Kitabı oku: «Not Without You», sayfa 2

CHAPTER THREE

AS I EXIT the building, I’m still thinking about Darren Weller and the day we went to Stratford, me and Donna escaping to McDonald’s. I’m smiling at the randomness of this memory, walking through the glass lobby of WAM, clutching this bunch of scripts, and suddenly—

‘Ow!’ Someone’s bumped into me. ‘Fuck,’ I say, rubbing my boob awkwardly and trying to hold onto the scripts, because she got me with her elbow and it is painful.

This girl grips my arm. ‘I’m so sorry,’ she says, her eyes huge. ‘Oh, my gosh, that was totally my fault. Are you OK—?’ She looks at me and laughs. ‘Oh, no! That’s so weird. Sophie! Hi! I didn’t recognise you with your shades on.’

I’m trying not to rub my boob in public. I can see T.J. waiting by the car right outside. ‘Hi there,’ I smile. ‘Have a great day!’

‘You don’t remember me, do you?’

I stare at her. Who the hell is she? ‘No, I’m sorry,’ I say, beaming my big megawatt smile and going into crazy-person exit-strategy mode. ‘But, it’s great to meet you, so—’ She’s still grinning, although she looks nervous, and something about her eyes, her smile, I don’t know, it’s familiar. ‘Oh, my God, of course,’ I say impulsively. I push my sunglasses up onto my head. ‘It’s …’

I search my memory, but it’s blank. The weird thing is, she looks like me.

‘Sara?’ she says hesitantly. ‘Sara Cain. From Jimmy Samba’s.’ She’s still smiling. ‘It’s been so long. It’s really fine.’

I stare at her, and the memory leads me back, illuminating the way, as scenes light up in my mind from that messy, golden summer.

‘Sara Cain,’ I say. ‘Oh, my gosh.’

Back in 2004 I starred in a sweet British romcom, I Do I Do, during a break in South Street People’s shooting schedule. It did really well, better than we all expected, and LA casting agents started asking to see me, so I went out to Hollywood again the following summer. That was when Donna and I kind of fell out, actually; she told me it was a big mistake and I was in over my head.

She was wrong, as it turns out. It was a great time. I was young, didn’t have anything to lose, and I thought it was pretty crazy that I was there anyway, to be honest. Jimmy Samba’s was the frozen-yoghurt place on Venice Beach where my roommate Maritza worked and we all practically lived there: a whole gang of us, actors, writers, models, musicians, all waiting for that big break.

‘Your twin, remember?’ I stare at her intently. She gives a small, self-conscious giggle.

‘Wow,’ I say. ‘The twins. Sara, I’m so sorry, of course I remember you.’

The thing about her was, we had a few auditions together, and every time people always commented on how similar we looked. She had a couple of pilots, and the last time I saw her it looked like things might be about to happen for her.

The sight of her is like hearing ‘Hollaback Girl’ – that was my song of that summer. Takes you totally back there to a time that I rarely think about now. It’s gone and that’s weird, because we were friends. Her dad was a plastic surgeon, I remember that now, an old guy who’d done all the stars; I loved hearing her stories about him. She even came up to the rental house in Los Feliz, her and some of the gang, after I moved out of Venice. But it was an uncomfortable evening. Sara especially was weird. And even though I called her and a few others a couple of times afterwards, no one returned my calls. Turns out we weren’t all friends, just people in similar situations, and I didn’t belong in that gang, the clique of hopefuls. I’d passed onto the next stage, and they didn’t want to know me any more.

Now I try to look friendly. ‘That’s so cool, bumping into you here. How’s it going? Who are you here to see?’

She doesn’t understand and then smiles. ‘Oh. I’m not acting these days.’ My face is blank. She smiles again, a little tightly. ‘I – work here? I’m Lynn’s assistant? She’s in the same department as Artie.’

‘I know Lynn,’ I say. ‘OK, so …’ I trail off, embarrassed.

‘It’s fine,’ she says, nodding so her perky ponytail bounces behind her. ‘It’s totally fine. Guess some of us have it and some of us don’t. I don’t miss the constant rejection, for sure. That time they told me no when I walked in the room, you remember that?’

I screw up my face. ‘Oh … oh, yeah, I remember. What was it for?’

