Kitabı oku: «Keeper of the Night»
She set her fingers on his chest, straightening the collar of his tailored shirt. “That’s okay—I don’t think I could even begin to describe my first impression of you.”
He caught her hands. “But it’s changed?” he asked softly.
“The jury is still out,” she told him. It wasn’t, though. Not really. He was dedicated. He was…noble, even, she thought. He was Elven, she was a Keeper. Elven could be anything, and he had chosen, like her, to protect and serve.
There were a million reasons she should back away. They were embroiled in a horrible situation together, surrounded by death and tragedy, by a threat to everyone and everything they knew, to the entire world of the Others and the city where they all hid in plain sight.
And yet the worst of it was that she was worried not for her world but for her heart and soul.
And not a drop of the fear tearing through her could save her.
Dear Reader,
Welcome to the world of THE KEEPERS: L.A. I hope you enjoy this new four-book foray into the world of the guardians of the supernatural known as the Keepers. Writing these books—joined for this go-round by Harley Jane Kozak and Alexandra Sokoloff, two very good friends—has been a true labor of love.
When Harley and Alex and I began to think about this second go-round, our first concern was…where else? And, again, the answer came to all of us at the same time: Los Angeles, City of Angels, City of Dreams.
And a city where at any given time you might see any kind of performance, any kind of costume, any kind of anything happening right there in broad daylight—or the dark.
I’m actually in L.A. as I write this. Contestants for The Voice are scurrying around my hotel, all of them filled with hopes and dreams. And naturally, to sustain all the dreamers in the city, you have the exclusive clubs, the new “it” places and all the people who own and run them. And then there are those with the true power: the producers, the agents and the directors, who are thrilled—and sometimes challenged—by the choices the producers make.
What better place for a few new Keepers—a bit disconcerted by their sudden call to duty—to govern those denizens wearing masks beneath their masks?
I hope that you’ll have as much fun reading about these new Keepers as we had writing about them.
Thank you, and enjoy!
Heather Graham
About the Author
New York Times bestselling author HEATHER GRAHAM has written more than a hundred novels, many of which have been featured by the Doubleday Book Club and the Literary Guild. An avid scuba diver and ballroom dancer and a mother of five, she still enjoys her south Florida home, but loves to travel as well, from locations such as Cairo, Egypt, to her own backyard, the Florida Keys. Reading, however, is the pastime she still loves best, and she is a member of many writing groups. She’s currently vice president of the Horror Writers’ Association, and she’s also an active member of International Thriller Writers. She is very proud to be a Killerette in the Killer Thriller Band, along with many fellow novelists she greatly admires. For more information, check out her website, theoriginalheathergraham.com.
Keeper of the Night
Heather Graham
MILLS & BOON
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Sometimes in life we get to meet people and in a few
minutes we feel we’ve known them all our lives. I’ve
known both Harley and Alex now for years, but from
the time I met them I felt that I’d known them since
childhood. To my prized and beloved cohorts on this
Keepers journey, Alexandra Sokoloff and Harley Jane
Kozak. I cannot remember a time when we weren’t
friends, and I certainly can’t imagine not having
you in my life.
Prologue
Perception, to paraphrase the old saying, is nine-tenths of the law.
And so the world happily—well, mostly happily—accepts the truth of that. And, perception, of course, is the main duty of those born to be Keepers and maintain order among the paranormal races.
As centuries slipped by, man became a “show me” species and lost his belief in what he couldn’t see plainly with his own eyes, and that was good for all the decent and law-abiding creatures. As the twenty-first century progressed, populations exploded. Human beings covered the earth, with birth rates at an all-time high.
And other beings flourished, too, learning how to coexist in a world where the magic of the earth and skies was no longer recognized, and human credence was more and more limited to one particular sense: sight. Many people began to lose faith not just in the unexplainable or unknown, but even in their own omnipresent God.
While those of an…unusual bent had once headed strictly to places like New Orleans, where even many among the human population believed themselves to be vampires or other denizens of the night, many places in the world became the destinations of choice for the truly different. The well-known among the races—vampires, werewolves and shapeshifters—were ready to expand their territory, as were Others who had once chosen to remain in their native lands, the Elven, gnomes, leprechauns, fairies and more.
