Kitabı oku: «Hans Andersen's Fairy Tales. Second Series», sayfa 7
Then they sighed deeply and mournfully, and sank beneath the waves.
The little mermaid drew back the crimson curtain of the tent and beheld the fair bride, whose head was resting on the prince's breast. She bent down and kissed his noble brow, then looked at the sky, on which the rosy dawn grew brighter and brighter. She glanced at the sharp knife and again fixed her eyes on the prince, who whispered the name of his bride in his dreams.
She was in his thoughts, and the knife trembled in the hand of the little mermaid – but she flung it far from her into the waves. The water turned red where it fell, and the drops that spurted up looked like blood. She cast one more lingering, half-fainting glance at the prince, then threw herself from the ship into the sea and felt her body dissolving into foam.
The sun rose above the waves, and his warm rays fell on the cold foam of the little mermaid, who did not feel as if she were dying. She saw the bright sun, and hundreds of transparent, beautiful creatures floating around her – she could see through them the white sails of the ships and the red clouds in the sky. Their speech was melodious, but could not be heard by mortal ears – just as their bodies could not be seen by mortal eyes. The little mermaid perceived that she had a body like theirs and that she continued to rise higher and higher out of the foam. "Where am I?" asked she, and her voice sounded ethereal, like the voices of those who were with her. No earthly music could imitate it.
"Among the daughters of the air," answered one of them. "A mermaid has not an immortal soul, nor can she obtain one unless she wins the love of a human being. On the will of another hangs her eternal destiny. But the daughters of the air, although they do not possess an immortal soul, can, by their good deeds, procure one for themselves. We fly to warm countries and cool the sultry air that destroys mankind with the pestilence. We carry the perfume of the flowers to spread health and restoration.
"After we have striven for three hundred years to do all the good in our power, we receive an immortal soul and take part in the happiness of mankind. You, poor little mermaid, have tried with your whole heart to do as we are doing. You have suffered and endured, and raised yourself to the spirit world by your good deeds, and now, by striving for three hundred years in the same way, you may obtain an immortal soul."
The little mermaid lifted her glorified eyes toward the sun and, for the first time, felt them filling with tears.
On the ship in which she had left the prince there were life and noise, and she saw him and his beautiful bride searching for her. Sorrowfully they gazed at the pearly foam, as if they knew she had thrown herself into the waves. Unseen she kissed the forehead of the bride and fanned the prince, and then mounted with the other children of the air to a rosy cloud that floated above.
"After three hundred years, thus shall we float into the kingdom of heaven," said she. "And we may even get there sooner," whispered one of her companions. "Unseen we can enter the houses of men where there are children, and for every day on which we find a good child that is the joy of his parents and deserves their love, our time of probation is shortened. The child does not know, when we fly through the room, that we smile with joy at his good conduct – for we can count one year less of our three hundred years. But when we see a naughty or a wicked child we shed tears of sorrow, and for every tear a day is added to our time of trial."
BUCKWHEAT
IF YOU should chance, after a tempest, to cross a field where buckwheat is growing, you may observe that it looks black and singed, as if a flame of fire had passed over it. And should you ask the reason, a farmer will tell you, "The lightning did that."
But how is it that the lightning did it?
I will tell you what the sparrow told me, and the sparrow heard it from an aged willow which stood – and still stands for that matter – close to the field of buckwheat.
This willow is tall and venerable, though old and crippled. Its trunk is split clear through the middle, and grass and blackberry tendrils creep out through the cleft. The tree bends forward, and its branches droop like long, green hair.
In the fields around the willow grew rye, wheat, and oats – beautiful oats that, when ripe, looked like little yellow canary birds sitting on a branch. The harvest had been blessed, and the fuller the ears of grain the lower they bowed their heads in reverent humility.
There was also a field of buckwheat lying just in front of the old willow. The buckwheat did not bow its head, like the rest of the grain, but stood erect in stiff-necked pride.
"I am quite as rich as the oats," it said; "and, moreover, I am much more sightly. My flowers are as pretty as apple blossoms. It is a treat to look at me and my companions. Old willow, do you know anything more beautiful than we?"
The willow nodded his head, as much as to say, "Indeed I do!" But the buckwheat was so puffed with pride that it only said: "The stupid tree! He is so old that grass is growing out of his body."
Now there came on a dreadful storm, and the flowers of the field folded their leaves or bent their heads as it passed over them. The buckwheat flower alone stood erect in all its pride.
"Bow your heads, as we do," called the flowers.
"There is no need for me to do that," answered the buckwheat.
"Bow your head as we do," said the grain. "The angel of storms comes flying hither. He has wings that reach from the clouds to the earth; he will smite you before you have time to beg for mercy."
