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Kitabı oku: «The Inheritors», sayfa 8

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CHAPTER TWELVE

I was at the Hôtel de Luynes – or Granger – early on the following morning. The mists were still hanging about the dismal upper windows of the inscrutable Faubourg; the toilet of the city was being completed; the little hoses on wheels were clattering about the quiet larger streets. I had not much courage thus early in the day. I had started impulsively; stepping with the impulse of immediate action from the doorstep of the dairy where I had breakfasted. But I made detours; it was too early, and my pace slackened into a saunter as I passed the row of porters' lodges in that dead, inscrutable street. I wanted to fly; had that impulse very strongly; but I burnt my boats with my inquiry of the incredibly ancient, one-eyed porteress. I made my way across the damp court-yard, under the enormous portico, and into the chilly stone hall that no amount of human coming and going sufficed to bring back to a semblance of life. Mademoiselle was expecting me. One went up a great flight of stone steps into one of the immensely high, narrow, impossibly rectangular ante-rooms that one sees in the frontispieces of old plays. The furniture looked no more than knee-high until one discovered that one's self had no appreciable stature. The sad light slanted in ruled lines from the great height of the windows; an army of motes moved slowly in and out of the shadows. I went after awhile and looked disconsolately out into the court-yard. The porteress was making her way across the gravelled space, her arms, her hands, the pockets of her black apron full of letters of all sizes. I remembered that the facteur had followed me down the street. A noise of voices came confusedly to my ears from between half-opened folding-doors; the thing reminded me of my waiting in de Mersch's rooms. It did not last so long. The voices gathered tone, as they do at the end of a colloquy, succeeded each other at longer intervals, and at last came to a sustained halt. The tall doors moved ajar and she entered, followed by a man whom I recognized as the governor of a province of the day before. In that hostile light he looked old and weazened and worried; seemed to have lost much of his rotundity. As for her, she shone with a light of her own.

He greeted me dejectedly, and did not brighten when she let him know that we had a mutual friend in Callan. The Governor, it seemed, in his capacity of Supervisor of the Système, was to conduct that distinguished person through the wilds of Greenland; was to smooth his way and to point out to him excellences of administration.

I wished him a good journey; he sighed and began to fumble with his hat.

"Alors, c'est entendu," she said; giving him leave to depart. He looked at her in an odd sort of way, took her hand and applied it to his lips.

"C'est entendu," he said with a heavy sigh, drops of moisture spattering from beneath his white moustache, "mais …"

He ogled again with infinitesimal eyes and went out of the room. He had the air of wishing to wipe the perspiration from his brows and to exclaim, "Quelle femme!" But if he had any such wish he mastered it until the door hid him from sight.

"Why the …" I began before it had well closed, "do you allow that thing to make love to you?" I wanted to take up my position before she could have a chance to make me ridiculous. I wanted to make a long speech – about duty to the name of Granger. But the next word hung, and, before it came, she had answered:

"He? – Oh, I'm making use of him."

"To inherit the earth?" I asked ironically, and she answered gravely:

"To inherit the earth."

She was leaning against the window, playing with the strings of the blinds, and silhouetted against the leaden light. She seemed to be, physically, a little tired; and the lines of her figure to interlace almost tenderly – to "compose" well, after the ideas of a certain school. I knew so little of her – only just enough to be in love with her – that this struck me as the herald of a new phase, not so much in her attitude to me as in mine to her; she had even then a sort of gravity, the gravity of a person on whom things were beginning to weigh.

"But," I said, irresolutely. I could not speak to her; to this new conception of her, in the way I had planned; in the way one would talk to a brilliant, limpid – oh, to a woman of sorts. But I had to take something of my old line. "How would flirting with that man help you?"

"It's quite simple," she answered, "he's to show Callan all Greenland, and Callan is to write … Callan has immense influence over a great class, and he will have some of the prestige of – of a Commissioner."

"Oh, I know about Callan," I said.

