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Kitabı oku: «Faking It / Forbidden Sins», sayfa 3

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CHAPTER SIX

Hannah

DAY TWO OF my fake marriage and I’m already questioning why I didn’t put up more of a fight when Max suggested bringing Owen back for this operation. I should have nipped it in the bud. But oh no, I had to go and think the golden boy’s shine might have worn off with absence. Mistake number one.

Mistake number two was not pushing the brother-and-sister undercover plan harder. But like any good public servant, I fell into line.

Mistake number three was kissing him. Well, kissing is kind of a soft description. I basically dry humped him against the fence.

Cringing, I shake my head. Last night I acted out of line—unprofessional. Owen made it clear years ago that he wasn’t interested and yet I threw myself at him the first chance I got. Pathetic. He’s probably having a good laugh about it.

But what about the fact that he was hard enough to drill holes?

Natural physical response. Endorphins. Adrenaline. Pick a reason.

It’s like the universe has designed the perfect situation to test me. This morning I burned my toast while getting lost in my imagination. Getting lost in a fantasy starring him. How am I supposed to do my job when I can’t even make a bloody piece of toast without screwing it up?

Ugh, don’t think about screwing. Don’t think about screwing. Don’t think about screwing…

“Whatcha thinking about?” Owen walks into the kitchen, a pair of tracksuit pants riding low on his hips and a white T-shirt clinging to every muscle in his chest. His blond hair is damp, which makes his blue eyes even brighter.

It’s borderline disgusting how attractive he is.

“I’m thinking about the case.” I busy myself by putting the dishes away from our dinner last night. “Obviously.”

“Obviously.” Amusement dances in his voice. “By the way, this arrived. I noticed it when I came back from my run this morning.”

He’s holding a crisp white envelope in the kind of paper that usually signifies something fancy—weddings, galas, charity balls.

He grabs a knife and slips it under the seal at the back, slicing the envelope open. Inside is a single piece of paper. It’s grey and industrial-looking, with rough edges and an asymmetrical shape but the fancy gold-and-white font screams money.

“A personal invitation from Galleria D’Arte to join Dominic and Rowan Lively in presentation of artist Celina Yang.” Owen looks up. “It’s a cocktail party tomorrow night.”

A cocktail party. Great. Unfortunately, the work budget doesn’t extend to fancy wardrobe purchases, and I’m pretty sure Owen doesn’t own a tux. Or is a tux more black tie than cocktail? I have no earthly idea.

“What should I wear?” I bring my thumb up to my lips, ready to bite down until I remember that I need to look the part. No more biting my nails.

“Cocktail dress?” Owen supplies less-than-helpfully.

“I don’t own any.” I have one dress that might pass at a nice restaurant since it’s black and simple. The last time I wore it was to a funeral. And if it passed muster at a funeral, does that mean it’s no good for a cocktail party?

Damn it. When it comes to outrunning the bad guys and clipping on handcuffs or diffusing a tense situation, I’m at the top of my game. But I don’t do parties and dresses and high heels. How am I going to convince anyone that I’m a trophy wife?

“You go. I’ll pretend to be sick,” I mutter.

“Do we need to go shopping?” Owen places the invitation on the kitchen counter and leans his forearms against the sleek marble. “We can get you something to wear.”

“That’s not an appropriate use of the budget and you know it.” Maybe I can slap on some fake leaves and pretend to be a potted plant, Scooby-Doo style.

“Don’t worry about the budget.”

I sigh. “Of course I worry about the budget. There are more important things to spend that money on and I can’t be seen taking advantage of the situation to fill out my wardrobe.”

“I’ll cover you.” When I raise a brow, Owen shrugs in that careless way of his. “I’m a consultant and I have expenses. No big deal.”

“I’ll pay you back,” I say. The thought of him footing the bill for a dress feels totally and utterly wrong, but if I’m being honest my five-year-old Target dress isn’t going to cut it for an upper-crust gallery event.