"But I do not choose to bow down," said the buckwheat.
"Close your flowers and fold your leaves," said the old willow. "Do not look at the lightning when the cloud breaks. Even human beings dare not do that, for in the midst of the lightning one may look straight into God's heaven. The sight strikes human beings blind, so dazzling is it. What would not happen to us, mere plants of the field, who are so much humbler, if we should dare do so?"
"So much humbler! Indeed! If there is a chance, I shall look right into God's heaven." And in its pride and haughtiness it did so. The flashes of lightning were so awful that it seemed as if the whole world were in flames.
When the tempest was over, both the grain and the flowers, greatly refreshed by the rain, again stood erect in the pure, quiet air. But the buckwheat had been burned as black as a cinder by the lightning and stood in the field like a dead, useless weed.
The old willow waved his branches to and fro in the wind, and large drops of water fell from his green leaves, as if he were shedding tears. The sparrows asked: "Why are you weeping when all around seems blest? Do you not smell the sweet perfume of flowers and bushes? The sun shines, and the clouds have passed from the sky. Why do you weep, old tree?"
Then the willow told them of the buckwheat's stubborn pride and of the punishment which followed.
I, who tell this tale, heard it from the sparrows. They told it to me one evening when I had asked them for a story.
WHAT HAPPENED TO THE THISTLE
AROUND a lordly old mansion was a beautiful, well-kept garden, full of all kinds of rare trees and flowers. Guests always expressed their delight and admiration at the sight of its wonders. The people from far and near used to come on Sundays and holidays and ask permission to see it. Even whole schools made excursions for the sole purpose of seeing its beauties.
Near the fence that separated the garden from the meadow stood an immense thistle. It was an uncommonly large and fine thistle, with several branches spreading out just above the root, and altogether was so strong and full as to make it well worthy of the name "thistle bush."
No one ever noticed it, save the old donkey that pulled the milk cart for the dairymaids. He stood grazing in the meadow hard by and stretched his old neck to reach the thistle, saying: "You are beautiful! I should like to eat you!" But the tether was too short to allow him to reach the thistle, so he did not eat it.
There were guests at the Hall, fine, aristocratic relatives from town, and among them a young lady who had come from a long distance – all the way from Scotland. She was of old and noble family and rich in gold and lands – a bride well worth the winning, thought more than one young man to himself; yes, and their mothers thought so, too!
The young people amused themselves on the lawn, playing croquet and flitting about among the flowers, each young girl gathering a flower to put in the buttonhole of some one of the gentlemen.
The young Scotch lady looked about for a flower, but none of them seemed to please her, until, happening to glance over the fence, she espied the fine, large thistle bush, full of bluish-red, sturdy-looking flowers. She smiled as she saw it, and begged the son of the house to get one of them for her.
"That is Scotland's flower," she said; "it grows and blossoms in our coat of arms. Get that one yonder for me, please."
And he gathered the finest of the thistle flowers, though he pricked his fingers as much in doing so as if it had been growing on a wild rosebush.
She took the flower and put it in his buttonhole, which made him feel greatly honored. Each of the other young men would gladly have given up his graceful garden flower if he might have worn the one given by the delicate hands of the Scotch girl. As keenly as the son of the house felt the honor conferred upon him, the thistle felt even more highly honored. It seemed to feel dew and sunshine going through it.
"It seems I am of more consequence than I thought," it said to itself. "I ought by rights to stand inside and not outside the fence. One gets strangely placed in this world, but now I have at least one of my flowers over the fence – and not only there, but in a buttonhole!"
To each one of its buds as it opened, the thistle bush told this great event. And not many days had passed before it heard – not from the people who passed, nor yet from the twittering of little birds, but from the air, which gives out, far and wide, the sounds that it has treasured up from the shadiest walks of the beautiful garden and from the most secluded rooms at the Hall, where doors and windows are left open – that the young man who received the thistle flower from the hands of the Scottish maiden had received her heart and hand as well.
"That is my doing!" said the thistle, thinking of the flower she had given to the buttonhole. And every new flower that came was told of this wonderful event.
"Surely I shall now be taken and planted in the garden," thought the thistle. "Perhaps I shall be put into a flowerpot, for that is by far the most honorable position." It thought of this so long that it ended by saying to itself with the firm conviction of truth, "I shall be planted in a flowerpot!"
It promised every little bud that came that it also should be placed in a pot and perhaps have a place in a buttonhole – that being the highest position one could aspire to. But none of them got into a flowerpot, and still less into a gentleman's buttonhole.
They lived on light and air, and drank sunshine in the day and dew at night. They received visits from bee and hornet, who came to look for the honey in the flower, and who took the honey and left the flower.
