Kitabı oku: «Here and There in London», sayfa 6
VAUXHALL GARDENS
Vauxhall is alive. At one time it was thought dead, and people affirmed the fact to be an evidence of the improved state of the metropolis. (Moralists are too prone to be thankful for small mercies.) Had the fact been so, the inference was a fallacy; but we need not trouble ourselves about that, as the fact is otherwise. It is a mistake to suppose that progress is made only in one direction. Vauxhall is associated with the fast life of centuries. It was born in the general and fearful profligacy – the fearful price England paid for the Restoration. In 1661 Evelyn writes of it as a pretty contrived plantation. In 1665, in the diary of Pepys, we find entries of sundry visits to Fox-hall and the Spring Gardens, and “of the humours of the citizens pulling off cherries, and God knows what.” Again we are told, “to hear the nightingales and the birds, and here fiddlers, and there a harp, and here laughing, and there the people walking, is mighty diverting.” That respectable Secretary of the Admiralty also tells us of supper in an arbour, of ladies walking with their masks on, and his righteous soul was shocked to see “how rude some of the young gallants of the town are become,” and “the confidence of the vice of the age.” To Vauxhall Addison took Sir Roger de Coverley, and Goldsmith the Citizen of the World, who exclaimed, “Head of Confucius, this is fine! this unites rural beauty with courtly magnificence.” Here Fielding’s Amelia was enraptured with the extreme beauty and elegance of the place. Here Miss Burney gathered incidents for her once popular but now forgotten tales. And here Hogarth, for suggesting paintings, some of which still remain, was presented with a perpetual ticket of admission, and which was last used in 1836. Strange scenes have been done here. One of them is described by Horace Walpole, who graphically narrates how Lady Caroline Petersham stewed chickens over a lamp; and how Betty, the fruit girl, supped with them at a side table. All that is past. Dust and ashes are the fine lords and fine ladies who made Vauxhall the resort of folly and fashion – the fashion is gone, the folly remains. Yet never were there more funds subscribed for the conversion of the Jews, or more missionaries sent out to Timbuctoo.
Vauxhall is one of the delusions of London life. It lives on the past – a very common practice in this country, where real knowledge travels very slowly. When Smith comes up to London, his first Sunday he goes to hear the Rev. Mr. Flummery, thinking he is the popular preacher. Ah, Smith! Flummery has ceased to be a popular preacher these twenty years. “What a sweet girl is gone!” exclaims old Jones, as he hears of the death of an ancient flame. Jones forgets the sweet girl had become an old maid of seventy, and had not a tooth in her mouth or a lock of hair on her head but what was artificial. So with Vauxhall. It lives as many a man, or newspaper, or magazine, or institution, on its name. Judge for yourself if you won’t take my word. A cab will take you there from the Strand in half an hour, and for the very moderate sum of one shilling the gate will be unlocked and entrance effected. The specialty of the place is the blaze of lights from thousands of lamps. Supposing you to have got over the bewilderment created by their lustre, to eyes not accustomed to such “hall sof dazzling light,” you perceive a kind of square (the precise definition of it I leave to the mathematicians) with a dancing platform in the middle, a supper room on one side, and boxes all round, where refreshments and seats are supplied. Opposite to the supper-room is a lofty orchestra, glittering all over with many coloured lamps; further on and behind are walks, and trees, and a fountain, with gigantic horses snorting water through their nostrils, and a space for fireworks, the demand for which on the part of the pleasure seekers of the metropolis, if we may judge by the supply, is insatiable. Let us not forget also the Rotunda, a large building with pit, boxes, and gallery, chiefly devoted to horsemanship, neither worse nor better than what is usually seen at such places. The comic singing is a feature of the place. Popular comic songs are not very fresh, nor very witty nor refined, and require, when delivered in public, a good deal of elocution. The point must be apparent, and the emphasis clearly enunciated, but they are much the same here as elsewhere. When you have heard one or two of them, you have heard them all. So much by way of description. The people who come here are the people whose pleasures are of the lowest character; who are dependent