‘It was The Bride and Groom, Sophie.’ She grins. ‘You should remember, we were totally hungover from being up all night drinking Bryan’s tequila?’

‘Oh, my God,’ I say, shifting my bag onto my other shoulder. ‘That night.’

‘Some of us get the right haircuts at the right time, you mean!’ Sara smiles, and says suddenly, ‘That was a totally insane evening, wasn’t it? You getting that bob, like … who was it? Eve Noel?’ She looks at my hair. ‘Still rocking it, right? You always said those bangs got you the part – maybe that’s what it took!’ She stops, and then looks alarmed. ‘Sorry,’ she says, flushing. ‘I mean, of course … you’re so good as well, you totally deserve it!’

‘No way. I was probably drunk,’ I said. ‘I’d never have got that bob if I hadn’t been totally bombed. I owe Bryan … it was Bryan, wasn’t it?’

She nods. ‘It was.’

My memory is so shit, it’s terrible. Maybe the tequila drowned my brain cells, because they were kind of crazy times. We behaved pretty badly, we didn’t have anything to lose. I was still seeing Dave, my boyfriend back in London who I met on South Street People, but I knew he was cheating on me by then. (Turns out he was cheating on me about 80 per cent of the time we were together anyway.) It’s the only slutty period of my life; maybe everyone has to have a summer like that. I’d always worked so hard and all of a sudden it was so easy. America was easy. Sunshine, friendly people, and I was young. I lived for the ocean, the cafe, the bars and the crowd I hung out with.

I loved acting, but I never thought I’d make it, to be honest. I knew I wasn’t as talented as someone like Sara, knew I wasn’t trained. I didn’t know anything about stagecraft or method; I turned up and said the lines the best way I could. Still do, I think. I’d already got further with my career than I’d ever expected to without Mum by my side all the time, and I suppose I thought I’d ride it for as long as I was allowed to. They’d find me out and I’d be sent home and so for the time being, I reasoned, I should hang loose and enjoy myself – and for once, I really, really did.

I stroke my forehead and fringe, trying to remember. ‘Bryan. He was hot, wasn’t he? Kind of Ashton Kutcher-y.’

She smiles. ‘That’s him.’

‘I think I slept with him,’ I muse.

‘Yeah, I know,’ she says, then she adds, ‘You know, I went out with him for a while. Maybe we are twins!’

There’s an awkward pause. Sara clears her throat, and stares at me after a moment. ‘Sorry,’ she says. ‘I’m being weird. But it’s really good to see you, that’s all. I never returned your calls. I suppose I was jealous. Brings back those days and it’s crazy, remembering how it used to be, I guess.’

‘You were really good,’ I say, changing the subject. She looks uncomfortable, but I press her. ‘Have you totally left it behind? That’s a real shame.’

Sara knits her fingers together. ‘Yeah. At my last audition, this guy, the director I think it was, stared at me and said, “This girl’s just an uglier Sophie Leigh. Next, please.”’ She’s smiling as she says this, but there’s an awful expression in her eyes. ‘That’s what made me give it up.’

‘That … that sucks, Sara.’ We’re silent. I sling my bag over my shoulder again and as the silence stretches on, and Sara says nothing, blurt, ‘So, Bryan! What’s he doing now?’

‘Bryan moved to New York. He has his own salon now – he’s doing really well.’ She recovers her smile again. ‘Hey, I’m super happy for him. And for you! You totally deserve your success, Sophie! It’s not only about the bob, so don’t believe people who tell you it is!’

‘Uh – thanks.’ Maybe it’s time to go. ‘Great to see you, Sara.’ I wave to T.J., my driver.

Sara calls after me, ‘You look so great, Sophie. Sorry again!’

I stride out, smiling at another WAM minion who glows when she spots me and at the doorman as I exit the building, momentarily catching the wall of fierce afternoon heat.

I climb into the car, sinking into my seat. T.J. has got me a diet root beer and some carrot and celery sticks, and there’s even a packet of crisps (which I’ll never eat, of course), all nicely laid out in the back. Chips, I should say. I’m mostly American these days, but some things never feel right. Chips are the chips you have with fish and burgers.

‘Mulberry sent you over some new stuff to pick out. Tina was unpacking it when I left and she told me to tell you,’ T.J. says. He pulls the limo away from the kerb.

