evening. The grand salon was crowded with guests – some from the neighborhood, some from the capital. There was a bevy of ladies richly dressed with, and without, taste; a group of the clergy from the adjoining parishes, in a corner together, as grave as though met for a funeral. A funeral party it certainly was not, however; it was meant for a party of pleasure, but the pleasure was yet to come. Music and song filled the rooms, first one of the party volunteering, then another. The little baron brought out his flute, but neither he nor his father, who tried it after him, could make anything of it. It was pronounced a failure.
"But you are a performer, too, surely," said a witty gentleman, addressing the tutor. "You are of course a flute player as well as a flute maker. You are a universal genius, I hear, and genius is quite the rage nowadays – nothing like genius. Come now; I am sure you will be so good as to enchant us by playing on this little instrument." He handed it over, announcing in a loud voice that the tutor was going to favor the company with a solo on the flute.
It was easy to see that these people wanted to make fun of him, and he refused to play. But they pressed him so long and so urgently that at last, in very weariness, he took the flute and raised it to his lips.
It was a strange flute! A sound issued from it, loud, shrill, and vibrating, like that sent forth by a steam engine – nay, far louder. It thrilled through the house, through garden and woodland, miles out into the country; and with the sound came also a strong, rushing wind, its stormy breath clearly uttering the words, "Everything in its right place!"
Forthwith the baron, the master of the Hall, was caught up by the wind, carried out at the window, and was shut up in the porter's lodge in a trice. The porter himself was borne up, not into the drawing room – no, for that he was not fit – but into the servants' hall, where the proud lackeys in their silk stockings shook with horror to see so low a person sit at table with them.
But in the grand salon the young baroness was wafted to the seat of honor, where she was worthy to sit, and the tutor's place was by her side. There they sat together, for all the world like bride and bridegroom. An old count, descended from one of the noblest houses in the land, retained his seat, not so much as a breath of air disturbing him, for the flute was strictly just. The witty young gentleman, who had been the occasion of all this tumult, was whirled out headforemost to join geese and ganders in the poultry yard.
Half a mile out in the country the flute wrought wonders. The family of a rich merchant, who drove with four horses, were all precipitated from the carriage window. Two farmers, who had of late grown too wealthy to know their nearest relations, were puffed into a ditch. It was a dangerous flute. Luckily, at the first sound it uttered, it burst and was then put safely away in the tutor's pocket. "Everything in its right place!"
Next day no more was said about the adventure than as if it had never happened. The affair was hushed up, and all things were the same as before, except that the two old portraits of the peddler and the goose girl continued to hang on the walls of the salon, whither the wind had blown them. Here some connoisseur chanced to see them, and because he pronounced them to be painted by a master hand, they were cleaned and restored and ever after held in honor. Their value had not been known before.
"Everything in its right place!" So shall it be, all in good time, never fear. Not in this world, perhaps. That would be expecting rather too much.
THE REAL PRINCESS
THERE was once a prince who wanted to marry a princess. But she must be a real princess, mind you. So he traveled all round the world, seeking such a one, but everywhere something was in the way. Not that there was any lack of princesses, but he could not seem to make out whether they were real princesses; there was always something not quite satisfactory. Therefore, home he came again, quite out of spirits, for he wished so much to marry a real princess.
One evening a terrible storm came on. It thundered and lightened, and the rain poured down; indeed, it was quite fearful. In the midst of it there came a knock at the town gate, and the old king went out to open it.
It was a princess who stood outside. But O dear, what a state she was in from the rain and bad weather! The water dropped from her hair and clothes, it ran in at the tips of her shoes and out at the heels; yet she insisted she was a real princess.
"Very well," thought the old queen; "that we shall presently see." She said nothing, but went into the bedchamber and took off all the bedding, then laid a pea on the sacking of the bedstead. Having done this, she took twenty mattresses and laid them upon the pea and placed twenty eider-down beds on top of the mattresses.