With that expansion came the need for an international council, the first of its kind, to keep order, and Keepers from across the world were selected to meet at a secret rendezvous in order to construct a code that would be universally accepted. They would serve as the last word when it came to events that could disturb the status quo, because even the Otherworld races considered the most vile and beastly in human mythology were trying to blend in and survive.
With so many of the most experienced Keepers serving on the council, some of the most promising young Keepers were thrown into difficult situations with little warning.
And since so many of the paranormal races still liked to settle where the abnormal was the norm, where theatrics abounded, even the most absurd people and situations frequently went unnoticed, it was no wonder that the population of the Otherworld exploded off the charts in one particular place: La-La Land, also known as Hollywood, California.
City of dreams to many, and city of lost dreams for too many others. A place where waiters and waitresses spent their tips on head shots, and the men and women behind the scenes—the producers—reigned as the real kings.
So many of the paranormal races—the vampires, the shifters, the Elven and more—traveled there, and many stayed, because where better to blend in than a place where even the human beings hardly registered as normal half the time? With so much going on, no one set of Keepers could control the vast scope of the Greater Los Angeles Otherworld, and so it was that the three Gryffald cousins, daughters of the three renowned Gryffald brothers, were called to take their place as peacekeepers a bit earlier than had been expected.
And right when L.A. was on the verge of exploding with Otherworld activity.
Hollywood, they were about to discover, could truly be murder.
Chapter 1
There was blood. So much blood.
From her position on the stage, Rhiannon Gryffald could see the man standing just outside the club door. He was tall and well built, his almost formal attire a contrast to the usual California casual and strangely at odds with his youth, with a Hollywood tan that added to the classic strength of his features and set off his light eyes and golden hair.
And he was bleeding from the throat.
Bleeding profusely.
There was blood everywhere. It was running down the side of his throat and staining his tailored white shirt and gold-patterned vest.
“Help! I’ve been bitten!” he cried. He was staggering, hands clutching his throat.
No! she thought. Not yet!
She had barely arrived in Los Angeles. This was too soon, far too soon, to be called upon to take action. She was just beginning to find her way around the city, just learning how to maneuver through the insane traffic—not to mention that she was trying to maintain something that at least resembled steady employment.
“I’ve been bitten!” he screamed again. “By a vampire!”
There were two women standing near him, staring, and he seemed to be trying to warn them, but they didn’t seem frightened, although they were focused on the blood pouring from his wound.
They started to move toward him, their eyes fixed on the scarlet ruin of his neck.
They weren’t concerned, Rhiannon realized. They weren’t going to help.
They were hungry.
She tossed her guitar aside and leapt off the stage. She was halfway to the group milling just outside the doors of the Mystic Café when she nearly plowed into her boss. Hugh Hammond, owner and manager, was staring at the spectacle.
“Hugh,” she said, trying to sound authoritative and confident. “Let me by.”
Hugh, a very tall man, turned and looked down at her, weary amusement in his eyes. He wasn’t a bad sort, even though he could be annoyingly patronizing at times. She supposed that was natural, given that he had been friends with her father and her two uncles. Once upon a time he’d been a B-list leading man, and he was aging very slowly and with great dignity.
He was also the Keeper of the Laurel Canyon werewolves.
“Hugh!” she snapped.
“By all means, Miss Gryffald, handle the situation,” he told her.
She frowned and started to step past him, refraining from simply pushing him out of the way. This was serious. Incredibly serious. If a vampire was ripping out throats in broad daylight, in front of witnesses…
“Stop!” someone called out.
Another man, dark where the victim was blond, not quite as tall, his face lean and menacing, broke through the crowd and addressed the bleeding man. “Give in to me! Give in to me and embrace the night. Savor the darkness. Give your soul to me and find eternal life and enjoy eternal lust. Drink from the human soul, the fountain of delight, and enjoy carnal delights with no fear of reprisal.”
She was ready to shove through the crowd to reach the victim’s side and defend him against the newcomer, but Hugh had his hand on her arm. “Wait,” he whispered. “Rhiannon, take a look at what they’re wearing and how they’re acting, and think about it.”
