Kitabı oku: «Lost Illusions», sayfa 13

A cold sweat broke out over Lucien as he bethought himself that to-night he must make his first appearance before the Marquise in this dress – the Marquise d'Espard, relative of a First Gentleman of the Bedchamber, a woman whose house was frequented by the most illustrious among illustrious men in every field.

"I look like an apothecary's son, a regular shop-drudge," he raged inwardly, watching the youth of the Faubourg Saint-Germain pass under his eyes; graceful, spruce, fashionably dressed, with a certain uniformity of air, a sameness due to a fineness of contour, and a certain dignity of carriage and expression; though, at the same time, each one differed from the rest in the setting by which he had chosen to bring his personal characteristics into prominence. Each one made the most of his personal advantages. Young men in Paris understand the art of presenting themselves quite as well as women. Lucien had inherited from his mother the invaluable physical distinction of race, but the metal was still in the ore, and not set free by the craftsman's hand.

His hair was badly cut. Instead of holding himself upright with an elastic corset, he felt that he was cooped up inside a hideous shirt-collar; he hung his dejected head without resistance on the part of a limp cravat. What woman could guess that a handsome foot was hidden by the clumsy boots which he had brought from Angouleme? What young man could envy him his graceful figure, disguised by the shapeless blue sack which hitherto he had mistakenly believed to be a coat? What bewitching studs he saw on those dazzling white shirt fronts, his own looked dingy by comparison; and how marvelously all these elegant persons were gloved, his own gloves were only fit for a policeman! Yonder was a youth toying with a cane exquisitely mounted; there, another with dainty gold studs in his wristbands. Yet another was twisting a charming riding-whip while he talked with a woman; there were specks of mud on the ample folds of his white trousers, he wore clanking spurs and a tight-fitting jacket, evidently he was about to mount one of the two horses held by a hop-o'-my-thumb of a tiger. A young man who went past drew a watch no thicker than a five-franc piece from his pocket, and looked at it with the air of a person who is either too early or too late for an appointment.

Lucien, seeing these petty trifles, hitherto unimagined, became aware of a whole world of indispensable superfluities, and shuddered to think of the enormous capital needed by a professional pretty fellow! The more he admired these gay and careless beings, the more conscious he grew of his own outlandishness; he knew that he looked like a man who has no idea of the direction of the streets, who stands close to the Palais Royal and cannot find it, and asks his way to the Louvre of a passer-by, who tells him, "Here you are." Lucien saw a great gulf fixed between him and this new world, and asked himself how he might cross over, for he meant to be one of these delicate, slim youths of Paris, these young patricians who bowed before women divinely dressed and divinely fair. For one kiss from one of these, Lucien was ready to be cut in pieces like Count Philip of Konigsmark. Louise's face rose up somewhere in the shadowy background of memory – compared with these queens, she looked like an old woman. He saw women whose names will appear in the history of the nineteenth century, women no less famous than the queens of past times for their wit, their beauty, or their lovers; one who passed was the heroine Mlle. des Touches, so well known as Camille Maupin, the great woman of letters, great by her intellect, great no less by her beauty. He overheard the name pronounced by those who went by.

"Ah!" he thought to himself, "she is Poetry."

What was Mme. de Bargeton in comparison with this angel in all the glory of youth, and hope, and promise of the future, with that sweet smile of hers, and the great dark eyes with all heaven in them, and the glowing light of the sun? She was laughing and chatting with Mme. Firmiani, one of the most charming women in Paris. A voice indeed cried, "Intellect is the lever by which to move the world," but another voice cried no less loudly that money was the fulcrum.

He would not stay any longer on the scene of his collapse and defeat, and went towards the Palais Royal. He did not know the topography of his quarter yet, and was obliged to ask his way. Then he went to Very's and ordered dinner by way of an initiation into the pleasures of Paris, and a solace for his discouragement. A bottle of Bordeaux, oysters from Ostend, a dish of fish, a partridge, a dish of macaroni and dessert, – this was the ne plus ultra of his desire. He enjoyed this little debauch, studying the while how to give the Marquise d'Espard proof of his wit, and redeem the shabbiness of his grotesque accoutrements by the display of intellectual riches. The total of the bill drew him down from these dreams, and left him the poorer by fifty of the francs which were to have gone such a long way in Paris. He could have lived in Angouleme for a month on the price of that dinner. Wherefore he closed the door of the palace with awe, thinking as he did so that he should never set foot in it again.

