Kitabı oku: «The True Story of My Life: A Sketch», sayfa 2

"He has certainly seen a ghost," said one of the women; and I almost believed so myself.

My mother married a second time, a young handicraftsman; but his family, who also belonged to the handicraft class, thought that he had married below himself, and neither my mother nor myself were permitted to visit them. My step-father was a young, grave man, who would have nothing to do with my education. I spent my time, therefore, over my peep show and my puppet theatre, and my greatest happiness consisted in collecting bright colored pieces of cloth and silk, which I cut out myself and sewed. My mother regarded it as good exercise preparatory to my becoming a tailor, and took up the idea that I certainly was born for it. I, on the contrary, said that I would go to the theatre and be an actor, a wish which my mother most sedulously opposed, because she knew of no other theatre than those of the strolling players and the rope-dancers. No, a tailor I must and should be. The only thing which in some measure reconciled me to this prospect was, that I should then get so many fragments to make up for my theatre.

My passion for reading, the many dramatic scenes which I knew by heart, and my remarkably fine voice, had turned upon me in some sort the attention of several of the more influential families of Odense. I was sent for to their houses, and the peculiar characteristics of my mind excited their interest. Among others who noticed me was the Colonel Hoegh-Guldberg, who with his family showed me the kindest sympathy; so much so, indeed, that he introduced me to the present king, then Prince Christian.

I grew rapidly, and was a tall lad, of whom my mother said that she could not let him any longer go about without any object in life. I was sent, therefore, to the charity school, but learned only religion, writing, and arithmetic, and the last badly enough; I could also scarcely spell a word correctly. On the master's birthday I always wove him a garland and wrote him a poem; he received them half with smiles and half as a joke; the last time, however, he scolded me. The street lads had also heard from their parents of my peculiar turn of mind, and that I was in the habit of going to the houses of the gentry. I was therefore one day pursued by a wild crowd of them, who shouted after me derisively, "There runs the play-writer!" I hid myself at home in a corner, wept, and prayed to God.

My mother said that I must be confirmed, in order that I might be apprenticed to the tailor trade, and thus do something rational. She loved me with her whole heart, but she did not understand my impulses and my endeavors, nor indeed at that time did I myself. The people about her always spoke against my odd ways, and turned me to ridicule.

We belonged to the parish of St. Knud, and the candidates for confirmation could either enter their names with the prevost or the chaplain. The children of the so-called superior families and the scholars of the grammar school went to the first, and the children of the poor to the second. I, however, announced myself as a candidate to the prevost, who was obliged to receive me, although he discovered vanity in my placing myself among his catechists, where, although taking the lowest place, I was still above those who were under the care of the chaplain. I would, however, hope that it was not alone vanity which impelled me. I had a sort of fear of the poor boys, who had laughed at me, and I always felt as it were an inward drawing towards the scholars of the grammar school, whom I regarded as far better than other boys. When I saw them playing in the church-yard, I would stand outside the railings, and wish that I were but among the fortunate ones,—not for the sake of play, but for the sake of the many books they had, and for what they might be able to become in the world. With the prevost, therefore, I should be able to come together with them, and be as they were; but I do not remember a single one of them now, so little intercourse would they hold with me. I had daily the feeling of having thrust myself in where people thought that I did not belong. One young girl, however, there was, and one who was considered too of the highest rank, whom I shall afterwards have to mention; she always looked gently and kindly at me, and even once gave me a rose. I returned home full of happiness, because there was one being who did not overlook and repel me.

An old female tailor altered my deceased father's great coat into a confirmation suit for me; never before had I worn so good a coat. I had also for the first time in my life a pair of boots. My delight was extremely great; my only fear was that everybody would not see them, and therefore I drew them up over my trousers, and thus marched through the church. The boots creaked, and that inwardly pleased me, for thus the congregation would hear that they were new. My whole devotion was disturbed; I was aware of it, and it caused me a horrible pang of conscience that my thoughts should be as much with my new boots as with God. I prayed him earnestly from my heart to forgive me, and then again I thought about my new boots.