“Stop worrying about the money.” He turns and heads toward the spare room, which he’s graciously taken so I can have the master suite with the more private bathroom. “Go grab your things.”

We catch the tram to Collins Street, where the designer shops sit like glittering beacons of unattainable style. The only time I come to the “Paris End”—aka the section with all the fancy stores—is to have the odd drink with friends. But Owen whisks me into the Gucci store like he’s done it a thousand times before.

We bypass the shoes and bags and head into the quieter part with the clothing. “This is excessive,” I say under my breath. “Can’t we go to Myer?”

Department stores are a little more my speed. And I’m already wondering what kind of payment plan I’ll need to buy a dress here. I love my job, but it isn’t for the thickly padded pay cheque.

“You need to grab everybody’s attention. We’re drawing them to us, remember?”

We walk into a room with huge screens playing footage from a runway show. The models are wearing strange, avant-garde creations and they all look terribly unhappy. Biting down on my lip, I glance around the store.

I walk over to a simple dress in emerald green with a ruffle draping from one shoulder all the way to the hem. It’s not my style, but it looks like something my undercover alter ego might wear. But when I glance at the price tag, I almost faint.

“We need to leave,” I say under my breath as a well-heeled sales assistant approaches us. “Please.”

“Hannah, it’s fine.” Owen touches my arm like we really are a married couple and that only makes my stomach swish harder. I’m going to send myself into life-long debt for a cocktail dress.

“Can I help you?” The woman has a cool confidence that I immediately envy. But maybe I could learn a few things from her to help bolster my persona.

“My wife is looking for a cocktail dress,” Owen says when I remain stubbornly quiet. “We’ve got an important event to attend.”

The woman’s gaze sweeps over me, assessing my size and shape. Her fingers drift over a rack of clothing, and she pushes the hangers to one side to reveal a hot pink monstrosity that looks like some cruel fashion joke. When she notes my expression, she immediately moves to another rack.

“What kind of an event?”

“A gallery exhibition.” I can barely find my voice. I hate feeling so out of my depth, and over such a stupid thing, too. I’ve had a gun pointed directly at my face and yet I’m scared of a few metres of silk?

“Ah, so you might want something artistic.” She taps a well-manicured finger to her chin. “How daring are you?”

Not very. Not even a little bit. “Uh, I’m probably more classic than daring.”

“She’s very daring,” Owen says, his gaze scorching me from the inside out. “My wife doesn’t see it in herself, but I do. She’s got a spark like nobody else.”

Does he really see that in me? Or is it part of the doting husband act?

My head and heart have been a jumbled mess ever since Owen set foot back in Australia. I thought I’d gotten over it all—over the desperate desire and humiliation. Over the way he’d looked at me, with clear eyes while mine were glassy with champagne, as he’d told me that he wouldn’t sleep with me because he valued our friendship. The humiliation had burned me to ash, and it made his act now all the more painful to swallow.

Because despite the time that had passed, I still wanted it to be real.

The woman’s face lights up as she pulls another garment from the rack. It appears to be a blazer made of reflective black material. “Is there a pair of pants to go with that?” I ask.

She ushers me to a changing room. “It’s a dress made to look like a blazer. It’s classic and daring, to suit both what you see and what your husband sees.”

When she closes the door behind me, I stare at myself in the mirror. Even with the flattering gold tones of the change room and the specially engineered lighting, I don’t love what I see. I’d never call myself ugly, but I wouldn’t say I’m anything special to look at, either. Brown hair, brown eyes, eyebrows that could do with some TLC. I’ve always viewed my body for what it can do—for speed and strength and agility—rather than looks. And I’ve told myself over and over when relationships fizzled, that it was because men are intimidated by strong women.

But now I wonder if I’m a bit…boring. Unsophisticated.

“How’s it going in there?” Owen’s honey-smooth voice jolts me out of my negative thought spiral and I shuck my jeans.