"Eve was right," he said to himself, as he went back under the stone arcading for some more money. "There is a difference between Paris prices and prices in L'Houmeau."

He gazed in at the tailors' windows on the way, and thought of the costumes in the Garden of the Tuileries.

"No," he exclaimed, "I will not appear before Mme. d'Espard dressed out as I am."

He fled to his inn, fleet as a stag, rushed up to his room, took out a hundred crowns, and went down again to the Palais Royal, where his future elegance lay scattered over half a score of shops. The first tailor whose door he entered tried as many coats upon him as he would consent to put on, and persuaded his customer that all were in the very latest fashion. Lucien came out the owner of a green coat, a pair of white trousers, and a "fancy waistcoat," for which outfit he gave two hundred francs. Ere long he found a very elegant pair of ready-made shoes that fitted his foot; and, finally, when he had made all necessary purchases, he ordered the tradespeople to send them to his address, and inquired for a hairdresser. At seven o'clock that evening he called a cab and drove away to the Opera, curled like a Saint John of a Procession Day, elegantly waistcoated and gloved, but feeling a little awkward in this kind of sheath in which he found himself for the first time.

In obedience to Mme. de Bargeton's instructions, he asked for the box reserved for the First Gentleman of the Bedchamber. The man at the box office looked at him, and beholding Lucien in all the grandeur assumed for the occasion, in which he looked like a best man at a wedding, asked Lucien for his order.

"I have no order."

"Then you cannot go in," said the man at the box office drily.

"But I belong to Mme. d'Espard's party."

"It is not our business to know that," said the man, who could not help exchanging a barely perceptible smile with his colleague.

A carriage stopped under the peristyle as he spoke. A chasseur, in a livery which Lucien did not recognize, let down the step, and two women in evening dress came out of the brougham. Lucien had no mind to lay himself open to an insolent order to get out of the way from the official. He stepped aside to let the two ladies pass.

"Why, that lady is the Marquise d'Espard, whom you say you know, sir," said the man ironically.

Lucien was so much the more confounded because Mme. de Bargeton did not seem to recognize him in his new plumage; but when he stepped up to her, she smiled at him and said:

"This has fallen out wonderfully – come!"

The functionaries at the box office grew serious again as Lucien followed Mme. de Bargeton. On their way up the great staircase the lady introduced M. de Rubempre to her cousin. The box belonging to the First Gentleman of the Bedchamber is situated in one of the angles at the back of the house, so that its occupants see and are seen all over the theatre. Lucien took his seat on a chair behind Mme. de Bargeton, thankful to be in the shadow.

"M. de Rubempre," said the Marquise with flattering graciousness, "this is your first visit to the Opera, is it not? You must have a view of the house; take this seat, sit in front of the box; we give you permission."

Lucien obeyed as the first act came to an end.

"You have made good use of your time," Louise said in his ear, in her first surprise at the change in his appearance.

Louise was still the same. The near presence of the Marquise d'Espard, a Parisian Mme. de Bargeton, was so damaging to her; the brilliancy of the Parisienne brought out all the defects in her country cousin so clearly by contrast; that Lucien, looking out over the fashionable audience in the superb building, and then at the great lady, was twice enlightened, and saw poor Anais de Negrepelisse as she really was, as Parisians saw her – a tall, lean, withered woman, with a pimpled face and faded complexion; angular, stiff, affected in her manner; pompous and provincial in her speech; and, and above all these things, dowdily dressed. As a matter of fact, the creases in an old dress from Paris still bear witness to good taste, you can tell what the gown was meant for; but an old dress made in the country is inexplicable, it is a thing to provoke laughter. There was neither charm nor freshness about the dress or its wearer; the velvet, like the complexion had seen wear. Lucien felt ashamed to have fallen in love with this cuttle-fish bone, and vowed that he would profit by Louise's next fit of virtue to leave her for good. Having an excellent view of the house, he could see the opera-glasses pointed at the aristocratic box par excellence. The best-dressed women must certainly be scrutinizing Mme. de Bargeton, for they smiled and talked among themselves.

