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Sybert was the one who broke the silence. ‘I think,’ he said slowly, ‘that I could spot your man with the crucifix this very moment.’ He pointed with his cigar toward the hill above them, where little stone-walled Castel Vivalanti was outlined against the sky. ‘If I am not mistaken, he is in the back room of a trattoria up there, in company with our friend Tarquinio of the Bed-quilt, who,’ he added meditatively, ‘is a fool. Those carabinieri are not guarding the roads for nothing. A number of Neapolitans have come north lately who might better have stayed at home—Camorrists for the most part—and the government is after them. This fellow with the crucifix is without doubt one of them, and in all probability he just happened into the ruins this afternoon to rest, without having an idea who lived here. At any rate, I strongly suspect that your uncle it not the hare he’s hunting. Italy is too busy just at present to take time for private revenge—though,’ he smiled, ‘I have no wish to spoil your adventure.’

Marcia breathed a little sigh by way of answer, and another silence fell between them.

‘On such a night as this,’ he said dreamily, ‘did you and I, Miss Marcia, once take a drive together.’

‘And we didn’t speak a word!’

‘I don’t know that we did,’ he laughed. ‘At least I don’t recall the conversation.’

From the valley below them there came the sound of a man’s voice singing a familiar serenade. Only the tune was audible, but the words they knew:

 
‘Open your casement, love.
I come as a robber to steal your heart.’
 

Sybert, listening, watched her from under drooping lids. He was struggling with a sudden temptation which almost overmastered him. He thought her engaged to another man, but—why not come as a robber and steal her heart? In the past few weeks he had seen lifelong hopes come to nothing; he was wounded and discouraged and in need of human sympathy, and he had fought his battles alone. During that time of struggle Marcia had come to occupy a large part of his consciousness. He had seen in her character undeveloped possibilities—a promise for the future—and the desire had subtly taken hold of him to be the one to watch and direct her growth. The new feeling was the more intense, in that it had taken the place of hopes and interests that were dying. And then that, too, had been snatched away. Since the night of her birthday ball he had not doubted for a moment that she was engaged to Paul Dessart. It had never occurred to him that the scene he had interrupted was merely her sympathetic fashion of dismissing the young man. A dozen little things had come back to him that before had had no significance, and he had accepted the fact without questioning. It seemed of a piece with the rest of his fate that this should be added just when it was hardest for him to bear. It was the final touch of Nemesis that made her work rounded and complete.

And now, as he watched her, he was filled with a sudden fierce rebellion, an impulse to fight against the fate that was robbing him, to snatch her away from Paul Dessart. Every instinct of his nature urged him forward; only honour held him back. He turned away and with troubled eyes studied the distance. She had chosen freely—whether wisely or not, the future would prove. He knew that he could not honourably stretch out so much as his little finger to call her back.

Presently he pulled himself together and began to talk fluently and easily on purely impersonal themes—of the superiority of the Tyrol over the Swiss lakes as a summer resort, of the character of the people in Sicily, of books and art and European politics, and of a dozen different subjects that Marcia had never heard him mention before. It was the small talk of the diplomat, of the man who must always be ready to meet every one on his own ground. Marcia had known that Sybert could talk on other subjects than Italian politics when he chose, for she had overheard him at dinners and receptions, but he had never chosen when with her. In their early intercourse he had scarcely taken the trouble to talk to her in any but the most perfunctory way, and then suddenly their relations had no longer demanded formal conversation. They had somehow jumped over the preliminary period of getting acquainted and had reached the stage where they could understand each other without talking. And here he was conversing with her as politely and impersonally as if they had known each other only half an hour. She kept up her end of the conversation with monosyllables. She felt chilled and hurt; he might at least be frank. Whatever he thought of her, there was no need for this elaborate dissimulation. She had no need to ask herself to-night if he were watching her. His eyes never for a moment left the moonlit campagna.

After half an hour or so Mrs. Copley stepped to the window of the salon to ask Marcia if she did not wish a wrap. It was warm, of course, but the evening dews were heavy. Marcia scoffed at the absurdity of a wrap on such an evening, but she rose obediently. They strolled into the house and paused at the door of the salon. The whist-players were studying their cards again with anxious brows; it appeared to be a scientific game.

Marcia shook her head and laughed. ‘On such a night as this to be playing whist!’

Melville glanced up at her with a little smile. ‘Ah, well, Miss Marcia, we’re growing old—moonlight and romance were made for the young.’

