Kitabı oku: «The Inferno», sayfa 3

"Religion? It is not with religion that we fill the emptiness of our days, it is with our own life. It was not with beliefs, with ideas that I had to struggle, it was with myself.

"Then I found the remedy!"

She almost cried, hoarsely, ecstatically:

"Sin, sin! To rid myself of boredom by committing a crime, to break up monotony by deceiving. To sin in order to be a new person, another person. To hate life worse than it hated me. To sin so as not to die.

"I met you. You wrote verses and books. You were different from the rest. Your voice vibrated and gave the impression of beauty, and above all, you were there, in my existence, in front of me! I had only to hold out my arms. Then I loved you with all my heart, if you can call it love, my poor little friend!"

She spoke now in a low quick voice, both oppressed and enthusiastic, and she played with her companion's hand as if it were a child's toy.

"And you, too, you loved me, naturally. And when we slipped into a hotel one evening, the first time, it seemed to me as if the door opened of itself, and I was grateful for having rebelled and having broken my destiny. And then the deceit—from which we suffer sometimes, but which, after reflection, we no longer detest—the risks, the dangers that give pleasure to each minute, the complications that add variety to life, these rooms, these hiding-places, these black prisons, which have fled from the sunlight I once knew!

"Ah!" she said.

It seemed to me that she sighed as if, now that her aspiration was realized, she had nothing so beautiful to hope for any more.

. . . .

She thought a moment, and then said:

"See what we are. I too may have believed at first in a sort of thunderbolt, a supernatural and fatal attraction, because of your poetry. But in reality I came to you—I see myself now—with clenched fists and closed eyes."

She added:

"We deceive ourselves a good deal about love. It is almost never what they say it is.

"There may be sublime affinities, magnificent attractions. I do not say such a love may not exist between two human beings. But we are not these two. We have never thought of anything but ourselves. I know, of course, that I am in love with you. So are you with me. There is an attraction for you which does not exist for me, since I do not feel any pleasure. You see, we are making a bargain. You give me a dream, I give you joy. But all this is not love."

He shrugged his shoulders, half in doubt, half in protest. He did not want to say anything. All the same, he murmured feebly:

"Even in the purest of loves we cannot escape from ourselves."

"Oh," she said with a gesture of pious protest, the vehemence of which surprised me, "that is not the same thing. Don't say that, don't say that!"

It seemed to me there was a vague regret in her voice and the dream of a new dream in her eyes.

She dispelled it with a shake of her head.

"How happy I was! I felt rejuvenated, like a new being. I had a sense of modesty again. I remember that I did not dare to show the tip of my foot from under my dress. I even had a feeling about my face, my hands, my very name."

. . . .

Then the man continued the confession from the point where she had left off, and spoke of their first meetings. He wished to caress her with words, to win her over gradually with phrases and with the charm of memories.

"The first time we were alone—"

She looked at him.

"It was in the street, one evening," he said. "I took your arm. You leaned more and more upon my shoulder. People swarmed around us, but we seemed to be quite alone. Everything around us changed into absolute solitude. It seemed to me that we were both walking on the waves of the sea."

"Ah!" she said. "How good you were! That first evening your face was like what it never was afterwards, even in our happiest moments."

"We spoke of one thing and another, and while I held you close to me, clasped like a bunch of flowers, you told me about people we knew, you spoke of the sunlight that day and the coolness of the evening. But really you were telling me that you were mine. I felt your confession running through everything you said, and even if you did not express it, you actually gave me a confession of love.

"Ah, how great things are in the beginning! There is never any pettiness in the beginning.

"Once when we met in the public garden, I took you back at the end of the afternoon through the suburbs. The road was so peaceful and quiet that our footsteps seemed to disturb nature. Benumbed by emotion, we slackened our pace. I leaned over and kissed you."

"There," she said.

She put her finger on his neck.

"Gradually the kiss grew warmer. It crept toward your lips and stopped there. The first time it went astray, the second time it pretended it went astray. Soon I felt against my mouth"—he lowered his voice—"your mouth."

She bowed her head, and I saw her rosy mouth.

"It was all so beautiful in the midst of the watchfulness imprisoning me," she sighed, ever returning to her mild, pathetic preoccupation.

How she needed the stimulus of remembering her emotions, whether consciously or not! The recalling of these little dramas and former perils warmed her movements, renewed her love. That was the reason why she had had the whole story told her.