During the last year I had saved together a little sum of money. When I counted it over I found it to be thirteen rix dollars banco (about thirty shillings) I was quite overjoyed at the possession of so much wealth, and as my mother now most resolutely required that I should be apprenticed to a tailor, I prayed and besought her that I might make a journey to Copenhagen, that I might see the greatest city in the world. "What wilt thou do there?" asked my mother.

"I will become famous," returned I, and I then told her all that I had read about extraordinary men. "People have," said I, "at first an immense deal of adversity to go through, and then they will be famous."

It was a wholly unintelligible impulse that guided me. I wept, I prayed, and at last my mother consented, after having first sent for a so-called wise woman out of the hospital, that she might read my future fortune by the coffee-grounds and cards.

"Your son will become a great man," said the old woman, "and in honor of him, Odense will one day be illuminated."

My mother wept when she heard that, and I obtained permission to travel. All the neighbors told my mother that it was a dreadful thing to let me, at only fourteen years of age, go to Copenhagen, which was such a long way off, and such a great and intricate city, and where I knew nobody.

"Yes," replied my mother, "but he lets me have no peace; I have therefore given my consent, but I am sure that he will go no further than Nyborg; when he gets sight of the rough sea, he will be frightened and turn back again."

During the summer before my confirmation, a part of the singers and performers of the Theatre Royal had been in Odense, and had given a series of operas and tragedies there. The whole city was taken with them. I, who was on good terms with the man who delivered the play-bills, saw the performances behind the scenes, and had even acted a part as page, shepherd, etc., and had spoken a few words. My zeal was so great on such occasions, that I stood there fully apparelled when the actors arrived to dress. By these means their attention was turned to me; my childlike manners and my enthusiasm amused them; they talked kindly with me, and I looked up to them as to earthly divinities. Everything which I had formerly heard about my musical voice, and my recitation of poetry, became intelligible to me. It was the theatre for which I was born: it was there that I should become a famous man, and for that reason Copenhagen was the goal of my endeavors. I heard a deal said about the large theatre in Copenhagen, and that there was to be soon what was called the ballet, a something which surpassed both the opera and the play; more especially did I hear the solo-dancer, Madame Schall, spoken of as the first of all. She therefore appeared to me as the queen of everything, and in my imagination I regarded her as the one who would be able to do everything for me, if I could only obtain her support. Filled with these thoughts, I went to the old printer Iversen, one of the most respectable citizens of Odense, and who, as I heard, had had considerable intercourse with the actors when they were in the town. He, I thought, must of necessity be acquainted with the famous dancer; him I would request to give me a letter of introduction to her, and then I would commit the rest to God.

The old man saw me for the first time, and heard my petition with much kindness; but he dissuaded me most earnestly from it, and said that I might learn a trade.

"That would actually be a great sin," returned I.

He was startled at the manner in which I said that, and it prepossessed him in my favor; he confessed that he was not personally acquainted with the dancer, but still that he would give me a letter to her. I received one from him, and now believed the goal to be nearly won.

My mother packed up my clothes in a small bundle, and made a bargain with the driver of a post carriage to take me back with him to Copenhagen for three rix dollars banco. The afternoon on which we were to set out came, and my mother accompanied me to the city gate. Here stood my old grandmother; in the last few years her beautiful hair had become grey; she fell upon my neck and wept, without being able to speak a word. I was myself deeply affected. And thus we parted. I saw her no more; she died in the following year.

I do not even know her grave; she sleeps in the poor-house burial-ground.

The postilion blew his horn; it was a glorious sunny afternoon, and the sunshine soon entered into my gay child-like mind. I delighted in every novel object which met my eye, and I was journeying towards the goal of my soul's desires. When, however, I arrived at Nyborg on the great Belt, and was borne in the ship away from my native island, I then truly felt how alone and forlorn I was, and that I had no one else except God in heaven to depend upon.