on others; whose life is all outward rather than inward. They are not readers nor thinkers, you may be sure, but the class precisely to whom such places are as hurtful as they are attractive. If a man is to be known by the company he keeps, what are we to think of the habitués of Vauxhall? for after all life is, or ought to be, to us all a stern reality – a battle-field – a victory – not a pleasure garden, or a Vanity Fair; and even in London you may mix with better society than that of painted Traviatas or tipsy men. Smoking, dancing, drinking, is not all life; yet for such purposes Vauxhall solely exists. I much question, if London alone were concerned, so great is the rivalry in this particular style of amusement, whether Vauxhall would be a success; but the provincial element is amazingly strong. I account for that as follows. The railway system has done this for London. It has filled it with strangers. From the wilds of Connemara, from the distant Land’s End and remote John o’Groat’s, old and young, male and female, rich and poor, wise or foolish, come in shoals to see London and its sights. Now Vauxhall, and its illumination, and its slice of ham, have been the wonder of generations, and to Vauxhall away they rush. Their speech betrayeth them. Look at them. This party is from Lancashire. From the flowery fields of Somersetshire that party have come. Wales has sent her exciteable sons, and Scotland her reckless prodigals, for there are such even ayont the Tweed. Here we have some five or six – a father and mother, a daughter and her husband, and it may be a brother. Those giants were never reared within the sound of Bow bells, and to be impertinent to either the old lady or the young one were the height of folly. Their fashions are not ours, yet are they wondrous jolly; and, woe is me, the head of the family is exhibiting an agility as he bounds up and down as an elephant might, which is unbecoming his years. How is this? Why actually in a remote corner of the pocket, in the innermost depths of that ancient coat, there is a bottle of raw gin, which the old satyr puts to his own mouth, and then hands it to the rest of his party, by whom, in a similar manner, it is applied, till what is left would not hurt the conscience of a teetotaller to drink. It is well his “missus” is there to pilot him home, and the sooner he gets back to his Yorkshire wilds the better. Yet we have a sprinkling of town life. The reader must remember Vauxhall occupies altogether eleven acres of ground, and on one occasion upwards of 20,000 persons paid for admission. Look at that faded pair. Some forty years ago they were fast, as times went, and here they have come to have a peep at the old place, and to wonder how they cared so much about it then. There stands an old fogy of the Regency. Of what hideous debauch can he tell; and here stuffed, and painted, and bewigged, made up from top to toe, he has come to mourn, not to moralise, over the past. A sad sight is he; but sadder still are those pale-faced ones, of elaborate hair, and exquisitely fitting costumes and bewitching Balmorals, now dancing, now chaffing, now drinking, now uproariously merry, but all the time with wanton wiles seeking their human prey in the excitement of music, and laughter, and wine.
THE PENNY GAFF
Do my readers know Shoreditch? I do not mean the Eastern Counties Railway Station, but the regions dark and dolorous lying beyond. In an old map of London, by my side, dated 1560, I see it marked as a street with but one row of houses on each side, and the five windmills in Finsbury Fields not far off. Here stood the Curtain Theatre. In Stowe’s time there were in Shoreditch “two publique houses for the acting and shewe of comedies, tragedies, and histories for recreation.” Here, according to the learned and indefatigable Mr. Timbs, “at the Blue Last public-house, porter was first sold, about 1730.” And here still, if I may judge from the immense number of public-houses all round, the consumption of porter and other intoxicating liquors is still carried on on a somewhat extensive scale. Hard working and businesslike as Shoreditch is by day, with its clothes marts and extensive shoe depôts, by night it is a great place for amusement. Here are theatres where melodrama reigns supreme. Close by is the renowned Britannia Saloon. And here concerts exist where, over their beer, the listeners are regaled with the sentimental and comic songs of a generation long gathered to its fathers. To me I confess there is somewhat of pathos in these places. What tales cannot that ancient landlord tell! The young, the beautiful, the brave he has outlived, where are they?