And he encouraged her. Their first enthusiasm returned, and now they tried to evoke the most exciting memories.

"It was sad, the day after you became mine, to see you again at a reception in your own home—inaccessible, surrounded by other people, mistress of a regular household, friendly to everybody, a bit timid, talking commonplaces. You bestowed the beauty of your face on everybody, myself included. But what was the use?

"You were wearing that cool-looking green dress, and they were teasing you about it. I did not dare to look at you when you passed me, and I thought of how happy we had been the day before."

"Ah," she sighed, as the beauty widened before her of all her memories, her thoughts, of all her soul, "love is not what they say it is. I, too, was stirred with anguish. How I had to conceal it, dissimulating every sign of my happiness, locking it hastily away within the coffer of my heart. At first I was afraid to go to sleep for fear of saying your name in a dream, and often, fighting against the stealthy invasion of sleep, I have leaned on my elbow, and remained with wide-open eyes, watching heroically over my heart.

"I was afraid of being recognised. I was afraid people would see the purity in which I was bathed. Yes, purity. When in the midst of life one wakes up from life, and sees a different brilliance in the daylight, and recreates everything, I call that purity.

. . . .

"Do you remember the day we lost our way in the cab in Paris—the day he thought he recognised us from a distance, and jumped into another cab to follow us?"

She gave a start of ecstasy.

"Oh, yes," she murmured, "that was the great day!"

His voice quivered as if shaken by the throbbing of his heart, and his heart said:

"Kneeling on the seat, you looked out of the little window in the back of the cab and cried to me, 'He is nearer! He is further off! He will catch us. I do not see him any more. He has lost us.' Ah!"

And with one and the same movement their lips joined.

She breathed out like a sigh:

"That was the one time I enjoyed."

"We shall always be afraid," he said.

These words interlaced and changed into kisses. Their whole life surged into their lips.

Yes, they had to revive their past so as to love each other, they had constantly to be reassembling the pieces so as to keep their love from dying through staleness, as if they were undergoing, in darkness and in dust, in an icy ebbing away, the ruin of old age, the impress of death.

They clasped each other.

They were drowned in the darkness. They fell down, down into the shadows, into the abyss that they had willed.

He stammered:

"I will love you always."

But she and I both felt that he was lying again. We did not deceive ourselves. But what matter, what matter?

Her lips on his lips, she murmured like a thorny caress among the caresses:

"My husband will soon be home."

How little they really were at one! How, actually, there was nothing but their fear that they had in common, and how they stirred their fear up desperately. But their tremendous effort to commune somehow was soon to be over.

They stopped talking. Words had already accomplished the work of reviving their love. She merely murmured:

"I am yours, I am yours. I give myself to you. No, I do not give myself to you. How can I give myself when I do not belong to myself?"

"Are you happy?" she asked again.

"I swear you are everything in the world to me."

* * * * * * * * *

Now, she felt, their bliss had already become a mere memory, and she said almost plaintively:

"May God bless the bit of pleasure one has."

A doleful lament, the first signal of a tremendous fall, a prayer blasphemous yet divine.

I saw him look at the clock and at the door. He was thinking of leaving. He turned his face gently away from a kiss she was about to give him. There was a suggestion of uneasiness, almost disgust, in his expression.

"No," she said, "you are not going to love me always. You are going to leave me. But I regret nothing. I never will regret anything. Afterwards, when I return from—/this/—for good, to the great sorrow that will never leave me again, I shall say, 'I have had a lover,' and I shall come out from my nothingness to be happy for a moment."

He did not want to answer. He could not answer any more. He stammered:

"Why do you doubt me?"

But they turned their eyes toward the window. They were afraid, they were cold. They looked down at the space between the two houses and saw a vague remnant of twilight slip away like a ship of glory.

It seemed to me that the window beside them entered the scene. They gazed at it, dim, immense, blotting out everything around it. After the brief interval of sinful passion, they were overwhelmed as if, looking at the stainless azure of the window, they had seen a vision. Then their eyes met.

"See, we stay here," she said, "looking at each other like two miserable curs."

They separated. He seated himself on a chair, a sorry figure in the dusk.

His mouth was open, his face was contracted. His eyes and his jaw were self-condemnatory. You expected that in a few moments he would become emaciated, and you would see the eternal skeleton.

And at last both were alike in their setting, made so as much by their misery as by their human form. The night swallowed them up. I no longer saw them.

. . . .