“This is my worst nightmare,” I admit. Somehow, without having to face him, it’s a little easier to be honest. “I can’t afford anything in here and I feel like a little girl playing dress-up.”

The silence stretches on for a beat more than is comfortable.

“Firstly, the dress is my treat. And secondly…” The lock rattles lightly and I can tell he’s leaned against the door. “You need to stop being so hard on yourself.”

I raise a brow at my reflection. It’s the most un-Owen-like thing he could have said. I’m down to my bra and undies now, and pulling the blazer/dress thing off the hanger. It’s surprisingly heavy, and I notice it’s covered entirely in glimmering beads.

“You deserve to be where you are because you work harder than anyone else. Because you’re smarter than anyone else. Maybe more people should be like you, rather than you trying to be like someone else.”

The statement warms my heart, kindling an old fire. I can’t help the goofy grin that stretches my lips as I slip into the dress. The sales assistant was right—it is the perfect mix of classic and daring. The long sleeves and padded shoulders give a structured, powerful vibe and the short hemline and plunging neck are sexy as all get-out. But the fact is I am a girl playing dress-up. Because I would never wear this dress, and I would never be with a guy like Owen who flits from one thing to the next, always chasing a new whim.

I like him. I always have. But I need to remember what I told myself all those years ago—it’s a good thing he rejected me. Because a guy like him would chew me up and spit me out. I need to find a relationship where I’m an equal partner, where the other person is invested as much as I am. And unfortunately, I’m always more invested than the other person.

When I open the change room door, Owen’s eyes widen. “Wow.”

He’s looking at me like it’s the first time he’s seen me. But I don’t want to have my She’s All That moment right now. Because this transformation is a lie—like the ring on my finger and the apartment we’re sharing. I’m never going to be the “after” picture in some “ugly duckling to swan” advertisement.

I’m not sure I want to be, either.

“Thanks.” I swallow my awkwardness. “Don’t get used to it. I’ll be back in leggings tonight.”

I refuse to let his reaction affect me. If there’s any attraction here, it’s not because of who I really am. I can’t afford the delusion that there will ever be anything between us…no matter how much I can’t stop thinking about that kiss.

CHAPTER SEVEN

Owen

BY THE THIRD DAY of living at 21 Love Street, we’ve met a number of our neighbours in passing. Hannah ignored my suggestion to let them come to us, and I have to admit she’s playing the role of social butterfly well.

We’ve met a communications manager and her investment banker fiancé from level one. A quiet schoolteacher named Ava and her friend Emery, who live in the apartments next to Rowan and Dominic on level five. I’m thinking they could be a good source of information on the brothers’ activities. And Matt the chef lives on level three. We haven’t seen anyone on level six—I suspect the other penthouse might be owned by someone who travels a lot. There are also two young families on the first floor, and an older woman on level three who seems to keep to herself but gave a friendly wave in the mailroom as I pretended to inspect our mailbox.

Nothing suspicious yet. Based on what we have, I feel Dom, Rowan and Matt are worth looking into further. Which is why Hannah and I are waiting outside L’Arte Galleria in a line to have our tickets checked by a beefy guy in a black suit.

“This place is fancy,” Hannah whispers. She’s hanging on to my arm and has a black trench coat covering her new dress. That dress has been on my mind all day. “I bet they have Swarovski-encrusted toilets.”

I snort and make a poor attempt of covering it with a cough. We step forward in the line and she’s careful to keep her balance on a pair of pencil-thin stilettos that I bought to go with her dress. They have a mirror-like silver finish and they’re doing amazing things for her legs. Hannah had argued that they were impractical and that she wouldn’t be able to chase after anyone in them—but tonight we’re gathering information. No running required.

“Tickets?” The beefy guy has a nose that looks like it’s been on the losing side of a few fistfights and he’s built like a brick wall. Is that OTT for a gallery? I’m not sure.