"The good-for-nothing fellows," said the thistle bush. "I would pierce them if I could!"
The flowers drooped and faded, but new ones always came.
"You come as if you had been sent," said the thistle bush to them. "I am expecting every moment to be taken over the fence."
A couple of harmless daisies and a huge, thin plant of canary grass listened to this with the deepest respect, believing all they heard. The old donkey, that had to pull the milk cart, cast longing looks toward the blooming thistle and tried to reach it, but his tether was too short. And the thistle bush thought and thought, so much and so long, of the Scotch thistle – to whom it believed itself related – that at last it fancied it had come from Scotland and that its parents had grown into the Scottish arms.
It was a great thought, but a great thistle may well have great thoughts.
"Sometimes one is of noble race even if one does not know it," said the nettle growing close by – it had a kind of presentiment that it might be turned into muslin, if properly treated.
The summer passed, and the autumn passed; the leaves fell from the trees; the flowers came with stronger colors and less perfume; the gardener's lad sang on the other side of the fence:
"Up the hill and down the hill,
That's the way of the world still."
The young pine trees in the wood began to feel a longing for Christmas, though Christmas was still a long way off.
"Here I am still," said the thistle. "It seems that I am quite forgotten, and yet it was I who made the match. They were engaged, and now they are married – the wedding was a week ago. I do not make a single step forward, for I cannot."
Some weeks passed. The thistle had its last, solitary flower, which was large and full and growing down near the root. The wind blew coldly over it, the color faded, and all its glory disappeared, leaving only the cup of the flower, now grown to be as large as the flower of an artichoke and glistening like a silvered sunflower.
The young couple, who were now man and wife, came along the garden path, and as they passed near the fence, the bride, glancing over it, said, "Why, there stands the large thistle! it has no flowers now."
"Yes, there is still the ghost of the last one," said her husband, pointing to the silvery remains of the last flower – a flower in itself.
"How beautiful it is!" she said. "We must have one carved in the frame of our picture."
And once more the young man had to get over the fence, to break off the silvery cup of the thistle flower. It pricked his fingers for his pains, because he had called it a ghost. And then it was brought into the garden, and to the Hall, and into the drawing room. There stood a large picture – the portraits of the two, and in the bridegroom's buttonhole was painted a thistle. They talked of it and of the flower cup they had brought in with them – the last silver-shimmering thistle flower, that was to be reproduced in the carving of the frame.
The air took all their words and scattered them about, far and wide.
"What strange things happen to one!" said the thistle bush. "My first-born went to live in a buttonhole, my last-born in a frame! I wonder what is to become of me."
The old donkey, standing by the roadside, cast loving glances at the thistle and said, "Come to me, my sweetheart, for I cannot go to you; my tether is too short!"
But the thistle bush made no answer. It grew more and more thoughtful, and it thought as far ahead as Christmas, till its budding thoughts opened into flower.
"When one's children are safely housed, a mother is quite content to stay beyond the fence."
"That is true," said the sunshine; "and you will be well placed, never fear."
"In a flowerpot or in a frame?" asked the thistle.
"In a story," answered the sunshine. And here is the story!
THE PEN AND THE INKSTAND
IN A POET'S room, where his inkstand stood on the table, the remark was once made: "It is wonderful what can be brought out of an inkstand. What will come next? It is indeed wonderful."
"Yes, certainly," said the inkstand to the pen and to the other articles that stood on the table; "that's what I always say. It is wonderful and extraordinary what a number of things come out of me. It's quite incredible, and I really never know what is coming next when that man dips his pen into me. One drop out of me is enough for half a page of paper – and what cannot half a page contain?
"From me all the works of the poet are produced – all those imaginary characters whom people fancy they have known or met, and all the deep feeling, the humor, and the vivid pictures of nature. I myself don't understand how it is, for I am not acquainted with nature, but it is certainly in me. From me have gone forth to the world those wonderful descriptions of charming maidens, and of brave knights on prancing steeds; of the halt and the blind – and I know not what more, for I assure you I never think of these things."
"There you are right," said the pen, "for you don't think at all. If you did, you would see that you can only provide the means. You give the fluid, that I may place upon the paper what dwells in me and what I wish to bring to light. It is the pen that writes. No man doubts that; and indeed most people understand as much about poetry as an old inkstand."
"You have had very little experience," replied the inkstand. "You have hardly been in service a week and are already half worn out. Do you imagine you are a poet? You are only a servant, and before you came I had many like you, some of the goose family and others of English manufacture. I know a quill pen as well as I know a steel one. I have had both sorts in my service, and I shall have many more as long as he comes – the man who performs the mechanical part – and writes down what he obtains from me. I should like to know what will be the next thing he gets out of me."