Then, where is God, where is God? Why does He not intervene in this frightful, regular crisis? Why does He not prevent, by a miracle, that fearful miracle by which one who is adored suddenly or gradually comes to be hated? Why does he not preserve man from having to mourn the loss of all his dreams? Why does he not preserve him from the distress of that sensuousness which flowers in his flesh and falls back on him again like spittle?

Perhaps because I am a man like the man in the room, like all other men, perhaps because what is bestial engrosses my attention now, I am utterly terrified by the invincible recoil of the flesh.

"It is everything in the world," he had said. "It is nothing," he had also said, but later. The echo of those two cries lingered in my ears. Those two cries, not shouted but uttered in a low scarcely audible voice, who shall declare their grandeur and the distance between them?

Who shall say? Above all, who shall know?

The man who can reply must be placed, as I am, above humanity, he must be both among and apart from human beings to see the smile turn into agony, the joy become satiety, and the union dissolve. For when you take full part in life you do not see this, you know nothing about it. You pass blindly from one extreme to the other. The man who uttered the two cries that I still hear, "Everything!" and "Nothing!" had forgotten the first when he was carried away by the second.

Who shall say? I wish some one would tell. What do words matter or conventions? Of what use is the time-honoured custom of writers of genius or mere talent to stop at the threshold of these descriptions, as if full descriptions were forbidden? The thing ought to be sung in a poem, in a masterpiece. It ought to be told down to the very bottom, if the purpose be to show the creative force of our hopes, of our wishes, which, when they burst into light, transform the world, overthrow reality.

What richer alms could you bestow on these two lovers, when again love will die between them? For this scene is not the last in their double story. They will begin again, like every human being. Once more they will try together, as much as they can, to seek shelter from life's defeats, to find ecstasy, to conquer death. Once more they will seek solace and deliverance. Again they will be seized by a thrill, by the force of sin, which clings to the flesh like a shred of flesh.

Yet once again, when once again they see that they put infinity into desire all in vain, they will be punished for the grandeur of their aspiration.

I do not regret having surprised this simple, terrible secret. Perhaps my having taken in and retained this sight in all its breadth, my having learned that the living truth is sadder and more sublime than I had ever believed, will be my sole glory.

CHAPTER VI

All was silent. They were gone. They had hidden elsewhere. The husband was coming. I gathered that from what they had said. But did I really know what they had said?

I paced up and down in my room, then dined, as in a dream, and went out, lured by humanity.

A cafe! The bright lighting beckoned to me to enter. Calm, simple, care-free people, who have no task like mine to accomplish.

Sitting by herself at a table, constantly looking around, was a girl with a painted face. A full glass was set in front of her and she held a little dog on her lap. His head reached over the edge of the marble table, and he comically sued on behalf of his mistress for the glances, even the smiles of the passersby.

The woman looked at me with interest. She saw I was not waiting for anybody or anything.

A sign, a word, and she, who was waiting for everybody, would come over to me with a smile. But no! I was simpler than that. If love troubled me, it was because of a great thought and not a mere instinct.

It was my misfortune to have a dream greater and stronger than I could bear.

Woe to those who dream of what they do not possess! They are right, but they are too right, and so are outside of nature. The simple, the weak, the humble pass carelessly by what is not meant for them. They touch everything lightly, without anguish. But the others! But I!

I wanted to take what was not mine. I wanted to steal. I wanted to live all lives, to dwell in all hearts.

Ah! I saw now how I should be punished for having entered into the living secrets of man. My punishment would fit my crime. I was destined to undergo the infinite misery I read in the others. I was to be punished by every mystery that kept its secret, by every woman who went by.

Infinity is not what we think. We associate it with heroes of legend and romance, and we invest fiery, exceptional characters, like a Hamlet, with infinity as with a theatrical costume. But infinity resides quietly in that man who is just passing by on the street. It resides in me, just as I am, with my ordinary face and name, in me, who want everything I have not. And there is no reason why there should be any limits to what I want.

So, step by step, I followed the track of the infinite. It made me suffer. Ah, if I did wrong, that great misery of mine, the tragedy of striving for the impossible, redeemed me. But I do not believe in redemption. I was suffering, and doubtless I looked like a martyr.

I had to go home to fulfil my martyrdom in the whole of its wretched duration. I had to go on looking. I was losing time in the world outside. I returned to my room, which welcomed me like a living being.

. . . .

I passed two idle days, watching fruitlessly.