But let us pass on to the penny theatre, a place not hard to find in this region of shell-fish and fruit-pie shops, those sure indications of a neighbourhood rather poor and very wild. We pay our money at the door, and then follow the direction given us by the businesslike young woman who takes the fee, “First turn to the left, and then to the right.” But instead of being allowed to enter at once, we have to wait with several others, chiefly boys, very dirty, who regard us apparently with no very favourable eye, till a fresh house is formed. Our new acquaintances are not talkative, and we are not sorry when our turn comes to enter the dirty hole set apart for the entertainment of the Shoreditch youth. We climb up a primitive staircase, and find ourselves in a gallery of the rudest description, a privilege for which we have to pay a penny extra. Here we have an ample view of the stage and the pit, the latter chiefly filled with boys, very dirty, and full of fun, with the usual proportion of mothers with excited babies. The performance commences with a panorama of American scenery, with some very stale American criticisms, about the man who was so tall that he had to go up a ladder to shave himself, and so on; all, however, exciting much mirth amongst the youthful and apple-eating audience. Then a young lady, with very short petticoats and very thick ancles, dances, and takes all hearts by storm. To her succeeds one who sings about true love, but not in a manner which the Shoreditch youthdom affects. Then a fool comes upon the stage, and keeps the pit in a roar, especially when he directs his wit to the three musicians who form the orchestra, and says ironically to one of them, “You could not drink a quartern of gin, could you?” and the way in which the allusion was received evidently implied that the enlightened but juvenile audience around me evidently had a very low opinion of a man who could not toss off his quartern of gin. Then we had the everlasting niggers, with the bones, and curiously-wrought long coats, and doubtful dialect, and perpetual laughter, which the excited pit copiously rewarded. One boy tossed a button on the stage, another a copper, and another an apple; and so pleasing was this liberality to the supposed young men of African descent, that they did not think it beneath them, or inconsistent with their dignity as professionals, to encourage it in every possible way. And well they might. Those gay blacks very likely had little white faces at home dependent on the liberality of the house for next day’s crust. But the treat of the evening was a screaming farce, in one act, in which the old tale of “Taming the Shrew” was set forth in the most approved Shoreditch fashion. A husband comes upon the stage, whose wife – I would not be ungallant, but conscientious regard to truth compels me sorrowfully to declare – is an unmitigated shrew. She lords it over her husband as no good woman ever did or wishes to do. The poor man obeys till he can stand it no longer. At length all his manhood is aroused. Armed with what he calls a persuader – a cudgel of most formidable pretensions – he astonishes his wife with his unexpected resistance. She tries to regain the mastery, but in vain; and great is the delight of all as the husband, holding his formidable instrument over his cowed and trembling wife, compels her to obey his every word. All the unwashed little urchins around me were furious with delight. There was no need for the husband to tell the audience, as he did, as the moral of the piece, that the best remedy for a bad wife was to get such another cudgel for her as that he held in his hand. It was quite clear the little Britons around me had resolved how they would act; and I fear, as they passed out to the number of about 200, few of them did not resolve, as soon as they had the chance, to drink their quartern of gin and to whop their wives.
On another occasion it chanced to me to visit a penny gaff in that dark and dolorous region, the New Cut. There the company and the entertainment were of a much lower character. A great part of the proceedings were indecent and disgusting, yet very satisfactory to the half-grown girls and boys present. In the time of the earlier Georges we read much of the brutality of the lower orders. If we may believe contemporary writers on men and manners, never was the theatre so full – never was the audience so excited – never did the scum and refuse of the streets so liberally patronise the entertainment as when deeds of violence and blood were the order of the night. This old savage spirit is dying out, but in the New Cut I fear it has not given way to a better one.
RAG FAIR
People often ask, how do the poor live in London. This a question I don’t intend answering on the present occasion. But if you ask how they clothe themselves, my answer is, at Rag Fair. Do my readers remember Dickens’s sketch of Field-lane? In “Oliver Twist,” he writes, “Near to the spot at which Snow-hill and Holborn meet there opens, on the right hand as you come out of the city, a dark and dismal alley, leading to Saffron-hill. In its filthy shops are exposed for sale huge bunches of pocket handkerchiefs of all sizes and patterns, for here reside the traders who purchase them from pickpockets; hundreds of these handkerchiefs hang dangling from pegs outside the windows, or flaunting from the door-posts, and the shelves within are filled with them. Confined as the limits of Field-lane are, it has its barber, its coffee-shop, its beer-shop, and its fried fish warehouse. It is a commercial colony of itself – the emporium of petty larceny, visited at early morning and setting in of dusk by silent merchants, who traffic in dark back parlours, and go as strangely as they come. Here the clothes-man, the shoe vamper, and the rag merchant display their goods as signboards to the petty thief, and stores of old iron and bones, and heaps of mildewy fragments of woollen, stuff, and linen rust and rot in the grimy cellars.” Expand this picture. Instead of one street have several – make it the resort of all the dealers in old clo’, old iron, old rags, old tools, old bones, old anything that a human creature can sell or buy; fill it with a miscellaneous crowd of Jews, Irish, navvies, artisans, pickpockets, and thieves, bargaining with all the energy of which their natures are susceptible; make it damp and warm with their vapour, and a very Babel with their discordant sounds, and you get a dim idea of Rag Fair and its guests, unwashed as they appear every day from twelve to two, but especially on a Sunday, to the great scandal of the devout and respectable in that locality, who are too apt to quarrel with the effect and forget the cause.