"Inkpot!" retorted the pen, contemptuously.
Late in the evening the poet returned home from a concert, where he had been quite enchanted by the admirable performance of a famous violin player.
The player had produced from his instrument a richness of tone that sometimes sounded like tinkling water drops or rolling pearls, sometimes like the birds twittering in chorus, and then again, rising and swelling like the wind through the fir trees. The poet felt as if his own heart were weeping, but in tones of melody, like the sound of a woman's voice. These sounds seemed to come not only from the strings but from every part of the instrument. It was a wonderful performance and a difficult piece, and yet the bow seemed to glide across the strings so easily that one would think any one could do it. The violin and the bow seemed independent of their master who guided them. It was as if soul and spirit had been breathed into the instrument. And the audience forgot the performer in the beautiful sounds he produced.
Not so the poet; he remembered him and wrote down his thoughts on the subject: "How foolish it would be for the violin and the bow to boast of their performance, and yet we men often commit that folly. The poet, the artist, the man of science in his laboratory, the general – we all do it, and yet we are only the instruments which the Almighty uses. To Him alone the honor is due. We have nothing in ourselves of which we should be proud." Yes, this is what the poet wrote. He wrote it in the form of a parable and called it "The Master and the Instruments."
"That is what you get, madam," said the pen to the inkstand when the two were alone again. "Did you hear him read aloud what I had written down?"
"Yes, what I gave you to write," retorted the inkstand. "That was a cut at you, because of your conceit. To think that you could not understand that you were being quizzed! I gave you a cut from within me. Surely I must know my own satire."
"Ink pitcher!" cried the pen.
"Writing stick!" retorted the inkstand. And each of them felt satisfied that he had given a good answer. It is pleasing to be convinced that you have settled a matter by your reply; it is something to make you sleep well. And they both slept well over it.
But the poet did not sleep. Thoughts rose within him, like the tones of the violin, falling like pearls or rushing like the strong wind through the forest. He understood his own heart in these thoughts; they were as a ray from the mind of the Great Master of all minds.
"To Him be all the honor."
THE TEAPOT
THERE was once a proud teapot; it was proud of being porcelain, proud of its long spout, proud of its broad handle. It had something before and behind, – the spout before and the handle behind, – and that was what it talked about. But it did not talk of its lid, which was cracked and riveted; these were defects, and one does not talk of one's defects, for there are plenty of others to do that. The cups, the cream pot, and the sugar bowl, the whole tea service, would think much oftener of the lid's imperfections – and talk about them – than of the sound handle and the remarkable spout. The teapot knew it.
"I know you," it said within itself. "I know, too, my imperfection, and I am well aware that in that very thing is seen my humility, my modesty. Imperfections we all have, but we also have compensations. The cups have a handle, the sugar bowl a lid; I have both, and one thing besides, in front, which they can never have. I have a spout, and that makes me the queen of the tea table. I spread abroad a blessing on thirsting mankind, for in me the Chinese leaves are brewed in the boiling, tasteless water."
All this said the teapot in its fresh young life. It stood on the table that was spread for tea; it was lifted by a very delicate hand, but the delicate hand was awkward. The teapot fell, the spout snapped off, and the handle snapped off. The lid was no worse to speak of; the worst had been spoken of that.
The teapot lay in a swoon on the floor, while the boiling water ran out of it. It was a horrid shame, but the worst was that everybody jeered at it; they jeered at the teapot and not at the awkward hand.
"I never shall forget that experience," said the teapot, when it afterward talked of its life. "I was called an invalid, and placed in a corner, and the next day was given to a woman who begged for victuals. I fell into poverty, and stood dumb both outside and in. But then, just as I was, began my better life. One can be one thing and still become quite another.
"Earth was placed in me. For a teapot, this is the same as being buried, but in the earth was placed a flower bulb. Who placed it there, who gave it, I know not; but given it was, and it became a compensation for the Chinese leaves and the boiling water, a compensation for the broken handle and spout.
"And the bulb lay in the earth, the bulb lay in me; it became my heart, my living heart, such as I had never before possessed. There was life in me, power and might. The heart pulsed, and the bulb put forth sprouts; it was the springing up of thoughts and feelings which burst forth into flower.
"I saw it, I bore it, I forgot myself in its delight. Blessed is it to forget oneself in another. The flower gave me no thanks; it did not think of me. It was admired and praised, and I was glad at that. How happy it must have been! One day I heard some one say that the flower deserved a better pot. I was thumped hard on my back, which was a great affliction, and the flower was put into a better pot. I was thrown out into the yard, where I lie as an old potsherd. But I have the memory, and that I can never lose."