She was dying to move, but she stood still, blinked and heeded Hugh’s words.
The two young women reached for the victim’s arms, holding him up as the dark man spoke. One licked her lips in a provocative and sensual manner.
“Lord, forgive me,” the bleeding man pleaded. “God, help me, for Drago comes and would have his terrible way until none but monsters walk the earth.”
Drago walked forward threateningly, then stopped suddenly and turned to the crowd. He grinned pleasantly, and menace became humor as he said, “If you want to see any more, you need to listen up.”
Where there had been silence, as if people were frozen with fear, there was a sudden eruption of laughter and applause.
“Thank you! Thank you!” the “victim” announced, lifting his hands to silence the crowd. “I’m Mac Brodie, actor at large. The diabolical Drago is portrayed by the illustrious Jack Hunter, and…” He turned to the sensual vixens at his side. “Erika is being performed by the beautiful Audrey Fleur and Jeneka by Kate Delaney. Please, everyone, take a bow.”
They did. Drago was darkly handsome, and both young women—Audrey, a brunette, and Kate, a blonde—were extremely pretty. They, like the two men, were in Victorian attire, but in their case it was Victorian night attire. Beautiful white gossamer dresses, with gorgeous bone corsets beneath, and silky pantalets.
Mac continued to speak. “Please, join us at the Little Theater on the Hill this evening or anytime throughout the next three months, where we’re presenting Vampire Rampage, which will soon begin production as a major motion picture, as well. We ask that you come and tell us what you think. Shows start at eight o’clock every night except Sunday and Monday, but to make up for that, we do have matinees on Wednesdays. Thank you!”
He bowed low, lifted his head and waved to the appreciative crowd.
Hugh stepped up close behind Rhiannon. “Actors,” he said, sounding tired, as if he knew the profession and its attendant promo stunts far too well—which of course he did. “This is Hollywood, Miss Gryffald. Everyone’s a bloody actor. Get used to it. You’ve got a lot to learn about life out here.” He smiled down at her in that patronizing way that made her crazy, and shook his head. “Looks like your tip jar just disappeared.”
Rhiannon turned quickly toward the stage. It was true. The lovely little tip jar her great-aunt Olga had made for her was gone. Along with her tips. And they hadn’t been half bad today; a lot of people had thrown in bills instead of nickels.
She wanted to scream. Worse, she wanted to run back to Savannah, where so many people—and…Others—survived on the tourist trade alone that they behaved with old-fashioned courtesy and something that resembled normal human decency.
But Hugh was right. This was Hollywood, where everyone was an actor. Or a producer, or a writer, or an agent, or a would-be whatever. And everyone was cutthroat.
It’s Hollywood, she told herself. Get used to it.
Go figure that the Otherworld’s denizens would be starstruck, too.
“I’m calling it quits for the day, Hugh. I’m heading home.”
He lifted her chin and stared into her eyes. “Calling it quits? That’s what they sent us? A quitter? It’s up to you, but I’d get up there and play if I were you. You can’t quit every time there’s a snafu. Lord above! We need Teddy Roosevelt, and they send us a sniveling child.”
“I’m not a sniveling child, Hugh. I just don’t see the sense of going on working today. Since there’s certainly no imminent or inherent danger—”
He interrupted her, laughing. “Imminent or inherent danger? The world is filled with inherent danger—that’s why you exist, Rhiannon. And imminent? How often do we really know when danger is imminent? Did you think being a Keeper was going to be like living in a Superman comic? You see someone in distress, throw on a red cape, save the day, then slip back down to earth and put your glasses on? How can you be your grandfather’s descendant?”
Rhiannon felt an instant explosion of emotions. One was indignation.
One was shame.
And thankfully, others were wounded pride and determination.
“Hugh, I know my duty,” she said quietly. “But my cousins and I were not supposed to take over as Keepers for years to come. No one knew that our fathers would be called to council, that the population explosion of Otherworlders in L.A. would skyrocket the way it has and we would need to start our duties now. It’s only been a week. I’m not quitting, I’m adjusting. And it’s not easy.”
Hugh grinned, released her chin and smoothed back her hair. “Life ain’t easy for anyone, kid. Now get up there and knock ‘em dead.”