I took to my hasty pacing to and fro again and succeeded, not without difficulty, in gaining a few days of respite, in making myself forget for a while.

I dwelt within these walls quiet in a feverish sort of way and inactive as a prisoner. I walked up and down my room a great part of the day, attracted by the opening in the wall and not daring to go away to a distance from it again.

The long hours went by, and in the evening I was worn out by my indefatigable hope.

. . . .

The room was in disorder. Amy was there with her husband. They had come back from a journey.

I had not heard them enter. I must have been too tired.

He had his hat on and was sitting on a chair beside the bed. She was dressing. I saw her disappear behind the washroom door. I looked at the husband. His features were regular and even seemed to show a certain nobility. The line of his forehead was clear cut. Only his mouth and moustache were somewhat coarse. He had a healthier, stronger appearance than her lover. His hand, which was toying with a cane, was fine, and there was a forceful elegance about his whole personality.

That was the man she hated and was deceiving. It was that head, that face, that expression which had lowered and disfigured themselves in her eyes, and were synonymous with her unhappiness.

All at once she was there in full view. My heart stood still and contracted and drew me toward her. She had nothing on but a short, thin chemise. She had come back a bit tired out by the thousands of little nothings she had already done. She had a toothbrush in her hand, her lips were moist and red, her hair dishevelled. Her legs were dainty, and the arch of her little feet was accentuated by her high- heeled shoes.

The air in the closed room was heavy with a mixture of odours—soap, face powder, the pungent scent of cologne.

She went out and came back again, warm and soapy, drying her face. This time she was all fresh and rosy.

He was talking about something, with his legs stretched out a little, sometimes looking at her, sometimes not looking at her.

"You know, the Bernards have not accepted."

He glanced at her, then looked down at the carpet and gave a disappointed cluck with his tongue, absorbed in this matter that interested him, while she kept going and coming, showing the lovely curves of her body.

She /was/ lovely. But her husband went on droning his commonplaces, phrases that meant nothing to her, that were strange to her, and that seemed blasphemous in the room which held her beauty.

She put her garments on, one by one. Her husband continued in his bestial indifference, and dropped back into his reflections.

She went to the mirror over the mantelpiece with toilet articles spread out before her. Probably the mirror in the washroom was too small.

While keeping on with her toilet, she spoke as if to herself in a gay, animated, chatty way, because it was still the springtime of the day. She gave herself careful attention and took much time to groom herself. But this was an important matter, and the time was not lost. Besides, she was really hurrying.

Now she went to a wardrobe and took out a light dress of delicate texture, which she held out in her arms carefully.

She started to put the dress on, then an idea suddenly occurred to her and she stopped.

"No, no, no, decidedly not," she said.

She put the dress back and looked for another one, a dark skirt and a blouse.

She took a hat, fluffed the ribbon a bit, then held the trimming of roses close to her face in front of the mirror. Then she began to sing, evidently satisfied.

. . . .

He did not look at her, and when he did look at her, he did not see her.

It was a solemn spectacle, a drama, but a drama dismal and depressing. That man was not happy, and yet I envied him his happiness. How explain this except by the fact that happiness is within us, within each of us, and is the desire for what we do not possess?

These two were together, but in reality far apart. They had left each other without leaving each other. A sort of intrigue about nothing held them together. They would never come nearer again, for between them lay the impassable barrier of love over and done with. This silence and this mutual ignorance are the cruelest things in the world. To cease to love is worse than to hate, for say what you will, death is worse than suffering.

I am sorry for the men and women who go through life together in the chains of indifference. I am sorry for the poor heart that has what it has for so short a time. I am sorry for the men who have the heart not to love any more.

And for a moment, seeing this simple harrowing scene, I underwent a little of the enormous suffering of those innumerable people who suffer all.

. . . .

Amy finished dressing. She put on a coat to match her skirt, leaving it partly open to show her transparent flesh-coloured lingerie waist. Then she left us—her husband and me.

He, too, made ready to leave, but the door opened again. Was it Amy coming back? No, it was the maid, who, seeing the room was occupied, started to withdraw.

"Excuse me, sir. I came to put the room in order, but I don't want to disturb you."

"You may stay."

She began to pick things up and close drawers. He raised his head and looked at her out of the corner of his eye. Then he rose and went over to her awkwardly, as though fascinated. A scuffling and an outcry, stifled by a coarse laugh. She dropped her brush and the gown she was holding. He caught her from behind and put his arms around her waist.

