Kitabı oku: «John Harding 2-Book Gothic Collection»

1

It is a curious story I have to tell, one not easily absorbed and understood, so it is fortunate I have the words for the task. If I say so myself, who probably shouldn’t, for a girl my age I am very well worded. Exceeding well worded, to speak plain. But because of the strict views of my uncle regarding the education of females, I have hidden my eloquence, under-a-bushelled it, and kept any but the simplest forms of expression bridewelled within my brain. Such concealment has become my habit and began on account of my fear, my very great fear, that were I to speak as I think, it would be obvious I had been at the books and the library would be banned. And, as I explained to poor Miss Whitaker (it was shortly before she tragicked upon the lake), that was a thing I did not think I could bear.

Blithe House is a great barn, a crusty stone mansion of many rooms, so immense it takes my little brother, Giles, who is as fast of limb as he is not of wit, three minutes and more to run through its length, a house uncomfortabled and shabbied by prudence, a neglect of a place, tightly pursed (my absent uncle having lost interest in it), leaked and rotted and mothed and rusted, coldly draughted, dim lit and crawled with dark corners, so that, even though I have lived here all of my life that I can remember, sometimes, especially on a winter’s eve in the fadery of twilight, it shivers me quite.

Blithe is two-hearted, one warm, one cold; one bright, the other shadowy even on the sunniest of days. The kitchen, where the stove is always burny hot, is jollied by fat Meg, our cook, smiley and elbowed in flour, often to be found flirted by John, the manservant, who seeks a kiss but is happy to make do with a floury smack. Next door, with a roaring fire nine months of the year, is the housekeeper’s sitting room, where you may find Mrs Grouse either armchaired and sewing or desked with a puzzlery of papers, trying, as she says, to ‘make head nor tail’ of things and – what seems to me contradictory – to make their ends meet. These two rooms together make one heart, the warm.

The cold heart (but not for me! Ah, not for me!) beats at the other end of the house. Unloved and unvisited, save by me, the library could not be more unlike the kitchen: unfired, cool even in the burnery of summer, freezing in winter, windows darked by never-opened thick drapes, so I have to steal candles to read there and afterward scrape their guilty drippery from the floor. From one end to the other is one hundred and four of my shoed feet, and thirty-seven wide. Three men could stand one upon the other and scarce touch the ceiling. Every inch of wall, aside from the door, the draped windows and their window seats, is wooden shelving, from floor to ceiling, all fully booked.

No maid ever ventures here; the floors are left unbroomed, for unfootfalled as they are, what would be the point? The shelves go unfingerprinted, the wheeled ladders to the upper ones unmoved, the books upon them yearning for an opening, the whole place a dustery of disregard.

It has always been so (apart from the governessed times, of which more anon), leastways as far as I remember, for I first made my way here a third of my lifetime ago, when I was eight. We were then still ungovernessed, because Giles, who is some three years my junior, the one the teaching’s for, was considered too young for school or indeed any kind of learning, and we were hide-and-seeking one day when I opened a strange door, one that hitherto had always been locked – or so I had thought, probably on account of its stiffness, which my younger self could not manage – to refuge from him there, and discovered this great treasury of words. The game was straightway forgotten; I shelf-to-shelfed, extracting book after book, the opening of each a sneezery of dust. Of course I could not then read, yet that somehow wondered me even more, all these thousands – millions more like – of coded lines of undecipherable print. Many books were illustrated, woodcutted and colour-plated, a frustratory of captions beneath, every one of which taught me the miserable impotence of finger-tracery.

Later, after I had been scolded for going missing for so long that Mrs Grouse had everyone searching for me, not only all the maids but floury Meg and John too, I asked her if she would teach me to read. I instincted not to mention the library and it feared me quite when she gave me a quizzical look and said, ‘Now missy, what in the world has made you think of that?’

It was one of those questions it’s best not to answer, for if you keep quiet, grown-ups will always go on to something else; they lack the persistence of children. She deep-breathed in and long-sighed it out. ‘The truth is, Miss Florence, that I’m not exactly sure your uncle would want that. He has made clear to me his views on the education of young women. I think he would say that this was not the time.’

‘But please, Mrs Grouse, he wouldn’t have to know. I wouldn’t tell a soul and if he should visit unexpectedly I would hide my book behind my back and stuff it under the cushions of the chair. You could teach me in your sitting room; even the servants need not know.’

She laughed and then serioused again. She lined her brow. ‘I’m sorry, Miss Florence, I wish I could, I really do, but it’s more than my job’s worth.’ She got her mouth into a smile, something it was always ready to do. ‘But I tell you what, there’s a little housekeeping left this month, maybe enough for a new doll. Now, young lady, what say you to a new doll?’

I said yes to the doll; it was better to appear bought off, but her refusal to help me, far from discouraging me, opposited, and merely stubborned my resolve. Slowly, and with some difficulty, I taught myself to read. I lingered the kitchen and stole letters from John when he was reading the newspaper. I would point to an ‘s’ or a ‘b’ and ask him to tell me its sound. One day in the library I fortuned upon a child’s primer and from that and from here and there, I eventually broke the code.

So began the sneakery of my life. In those early days Giles and I were let wild; much of the day we could play as we liked. We had only two restrictions: one was to avoid the old well, although that was anyway covered up with planks and paving slabs too heavy for us to lift and so was just one of those things grown-ups like to worry themselves about and presented no danger to us at all; the other was to stay away from the lake, which was exceeding deep in parts, and perhaps might. How like grown-ups it is to see danger where there is none; to look for it in a lake or a well, which offer no harm in themselves without the agency of human malevolence or neglect. Yet these same cautious adults would be all unaware when the threat to us children actually came, for unlike us, for all their talk of the house being full of ghosts and ghouls, they had long ago ceased to hear unexplained footsteps in the dark.

Running apart, my brother Giles has not many talents, but one thing he is good at is keeping a secret. When I took him to the library, he little cared for the books, although he could be occupied by colour plates of birds or butterflies for an hour or two. He was happy enough scampering up and down the ladders and climbing the shelves or hiding behind the drapes, or else he would play outside; you could trust him, even at that early age, to avoid the lake, or Mrs Grouse’s prying eyes.

I, meanwhile, spent hour after hour reading, and because my absences, although unremarked during the daytime, would be noticed in the evenings, my bedroom became a smugglery of books. After Giles reached the age of eight and was sent away to school, of course, my life turned into an unheedery of anyone else. I could come and go as I liked; this part of the house was largely unvisited, and I grew so bold I scarce worried about anyone seeing me enter or leave the library, or disturbing the dust that lived there. In this way I absorbed Gibbon’s Decline and Fall, the novels of Sir Walter Scott, Jane Austen, Dickens, Trollope, George Eliot, the poetry of Longfellow, Whitman, Keats, Wordsworth and Coleridge, the stories of Edgar Allan Poe, they were all there. But one writer towered them all. Shakespeare, of course. I started with Romeo and Juliet, moved on to the histories, and soon made short work of the rest. I wept for King Lear, I feared Othello, and dreaded Macbeth; Hamlet I simply adored. The sonnets weeped me. Above all, I fell in love with the iambic pentameter, a strange passion for an eleven-year-old girl.