"And," she went on, "this man had orders to hide things from Callan; you know what it is they have to hide. But he won't now; that is what I was arranging. It's partly by bribery and partly because he has a belief in his beaux yeux – so Callan will be upset and will write an … exposure; the sort of thing Callan would write if he were well upset. And he will be, by what this man will let him see. You know what a little man like Callan will feel … he will be made ill. He would faint at the sight of a drop of blood, you know, and he will see – oh, the very worst, worse than what Radet saw. And he will write a frightful article, and it will be a thunderclap for de Mersch… And de Mersch will be getting very shaky by then. And your friend Churchill will try to carry de Mersch's railway bill through in the face of the scandal. Churchill's motives will be excellent, but everyone will say … You know what people say … That is what I and Gurnard want. We want people to talk; we want them to believe…"

I don't know whether there really was a hesitation in her voice, or whether I read that into it. She stood there, playing with the knots of the window-cords and speaking in a low monotone. The whole thing, the sad twilight of the place, her tone of voice, seemed tinged with unavailing regret. I had almost forgotten the Dimensionist story, and I had never believed in it. But now, for the first time I began to have my doubts. I was certain that she had been plotting something with one of the Duc de Mersch's lieutenants. The man's manner vouched for that; he had not been able to look me in the face. But, more than anything, his voice and manner made me feel that we had passed out of a realm of farcical allegory. I knew enough to see that she might be speaking the truth. And, if she were, her calm avowal of such treachery proved that she was what she had said the Dimensionists were; cold, with no scruples, clear-sighted and admirably courageous, and indubitably enemies of society.

"I don't understand," I said. "But de Mersch then?"

She made a little gesture; one of those movements that I best remember of her; the smallest, the least noticeable. It reduced de Mersch to nothing; he no longer even counted.

"Oh, as for him," she said, "he is only a detail." I had still the idea that she spoke with a pitying intonation – as if she were speaking to a dog in pain. "He doesn't really count; not really. He will crumble up and disappear, very soon. You won't even remember him."

"But," I said, "you go about with him, as if you… You are getting yourself talked about… Everyone thinks – " … The accusation that I had come to make seemed impossible, now I was facing her. "I believe," I added, with the suddenness of inspiration. "I'm certain even, that he thinks that you …"

"Well, they think that sort of thing. But it is only part of the game.

Oh, I assure you it is no more than that."

I was silent. I felt that, for one reason or another, she wished me to believe.

"Yes," she said, "I want you to believe. It will save you a good deal of pain."

"If you wanted to save me pain," I maintained, "you would have done with de Mersch … for good." I had an idea that the solution was beyond me. It was as if the controlling powers were flitting, invisible, just above my head, just beyond my grasp. There was obviously something vibrating; some cord, somewhere, stretched very taut and quivering. But I could think of no better solution than: "You must have done with him." It seemed obvious, too, that that was impossible, was outside the range of things that could be done – but I had to do my best. "It's a – it's vile," I added, "vile."

"Oh, I know, I know," she said, "for you… And I'm even sorry. But it has to be gone on with. De Mersch has to go under in just this way. It can't be any other."

"Why not?" I asked, because she had paused. I hadn't any desire for enlightenment.

"It isn't even only Churchill," she said, "not even only that de Mersch will bring down Churchill with him. It is that he must bring down everything that Churchill stands for. You know what that is – the sort of probity, all the old order of things. And the more vile the means used to destroy de Mersch the more vile the whole affair will seem. People – the sort of people – have an idea that a decent man cannot be touched by tortuous intrigues. And the whole thing will be – oh, malodorous. You understand."

"I don't," I answered, "I don't understand at all."

"Ah, yes, you do," she said, "you understand…" She paused for a long while, and I was silent. I understood vaguely what she meant; that if Churchill fell amid the clouds of dust of such a collapse, there would be an end of belief in probity … or nearly an end. But I could not see what it all led up to; where it left us.

"You see," she began again, "I want to make it as little painful to you as I can; as little painful as explanations can make it. I can't feel as you feel, but I can see, rather dimly, what it is that hurts you. And so … I want to; I really want to."

"But you won't do the one thing," I returned hopelessly to the charge.