"Oh, go on! Stop! What-che doing?"

He did not say anything, but pressed her closer to him.

She laughed. Her hair came partly undone and fell down over her blowsy face. He trod on Amy's gown, which had dropped from the girl's hand. Then she felt the thing had gone far enough.

"Now, that'll do, that'll do," she said.

Since he still said nothing and brought his jaw close to her neck, she got angry.

"I told you, that'll do. Stop, I say. What's the matter with you?"

At length he let her go, and left, laughing a devilish laugh of shame and cynicism.

He went out, his passion still seething. But it was not only the overwhelming instinct that was stirring in him. A moment before that exquisite woman had unfolded herself in his presence in all her exquisite beauty, and he had not desired her.

Perhaps she denied herself to him. Perhaps they had an agreement with each other. But I plainly saw that even his eyes did not care, those same eyes which kindled at the sight of the servant girl, that ignoble Venus with untidy hair and dirty finger nails.

Because he did not know her, because she was different from the one whom he knew. To have what one has not. So, strange as it may seem, it was an idea, a lofty, eternal idea that guided his instinct.

I understood—I to whom it was given to behold these human crises—I understood that many things which we place outside ourselves are really inside ourselves, and that this was the secret.

How the veils drop off! How the intricacies unravel, and simplicity appears!

. . . .

One dark stormy night two women came and occupied the Room. I could not see them and caught only fragments of their strange, whispered talk of love. From that time on the meals of the boarding-house had a magic attraction for me. I studied all the faces, trying to identify those two beings.

But I questioned pairs of faces in vain. I made efforts to detect resemblances. There was nothing to guide me. I knew them no more than if they had been buried in the dark night outside.

There were five girls or young women in the dining-room. One of them, at least, must have been an occupant of the Room that night. But a stronger will than mine shut off her countenance. I did not know, and I was overwhelmed by the nothingness of what I saw.

They left, one at a time. I did not know. My hands twitched in the infinity of uncertainty, and my fingers pressed the void. My face was there, my face, which was a definite thing, confronting everything possible, everything indefinite.

. . . .

The lady there! I recognised Amy. She was talking to the landlady beside the window. I did not notice her at first, because of the other boarders between us.

She was eating grapes, daintily, with a rather studied manner.

I turned towards her. Her name was Madame Montgeron or Montgerot. It sounded funny to me. Why did she have that name? It seemed not to suit her, or to be useless. It struck me how artificial words and signs are.

The meal was over. Almost everybody had gone out. Coffee cups and sticky little liqueur glasses were scattered on the table on which a sunbeam shone, mottling the tablecloth and making the glasses sparkle. A coffee stain had dried on the cloth and gave out fragrance.

I joined in the conversation between Amy and Madame Lemercier. She looked at me. I scarcely recognised her look, which I had seen so clearly before.

The man-servant came in and whispered a few words to Madame Lemercier.

She rose, excused herself, and went out of the room. I was left with Amy. There were only two or three people in the dining-room, who were discussing what they were going to do in the afternoon.

I did not know what to say to her. The conversation flagged and died out. She must have thought that she did not interest me—this woman, whose heart I had seen, and whose destiny I knew as well as God Himself.

She reached for a newspaper lying on the table, read a line or two, then folded it, rose and also left the room.

Sickened by the commonplaceness of life and dull from the heaviness of the after-lunch hour, I leaned drowsily on the long, long table, the sunlit table disappearing into infinity, and I made an effort to keep my arms from giving way, my chin from dropping, and my eyes from closing.

And in that disorderly room, where the servants were already hastening quietly to clear the table and make ready for the evening meal, I lingered almost alone, not knowing whether I was happy or unhappy, not knowing what was real and what was supernatural.

Then I understood. It came upon me softly, heavily. I looked around at all those simple, peaceful things. Then I closed my eyes, and said to myself, like a seer who gradually becomes conscious of the nature of the revelation he has seen, "The infinite—why, this is the infinite. It is true. I can no longer doubt." It came upon me with force that there is nothing strange on earth, that the supernatural does not exist, or, rather, that it is everywhere. It is in reality, in simplicity, in peace. It is here, inside these walls. The real and the supernatural are one and the same. There can no more be mystery in life than there can be a fourth dimension.

I, like other men, am moulded out of infinity. But how confused it all was to me! And I dreamed of myself, who could neither know myself well nor rid me of myself—myself who was like a deep shadow between my heart and the sun.