‘Get Tanisha to come over.’ Tanisha is T.J.’s daughter.

‘I’ll call her. That’s kind of you. She did well on her test yesterday, Sophie, I’m real pleased with her.’

A thought occurs to me. ‘Did Deena arrive yet?’

‘I don’t know,’ T.J. says firmly. ‘She wasn’t there when I left.’ He switches topic. ‘So how’s your day going?’

I have to think for a moment. ‘Not sure.’ Now we’re gliding away from WAM, I recall what I wanted to say to Artie, and what in my hungover state I actually said. I said I would read that stupid script. I didn’t really get to talk about Eve Noel, the film I want to make one day, the mystery about her that I still don’t understand. Not because it’s complicated, because that’s obvious. But because she was new in town once like I was, and it must have started out OK for her. And I don’t know what happened to her, no one seems to know or care. I’m on every billboard in town but she was the last great film star, to my mind. Hollywood is about extremes, as someone once said. You’re either a success or a failure, there’s no in-between.

We’re turning into Sunset, right by the Beverly Hills Hotel, and I glance over at the white italic scrawl, the palm trees that reach up to the endless blue. I pull my sunglasses on and lie back against the soft leather. For a few minutes I can be still. Don’t have to worry about that wrinkle on my forehead, that bulge in my stomach, that crappy script, that feeling all the time that someone else, someone better, should be living my life, not me.

the avocado tree

Los Angeles, 1956

‘NOW, MY DEAR,’ Mrs Featherstone whispered to me as we entered the crowded room. ‘Don’t forget. Call everyone Mr So-and-So and be simply fascinated, no matter what they say. You understand?’

‘Yes, Mrs Featherstone,’ I answered obediently.

She put her hand on my back and smiled mechanically. ‘And remember, what are you called?’

‘Eve Noel.’

‘That’s it. Good girl. Your name’s Noel now. Don’t forget.’

Her thumb dug into my shoulder blade. I could feel the side of her ring pushing into my flesh and involuntarily I stepped away, then smiled politely, looking around the room.

It was a beautiful old mansion house in Beverly Hills; at least it looked old, though they told me afterwards it had only been finished last year. At the grand piano a vaguely familiar man sat playing ‘All the Things You Are’ and my skin prickled with pleasure: I loved that song. I had danced to it only two weeks ago, on our clapped-out gramophone in Hampstead. Already it seemed like a lifetime ago.

Mr Featherstone was at the bar, shaking hands, clapping shoulders. When he saw his wife, he nodded mechanically, excused himself and came over.

‘Hey,’ he said, nodding at his wife, ignoring me. ‘OK.’ He turned to the three men standing in a knot beside us, and grasped the hand of the first one.

‘Hey, fellas, I want you to meet someone. This is Eve Noel. She just arrived from London, England. She’s our new star.’ His arm was around my waist, his fingers pressed tightly against the black velvet. I wanted to shrink away.

Each man balanced his cigarette in the cut-crystal ashtray, then turned to shake my hand. I had no idea who they were. The third, younger, man narrowed his eyes, and turned away towards the piano player to ask him something. The first man smiled, kindly I thought. ‘When did you get here, Eve?’

‘Two weeks ago,’ I said.

‘Where are you staying?’ He smoothed his thinning hair across his shiny pate, an automatic gesture.

‘She’s at the Beverly Hills Hotel at the moment, and Rita is chaperoning her where necessary,’ Mr Featherstone said before I could speak. He cleared his throat importantly. ‘Eve is our Helen of Troy, we’re announcing it next week.’

‘Good for you,’ said the second man. ‘Louis, you dark horse. You swore you’d got Taylor.’

‘We went a different way. We needed someone … fresh, you know. Elizabeth’s a liability.’ His hand tightened on my waist and he smiled.

‘That’s great, that’s great,’ said the first man. ‘So – you got what you wanted from RKO, Louis? I heard they wouldn’t give you the budget.’

He and the second man smirked at each other. ‘Oh,’ said Mr Featherstone. He flashed them a quick, automatic smile. ‘Hey, we all make mistakes, don’t we.’ His voice faltered. ‘But they’re coming around. We’ll start principal photography in a couple of weeks – we don’t need the money right now. It’s only that – well, fellas, this thing is going to be huge, and I’d like a little extra, you know? I’ve been thinking, a big studio might like to share some costs. I assure you, they’d get more than their share back. MGM and David O. Selznick, ring any bells?’ He winked at the first man, as though trying to make him complicit in something. ‘But let’s not talk business in front of Miss Noel.’