If Mme. d'Espard knew the object of their sarcasms from those feminine smiles and gestures, she was perfectly insensible to them. In the first place, anybody must see that her companion was a poor relation from the country, an affliction with which any Parisian family may be visited. And, in the second, when her cousin had spoken to her of her dress with manifest misgivings, she had reassured Anais, seeing that, when once properly dressed, her relative would very easily acquire the tone of Parisian society. If Mme. de Bargeton needed polish, on the other hand she possessed the native haughtiness of good birth, and that indescribable something which may be called "pedigree." So, on Monday her turn would come. And, moreover, the Marquise knew that as soon as people learned that the stranger was her cousin, they would suspend their banter and look twice before they condemned her.

Lucien did not foresee the change in Louise's appearance shortly to be worked by a scarf about her throat, a pretty dress, an elegant coiffure, and Mme. d'Espard's advice. As they came up the staircase even now, the Marquise told her cousin not to hold her handkerchief unfolded in her hand. Good or bad taste turns upon hundreds of such almost imperceptible shades, which a quick-witted woman discerns at once, while others will never grasp them. Mme. de Bargeton, plentifully apt, was more than clever enough to discover her shortcomings. Mme. d'Espard, sure that her pupil would do her credit, did not decline to form her. In short, the compact between the two women had been confirmed by self-interest on either side.

Mme. de Bargeton, enthralled, dazzled, and fascinated by her cousin's manner, wit, and acquaintances, had suddenly declared herself a votary of the idol of the day. She had discerned the signs of the occult power exerted by the ambitious great lady, and told herself that she could gain her end as the satellite of this star, so she had been outspoken in her admiration. The Marquise was not insensible to the artlessly admitted conquest. She took an interest in her cousin, seeing that she was weak and poor; she was, besides, not indisposed to take a pupil with whom to found a school, and asked nothing better than to have a sort of lady-in-waiting in Mme. de Bargeton, a dependent who would sing her praises, a treasure even more scarce among Parisian women than a staunch and loyal critic among the literary tribe. The flutter of curiosity in the house was too marked to be ignored, however, and Mme. d'Espard politely endeavored to turn her cousin's mind from the truth.

"If any one comes to our box," she said, "perhaps we may discover the cause to which we owe the honor of the interest that these ladies are taking – "

"I have a strong suspicion that it is my old velvet gown and Angoumoisin air which Parisian ladies find amusing," Mme. de Bargeton answered, laughing.

"No, it is not you; it is something that I cannot explain," she added, turning to the poet, and, as she looked at him for the first time, it seemed to strike her that he was singularly dressed.

"There is M. du Chatelet," exclaimed Lucien at that moment, and he pointed a finger towards Mme. de Serizy's box, which the renovated beau had just entered.

Mme. de Bargeton bit her lips with chagrin as she saw that gesture, and saw besides the Marquise's ill-suppressed smile of contemptuous astonishment. "Where does the young man come from?" her look said, and Louise felt humbled through her love, one of the sharpest of all pangs for a Frenchwoman, a mortification for which she cannot forgive her lover.

In these circles where trifles are of such importance, a gesture or a word at the outset is enough to ruin a newcomer. It is the principal merit of fine manners and the highest breeding that they produce the effect of a harmonious whole, in which every element is so blended that nothing is startling or obtrusive. Even those who break the laws of this science, either through ignorance or carried away by some impulse, must comprehend that it is with social intercourse as with music, a single discordant note is a complete negation of the art itself, for the harmony exists only when all its conditions are observed down to the least particular.

"Who is that gentleman?" asked Mme. d'Espard, looking towards

Chatelet. "And have you made Mme. de Serizy's acquaintance already?"

"Oh! is that the famous Mme. de Serizy who has had so many adventures and yet goes everywhere?"

"An unheard-of-thing, my dear, explicable but unexplained. The most formidable men are her friends, and why? Nobody dares to fathom the mystery. Then is this person the lion of Angouleme?"

"Well, M. le Baron du Chatelet has been a good deal talked about," answered Mme. de Bargeton, moved by vanity to give her adorer the title which she herself had called in question. "He was M. de Montriveau's traveling companion."