Sybert smiled rather coldly as he turned away. It struck him that the remark was singularly malapropos.

Marcia went on up to her room, and throwing about her shoulders a chiffon scarf, an absurd apology for a wrap, she paused a moment by the open glass doors of the balcony and stood looking down upon the moonlit landscape. She felt sore and bruised and hopeless. Sybert was beyond her; she did not understand him. He had evidently made up his mind, and nothing would move him; he would give her no chance to put herself right. She suddenly threw back her head and stiffened her shoulders. If that were the line he chose to take—very well! She would meet him on his own ground. She turned back, and on her way downstairs paused a second at Gerald’s door. It was a family habit to look in on him at all hours of the night to make sure that he was sleeping and duly covered up, though to-night it could scarcely be claimed that cover was necessary. She glanced in, and then, with a quickening of her breath, took a step farther to make sure. The bed was empty. She stood staring a moment, not knowing what to think, and the next she was hurrying down the hall toward the servants’ quarters. She knocked on Bianca’s door, and finding no one within, called up Granton.

There was no cause for worry, Granton assured her. Master Gerald and that little Italian brat were probably in the scullery, stealing raisins and chocolate.

‘Oh,’ said Marcia, with a sigh of relief; ‘but where’s Bianca? She ought to sit by Gerald till he goes to sleep.

Bianca!—Granton sniffed disdainfully—no one could make head or tail of Bianca. Her opinion was that the girl was half crazy. She had been in there that night crying, and telling her how much she liked the signora and the signorina, and how she hated to leave them.

‘But she isn’t going to leave,’ said Marcia. ‘We’ve decided to take her with us.’

Granton responded with a disdainful English shrug and the reiterated opinion that the girl was crazy. Marcia did not stop to argue the point, but set out for the kitchen by way of the ‘middle staircase,’ creeping along quietly, determined to catch the marauders unawares. Her caution was superfluous. The rear of the house was entirely deserted. No sign of a boy, no sign of a servant anywhere about. The doors were open and the rooms were vacant. She hurried upstairs again in growing mystification, and turned toward Gervasio’s room. The little fellow was in bed and sound asleep. What did it mean? she asked herself. What could have become of Gerald, and where had all the servants gone?

Suddenly a horrible suspicion flashed over her. Gervasio’s stepfather—could he have stolen Gerald by way of revenge? That was why Bianca was crying! It was a plot. She had overheard, and they had threatened to kill her if she told. Perhaps they would hold him for a ransom. Perhaps—as the sound of her uncle’s careless laugh floated up from below she caught her breath in a convulsive sob and stretched out her hand against the wall to steady herself.

CHAPTER XXIV

Collecting herself sufficiently to know that she must not cry out or alarm her aunt, Marcia hurried to the front staircase and stood a moment on the landing, hesitating what to do. Sybert was lounging in the doorway leading on to the loggia. She leaned over the balustrade and called to him softly so as not to attract the attention of the others. He turned with a start at the sound of his name, and in response to her summons crossed the hall in his usual leisurely stroll. But at the foot of the stairs, as he caught sight of her face in the dim candle-light, he came springing up three steps at a time.

‘What’s the matter? What’s happened?’ he cried.

‘Gerald!’ Marcia breathed in a sobbing whisper.

‘Gerald!’ he repeated, anxious lines showing in his face. ‘Good heavens, Marcia! What’s happened?’

‘I don’t know; he’s gone,’ she said wildly. ‘Come up here, where Aunt Katherine won’t hear us.’ She led the way up into the hall again and explained in broken sentences.

Sybert turned without a word and strode back to Gerald’s room. He stood upon the threshold, looking at the empty little crib and tossed pillows.

‘It will simply kill Uncle Howard and Aunt Katherina if anything has happened to him,’ Marcia faltered.

‘Nothing has happened to him,’ Sybert returned shortly. ‘The scoundrels wouldn’t dare steal a child. Every police spy in Italy would be after them. He must be with Bianca somewhere.’

He turned away from the room and went on down the stone passage toward the rear of the house. He paused at the head of the middle staircase, thinking the matter over with frowning brows, while Marcia anxiously studied his face. As they stood there in the dim moonlight that streamed in through the small square window over the stairs they suddenly heard the patter of bare feet in the passage below, and in another moment Gerald himself came scurrying up the winding stone stairway, looking like a little white rat in the dimness.