As soon as I set foot on Zealand, I stepped behind a shed, which stood on the shore, and falling upon my knees, besought of God to help and guide me aright; I felt myself comforted by so doing, and I firmly trusted in God and my own good fortune. The whole day and the following night I travelled through cities and villages; I stood solitarily by the carriage, and ate my bread while it was repacked.—I thought I was far away in the wide world.

CHAPTER II

On Monday morning, September 5th, 1819, I saw from the heights of Frederiksburg, Copenhagen, for the first time. At this place I alighted from the carriage, and with my little bundle in my hand, entered the city through the castle garden, the long alley and the suburb.

The evening before my arrival had been made memorable by the breaking out of the so-called Jews quarrel, which spread through many European countries. The whole city was in commotion [Footnote: This remarkable disturbance makes a fine incident in Anderson's romance of "Only a Fiddler."—M. H.]; every body was in the streets; the noise and tumult of Copenhagen far exceeded, therefore, any idea which my imagination had formed of this, at that time, to me great city.

With scarcely ten dollars in my pocket, I turned into a small public-house. My first ramble was to the theatre. I went round it many times; I looked up to its walls, and regarded them almost as a home. One of the bill-sellers, who wandered about here each day, observed me, and asked me if I would have a bill. I was so wholly ignorant of the world, that I thought the man wished to give me one; I therefore accepted his offer with thankfulness. He fancied I was making fun of him and was angry; so that I was frightened, and hastened from the place which was to me the dearest in the city. Little did I then imagine that ten years afterwards my first dramatic piece would be represented there, and that in this manner I should make my appearance before the Danish public. On the following day I dressed myself in my confirmation suit, nor were the boots forgotten, although, this time, they were worn, naturally, under my trousers; and thus, in my best attire, with a hat on, which fell half over my eyes, I hastened to present my letter of introduction to the dancer, Madame Schall. Before I rung at the bell, I fell on my knees before the door and prayed God that I here might find help and support. A maid-servant came down the steps with her basket in her hand; she smiled kindly at me, gave me a skilling (Danish), and tripped on. Astonished, I looked at her and the money. I had on my confirmation suit, and thought I must look very smart. How then could she think that I wanted to beg? I called after her.

"Keep it, keep it!" said she to me, in return, and was gone.

At length I was admitted to the dancer; she looked at me in great amazement, and then heard what I had to say. She had not the slightest knowledge of him from whom the letter came, and my whole appearance and behavior seemed very strange to her. I confessed to her my heartfelt inclination for the theatre; and upon her asking me what characters I thought I could represent, I replied, Cinderella. This piece had been performed in Odense by the royal company, and the principal characters had so greatly taken my fancy, that I could play the part perfectly from memory. In the mean time I asked her permission to take off my boots, otherwise I was not light enough for this character; and then taking up my broad hat for a tambourine, I began to dance and sing,—

 
"Here below, nor rank nor riches,
Are exempt from pain and woe."
 

My strange gestures and my great activity caused the lady to think me out of my mind, and she lost no time in getting rid of me.

From her I went to the manager of the theatre, to ask for an engagement. He looked at me, and said that I was "too thin for the theatre."

"Oh," replied I, "if you will only engage me with one hundred rix dollars banco salary, then I shall soon get fat!" The manager bade me gravely go my way, adding, that they only engaged people of education.

I stood there deeply wounded. I knew no one in all Copenhagen who could give me either counsel or consolation. I thought of death as being the only thing, and the best thing for me; but even then my thoughts rose upwards to God, and with all the undoubting confidence of a child in his father, they riveted themselves upon Him. I wept bitterly, and then I said to myself, "When everything happens really miserably, then he sends help. I have always read so. People must first of all suffer a great deal before they can bring anything to accomplishment."