"Ah!" said the Marquise d'Espard, "I never hear that name without thinking of the Duchesse de Langeais, poor thing. She vanished like a falling star. – That is M. de Rastignac with Mme. de Nucingen," she continued, indicating another box; "she is the wife of a contractor, a banker, a city man, a broker on a large scale; he forced his way into society with his money, and they say that he is not very scrupulous as to his methods of making it. He is at endless pains to establish his credit as a staunch upholder of the Bourbons, and has tried already to gain admittance into my set. When his wife took Mme. de Langeais' box, she thought that she could take her charm, her wit, and her success as well. It is the old fable of the jay in the peacock's feathers!"

"How do M. and Mme. de Rastignac manage to keep their son in Paris, when, as we know, their income is under a thousand crowns?" asked Lucien, in his astonishment at Rastignac's elegant and expensive dress.

"It is easy to see that you come from Angouleme," said Mme. d'Espard, ironically enough, as she continued to gaze through her opera-glass.

Her remark was lost upon Lucien; the all-absorbing spectacle of the boxes prevented him from thinking of anything else. He guessed that he himself was an object of no small curiosity. Louise, on the other hand, was exceedingly mortified by the evident slight esteem in which the Marquise held Lucien's beauty.

"He cannot be so handsome as I thought him," she said to herself; and between "not so handsome" and "not so clever as I thought him" there was but one step.

The curtain fell. Chatelet was now paying a visit to the Duchesse de Carigliano in an adjourning box; Mme. de Bargeton acknowledged his bow by a slight inclination of the head. Nothing escapes a woman of the world; Chatelet's air of distinction was not lost upon Mme. d'Espard. Just at that moment four personages, four Parisian celebrities, came into the box, one after another.

The most striking feature of the first comer, M. de Marsay, famous for the passions which he had inspired, was his girlish beauty; but its softness and effeminacy were counteracted by the expression of his eyes, unflinching, steady, untamed, and hard as a tiger's. He was loved and he was feared. Lucien was no less handsome; but Lucien's expression was so gentle, his blue eyes so limpid, that he scarcely seemed to possess the strength and the power which attract women so strongly. Nothing, moreover, so far had brought out the poet's merits; while de Marsay, with his flow of spirits, his confidence in his power to please, and appropriate style of dress, eclipsed every rival by his presence. Judge, therefore, the kind of figure that Lucien, stiff, starched, unbending in clothes as new and unfamiliar as his surroundings, was likely to cut in de Marsay's vicinity. De Marsay with his wit and charm of manner was privileged to be insolent. From Mme. d'Espard's reception of this personage his importance was at once evident to Mme. de Bargeton.

The second comer was a Vandenesse, the cause of the scandal in which Lady Dudley was concerned. Felix de Vandenesse, amiable, intellectual, and modest, had none of the characteristics on which de Marsay prided himself, and owed his success to diametrically opposed qualities. He had been warmly recommended to Mme. d'Espard by her cousin Mme. de Mortsauf.

The third was General de Montriveau, the author of the Duchesse de

Langeais' ruin.

The fourth, M. de Canalis, one of the most famous poets of the day, and as yet a newly risen celebrity, was prouder of his birth than of his genius, and dangled in Mme. d'Espard's train by way of concealing his love for the Duchesse de Chaulieu. In spite of his graces and the affectation that spoiled them, it was easy to discern the vast, lurking ambitions that plunged him at a later day into the storms of political life. A face that might be called insignificantly pretty and caressing manners thinly disguised the man's deeply-rooted egoism and habit of continually calculating the chances of a career which at that time looked problematical enough; though his choice of Mme. de Chaulieu (a woman past forty) made interest for him at Court, and brought him the applause of the Faubourg Saint-Germain and the gibes of the Liberal party, who dubbed him "the poet of the sacristy."

Mme. de Bargeton, with these remarkable figures before her, no longer wondered at the slight esteem in which the Marquise held Lucien's good looks. And when conversation began, when intellects so keen, so subtle, were revealed in two-edged words with more meaning and depth in them than Anais de Bargeton heard in a month of talk at Angouleme; and, most of all, when Canalis uttered a sonorous phrase, summing up a materialistic epoch, and gilding it with poetry – then Anais felt all the truth of Chatelet's dictum of the previous evening. Lucien was nothing to her now. Every one cruelly ignored the unlucky stranger; he was so much like a foreigner listening to an unknown language, that the Marquise d'Espard took pity upon him. She turned to Canalis.