Marcia uttered a cry of joy, and Sybert squared his shoulders as if a weight had dropped from them. Their second glance at the child’s face, however, told them that something had happened. His little white nightgown was draggled with dew, his face was twitching nervously, and his eyes were wild with terror. He reached the top step and plunged into Marcia’s arms with a burst of sobbing.

‘Gerald, Gerald, what’s the matter? Don’t make such a noise. Hush, dear; you will frighten mamma. Marcia won’t let anything hurt you. Tell me what’s the matter.’

Gerald clung to her, crying and trembling and pouring out a torrent of unintelligible Italian. Sybert bent down, and taking him in his arms, carried him back to his own room. ‘No one’s going to hurt you. Stop crying and tell us what’s the matter,’ he said peremptorily.

Gerald caught his breath and told his story in a mixture of English and Italian and sobs. It had been so hot, and the nightingales had made such a noise, that he couldn’t go to sleep; and he had got up very softly so as not to disturb mamma, and had crept out the back way just to get some cherries. (A group of scrub trees, cherry, almond, and pomegranate, grew close to the villa walls in the rear.) While he was sitting under the tree eating cherries, some men came up and stopped in the bushes close by, and he could hear what they said, and one of them was Pietro. Here he began to cry again, and the soothing had to be done over.

‘Well, what did they say? Tell us what they said, Gerald,’ Sybert broke in, in his low, insistent tones.

‘Vey said my papa was a bad man, an’ vey was going to kill him ‘cause he had veir money in his pocket—an’ I don’t want my papa killed!’ he wailed.

Marcia’s eyes met Sybert’s in silence, and he emitted a low breath that was half a whistle.

‘What else did they say, Gerald? You needn’t be afraid. We won’t let them hurt your papa, but you must remember everything they said, so that we can catch them.’

‘Pietro said he was going to kill you, too, ‘cause you was here an’ was bad like papa,’ Gerald sobbed.

‘Go on,’ Sybert urged. ‘What else did they say?’

‘Vey didn’t say nuffin more, but went away in ve grove. An’ I was scared an’ kept still, an’ it was all nero under ve trees; an’ ven I cwept in pianissimo an’ I found you—an’ I don’t want you killed, an’ I don’t want papa killed.’

‘Don’t be afraid. We won’t let them hurt us. And now try to remember how many men there were.’

‘Pietro an’—some uvers, an’ vey went away in ve trees.’

They questioned him some more, but got merely a variation of the same story; it was evidently all he knew. Marcia called Granton to sit with him and tremulously explained the situation. Granton received the information calmly; it was all she had ever expected in Italy, she said.

Out in the hall again, Marcia looked at Sybert questioningly; she was quite composed. Gerald was safe at least, and they knew what was coming. She felt that her uncle and Sybert would bring things right.

‘What shall we do?’ she asked.

Sybert, with folded arms, was considering the question.

‘It’s evidently a mixture of robbery and revenge and mistaken patriotism all rolled into one. It would be convenient if we knew how many there were; Pietro and Gervasio’s stepfather and your man with the crucifix we may safely count upon, but just how many more we have no means of knowing. However, there’s no danger of their beginning operations till they think we’re asleep.’ He looked at his watch. ‘It is a quarter to ten. We have a good two hours still, and we’ll prepare to surprise them. We won’t tell the people downstairs just yet, for it won’t do any good, and their talk and laughter are the best protection we could have. You don’t know where your uncle keeps his revolver, do you?’

‘Yes; in the top drawer of his writing-table.’ She stepped into Mr. Copley’s room and pulled open the drawer. ‘Why, it’s gone!’

‘I say, the plot thickens!’ and Sybert, too, uttered a short, low laugh, as Copley had done on the terrace.

‘And the rifle’s gone,’ Marcia added, her glance wandering to the corner where the gun-case usually stood.

‘It’s evident that our friend Pietro has been helping himself; but if he thinks he’s going to shoot us with our own arms he’s mistaken. We must get word to the soldiers at Palestrina—did you tell me the servants were gone?’

‘I couldn’t find any one but Granton. The whole house is empty.’

‘It’s the Camorra!’ he exclaimed softly.

‘The Camorra?’ Marcia paled a trifle at the name.

‘Ah—it’s plain enough. We should have suspected it before. Pietro is a member and has been acting as a spy from the inside. It appears to be a very prettily worked out plot. They have waited until they think there’s money in the house; your uncle has just sold a big consignment of wheat. They have probably dismissed the servants with their usual formula: “Be silent, and you live; speak, and you die.” The servants would be more afraid of the Camorra than of the police.—How about the stablemen?’