‘Of course,’ said the second man. He was short and greying where the first man was short and fat with black hair; they looked similar, and it occurred to me suddenly they must be brothers. ‘How do you find LA, Miss Noel?’

‘Oh,’ I said. I moved away from Mr Featherstone’s hand. ‘I think it’s wonderful.’

‘Wonderful, eh?’

‘Oh, yes, wonderful.’ I could hear myself: I sounded dull and stupid.

He laughed. ‘How so?’

‘Oh, the …’ I couldn’t think of how to explain it. ‘The sunshine and the palm trees, and the people are so friendly. And there’s as much butter as you like in the mornings.’

He and his companions laughed; so did Mr and Mrs Featherstone, a second or two later.

‘I’m from London,’ I said.

‘No,’ the first man said, faux-incredulous. ‘I would never have guessed.’

I could feel myself blushing. ‘Well, it’s only – we had rationing until really quite recently. It’s wonderful to be able to eat what you want.’

‘Now, dear!’ Mrs Featherstone said. ‘We don’t want you talking about food all night to Joe and Lenny, do we! They’ll worry you’re going to ruin that beautiful figure of yours.’ Again the thumb, jabbing into my back.

‘Oh, no!’ I tried to smile. As with everything else here I was constantly trying to work out what the rules were; I always felt I was saying the wrong thing.

‘I’m sure that would never happen.’ I jumped. The third man, who’d not yet spoken, had turned back from the piano and was eyeing me up and down, like a woman scanning a mannequin in a shop window. He smiled, but it was almost as though he were laughing. ‘You look as if you were born to be a star,’ he said.

It was all so ridiculous, in a sense. Me, Eve Sallis, a country doctor’s daughter, who this time two months ago was a mousy drama student in London, sharing a tiny flat in Hampstead, worried about nothing so much as whether I could afford another cup of coffee at Bar Italia and what lines I had to learn for the next day’s class: there I was, at a film producer’s house in Hollywood, dressed in couture with a new name and a part in what Mr Featherstone kept referring to as ‘The Biggest Picture You Will Ever See’. Tonight a beautician had curled my short black hair and caked on mascara and eyeliner, and I’d stepped into a black velvet Dior dress and clipped on a diamond brooch, and a limousine with a driver wearing a peaked hat had driven me here, though it was a 300-yard walk away and it felt so silly, when I could have trotted down the road. But no, everything was about appearance here. If people were to believe I was a star then I had to behave like a star. Mr Featherstone had spotted me in London. He had spent a great deal of money bringing me over and I had to act the part. It was a part, talking to these old men, exactly like Helen of Troy. And I wanted to play her, more than anything.

‘Well, I’m Joseph Baxter,’ said the first man, leaning forward to take my hand again. He really was quite fat, I noticed now. ‘This is my brother Lenny, and this interesting specimen of humanity is Don Matthews. He’s a writer.’ He tapped the side of his nose. ‘First rule of Hollywood, Miss Noel. Don’t bother about the writers. They’re worthless.’

The third man, Don, nodded at me, and I blushed. ‘Hey there,’ he said. He shook my hand. ‘Well, let me welcome you to Hollywood. You’re just in time for the funeral.’

‘Whose funeral?’ I asked.

They all gave a sniggering, indulgent laugh as a waiter came by with a tray. I took a drink, desperate for some alcohol.

Don smiled. ‘Miss Noel, I’m referring to the death of the motion picture industry. You’ve heard of a little thing called television, even in Merrie Olde England, I assume?’

I didn’t like the way he sounded as though he were poking fun, and the others didn’t seem to notice. Nettled, I said, ‘The Queen’s Coronation was televised, over four years ago, Mr Matthews. Most people I know have a television, actually.’

I sounded like a prig, like a silly schoolgirl. The three older men laughed again, and Mr Featherstone raised his eyebrows at the two brothers, as if to say, ‘Look fellas, I told you so.’ But Don merely nodded. ‘Well, that’s told me. I guess someone should tell Louis then, before he starts making The Biggest Picture You Will Ever See.’