The princess lay upon this bed all the night. In the morning she was asked how she had slept.
"Oh, most miserably!" she said. "I scarcely closed my eyes the whole night through. I cannot think what there could have been in the bed. I lay upon something so hard that I am quite black and blue all over. It is dreadful!"
It was now quite evident that she was a real princess, since through twenty mattresses and twenty eider-down beds she had felt the pea. None but a real princess could have such delicate feeling.
So the prince took her for his wife, for he knew that in her he had found a true princess. And the pea was preserved in the cabinet of curiosities, where it is still to be seen unless some one has stolen it.
And this, mind you, is a real story.
THE EMPEROR'S NEW CLOTHES
MANY years ago there was an emperor who was so fond of new clothes that he spent all his money on them. He did not give himself any concern about his army; he cared nothing about the theater or for driving about in the woods, except for the sake of showing himself off in new clothes. He had a costume for every hour in the day, and just as they say of a king or emperor, "He is in his council chamber," they said of him, "The emperor is in his dressing room."
Life was merry and gay in the town where the emperor lived, and numbers of strangers came to it every day. Among them there came one day two rascals, who gave themselves out as weavers and said that they knew how to weave the most exquisite stuff imaginable. Not only were the colors and patterns uncommonly beautiful, but the clothes that were made of the stuff had the peculiar property of becoming invisible to every person who was unfit for the office he held or who was exceptionally stupid.
"Those must be valuable clothes," thought the emperor. "By wearing them I should be able to discover which of the men in my empire are not fit for their posts. I should distinguish wise men from fools. Yes, I must order some of the stuff to be woven for me directly." And he paid the swindlers a handsome sum of money in advance, as they required.
As for them, they put up two looms and pretended to be weaving, though there was nothing whatever on their shuttles. They called for a quantity of the finest silks and of the purest gold thread, all of which went into their own bags, while they worked at their empty looms till late into the night.
"I should like to know how those weavers are getting on with the stuff," thought the emperor. But he felt a little queer when he reflected that those who were stupid or unfit for their office would not be able to see the material. He believed, indeed, that he had nothing to fear for himself, but still he thought it better to send some one else first, to see how the work was coming on. All the people in the town had heard of the peculiar property of the stuff, and every one was curious to see how stupid his neighbor might be.
"I will send my faithful old prime minister to the weavers," thought the emperor. "He will be best capable of judging of this stuff, for he is a man of sense and nobody is more fit for his office than he."
So the worthy old minister went into the room where the two swindlers sat working the empty looms. "Heaven save us!" thought the old man, opening his eyes wide. "Why, I can't see anything at all!" But he took care not to say so aloud.
Both the rogues begged him to step a little nearer and asked him if he did not think the patterns very pretty and the coloring fine. They pointed to the empty loom as they did so, and the poor old minister kept staring as hard as he could – but without being able to see anything on it, for of course there was nothing there to see.
"Heaven save us!" thought the old man. "Is it possible that I am a fool? I have never thought it, and nobody must know it. Is it true that I am not fit for my office? It will never do for me to say that I cannot see the stuffs."
"Well, sir, do you say nothing about the cloth?" asked the one who was pretending to go on with his work.
"Oh, it is most elegant, most beautiful!" said the dazed old man, as he peered again through his spectacles. "What a fine pattern, and what fine colors! I will certainly tell the emperor how pleased I am with the stuff."
"We are glad of that," said both the weavers; and then they named the colors and pointed out the special features of the pattern. To all of this the minister paid great attention, so that he might be able to repeat it to the emperor when he went back to him.
And now the cheats called for more money, more silk, and more gold thread, to be able to proceed with the weaving, but they put it all into their own pockets, and not a thread went into the stuff, though they went on as before, weaving at the empty looms.
After a little time the emperor sent another honest statesman to see how the weaving was progressing, and if the stuff would soon be ready. The same thing happened with him as with the minister. He gazed and gazed, but as there was nothing but empty looms, he could see nothing else.