I now went and bought myself a gallery-ticket for the opera of Paul and Virginia. The separation of the lovers affected me to such a degree, that I burst into violent weeping. A few women, who sat near me, consoled me by saying that it was only a play, and nothing to trouble oneself about; and then they gave me a sausage sandwich. I had the greatest confidence in everybody, and therefore I told them, with the utmost openness, that I did not really weep about Paul and Virginia, but because I regarded the theatre as my Virginia, and that if I must be separated from it, I should be just as wretched as Paul. They looked at me, and seemed not to understand my meaning. I then told them why I had come to Copenhagen, and how forlorn I was there. One of the women, therefore, gave me more, bread andebutter, with fruit and cakes.

On the following morning I paid my bill, and to my infinite trouble I saw that my whole wealth consisted in one rix dollar banco. It was necessary, therefore, either that I should find some vessel to take me home, or put myself to work with some handicraftsman. I considered that the last was the wiser of the two, because, if I returned to Odense, I must there also put myself to work of a similar kind; besides which, I knew very well that the people there would laugh at me if I came back again. It was to me a matter of indifference what handicraft trade I learned,—I only should make use of it to keep life within me in Copenhagen. I bought a newspaper, therefore. I found among the advertisements that a cabinet maker was in want of an apprentice. The man received me kindly, but said that before I was bound to him he must have an attestation, and my baptismal register from Odense; and that till these came I could remove to his house, and try how the business pleased me. At six o'clock the next morning I went to the workshop: several journeymen were there, and two or three apprentices; but the master was not come. They fell into merry and idle discourse. I was as bashful as a girl, and as they soon perceived this, I was unmercifully rallied upon it. Later in the day the rude jests of the young fellows went so far, that, in remembrance of the scene at the manufactory, I took the resolute determination not to remain a single day longer in the workshop. I went down to the master, therefore, and told him that I could not stand it; he tried to console me, but in vain: I was too much affected, and hastened away.

I now went through the streets; nobody knew me; I was quite forlorn. I then bethought myself of having read in a newspaper in Odense the name of an Italian, Siboni, who was the director of the Academy of Music in Copenhagen. Everybody had praised my voice; perhaps he would assist me for its sake; if not, then that very evening I must seek out the master of some vessel who would take me home again. At the thoughts of the journey home I became still more violently excited, and in this state of suffering I hastened to Siboni's house.

It happened that very day that he had a large party to dinner; our celebrated composer Weyse was there, the poet Baggesen, and other guests. The housekeeper opened the door to me, and to her I not only related my wish to be engaged as a singer, but also the whole history of my life. She listened to me with the greatest sympathy, and then she left me. I waited a long time, and she must have been repeating to the company the greater part of what I had said, for, in a while, the door opened, and all the guests came out and looked at me. They would have me to sing, and Siboni heard me attentively. I gave some scenes out of Holberg, and repeated a few poems; and then, all at once, the sense of my unhappy condition so overcame me that I burst into tears; the whole company applauded.

"I prophesy," said Baggesen, "that one day something will come out of him; but do not be vain when, some day, the whole public shall applaud thee!" and then he added something about pure, true nature, and that this is too often destroyed by years and by intercourse with mankind. I did not understand it all.

Siboni promised to cultivate my voice, and that I therefore should succeed as singer at the Theatre Royal. It made me very happy; I laughed and wept; and as the housekeeper led me out and saw the excitement under which I labored, she stroked my cheeks, and said that on the following day I should go to Professor Weyse, who meant to do something for me, and upon whom I could depend.

I went to Weyse, who himself had risen from poverty; he had deeply felt and fully comprehended my unhappy situation, and had raised by a subscription seventy rix dollars banco for me. I then wrote my first letter to my mother, a letter full of rejoicing, for the good fortune of the whole world seemed poured upon me. My mother in her joy showed my letter to all her friends; many heard of it with astonishment; others laughed at it, for what was to be the end of it? In order to understand Siboni it was necessary for me to learn something of German. A woman of Copenhagen, with whom I travelled from Odense to this city, and who gladly, according to her means, would have supported me, obtained, through one of her acquaintance, a language-master, who gratuitously gave me some German lessons, and thus I learned a few phrases in that language. Siboni received me into his house, and gave me food and instruction; but half a year afterwards my voice broke, or was injured, in consequence of my being compelled to wear bad shoes through the winter, and having besides no warm under-clothing. There was no longer any prospect that I should become a fine singer. Siboni told me that candidly, and counselled me to go to Odense, and there learn a trade.