"Permit me to introduce M. de Rubempre," she said. "You rank too high in the world of letters not to welcome a debutant. M. de Rubempre is from Angouleme, and will need your influence, no doubt, with the powers that bring genius to light. So far, he has no enemies to help him to success by their attacks upon him. Is there enough originality in the idea of obtaining for him by friendship all that hatred has done for you to tempt you to make the experiment?"

The four newcomers all looked at Lucien while the Marquise was speaking. De Marsay, only a couple of paces away, put up an eyeglass and looked from Lucien to Mme. de Bargeton, and then again at Lucien, coupling them with some mocking thought, cruelly mortifying to both. He scrutinized them as if they had been a pair of strange animals, and then he smiled. The smile was like a stab to the distinguished provincial. Felix de Vandenesse assumed a charitable air. Montriveau looked Lucien through and through.

"Madame," M. de Canalis answered with a bow, "I will obey you, in spite of the selfish instinct which prompts us to show a rival no favor; but you have accustomed us to miracles."

"Very well, do me the pleasure of dining with me on Monday with M. de Rubempre, and you can talk of matters literary at your ease. I will try to enlist some of the tyrants of the world of letters and the great people who protect them, the author of Ourika, and one or two young poets with sound views."

"Mme. la Marquise," said de Marsay, "if you give your support to this gentleman for his intellect, I will support him for his good looks. I will give him advice which will put him in a fair way to be the luckiest dandy in Paris. After that, he may be a poet – if he has a mind."

Mme. de Bargeton thanked her cousin by a grateful glance.

"I did not know that you were jealous of intellect," Montriveau said, turning to de Marsay; "good fortune is the death of a poet."

"Is that why your lordship is thinking of marriage?" inquired the dandy, addressing Canalis, and watching Mme. d'Espard to see if the words went home.

Canalis shrugged his shoulders, and Mme. d'Espard, Mme. de Chaulieu's niece, began to laugh. Lucien in his new clothes felt as if he were an Egyptian statue in its narrow sheath; he was ashamed that he had nothing to say for himself all this while. At length he turned to the Marquise.

"After all your kindness, madame, I am pledged to make no failures," he said in those soft tones of his.

Chatelet came in as he spoke; he had seen Montriveau, and by hook or crook snatched at the chance of a good introduction to the Marquise d'Espard through one of the kings of Paris. He bowed to Mme. de Bargeton, and begged Mme. d'Espard to pardon him for the liberty he took in invading her box; he had been separated so long from his traveling companion! Montriveau and Chatelet met for the first time since they parted in the desert.

"To part in the desert, and meet again in the opera-house!" said

Lucien.

"Quite a theatrical meeting!" said Canalis.

Montriveau introduced the Baron du Chatelet to the Marquise, and the Marquise received Her Royal Highness' ex-secretary the more graciously because she had seen that he had been very well received in three boxes already. Mme. de Serizy knew none but unexceptionable people, and moreover he was Montriveau's traveling companion. So potent was this last credential, that Mme. de Bargeton saw from the manner of the group that they accepted Chatelet as one of themselves without demur. Chatelet's sultan's airs in Angouleme were suddenly explained.

At length the Baron saw Lucien, and favored him with a cool, disparaging little nod, indicative to men of the world of the recipient's inferior station. A sardonic expression accompanied the greeting, "How does he come here?" he seemed to say. This was not lost on those who saw it; for de Marsay leaned towards Montriveau, and said in tones audible to Chatelet:

"Do ask him who the queer-looking young fellow is that looks like a dummy at a tailor's shop-door."

Chatelet spoke a few words in his traveling companion's ear, and while apparently renewing his acquaintance, no doubt cut his rival to pieces.

If Lucien was surprised at the apt wit and the subtlety with which these gentlemen formulated their replies, he felt bewildered with epigram and repartee, and, most of all, by their offhand way of talking and their ease of manner. The material luxury of Paris had alarmed him that morning; at night he saw the same lavish expenditure of intellect. By what mysterious means, he asked himself, did these people make such piquant reflections on the spur of the moment, those repartees which he could only have made after much pondering? And not only were they at ease in their speech, they were at ease in their dress, nothing looked new, nothing looked old, nothing about them was conspicuous, everything attracted the eyes. The fine gentleman of to-day was the same yesterday, and would be the same to-morrow. Lucien guessed that he himself looked as if he were dressed for the first time in his life.