"I cannot," she answered, "it must be like that; there isn't any way. You are so tied down to these little things. Don't you see that de Mersch, and – and all these people – don't really count? They aren't anything at all in the scheme of things. I think that, even for you, they aren't worth bothering about. They're only accidents; the accidents that – "

"That what?" I asked, although I began to see dimly what she meant.

"That lead in the inevitable," she answered. "Don't you see? Don't you understand? We are the inevitable … and you can't keep us back. We have to come and you, you will only hurt yourself, by resisting." A sense that this was the truth, the only truth, beset me. It was for the moment impossible to think of anything else – of anything else in the world. "You must accept us and all that we mean, you must stand back; sooner or later. Look even all round you, and you will understand better. You are in the house of a type – a type that became impossible. Oh, centuries ago. And that type too, tried very hard to keep back the inevitable; not only because itself went under, but because everything that it stood for went under. And it had to suffer – heartache … that sort of suffering. Isn't it so?"

I did not answer; the illustration was too abominably just. It was just that. There were even now all these people – these Legitimists – sneering ineffectually; shutting themselves away from the light in their mournful houses and suffering horribly because everything that they stood for had gone under.

"But even if I believe you," I said, "the thing is too horrible, and your tools are too mean; that man who has just gone out and – and Callan – are they the weapons of the inevitable? After all, the Revolution …" I was striving to get back to tangible ideas – ideas that one could name and date and label … "the Revolution was noble in essence and made for good. But all this of yours is too vile and too petty. You are bribing, or something worse, that man to betray his master. And that you call helping on the inevitable…"

"They used to say just that of the Revolution. That wasn't nice of its tools. Don't you see? They were the people that went under… They couldn't see the good…"

"And I – I am to take it on trust," I said, bitterly.

"You couldn't see the good," she answered, "it isn't possible, and there is no way of explaining. Our languages are different, and there's no bridge – no bridge at all. We can't meet…"

It was that revolted me. If there was no bridge and we could not meet, we must even fight; that is, if I believed her version of herself. If I did not, I was being played the fool with. I preferred to think that. If she were only fooling me she remained attainable. If it was as she said, there was no hope at all – not any.

"I don't believe you," I said, suddenly. I didn't want to believe her. The thing was too abominable – too abominable for words, and incredible. I struggled against it as one struggles against inevitable madness, against the thought of it. It hung over me, stupefying, deadening. One could only fight it with violence, crudely, in jerks, as one struggles against the numbness of frost. It was like a pall, like descending clouds of smoke, seemed to be actually present in the absurdly lofty room – this belief in what she stood for, in what she said she stood for.

"I don't believe you," I proclaimed, "I won't… You are playing the fool with me … trying to get round me … to make me let you go on with these – with these – It is abominable. Think of what it means for me, what people are saying of me, and I am a decent man – You shall not. Do you understand, you shall not. It is unbearable … and you … you try to fool me … in order to keep me quiet …"

"Oh, no," she said. "Oh, no."

She had an accent that touched grief, as nearly as she could touch it. I remember it now, as one remembers these things. But then I passed it over. I was too much moved myself to notice it more than subconsciously, as one notices things past which one is whirled. And I was whirled past these things, in an ungovernable fury at the remembrance of what I had suffered, of what I had still to suffer. I was speaking with intense rage, jerking out words, ideas, as floodwater jerks through a sluice the débris of once ordered fields.

"You are," I said, "you are – you – you – dragging an ancient name through the dust – you …"

I forget what I said. But I remember, "dragging an ancient name." It struck me, at the time, by its forlornness, as part of an appeal to her. It was so pathetically tiny a motive, so out of tone, that it stuck in my mind. I only remember the upshot of my speech; that, unless she swore – oh, yes, swore – to have done with de Mersch, I would denounce her to my aunt at that very moment and in that very house.

And she said that it was impossible.

CHAPTER THIRTEEN

I had a sense of walking very fast – almost of taking flight – down a long dim corridor, and of a door that opened into an immense room. All that I remember of it, as I saw it then, was a number of pastel portraits of weak, vacuous individuals, in dulled, gilt, oval frames. The heads stood out from the panelling and stared at me from between ringlets, from under powdered hair, simpering, or contemptuous with the expression that must have prevailed in the monde of the time before the Revolution. At a great distance, bent over account – books and pink cheques on the flap of an escritoire, sat my aunt, very small, very grey, very intent on her work.