She looked around the place and wondered drily if it was possible to “knock anyone dead” here. It was basically a glorified coffee shop, but she did need to make something of herself and her career here in L.A.
She’d left Savannah just when Dark As Night, her last band, had gotten an offer to open for a tour. Her bandmates had been incredulous when she’d said that she was moving, and distressed. Not distressed enough to lose the gig, though. They had found another lead guitarist slash backup singer before she’d even packed a suitcase.
Wearily, she made her way back to the stage. Screw the tip jar. She didn’t have another, and she wasn’t going to put out an empty coffee cup like a beggar.
She could not only play the guitar; she was good.
Unfortunately, given the recent twists in her life, it seemed she was never going to have the chance to prove it.
She stepped slowly back up on the stage. Earlier the crowd had been watching her, chatting a bit, too, but and enjoying her slow mix of folk, rock and chart toppers.
Now they were all talking about the latest Hollywood promo stunt.
Rhiannon began to play and sing, making up the lyrics as she went along, giving in to her real feelings despite her determination not to be bitter that she was suddenly here—and with little chance for a life.
I hate Hollywood, I hate Hollywood, oh, oh, I hate Hollywood, I hate Hollywood, oh, oh, oh, oh.
Everyone’s an actor, it’s a stark and frightening factor,
I hate Hollywood….
And I hate actors, too,
Oh, yeah, and I hate actors, too.
Okay, her cousin Sailor was an actress, and she didn’t hate Sailor, although she wasn’t certain that Sailor was actually living in the real world, either. She was too much the wide-eyed innocent despite the fact that she’d grown up in L.A. County—and had also spent a few years pounding the pavement trying to crack Broadway and the New York television scene. Maybe the wide-eyed innocence in Sailor was an act, too. No, no, Sailor really wanted the world to be all sunshine and roses. And, actually, Rhiannon loved her cousin; Sailor always meant well. And now, according to the powers that be, she and Sailor and another of their cousins, Barrie, a journalist with a good head on her shoulders, were to take their place as Keepers of three of the Otherworld races right here in L.A.
Oh, yeah, yeah, yeah, yeaaaah, I hate Hollywood,
And I hate actors, too.
If anyone disagreed with her lyrics, they didn’t say so. No one was really listening, anyway. And maybe that was the point. Easy music in the background while the coffee, tea, latte, mocha and chai drinkers enjoyed their conversations.
Polite applause followed the song. Rhiannon looked down, not wanting the audience to see her roll her eyes.
At ten o’clock Hugh asked her to announce that the café was closed for the night. She was shutting her guitar case when one of the coffee drinkers came up to her, offering her a twenty. Surprised by the amount of the tip, she looked at him more closely and realized that he was Mac Brodie, the actor who had been covered in fake blood earlier.
She looked at the twenty but didn’t touch it, then looked back into his eyes.
Elven, she realized.
Six foot five, she thought, judging that he stood a good seven inches over her own respectable five feet ten inches. And he had the telltale signs: golden hair streaked with platinum, eyes of a curious blue-green that was almost lime. And, of course, the lean, sleekly muscled physique.
She lowered her head again, shaking it. “Elven,” she murmured. “It’s all right. You did ruin my night, but that’s okay.” She made a point of not looking directly at him. Elven could read minds, but most of them had to have locked eye contact, so looking away made it possible to block the intrusion. And, luckily, the process was hard on them, so they didn’t indulge in it frivolously.
“Keeper,” he said, drawing out the word. “And new to the job, of course. Sorry. I saw that look of panic on your face. I’m assuming you’re here for the bloodsuckers?”
She stiffened. In Savannah she’d been a fledgling vampire Keeper, apprenticing with an old family friend who’d kept the city peacefully coexisting for years, but she’d always known that one day she would take her father’s place in L.A.
As she’d told Hugh, this had all been so sudden. There hadn’t been a warning, no “Tie up your affairs, you’re needed in six months” —or even three months, or one. The World Council had been chosen, and in two weeks a core group of some of the country’s wisest Keepers was gone and their replacements moved into their new positions. And there was no such thing as calling the Hague for help. No Keeper business could ever be discussed by cell phone, since in the day and age they lived in, anything could be recorded or traced.