Hannah hands our invite over and the beefcake scans a small barcode on the back of it. “Mr. and Mrs. Essex, welcome.”

Interesting. I don’t remember giving our surname to Dom when we spoke in front of the barbeque, but he obviously got it somehow. I press my hand to the small of Hannah’s back and we’re ushered into the cloakroom area. It’s chilly out tonight—rainy and damp in that typical Melbourne early spring way—and so we offload our outerwear. I try not to stare as Hannah shrugs out of her coat, revealing her long, lean legs and a scandalous triangle of chest. The bare skin contrasting with long sleeves looks edgy and sexy. She’s put on a little makeup and fluffed out her hair, so that it falls in shiny brown waves to her shoulders. I don’t quite understand why she made that comment about being a little girl playing dress-up yesterday, because she looks every bit the perfect Mrs. Hannah Essex to me.

“Shall we?” I hold my hand out to her, and she takes it. There’s that blush again, tinting her cheeks and neck and the tips of her ears.

“Stop looking at me like that.” The words are spoken low, for my ears only.

“Like what?”

“Like you’re a wolf who’s gone weeks without a fresh kill.” Her hand slips into mine. “And I’m a big, dumb deer who’s stumbled into your path.”

I pull her close to me as we weave through a large, modern archway which opens into the gallery’s main room. The exhibition is…not quite what I expected. Sculptures dot the room, abstract shapes that somehow manage to look erotic—like bodies entwined—without actually resembling anything at all.

The lighting is low, except for a few strategically placed red spotlights which give the room an almost club-like atmosphere. Electronic music plays over the speakers, but not so loud that it inhibits conversation. There are waiters circling the room, wearing blood-red tuxedo jackets and carrying trays of pink-tinted sparkling wine.

Hannah cocks her head. “This is different to what I thought it would be. Although, to be fair, my experience with galleries is limited to that one time I went to NGV on a high school excursion.”

“Same.”

Even living in New York hadn’t tempted me into the local pastime of spending hours staring at things my brain isn’t creative enough to process. I’m more of a hands-on guy. This is a bit…cerebral.

“They’re kind of sexy.” Hannah steps closer to the sculpture nearest us. She leans forward slightly, her eyes narrowed and a cute little wrinkle in her nose. “Is that weird?”

“It’s not weird at all.” A woman appears beside us, her dark hair shaved on one side and reaching down to her shoulders on the other. “This collection is about capturing the feeling of oneness that two people experience in love and lust.”

“This is your work?” Hannah straightens and puts on a smile.

“Yes, I’m Celina Yang.” She extends her hand and Hannah accepts it.

“Hannah Essex, nice to meet you. The pieces are very…thought-provoking.”

“Thank you.” Celina smiles. She’s a striking woman, barely more than five feet two and wearing flat shoes. She’s dressed in red to match the theme of the event—a dress that looks as avant-garde as her work. Two large diamonds glitter in her ears. “I take a lot of inspiration from my own relationships.”

“Looks like you have some good relationships,” Hannah comments. Then she looks up, as if the comment had slipped accidentally. “I mean…the sculptures are beautiful.”

That’s my Hannah. Smooth as sandpaper.

Celina laughs. “Being comfortable with one’s sexuality is a very pure thing, despite what society might lead you to believe. Sex is when we are at our truest and most vulnerable.”

I watch Hannah inspecting the sculpture. This one is two pieces of twisted material—a shiny black that’s so glossy it looks like there’s a fine layer of ice over it, and a matte, velvety black.

“You can touch it,” Celina says. “This is meant to be an interactive exhibit.”

For some reason Hannah’s eyes flick to mine as her hand comes slowly—hesitantly—down to the sculpture. At first she brushes her fingertips over the sweeping curve of the matte black material, but then—as if enjoying the feeling—she presses her palm flat over it and moves it along in one smooth but firm stroke.