The people who built these rooms must have had some property of the presence to make them bulk large – if they ever really did so – in the eyes of dependents, of lackeys. Perhaps it was their sense of ownership that gave them the necessary prestige. My aunt, who was only a temporary occupant, certainly had none of it. Bent intently over her accounts, peering through her spectacles at columns of figures, she was nothing but a little old woman alone in an immense room. It seemed impossible that she could really have any family pride, any pride of any sort. She looked round at me over her spectacles, across her shoulder.

"Ah … Etchingham," she said. She seemed to be trying to carry herself back to England, to the England of her land-agent and her select visiting list. Here she was no more superior than if we had been on a desert island. I wanted to enlighten her as to the woman she was sheltering – wanted to very badly; but a necessity for introducing the matter seemed to arise as she gradually stiffened into assertiveness.

"My dear aunt," I said, "the woman…" The alien nature of the theme grew suddenly formidable. She looked at me arousedly.

"You got my note then," she said. "But I don't think a woman can have brought it. I have given such strict orders. They have such strange ideas here, though. And Madame – the portière – is an old retainer of M. de Luynes, I haven't much influence over her. It is absurd, but…" It seems that the old lady in the lodge made a point of carrying letters that went by hand. She had an eye for gratuities – and the police, I should say, were concerned. They make a good deal of use of that sort of person in that neighbourhood of infinitesimal and unceasing plotting.

"I didn't mean that," I said, "but the woman who calls herself my sister…"

"My dear nephew," she interrupted, with tranquil force, as if she were taking an arranged line, "I cannot – I absolutely cannot be worried with your quarrels with your sister. As I said to you in my note of this morning, when you are in this town you must consider this house your home. It is almost insulting of you to go to an inn. I am told it is even … quite an unfit place that you are stopping at – for a member of our family."

I maintained for a few seconds a silence of astonishment.

"But," I returned to the charge, "the matter is one of importance. You must understand that she…"

My aunt stiffened and froze. It was as if I had committed some flagrant sin against etiquette.

"If I am satisfied as to her behaviour," she said, "I think that you might be." She paused as if she were satisfied that she had set me hopelessly in the wrong.

"I don't withdraw my invitation," she said. "You must understand I wish you to come here. But your quarrels you and she must settle. On those terms…"

She had the air of conferring an immense favour, as if she believed that I had, all my life through, been waiting for her invitation to come within the pale. As for me, I felt a certain relief at having the carrying out of my duty made impossible for me. I did not want to tell my aunt and thus to break things off definitely and for good. Something would have happened; the air might have cleared as it clears after a storm; I should have learnt where I stood. But I was afraid of the knowledge. Light in these dark places might reveal an abyss at my feet. I wanted to let things slide.

My aunt had returned to her accounts, the accounts which were the cog-wheels that kept running the smooth course of the Etchingham estates. She seemed to wish to indicate that I counted for not very much in the scheme of things as she saw it.

"I should like to make your better acquaintance," she said, with her head still averted, "there are reasons…" It came suddenly into my head that she had an idea of testamentary dispositions, that she felt she was breaking up, that I had my rights. I didn't much care for the thing, but the idea of being the heir of Etchingham was – well, was an idea. It would make me more possible to my pseudo-sister. It would be, as it were, a starting-point, would make me potentially a somebody of her sort of ideal. Moreover, I should be under the same roof, near her, with her sometimes. One asks so little more than that, that it seemed almost half the battle. I began to consider phrases of thanks and acceptance and then uttered them.

I never quite understood the bearings of that scene; never quite whether my aunt really knew that my sister was not my sister. She was a wonderfully clever woman of the unscrupulous order, with a sang-froid and self-possession well calculated to let her cut short any inconvenient revelations. It was as if she had had long practice in the art, though I cannot say what occasion she can have had for its practice – perhaps for the confounding of wavering avowers of Dissent at home.