So the new Keepers were simply yanked and resettled, and the hell with their past lives.
“Yes, of course, Keeper for the bloodsuckers,” Mac said, his tone low.
“Some of my best friends are bloodsuckers,” she said sweetly, looking quickly around. She’d been about to chastise him for speaking so openly, but the clientele was gone and the workers were cleaning the kitchen, well out of earshot. Of course, he might know exactly what she was thinking even without her saying it aloud. Some Elven were capable of telepathy even without eye contact, so she braced her mind against him. In fact, she knew she was playing a brutal game. It cost an Elven dearly to mind-read, especially without locking gazes, but it cost the target a great deal of strength to block the mind probe, as well.
There were a lot of Others in L.A. County. One thing they all did was keep the secret that they were…unusual. It was the key to survival—for all them. History had taught them that when people feared any group, that group was in trouble.
“Same here,” he told her. “I’m fond of a lot of vampires.”
She stared at him for a moment. He was undeniably gorgeous. Like a sun god or some such thing. And he undoubtedly knew that Elven usually got their way, because they were born with grace and charm—not to mention the ability to teleport, or, as they defined it, move at the speed of light.
She was annoyed. She had no desire to be hit on by an Elven actor, of all things, but she didn’t want to fight, either. All she wanted was to make her point. “I don’t want money from a struggling actor,” she said. “You don’t need to feel guilty. I’m fine. I work because, Keeper or not, I still have to pay the bills. But Hugh gives me a salary, so go do some more promo stunts. I’m fine.”
“You’re more than fine,” he said quietly. “And I’m truly sorry that we ruined the evening for you.” He offered her his hand. “I’m Mac. Mac Brodie.”
She hesitated and then accepted his hand. “Rhiannon. Rhiannon Gryffald.
“It’s a pleasure, Miss Gryffald. And am I right?” he asked her.
“About?”
“The vampires?”
“Are you asking me so that you could avoid me if I were Keeper of the Elven?”
“Hey, we Elven have spent centuries keeping the peace because we’re strong, sure of ourselves, some might say arrogant—” he smiled “—and we can talk almost anyone into almost anything. I’m asking you out of pure curiosity,” he told her. “And because I’m trying to make casual conversation—and amends. I really am sorry.”
Rhiannon waved a hand in the air. “I told you, it’s all right. However, it has been a long day, and I would like to go home now.”
“No nightcap with me, eh?” he asked.
He was smiling at her again. And like all his kind, he had charm to spare.
That’s why the Elven fared so well in Hollywood. They were almost universally good looking. Tall, and perfectly built. They were made for the world of acting.
She realized, looking at him, that he was exceptionally godlike. She was surprised, actually, that he bothered with small theater at all. He would have been great in a Greek classic, a Viking movie or a sword and sorcery fantasy. He was lean, but she knew that he was strong—and would look amazing without a shirt.
Then again, he’d announced that the play was going to turn into a major movie. Maybe he was sticking with it for the stardom it might bring.
“No nightcap,” she said. “I’m simply ready to go home.”
“Perhaps you’ll consider letting me buy you that apology another time?”
“Doubtful,” she assured him.
He pulled a card from his pocket and handed it to her. “Well, be that as it may, you really should come see the show.”
“Thank you, but I really don’t enjoy a mockery being made of my—my charges,” she told him.
He leaned closer to her, and the teasing, flirty smile left his face. He almost appeared to be a different person: older, more confident and deadly serious.
“No, you really should come see the show,” he said. “My number is on the card, Miss Gryffald. And I’m sure you know L.A. well enough to find the theater.”
He turned and walked out the door, nearly brushing the frame with the top of golden head.
Puzzled, she watched him go.
Hugh appeared just then. “Still here? I’m impressed,” he said.
“I’m leaving, I’m leaving,” she told him.
“I’ll see you tomorrow. And be on time.”
The man could be extremely aggravating. Werewolf Keepers were often like that, she had discovered. But then, the more experienced a Keeper was, the more he or she often took on the characteristics of a charge to a greater or lesser degree. She suspected that Hugh could become a wolf at the drop of a hat.
With her precious Fender in hand, she left the café. She heard Hugh locking the door behind her.
