Kitabı oku: «Four Meetings», sayfa 3

“When do you go to Paris? If you go by the four o’clock train, I may have the pleasure of making the journey with you.”

“I don’t think we shall do that. My cousin thinks I had better stay here a few days.”

“Oh!” said I; and for five minutes said nothing more. I was wondering what her cousin was, in vulgar parlance, “up to.” I looked up and down the street, but saw nothing that looked like a bright American art-student. At last I took the liberty of observing that Havre was hardly a place to choose as one of the æsthetic stations of a European tour. It was a place of convenience, nothing more; a place of transit, through which transit should be rapid. I recommended her to go to Paris by the afternoon train, and meanwhile to amuse herself by driving to the ancient fortress at the mouth of the harbor,—that picturesque circular structure which bore the name of Francis the First, and looked like a small castle of St. Angelo. (It has lately been demolished.)

She listened with much interest; then for a moment she looked grave.

“My cousin told me that when he returned he should have something particular to say to me, and that we could do nothing or decide nothing until I should have heard it. But I will make him tell me quickly, and then we will go to the ancient fortress. There is no hurry to get to Paris; there is plenty of time.”

She smiled with her softly severe little lips as she spoke those last words. But I, looking at her with a purpose, saw just a tiny gleam of apprehension in her eye.

“Don’t tell me,” I said, “that this wretched man is going to give you bad news!”

“I suspect it is a little bad, but I don’t believe it is very bad. At any rate, I must listen to it.”

I looked at her again an instant. “You did n’t come to Europe to listen,” I said. “You came to see!” But now I was sure her cousin would come back; since he had something disagreeable to say to her, he certainly would turn up. We sat a while longer, and I asked her about her plans of travel She had them on her fingers’ ends, and she told over the names with a kind of solemn distinctness: from Paris to Dijon and to Avignon, from Avignon to Marseilles and the Cornice road; thence to Genoa, to Spezia, to Pisa, to Florence, to Home. It apparently had never occurred to her that there could be the least incommodity in her travelling alone; and since she was unprovided with a companion I of course scrupulously abstained from disturbing her sense of security. At last her cousin came back. I saw him turn towards us out of a side street, and from the moment my eyes rested upon him I felt that this was the bright American art-student. He wore a slouch hat and a rusty black velvet jacket, such as I had often encountered in the Rue Bonaparte. His shirt-collar revealed the elongation of a throat which, at a distance, was not strikingly statuesque. He was tall and lean; he had red hair and freckles. So much I had time to observe while he approached the café, staring at me with natural surprise from under his umbrageous coiffure. When he came up to us I immediately introduced myself to him as an old acquaintance of Miss Spencer. He looked at me hard with a pair of little red eyes, then he made me a solemn bow in the French fashion, with his sombrero.

“You were not on the ship?” he said.

“No, I was not on the ship. I have been in Europe these three years.”

He bowed once more, solemnly, and motioned me to be seated again. I sat down, but it was only for the purpose of observing him an instant; I saw it was time I should return to my sister. Miss Spencer’s cousin was a queer fellow. Nature had not shaped him for a Raphaelesque or Byronic attire, and his velvet doublet and naked neck were not in harmony with his facial attributes. His hair was cropped close to his head; his ears were large and ill-adjusted to the same. He had a lackadaisical carriage and a sentimental droop which were peculiarly at variance with his keen, strange-colored eyes. Perhaps I was prejudiced, but I thought his eyes treacherous. He said nothing for some time; he leaned his hands on his cane and looked up and down the street Then at last, slowly lifting his cane and pointing with it, “That’s a very nice bit,” he remarked, softly. He had his head on one side, and his little eyes were half closed. I followed the direction of his stick; the object it indicated was a red cloth hung out of an old window. “Nice bit of color,” he continued; and without moving his head he transferred his half-closed gaze to me. “Composes well,” he pursued. “Make a nice thing.” He spoke in a hard vulgar voice.

“I see you have a great deal of eye,” I replied. “Your cousin tells me you are studying art.” He looked at me in the same way without answering, and I went on with deliberate urbanity, “I suppose you are at the studio of one of those great men.”

Still he looked at me, and then he said softly, “Gérôme.”

“Do you like it?” I asked.

“Do you understand French?” he said.