‘Oh, I can’t believe they’d join a plot against us,’ Marcia cried. ‘Angelo and Giovanni I would trust anywhere.’

‘In that case they’ve been silenced; they are where they won’t give testimony until it is too late. I dare say the fellows are even planning to ride off on the horses themselves. By morning they would be well into the mountains of the Abruzzi, where the Camorrists are at home. We’ll have to get help from Palestrina. If we could reach those guards at the cross-roads, they would ride in with the message. It’s only two miles away, but–’ He frowned a trifle. ‘I suppose the house is closely watched, and it will be difficult to get out unseen. We’ll have to try it, though.’

‘Whom can we send?’

He was silent a moment. ‘I don’t like to leave you,’ he said slowly, ‘but I’m afraid I’ll have to go.’

‘Oh!’ said Marcia, with a little gasp. She stood looking down at the floor with troubled eyes, and Sybert watched her, careless that the time was passing.

Marcia suddenly raised her eyes, with an exclamation of relief. ‘Gervasio!’ she cried. ‘We can send Gervasio.’

‘Could we trust him?’ he doubted.

‘Anywhere! And he can get away without being seen easier than you could. I am sure he can do it; he is very intelligent.’

‘I’d forgotten him. Yes, I believe that is the best way. You go and wake him, and I’ll write a note to the soldiers.’ Sybert turned to the writing-table as he spoke, and Marcia hurried back to Gervasio’s room.

The boy was asleep, with the moonlight streaming across his pillow. She bent over him hesitatingly, while her heart reproached her at having to wake him and send him out on such an errand. But the next moment she had reflected that it might be the only chance for him as well as for the rest of them, and she laid her hand gently on his forehead.

‘Gervasio,’ she whispered. ‘Wake up, Gervasio. Sh—silenzio! Dress just as fast as you can. No, you haven’t done anything; don’t be frightened. Signor Siberti is going to tell you a secret—un segreto,’ she repeated impressively. ‘Put on these clothes,’ she added, hunting out a dark suit from his wardrobe. ‘And never mind your shoes and stockings. Dress subito, subito, and then come on tiptoe—pianissimo—to Signor Copley’s room.’

Gervasio was into his clothes and after her almost before she had got back. When undirected by Bianca, his dressing was a simple matter.

Sybert drew him across the threshold and closed the door. ‘What shall we tell him?’ he questioned Marcia.

‘Tell him the truth. He can understand, and we can trust him.’ And dropping on her knees beside the boy, she laid her hands on his shoulders. ‘Gervasio,’ she said in her slow Italian, ‘some bad, naughty men are coming here to-night to try to kill us and steal our things. Pietro is one of them’ (Pietro had that very afternoon boxed Gervasio’s ears for stealing sugar from the tea-table), ‘and your stepfather is one, and he will take you back to Castel Vivalanti, and you will never see us again.’

Gervasio listened, with his eyes on her face and his lips parted in horror. Sybert here broke in and explained about the soldiers, and how he was to reach the guard at the corners, and he ended by hiding the note in the front of his blouse. ‘Do you understand?’ he asked, ‘do you think you can do it?’

Gervasio nodded, his eyes now shining with excitement. ‘I’ll bring the soldiers,’ he whispered, ‘sicure, signore, sicurissimo! And if they catch me,’ he added, ‘I’ll say the padrone has whipped me and I’m running away.’

‘You’ll do,’ Sybert said with a half-laugh, and taking the boy by the hand, he led the way back to the middle staircase, and the three crept down with as little noise as possible.

They traversed on tiptoe the long brick passageway that led to the kitchen, and paused upon the threshold. The great stone-walled room was empty and quiet and echoing as on the first day they had come to the villa. The doors and windows were swinging wide and the moonlight was streaming in.

Sybert shook his head in a puzzled frown. ‘What I can’t make out,’ he said in a low tone, ‘is why they should leave everything so open. They must have known that we would find out before we went to bed that the servants were missing. Who usually locks up?’

‘Pietro.’

‘You and I will lock up to-night.’ He considered a moment. ‘We mustn’t let him out within sight of the grove. A window on the eastern side of the house would be best, where the shrubbery grows close to the walls.’

Marcia led the way into a little store-room opening from the kitchen, and Sybert gave Gervasio his last directions.