Let us enter Houndsditch, a place where the Jews collected together long before the royal house of Guelph occupied its present pleasant position on the English throne. Poverty and wretchedness, it may be, are bashful at the West End, but they are not so here,
“Where no contiguous palace rears its head,
To mark the meanness of their humble shed.”
In a little court on our left, a little way down, we come to a building known as the Old Clothes Exchange. The building was erected some dozen years ago by one of the leading merchants in the old clothes line. A small entrance fee is demanded. You had better pay, as otherwise admission will be denied you. You had better not attempt to pass in without paying, as the toll-collector is an ex-prize-fighter; and the chances are, in a set-to, you would come off second best. If it be Sunday you had better not, especially if the weather be warm, attempt a passage at all. The scrambling, and wedging, and pushing, and driving are dreadful. A man must have some nerve who forces his way in. In the week day, and you are a seller, you are soon pounced on by the Jews hungering and thirsting after bargains. In that peculiar dialect affected by the ancient people you have the most magnificent offers made. “My coot friend, have you cot any preakage?” says one. “Cot any old boots?” says another. “I alvays gives a coot prishe,” says a third. And the seller is surrounded by an eager crowd, as if he had the Koh-i-noor, and was going to part with it dirt cheap. If you are a buyer, you are quite as quickly attacked. “Want a new hat?” says one. “Shall I sell you a coot coat?” says another; and whichever way you turn, you see the same buying and selling. The cheap jewellery, the china ornaments, the general wares, are not of the most recherché, but of the most popular character. You may buy a stock close by that will set up all the fairs in England. Here a seller of crockery ware has come back, and is disposing of the treasures he has acquired in the course of his travels. There a woman is discharging a similar miscellaneous cargo. All round are buyers, examining their goods. Everything here will be made useful. That bit of old iron will become new; those boots, ruined, as you deemed them, will be vamped up, and shall dance merrily to accompanying shillalaghs at Donnybrook fair; that resplendent vest, once the delight of Belgravia, in a few weeks will adorn Quashie as he serenades his Mary Blane beneath West Indian moons. Even those bits of waste leather will be carefully treasured up and converted into a dye that may tint the rich man’s costly robe. Now, you need not wonder why you find suspicious-looking men and women bargaining with your servants for left-off clothes, or rags, or plunder of any kind, and you are not surprised when you hear even out of this dirty trade riches are made, and the gains are great.
A wit was once asked what he thought of Ireland. “Why,” was his answer, “I never knew before what the people of England did with their cast-off clothes.” A similar remark might be made with regard to Rag Fair. But we have not yet described the locality. Very dark and very dismal, but very much inclined to do business, the Exchange, as it is termed, is not a building of a very gorgeous style of architecture. In its erection the useful and the economical evidently was considered more than the beautiful. It seems destitute alike of shape and substance. Mr. Mayhew says it consists of a plot of ground about an acre in extent; but Mr. Mayhew has certainly fallen into error here. The place is scarcely fenced in; and here and there you come to a hoarding, in the inside of which are some stalls and benches, scarce covered from the rain – others not so. Some of these benches, all looking very dirty and greasy, are ranged back to back, and here sit the sellers of old clothes, with their unsightly and unsavoury store of garments strewn or piled on the ground at their feet, while between the rows of petty dealers pass the merchant buyers on the look-out for bargains, or the workman, equally inclined to get as much as possible for his penny. But the curious spectator must not stop here. Near is the “City Clothes Emporium,” and all the streets and alleys in the neighbourhood are similarly occupied. The place has the appearance of a foreign colony. They are not Saxon names you see, nor Saxon eyes that look wistfully at you, nor Saxon dialects you hear, but Hebrew. Every street around is part and parcel of the fair, the bazaar is but one section of the immense market which is here carried on; but let the anxious inquirer not be too curious or too lost in wonder, else some prying hand may be inserted into his pocket, and the loss of a handkerchief, or even of something else more valuable, may be the result of a visit to Rag Fair, a place unparalleled in this vast city for rags, and dirt, and seeming wretchedness. It is true that part of the nuisance is done away with. The police keep a close look-out on a Sunday, and a great portion of the traffic on that day is very properly stopped. But there are greater nuisances in the neighbourhood on the Sabbath which the police do not look after, but which they might.