I, who in the rich colors of fancy had described to my mother the happiness which I actually felt, must now return home and become an object of derision! Agonized with this thought, I stood as if crushed to the earth. Yet, precisely amid this apparently great un-happiness lay the stepping-stones of a better fortune.

As I found myself again abandoned, and was pondering by myself upon what was best for me next to do, it occurred to me that the Poet Guldberg, a brother of the Colonel of that name in Odense, who had shown me so much kindness, lived in Copenhagen. He lived at that time near the new church-yard outside the city, of which he has so beautifully sung in his poems. I wrote to him, and related to him everything; afterwards I went to him myself, and found him surrounded with books and tobacco pipes. The strong, warm-hearted man received me kindly; and as he saw by my letter how incorrectly I wrote, he promised to give me instruction in the Danish tongue; he examined me a little in German, and thought that it would be well if he could improve me in this respect also. More than this, he made me a present of the profits of a little work which he had just then published; it became known, and I believe they exceeded one hundred rix dollars banco; the excellent Weyse and others also supported me.

It was too expensive for me to lodge at a public house; I was therefore obliged to seek for private lodgings. My ignorance of the world led me to a widow who lived in one of the most disreputable streets of Copenhagen; she was inclined to receive me into her house, and I never suspected what kind of world it was which moved around me. She was a stern, but active dame; she described to me the other people of the city in such horrible colors as made me suppose that I was in the only safe haven there. I was to pay twenty rix dollars monthly for one room, which was nothing but an empty store-room, without window and light, but I had permission to sit in her parlor. I was to make trial of it at first for two days, meantime on the following day she told me that I could decide to stay or immediately go. I, who so easily attach myself to people, already liked her, and felt myself at home with her; but more than sixteen dollars per month Weyse had told me I must not pay, and this was the sum which I had received from him and Guldberg, so that no surplus remained to me for my other expenses. This troubled me very much; when she was gone out of the room, I seated myself on the sofa, and contemplated the portrait of her deceased husband.

I was so wholly a child, that as the tears rolled down my own cheeks, I wetted the eyes of the portrait with my tears, in order that the dead man might feel how troubled I was, and influence the heart of his wife. She must have seen that nothing more was to be drained out of me, for when she returned to the room she said that she would receive me into her house for the sixteen rix dollars. I thanked God and the dead man. I found myself in the midst of the mysteries of Copenhagen, but I did not understand how to interpret them. There was in the house in which I lived a friendly young lady, who lived alone, and often wept; every evening her old father came and paid her a visit. I opened the door to him frequently; he wore a plain sort of coat, had his throat very much tied up, and his hat pulled over his eyes. He always drank his tea with her, and nobody dared to be present, because he was not fond of company: she never seemed very glad at his coming. [Footnote: This character will be recognised in Steffen Margaret, in Only a Fiddler.—M. H.] Many years afterwards, when I had reached another step on the ladder of life, when the refined world of fashionable life was opened before me, I saw one evening, in the midst of a brilliantly lighted hall, a polite old gentleman covered with orders—that was the old father in the shabby coat, he whom I had let in. He had little idea that I had opened the door to him when he played his part as guest, but I, on my side, then had also no thought but for my own comedy-playing; that is to say, I was at that time so much of a child that I played with my puppet-theatre and made my dolls' clothes; and in order that I might obtain gaily-colored fragments for this purpose, I used to go to the shops and ask for patterns of various kinds of stuffs and ribbons. I myself did not possess a single farthing; my landlady received all the money each month in advance; only now and then, when I did any errands for her, she gave me something, and that went in the purchase of paper or for old play-books. I was now very happy, and was doubly so because Professor Guldberg had induced Lindgron, the first comic actor at the theatre, to give me instruction. He gave me several parts in Holberg to learn, such as Hendrik, and the Silly Boy, for which I had shown some talent. My desire, however, was to play the Correggio. I obtained permission to learn this piece in my own way, although Lindgron asked, with comic gravity, whether I expected to resemble the great painter? I, however, repeated to him the soliloquy in the picture gallery with so much feeling, that the old man clapped me on the shoulder and said, "Feeling you have; but you must not be an actor, though God knows what else. Speak to Guldberg about your learning Latin: that always opens the way for a student."