‘Keep well in the shadow of the trees across the driveway and down around the lower terrace. Creep on your hands and knees through the wheat field, and then strike straight for the cross-roads and run every step of the way. Capisci?’

Gervasio nodded, and Marcia bent and kissed him and whispered in his ear, ‘If you bring the soldiers, Gervasio, you may live with us always and be our little boy, just like Gerald.’

He nodded again, fairly trembling with anxiety to get started. Sybert carefully swung the window open, and the little fellow dropped to the ground and crept like a cat into the shadows. They stood by the open window for several minutes, straining their ears to listen, but no sound came back except the peaceful music of a summer night—the murmur of insects and the songs of nightingales. Gervasio had got off safely.

‘Now we’ll lock the house,’ Sybert added in an undertone, ‘so that when our friends come to call they will have to come the front way.’

He closed the window softly and examined with approval the inside shutters. They were made of solid wood with heavy iron bolts and hinges. The villa had been planned in the old days before the police force was as efficient as now, and it was quite prepared to stand a siege.

‘It will take considerable strength to open these, and some noise,’ he remarked as he swung the shutters to and shot the bolts.

They groped their way out and went from room to room, closing and bolting the windows and doors with as little noise as possible. Sybert appeared, to Marcia’s astonished senses, to be in an unusually light-hearted frame of mind. Once or twice he laughed softly, and once, when her hand touched his in the dark, she felt that same warm thrill run through her as on that other moonlight night.

They came last to the big vaulted dining-room which had served as chapel in the devotional days of the Vivalanti. The three glass doors at the end were open to the moonlight, which flooded the apartment, softening the crude outlines of the frescoes on the ceiling to the beauty of old masters. Sybert paused with his back to the doors to look up and down approvingly.

‘Do you know, it isn’t half bad in this light,’ he remarked casually to Marcia. ‘That old fellow up there,’ he nodded toward Bacchus reclining among the vines in the central panelling, ‘might be a Michelangelo in the moonlight, and in the sunlight he isn’t even a Carlo Dolci.’

Marcia stared. What could he be thinking of to choose this time of all others to be making art criticisms? Never had she heard him express the slightest interest in the subject before. She had been under so great a strain for so long, such a succession of shocks, that she was nearly at the end of her self-control. And then to have Sybert acting in this unprecedented way! She looked past him out of the door toward the black shadow of the ilexes, and shuddered as she thought of what they might conceal. The next moment Sybert had stepped out on to the balcony.

‘Mr. Sybert!’ she cried aghast. ‘They may be watching us. Come back.’

He laughed and seated himself sidewise on the iron railing. ‘If they’re watching us, they’re doubtless wondering why we’re closing the house so carefully. We’ll stop here a few minutes and let them see we’re unsuspicious; that we’re just shutting the doors for fear of draughts and not of burglars.’

‘They’ll shoot you,’ she gasped, her eyes upon his white suit, which made a shining target in the moonlight.

‘Nonsense, Miss Marcia! They couldn’t hit me if they tried.’ He marked the distance to the grove with a calculating eye. ‘There’s no danger of their trying, however. They won’t risk giving their plot away just for the sake of nabbing me; I’m not King Humbert. They don’t hate me as much as that.’ He leaned forward with another laugh. ‘Come out and talk to me, Miss Marcia. Let me see how brave you are.’

Marcia flattened herself against the wall. ‘I’m not brave. Please come back, Mr. Sybert. We must tell Uncle Howard.’

If Marcia did not know Sybert to-night, he did not know himself. He was under a greater strain than she. He had sworn that he would not see her again, and he had weakly come to-night; he had promised himself that he would not talk to her, that he would not by the slightest sign betray his feelings, and he found himself thrown with her under the most intimate conditions. They shared a secret; they were in danger together. It was within the realms of possibility that he would be killed to-night. The Camorrists had attempted it before; they might succeed this time. He actually did not care; he almost welcomed the notion. Ambition was dead within him; he had nothing to live for and he was reckless. He thought that Marcia was in love with another man, but he dimly divined his own influence over her. Once at least, he told himself—once, before she went back to the boy she had chosen, she should acknowledge his power; she should bend her will to his. He knew that she was frightened, but she should conquer her fear. She should come out into the moonlight and stand beside him, hand in hand, facing the shadows of the ilex grove.