She headed to the ten-year-old Volvo that her uncle had left for her use, set her guitar in the trunk and started off down the street. Her song really hadn’t been half bad. “Hollywood, oh, I hate Hollywood,” she sang as she drove.
Brodie nodded to the attendant on duty and proceeded down the hallway of the morgue, past rooms where dozens of bodies in various stages of investigation were stored.
That was one thing about L.A. that wasn’t so good. The city was huge, and the number of people who died on the streets, many of them nameless and unknown, was high. Possibly even sadder were the ones whose names were known—but whose deaths went by unnoticed and unmourned.
Of course, the morgue also housed the remains of people who were known and loved—but who had died under circumstances that ranged from suspicious to outright violent.
That night, however, he passed by the autopsy rooms, remembering all too clearly the one he’d entered when he was sixteen, a room filled with corpse after corpse wrapped in plastic shrouds—so many dead. His father had arranged it after discovering that Mac had left a party after drinking. Luckily he had only creamed the garage door. But it might have been a person, and his father had made sure he knew what the consequences could have been.
He reached a door marked Dr. Anthony Brandt, Senior Pathologist.
Tony undoubtedly knew that he was coming. Tony knew a lot. He had an amazing sense of smell that had served him well as a medical examiner. He could smell most poisons a mile away.
Before Brodie could tap on the door, Tony had answered it. “I was expecting you tonight,” he said.
“Oh?”
“We’ve gotten another body that I think belongs to your killer.”
“Where did he leave his mark this time?” Brodie asked.
Tony just looked at him, ignoring the question. “You still doing the show?” he asked.
“Yep.”
“I saw that the cast included a Mac Brodie. That’s you, I’m assuming. Not much of an alias,” Tony said.
“None of the other actors actually know me. Being Mac Brodie instead of Brodie McKay works all right—if anyone looks me up, the captain has made sure that they’ll find my online résumé and all the right information. Makes it easier if someone who does know me calls me either Mac or Brodie.”
Tony mused on that for a minute. “You’re not the only one going by a stage name, are you? I noticed a Jack Hunter in the credits.”
Brodie shrugged. “You’re right—that’s Hunter Jackson. Obviously the cast and crew know who he really is—they’re just sworn to secrecy.”
“So he is the well-known director?”
“Yes. The play is his baby, really. He found the script and decided to produce it, then sell the film rights. The play was written by a friend of his, our stage manager. Name’s Joe Carrie. Nice guy, about forty—and definitely human.”
“So you don’t think he’s our murderer?” Tony asked.
Brodie shook his head. “No, and there’s no proof the killer’s even involved with the play itself. He could just be a theater buff. But the play does seem a solid place to start, at least. So, anyway, what makes you think our killer is responsible for this corpse?”
“Exsanguination, for one thing.”
Tony was an interesting guy; he looked like what you would expect a werewolf to look like in human form. He was big and muscular, with broad shoulders and an equally broad chest. He had a head full of thick, curly light brown hair, and when he was on vacation, he grew a beard that would do Santa proud.
“And?”
“There’s never anything obvious about the marks he leaves behind, but this time it looks like they’re on the thigh. This is one clever vampire. He makes sure that he disposes of the bodies in a way that will lead to the most decay and deterioration in the shortest time.”
“Want to show me the body?” Brodie asked.
“I thought you’d never ask.”
Tony led the way down the hall to one of the autopsy rooms.
It was a large room, big enough for several autopsies to take place at one time. Now, however, the room was quiet and dim, and only a single body lay on a gurney on the far side of the room.
Strange, Brodie thought. He was Elven, although the Elven were pretty damned close to human in a lot of ways, maybe more human than they wanted to be. And he was a detective, often working undercover in some of the grittiest neighborhoods of a tough town where bluebloods crossed paths with derelict drug dealers. But despite both those things, he’d never gotten over the strange sensations that nearly overwhelmed him at an autopsy. Life—flesh and blood—reduced to sterile equipment and the smell of chemicals on the air. The organs that sustained life ripped from the body to be held and weighed and studied. It was just somehow…wrong, despite the fact that the work done here was some of the most important that could be done for the dead and the living both.