“Some kinds,” I answered.

He kept his little eyes on me; then he said, “J’adore la peinture!”

“Oh, I understand that kind!” I rejoined. Miss Spencer laid her hand upon her cousin’s arm with a little pleased and fluttered movement; it was delightful to be among people who were on such easy terms with foreign tongues. I got up to take leave, and asked Miss Spencer where, in Paris, I might have the honor of waiting upon her. To what hotel would she go?

She turned to her cousin inquiringly, and he honored me again with his little languid leer. “Do you know the Hôtel des Princes?”

“I know where it is.”

“I shall take her there.”

“I congratulate you,” I said to Caroline Spencer. “I believe it is the best inn in the world; and in case I should still have a moment to call upon you here, where are you lodged?”

“Oh, it’s such a pretty name,” said Miss Spencer gleefully. “À la Belle Normande.”

As I left them her cousin gave me a great flourish with his picturesque hat.

III

My sister, as it proved, was not sufficiently restored to leave Havre by the afternoon train; so that, as the autumn dusk began to fall, I found myself at liberty to call at the sign of the Fair Norman. I must confess that I had spent much of the interval in wondering what the disagreeable thing was that my charming friend’s disagreeable cousin had been telling her. The “Belle Normande” was a modest inn in a shady bystreet, where it gave me satisfaction to think Miss Spencer must have encountered local color in abundance. There was a crooked little court, where much of the hospitality of the house was carried on; there was a staircase climbing to bedrooms on the outer side of the wall; there was a small trickling fountain with a stucco statuette in the midst of it; there was a little boy in a white cap and apron cleaning copper vessels at a conspicuous kitchen door; there was a chattering landlady, neatly laced, arranging apricots and grapes into an artistic pyramid upon a pink plate. I looked about, and on a green bench outside of an open door labelled Salle à Manger, I perceived Caroline Spencer. No sooner had I looked at her than I saw that something had happened since the morning. She was leaning back on her bench, her hands were clasped in her lap, and her eyes were fixed upon the landlady, at the other side of the court, manipulating her apricots.

But I saw she was not thinking of apricots. She was staring absently, thoughtfully; as I came near her I perceived that she had been crying. I sat down on the bench beside her before she saw me; then, when she had done so, she simply turned round, without surprise, and rested her sad eyes upon me. Something very bad indeed had happened; she was completely changed.

I immediately charged her with it. “Your cousin has been giving you bad news; you are in great distress.”

For a moment she said nothing, and I supposed that she was afraid to speak, lest her tears should come back. But presently I perceived that in the short time that had elapsed since my leaving her in the morning she had shed them all, and that she was now softly stoical, intensely composed.

“My poor cousin is in distress,” she said at last. “His news was bad.” Then, after a brief hesitation, “He was in terrible want of money.”

“In want of yours, you mean?”

“Of any that he could get—honestly. Mine was the only money.”

“And he has taken yours?”

She hesitated again a moment, but her glance, meanwhile, was pleading. “I gave him what I had.”

I have always remembered the accent of those words as the most angelic bit of human utterance I had ever listened to; but then, almost with a sense of personal outrage, I jumped up. “Good heavens!” I said, “do you call that getting, it honestly?”

I had gone too far; she blushed deeply. “We will not speak of it,” she said.

“We must speak of it,” I answered, sitting down again. “I am your friend; it seems to me you need one. What is the matter with your cousin?”

“He is in debt.”

“No doubt! But what is the special fitness of your paying his debts?”

“He has told me all his story; I am very sorry for him.”

“So am I! But I hope he will give you back your money.”

“Certainly he will; as soon as he can.”

“When will that be?”

“When he has finished his great picture.”

“My dear young lady, confound his great picture! Where is this desperate cousin?”

She certainly hesitated now. Then,—“At his dinner,” she answered.

I turned about and looked through the open door into the salle à manger. There, alone at the end of a long table, I perceived the object of Miss Spencer’s compassion, the bright young art-student. He was dining too attentively to notice me at first; but in the act of setting down a well-emptied wineglass he caught sight of my observant attitude. He paused in his repast, and, with his head on one side and his meagre jaws slowly moving, fixedly returned my gaze. Then the landlady came lightly brushing by with her pyramid of apricots.