He bent forward, watching her as she stood in her white evening gown outlined against the dark tapestry of the wall, her face surrounded by glowing hair, her grey eyes big with amazement and fear.

He stretched out his hand toward her. ‘Marcia,’ he called in a low, insistent tone. ‘Come here, Marcia. Come out here and stand beside me, or I shall think you are a coward.’

She turned aside with a little shuddering gasp and hid her head against the wall. What if they should shoot him in the back as he sat there?

Sybert suddenly came to himself and sprang forward with an apology. ‘Oh, I beg your pardon, Miss Marcia; I didn’t mean to frighten you. I don’t know what I’m saying.’

He began closing the doors and shutters farthest away. As he reached her side he paused and looked at her. Her eyes were shut and she did not move. He closed and barred the last shutter, and they stood silent in the dark. Marcia was struggling to control herself. ‘I shall think you a coward,’ was ringing in her ears. She had borne a great deal to-day, from the moment when she had first seen the man asleep in the grass; and now, as she opened her eyes in the darkness, a sudden rush of fear swept over her such as she had experienced in the old wine-cellar. It was not fear of any definite thing; she could be as brave as any one in the face of visible danger. It was merely a wild, unreasoning sensation of physical terror, bred of the dark and overwrought nerves. She stretched out her hand and touched Sybert to be sure he was there. The next moment she was beyond herself. ‘I’m afraid,’ she sobbed out, and she clung to him convulsively.

She felt him put his arm around her. ‘Marcia! My dear little girl. There’s nothing to be afraid of. When they find we are on our guard they won’t dare molest us. Nothing can hurt you.’ It was so exactly his tone to Gerald, she would have laughed had she not been crying too hard to stop. Then suddenly his arms tightened about her. ‘Marcia,’ he whispered hoarsely, ‘Marcia,’ and he bent his head until his lips touched hers. They stood for an instant without moving; then she felt him become quickly rigid as he dropped his arms and gently loosened her hands. They groped their way into the hall without a word, and neither looked at the other. They were both ashamed. The tears still stood in Marcia’s eyes, but her cheeks were scarlet. And Sybert was pale beneath the olive of his skin.

He stepped to the threshold of the salon. ‘Ah, Copley,’ he said in a low tone. ‘Are you nearly through? I want to tell you something.’

Copley waved him off without looking up. ‘Sh—it’s a crucial moment. Don’t interrupt. The scores are even and only one hand more to play. I’ll be out in a few minutes.’

Marcia sat down in a chair on the loggia. It was on the opposite side of the house from the ilex grove, and besides, her spasm of fear had passed. Everything was blotted out of her mind except what had just happened. Her thoughts, her feelings, were in wild commotion; but one thing stood out clearly. She had thrown herself into his arms and he had kissed her; and then—he had unloosed her hands. She shut her eyes and winced at the thought; she felt that she could never face him again.

And on the other end of the loggia Sybert was pacing up and down, lighting cigarettes and throwing them away. He, too, was fiercely calling himself names. He had frightened her when he knew that she was beside herself with nervousness; he had taken advantage of the fact that she did not know what she was doing; he knew that she was engaged to Paul Dessart, and he had forgotten that he was a gentleman. With a quick glance toward the salon, he threw away his cigarette, and crossing the loggia, he sat down in a chair at Marcia’s side. She shrank back quickly, and he leaned forward with his elbows on his knees and his eyes on the brick floor.

‘Marcia,’ he said in a tone so low that it was barely audible, ‘I love you. I know you don’t care for me; I know you are engaged to another man. I didn’t mean to see you again; most of all I didn’t mean to tell you. I had no right to take advantage of you when you were off your guard, but—I couldn’t help it; I’m not so strong as I thought I was. Please forgive me and forget about it.’

Marcia drew a deep breath and shut her eyes. Her throat suddenly felt hot and dry. The rush of joy that swept over her made her feel that she could face anything. She had but to say, ‘I am not engaged to another man,’ and all would come right. She raised her head and looked back into Sybert’s deep eyes. It was he this time who dropped his gaze.

‘Mr. Sybert–’ she whispered.

A shadow suddenly fell between them, and they both sprang to their feet with a little exclamation. A man was standing before them as unexpectedly as though he had risen from the earth or dropped from the sky. He was short and thick-set, with coarsely accentuated features; he wore a loose white shirt and a red cotton sash, and though the shirt was fastened at the throat, Marcia could see the mark of the crucifix on his brown skin as plainly as if it were visible.