I used to think that she knew, if not all, at least a portion; that the weight that undoubtedly was upon her mind was nothing else but that. She broke up, was breaking up from day to day, and I can think of no other reason. She had the air of being disintegrated, like a mineral under an immense weight – quartz in a crushing mill; of being dulled and numbed as if she were under the influence of narcotics.

There is little enough wonder, if she actually carried that imponderable secret about with her. I used to look at her sometimes, and wonder if she, too, saw the oncoming of the inevitable. She was limited enough in her ideas, but not too stupid to take that in if it presented itself. Indeed they have that sort of idea rather grimly before them all the time – that class.

It must have been that that was daily, and little by little, pressing down her eyelids and deepening the quivering lines of her impenetrable face. She had a certain solitary grandeur, the pathos attaching to the last of a race, of a type; the air of waiting for the deluge, of listening for an inevitable sound – the sound of oncoming waters.

It was weird, the time that I spent in that house – more than weird – deadening. It had an extraordinary effect on me – an effect that my "sister," perhaps, had carefully calculated. She made pretensions of that sort later on; said that she had been breaking me in to perform my allotted task in the bringing on of the inevitable.

I have nowhere come across such an intense solitude as there was there, a solitude that threw one so absolutely upon one's self and into one's self. I used to sit working in one of those tall, panelled rooms, very high up in the air. I was writing at the series of articles for the Bi-Monthly, for Polehampton. I was to get the atmosphere of Paris, you remember. It was rather extraordinary, that process. Up there I seemed to be as much isolated from Paris as if I had been in – well, in Hampton Court. It was almost impossible to write; I had things to think about: preoccupations, jealousies. It was true I had a living to make, but that seemed to have lost its engrossingness as a pursuit, or at least to have suspended it.

The panels of the room seemed to act as a sounding-board, the belly of an immense 'cello. There were never any noises in the house, only whispers coming from an immense distance – as when one drops stones down an unfathomable well and hears ages afterward the faint sound of disturbed waters. When I look back at that time I figure myself as forever sitting with uplifted pen, waiting for a word that would not come, and that I did not much care about getting. The panels of the room would creak sympathetically to the opening of the entrance-door of the house, the faintest of creaks; people would cross the immense hall to the room in which they plotted; would cross leisurely, with laughter and rustling of garments that after a long time reached my ears in whispers. Then I should have an access of mad jealousy. I wanted to be part of her life, but I could not stand that Salon of suspicious conspirators. What could I do there? Stand and look at them, conscious that they all dropped their voices instinctively when I came near them?

That was the general tone of that space of time, but, of course, it was not always that. I used to emerge now and then to breakfast sympathetically with my aunt, sometimes to sit through a meal with the two of them. I danced attendance on them singly; paid depressing calls with my aunt; calls on the people in the Faubourg; people without any individuality other than a kind of desiccation, the shrivelled appearance and point of view of a dried pippin. In revenge, they had names that startled one, names that recalled the generals and flaneurs of an impossibly distant time; names that could hardly have had any existence outside the memoirs of Madame de Sévigné, the names of people that could hardly have been fitted to do anything more vigorous than be reflected in the mirrors of the Salle des Glaces. I was so absolutely depressed, so absolutely in a state of suspended animation, that I seemed to conform exactly to my aunt's ideas of what was desirable in me as an attendant on her at these functions. I used to stand behind chairs and talk, like a good young man, to the assorted Pères and Abbés who were generally present.

And then I used to go home and get the atmospheres of these people. I must have done it abominably badly, for the notes that brought Polehampton's cheques were accompanied by the bravos of that gentleman and the assurances that Miss Polehampton liked my work – liked it very much.

I suppose I exhibited myself in the capacity of the man who knew – who could let you into a thing or two. After all, anyone could write about students' balls and the lakes in the Bois, but it took someone to write "with knowledge" of the interiors of the barred houses in the Rue de l'Université.