This shouldn’t turn me on. It’s a sculpture that looks like nothing. An adult version of Play-Doh. But watching her hand move, growing bolder with Celina’s encouragement, has all the blood in my body rushing south. What the hell is wrong with me?

“Try it.” Hannah holds her hand out to me, tempting like the devil herself.

I step forward and allow Hannah to take my hand. The sculpture is strangely soft beneath my fingertips. As I glide my hands back and forth, it changes from smooth to rough.

“It feels so strange,” Hannah says.

“It shows the dual-edge of a toxic relationship,” Celina says. “The very thing that can feel good and comforting, can become painful when turned on us.”

I watch as her eyes drift across the room. There’s a man standing by himself, his long figure encased in a black suit. He’s fair-haired and when he turns, I recognise Matt instantly.

“Some people are no good for you, even if you want them to be.” Her hand toys with one of her earrings, the large clear stone looking almost pinkish from the red spotlight above. “But it looks as though you two don’t have that problem at all.”

“We have our ups and downs,” Hannah says, winking at me. “Right now, I’d say we’re up.”

Who is this woman? The Hannah I know is prickly and has a tongue that could slice bone. But now she’s soft and flirty. It’s part of her act, of course—Hannah Essex rather than Hannah Anderson.

“Well, you should think about getting one of the sculptures for your bedroom. Never helps to inject the room with more sensuality.” Celina smiles and her hand drops away from her earring. “If you’re interested, I can help you pick one that will be a good fit.”

“Thank you. We’ll definitely consider it,” I say.

Celina moves on to the next cluster of people. The room is moderately full, but there’s still plenty of space to move around. I notice more people interacting with the sculptures now—touching and getting close. Hannah sticks by my side as we drift on to the next piece—it’s a harder and more aggressive shape made of gold and silver. The two pieces of metal bow away from each other before coming back to twist into a small spire at the top.

This time Hannah doesn’t hesitate to reach out and touch it. “Do you think it’s true what she said?”

“About what?”

“That sex is when we are at our truest and most vulnerable?” Her eyes don’t meet mine and I wonder what game she’s playing—is this about our cover…or something more?

My memory drifts back to the night she propositioned me. We’d graduated from the academy and there was a huge house party—one last hurrah before we were all scattered across the state. Many new constables work in rural areas for a period of time, finding their feet and helping communities that don’t have much police coverage. Hannah had never been a big drinker, so the champagne had hit her hard. She’d been falling all over me, giggling with her cheeks and ears pink and hair mussed and eyes wild.

I’d never seen a more beautiful woman in all my life.

Don’t you want to kiss me? she’d asked. I’ve seen you look at me and I never knew if it meant anything but I hoped it did. I’m not supposed to like you because you’re dangerous for a girl like me…but I do.

Dangerous. The funniest thing about it was that if anyone was dangerous in that scenario, it was her. Because she was smart and beautiful and courageous and so kickass it made me want to burst. But I’d been with a girl like that before—where I’d loved as hard as my teenage heart knew how. The day I’d lost it all I’d broken into so many pieces no one knew how to put me back together.

“Owen?” Hannah cocked her head. “You didn’t answer my question.”

“I guess it’s true.” I shrug. “I’m not sure I would say it’s a vulnerable thing, though.”

It never was for me…not after the first time. These days, sex is blowing off steam and scratching an itch. It’s fun and enjoyable, but it’s never about vulnerability. In fact, being vulnerable is the thing I avoid most in life. Because getting close to someone has never worked out well for me in the past—I’ve lost a mother and father and a brother and a grandfather and the girl I loved.

That’s a whole lot of loss for one heart to handle.

“Yeah, me either.” She looks as though she’s seriously considering Celina’s words. “Sometimes it’s just about fun, right?”

Yaş sınırı:
0+
Hacim:
353 s. 6 illüstrasyon
ISBN:
9780008901097
Telif hakkı:
HarperCollins
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