I a student! That was a thought which had never come before into my head. The theatre lay nearer to me, and was dearer too; but Latin I had also always wished to learn. But before I spoke on the subject to Guldberg, I mentioned it to the lady who gave me gratuitous instruction in German; but she told me that Latin was the most expensive language in the world, and that it was not possible to gain free instruction in it. Guldberg, however, managed it so that one of his friends, out of kindness, gave me two lessons a week.

The dancer, Dahlen, whose wife at that time was one of the first artistes on the Danish boards, opened his house to me. I passed many an evening there, and the gentle, warm-hearted lady was kind to me. The husband took me with him to the dancing-school, and that was to me one step nearer to the theatre. There stood I for whole mornings, with a long staff, and stretched my legs; but notwithstanding all my good-will, it was Dahlen's opinion that I should never get beyond a figurante. One advantage, however, I had gained; I might in an evening make my appearance behind the scenes of the theatre; nay, even sit upon the farthest bench in the box of the figurantes. It seemed to me as if I had got my foot just within the theatre, although I had never yet been upon the stage itself.

One night the little opera of the Two Little Savoyards was given; in the market scene every one, even the mechanists, might go up to help in filling the stage; I heard them say so, and rouging myself a little, I went happily up with the others. I was in my ordinary dress; the confirmation coat, which still held together, although, with regard to brushing and repairs, it lookedebut miserably, and the great hat which fell down over my face. I was very conscious of the ill condition of my attire, and would have been glad to have concealed it; but, through the endeavor to do so, my movements became still more angular. I did not dare to hold myself upright, because, by so doing, I exhibited all the more plainly the shortness of my waistcoat, which I had outgrown. I had the feeling very plainly that people would make themselves merry about me; yet, at this moment, I felt nothing but the happiness of stepping for the first time before the foot-lamps. My heart beat; I stepped forward; there came up one of the singers, who at that time was much thought of, but now is forgotten; he took me by the hand, and jeeringly wished me happiness on my debut. "Allow me to introduce you to the Danish public," said he, and drew me forward to the lamps. The people would laugh at me—I felt it; the tears rolled down my cheeks; I tore myself loose, and left the stage full of anguish.

Shortly after this, Dahlen arranged a ballet of Armida, in which I received a little part: I was a spirit. In this ballet I became acquainted with the lady of Professor Heiberg, the wife of the poet, and now a highly esteemed actress on the Danish stage; she, then a little girl, had also a part in it, and our names stood printed in the bill. That was a moment in my life, when my name was printed! I fancied I could see it a nimbus of immortality. I was continually looking at the printed paper. I carried the programme of the ballet with me at night to bed, lay and read my name by candle light—in short, I was happy.

I had now been two years in Copenhagen. The sum of money which had been collected for me was expended, but I was ashamed of making known my wants and my necessities. I had removed to the house of a woman whose husband, when living, was master of a trading-vessel, and there I had only lodging and breakfast. Those were heavy, dark days for me.

The lady believed that I went out to dine with various families, whilst I only ate a little bread on one of the benches in the royal garden. Very rarely did I venture into some of the lowest eating-houses, and choose there the least expensive dish. I was, in truth, very forlorn; but I did not feel the whole weight of my condition. Every person who spoke to me kindly I took for a faithful friend. God was with me in my little room; and many a night, when I have said my evening prayer, I asked of Him, like a child, "Will things soon be better with me?" I had the notion, that as it went with me on New Year's Day, so would it go with me through the whole year; and my highest wishes were to obtain a part in a play.