"Is not this an exquisite piece of stuff?" asked the weavers, pointing to one of the looms and explaining the beautiful pattern and the colors which were not there to be seen.
"I am not stupid, I know I am not!" thought the man, "so it must be that I am not fit for my good office. It is very strange, but I must not let it be noticed." So he praised the cloth he did not see and assured the weavers of his delight in the lovely colors and the exquisite pattern. "It is perfectly charming," he reported to the emperor.
Everybody in the town was talking of the splendid cloth. The emperor thought he should like to see it himself while it was still on the loom. With a company of carefully selected men, among whom were the two worthy officials who had been there before, he went to visit the crafty impostors, who were working as hard as ever at the empty looms.
"Is it not magnificent?" said both the honest statesmen. "See, your Majesty, what splendid colors, and what a pattern!" And they pointed to the looms, for they believed that others, no doubt, could see what they did not.
"What!" thought the emperor. "I see nothing at all. This is terrible! Am I a fool? Am I not fit to be emperor? Why nothing more dreadful could happen to me!"
"Oh, it is very pretty! it has my highest approval," the emperor said aloud. He nodded with satisfaction as he gazed at the empty looms, for he would not betray that he could see nothing.
His whole suite gazed and gazed, each seeing no more than the others; but, like the emperor, they all exclaimed, "Oh, it is beautiful!" They even suggested to the emperor that he wear the splendid new clothes for the first time on the occasion of a great procession which was soon to take place.
"Splendid! Gorgeous! Magnificent!" went from mouth to mouth. All were equally delighted with the weavers' workmanship. The emperor gave each of the impostors an order of knighthood to be worn in their buttonholes, and the title Gentleman Weaver of the Imperial Court.
Before the day on which the procession was to take place, the weavers sat up the whole night, burning sixteen candles, so that people might see how anxious they were to get the emperor's new clothes ready. They pretended to take the stuff from the loom, they cut it out in the air with huge scissors, and they stitched away with needles which had no thread in them. At last they said, "Now the clothes are finished."
The emperor came to them himself with his grandest courtiers, and each of the rogues lifted his arm as if he held something, saying, "See! here are the trousers! here is the coat! here is the cloak," and so on. "It is as light as a spider's web. One would almost feel as if one had nothing on, but that is the beauty of it!"
"Yes," said all the courtiers, but they saw nothing, for there was nothing to see.
"Will your Majesty be graciously pleased to take off your clothes so that we may put on the new clothes here, before the great mirror?"
The emperor took off his clothes, and the rogues pretended to put on first one garment and then another of the new ones they had pretended to make. They pretended to fasten something round his waist and to tie on something. This they said was the train, and the emperor turned round and round before the mirror.
"How well his Majesty looks in the new clothes! How becoming they are!" cried all the courtiers in turn. "That is a splendid costume!"
"The canopy that is to be carried over your Majesty in the procession is waiting outside," said the master of ceremonies.
"Well, I am ready," replied the emperor. "Don't the clothes look well?" and he turned round and round again before the mirror, to appear as if he were admiring his new costume.
The chamberlains, who were to carry the train, stooped and put their hands near the floor as if they were lifting it; then they pretended to be holding something in the air. They would not let it be noticed that they could see and feel nothing.
So the emperor went along in the procession, under the splendid canopy, and every one in the streets said: "How beautiful the emperor's new clothes are! What a splendid train! And how well they fit!"
No one wanted to let it appear that he could see nothing, for that would prove him not fit for his post. None of the emperor's clothes had been so great a success before.
"But he has nothing on!" said a little child.
"Just listen to the innocent," said its father; and one person whispered to another what the child had said. "He has nothing on; a child says he has nothing on!"
"But he has nothing on," cried all the people. The emperor was startled by this, for he had a suspicion that they were right. But he thought, "I must face this out to the end and go on with the procession." So he held himself more stiffly than ever, and the chamberlains held up the train that was not there at all.