Then, too, I attended the more showy entertainments with my sister. I had by now become so used to hearing her styled "your sister" that the epithet had the quality of a name. She was "mademoiselle votre soeur," as she might have been Mlle. Patience or Hope, without having anything of the named quality. What she did at the entertainments, the charitable bazaars, the dismal dances, the impossibly bad concerts, I have no idea. She must have had some purpose, for she did nothing without. I myself descended into fulfilling the functions of a rudimentarily developed chaperon – functions similar in importance to those performed by the eyes of a mole. I had the maddest of accesses of jealousy if she talked to a man – and such men – or danced with one. And then I was forever screwing my courage up and feeling it die away. We used to drive about in a coupe, a thing that shut us inexorably together, but which quite as inexorably destroyed all opportunities for what one calls making love. In smooth streets its motion was too glib, on the pavé it rattled too abominably. I wanted to make love to her – oh, immensely, but I was never in the mood, or the opportunity was never forthcoming. I used to have the wildest fits of irritation; not of madness or of depression, but of simple wildness at the continual recurrence of small obstacles. I couldn't read, couldn't bring myself to it. I used to sit and look dazedly at the English newspapers – at any newspaper but the Hour. De Mersch had, for the moment, disappeared. There were troubles in his elective grand duchy – he had, indeed, contrived to make himself unpopular with the electors, excessively unpopular. I used to read piquant articles about his embroglio in an American paper that devoted itself to matters of the sort. All sorts of international difficulties were to arise if de Mersch were ejected. There was some other obscure prince of a rival house, Prussian or Russian, who had desires for the degree of royalty that sat so heavily on de Mersch. Indeed, I think there were two rival princes, each waiting with portmanteaux packed and manifestos in their breast pockets, ready to pass de Mersch's frontiers.

The grievances of his subjects – so the Paris-American Gazette said – were intimately connected with matters of finance, and de Mersch's personal finances and his grand ducal were inextricably mixed up with the wild-cat schemes with which he was seeking to make a fortune large enough to enable him to laugh at half a dozen elective grand duchies. Indeed, de Mersch's own portmanteau was reported to be packed against the day when British support of his Greenland schemes would let him afford to laugh at his cantankerous Diet.

The thing interested me so little that I never quite mastered the details of it. I wished the man no good, but so long as he kept out of my way I was not going to hate him actively. Finally the affairs of Holstein-Launewitz ceased to occupy the papers – the thing was arranged and the Russian and Prussian princes unpacked their portmanteaux, and, I suppose, consigned their manifestos to the flames, or adapted them to the needs of other principalities. De Mersch's affairs ceded their space in the public prints to the topic of the dearness of money. Somebody, somewhere, was said to be up to something. I used to try to read the articles, to master the details, because I disliked finding a whole field of thought of which I knew absolutely nothing. I used to read about the great discount houses and other things that conveyed absolutely nothing to my mind. I only gathered that the said great houses were having a very bad time, and that everybody else was having a very much worse.

One day, indeed, the matter was brought home to me by the receipt from Polehampton of bills instead of my usual cheques. I had a good deal of trouble in cashing the things; indeed, people seemed to look askance at them. I consulted my aunt on the subject, at breakfast. It was the sort of thing that interested the woman of business in her, and we were always short of topics of conversation.

We breakfasted in rather a small room, as rooms went there; my aunt sitting at the head of the table, with an early morning air of being en famille that she wore at no other time of day. It was not a matter of garments, for she was not the woman to wear a peignoir; but lay, I supposed, in her manner, which did not begin to assume frigidity until several watches of the day had passed.

I handed her Polehampton's bills and explained that I was at a loss to turn them to account; that I even had only the very haziest of ideas as to their meaning. Holding the forlorn papers in her hand, she began to lecture me on the duty of acquiring the rudiments of what she called "business habits."

"Of course you do not require to master details to any considerable extent," she said, "but I always have held that it is one of the duties of a…"

She interrupted herself as my sister came into the room; looked at her, and then held out the papers in her hand. The things quivered a little; the hand must have quivered too.

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Yaş sınırı:
12+
Litres'teki yayın tarihi:
28 eylül 2017
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220 s. 1 illüstrasyon
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