"My dear fellow," said de Marsay, addressing Felix de Vandenesse, "that young Rastignac is soaring away like a paper-kite. Look at him in the Marquise de Listomere's box; he is making progress, he is putting up his eyeglass at us! He knows this gentleman, no doubt," added the dandy, speaking to Lucien, and looking elsewhere.

"He can scarcely fail to have heard the name of a great man of whom we are proud," said Mme. de Bargeton. "Quite lately his sister was present when M. de Rubempre read us some very fine poetry."

Felix de Vandenesse and de Marsay took leave of the Marquise d'Espard, and went off to Mme. de Listomere, Vandenesse's sister. The second act began, and the three were left to themselves again. The curious women learned how Mme. de Bargeton came to be there from some of the party, while the others announced the arrival of a poet, and made fun of his costume. Canalis went back to the Duchesse de Chaulieu, and no more was seen of him.

Lucien was glad when the rising of the curtain produced a diversion. All Mme. de Bargeton's misgivings with regard to Lucien were increased by the marked attention which the Marquise d'Espard had shown to Chatelet; her manner towards the Baron was very different from the patronizing affability with which she treated Lucien. Mme. de Listomere's box was full during the second act, and, to all appearance, the talk turned upon Mme. de Bargeton and Lucien. Young Rastignac evidently was entertaining the party; he had raised the laughter that needs fresh fuel every day in Paris, the laughter that seizes upon a topic and exhausts it, and leaves it stale and threadbare in a moment. Mme. d'Espard grew uneasy. She knew that an ill-natured speech is not long in coming to the ears of those whom it will wound, and waited till the end of the act.

After a revulsion of feeling such as had taken place in Mme. de Bargeton and Lucien, strange things come to pass in a brief space of time, and any revolution within us is controlled by laws that work with great swiftness. Chatelet's sage and politic words as to Lucien, spoken on the way home from the Vaudeville, were fresh in Louise's memory. Every phrase was a prophecy, it seemed as if Lucien had set himself to fulfil the predictions one by one. When Lucien and Mme. de Bargeton had parted with their illusions concerning each other, the luckless youth, with a destiny not unlike Rousseau's, went so far in his predecessor's footsteps that he was captivated by the great lady and smitten with Mme. d'Espard at first sight. Young men and men who remember their young emotions can see that this was only what might have been looked for. Mme. d'Espard with her dainty ways, her delicate enunciation, and the refined tones of her voice; the fragile woman so envied, of such high place and high degree, appeared before the poet as Mme. de Bargeton had appeared to him in Angouleme. His fickle nature prompted him to desire influence in that lofty sphere at once, and the surest way to secure such influence was to possess the woman who exerted it, and then everything would be his. He had succeeded at Angouleme, why should he not succeed in Paris?

Involuntarily, and despite the novel counter fascination of the stage, his eyes turned to the Celimene in her splendor; he glanced furtively at her every moment; the longer he looked, the more he desired to look at her. Mme. de Bargeton caught the gleam in Lucien's eyes, and saw that he found the Marquise more interesting than the opera. If Lucien had forsaken her for the fifty daughters of Danaus, she could have borne his desertion with equanimity; but another glance – bolder, more ardent and unmistakable than any before – revealed the state of Lucien's feelings. She grew jealous, but not so much for the future as for the past.

"He never gave me such a look," she thought. "Dear me! Chatelet was right!"

Then she saw that she had made a mistake; and when a woman once begins to repent of her weaknesses, she sponges out the whole past. Every one of Lucien's glances roused her indignation, but to all outward appearance she was calm. De Marsay came back in the interval, bringing M. de Listomere with him; and that serious person and the young coxcomb soon informed the Marquise that the wedding guest in his holiday suit, whom she had the bad luck to have in her box, had as much right to the appellation of Rubempre as a Jew to a baptismal name. Lucien's father was an apothecary named Chardon. M. de Rastignac, who knew all about Angouleme, had set several boxes laughing already at the mummy whom the Marquise styled her cousin, and at the Marquise's forethought in having an apothecary at hand to sustain an artificial life with drugs. In short, de Marsay brought a selection from the thousand-and-one jokes made by Parisians on the spur of the moment, and no sooner uttered than forgotten. Chatelet was at the back of it all, and the real author of this Punic faith.

Mme. d'Espard turned to Mme. de Bargeton, put up her fan, and said,