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Hanging by a Thread
KAREN TEMPLETON
spent her twentysomething years in New York City. Before that, she grew up in Baltimore, then attended North Carolina School of the Arts as a theater major. A RITA® Award-nominated author of seventeen novels, she now lives with her husband, a pair of eccentric cats and four of their five sons in Albuquerque, where she spends an inordinate amount of time picking up stray socks and mourning the loss of long, aimless walks in the rain. Visit her Web site at www.karentempleton.com.
Hanging by a Thread
Karen Templeton
This book is dedicated to anyone who’s struggling with seemingly impossible decisions, and to anyone who’s made a few that have come back to haunt you.
I trust Ellie’s story will give you hope.
Or if not hope, at least a good laugh.
And to all the folks on the richmondhillny.com message board…thanks for actually believing I was a writer and not some weirdo stalker, and double thanks for answering what I’m sure were some really eye-rolling questions.
Contents
chapter 1
chapter 2
chapter 3
chapter 4
chapter 5
chapter 6
chapter 7
chapter 8
chapter 9
chapter 10
chapter 11
chapter 12
chapter 13
chapter 14
chapter 15
chapter 16
chapter 17
chapter 18
chapter 19
chapter 20
chapter 21
chapter 22
chapter 23
chapter 24
chapter 25
chapter 26
chapter 27
chapter 28
Postscript
chapter 1
Through a jungle of eyelashes, eyes the color of overcooked broccoli assess the image in front of them. Which would be me, a short, pudgy woman in (mostly) men’s clothes, clutching a size eight (regular) Versace suit. Scrambled data is transmitted to Judgment Central while a bloodred, polyurethane smile assures me the saleswoman’s only reason for living is to serve me. Whatever galaxy I’m from.
“Would you—” eyes dart from me to suit back to me “—like to try this on?”
An understandable reaction, since we both know I’ve got a better chance of finding Hugh Jackman in my bed than shoving my butt into this skirt.
I lean forward conspiratorially. “It’s for my sister,” I whisper. “For her birthday. A surprise.”
The smile doesn’t falter—she’s been trained well—but I can’t quite read her expression. I’m guessing either pity for my apparently having been dredged from the stagnant end of the gene pool, or—more likely—seething envy that I’m not her sister. Not that I would actually buy my own sister an eight-hundred-dollar anything, but still.
“Oh.” Smile falters a little. “All right. Will that be a charge?” A discreetly tasteful vision in taupe and charcoal, she leads me to the register, her movement all that keeps her from blending completely into her cave-hued surroundings. Why is it that half the sales floors in this city these days make me want to go spelunking instead of shopping?
“No. Cash,” I say, clumping cheerfully behind in my iridescent magenta Jimmy Choo knockoff platform pumps. When we get to the counter, I dig in my grandmother’s ’70s vintage LV bag for my wallet, from which I coolly extract nine one-hundred-dollar bills and hand them over. I grin, brazenly flashing the dimples.
She cautiously takes the money, as if whatever’s tainting it might somehow implicate her, mumbles, “Er, just a minute,” then vanishes. To check that it’s not counterfeit, maybe. While I’m waiting, my gaze wanders around the sales floor, checking out both the flaccid, shapeless offerings on display and the equally shapeless women—all of whom put together wouldn’t make a decent size 6—circling, considering. The air hums with awe and expectancy. Their breathing quickens, their skin flushes: tops, skirts, dresses are plucked from racks, clutched to nonexistent bosoms, ushered into hushed waiting rooms for a hurried, frenzied tryst. For some, there will be an “Oh, God, yes!” (perhaps more than once, if they chose well), the heady rush of fulfillment, transient and illusory though it may be. For others (most, in fact), the encounter will prove a letdown—what seemed so alluring, so enticing at first glance fails to meet unrealistic expectations.
But true lust is never fully sated, and hope inevitably supplants disappointment. Which means that soon—the next day, maybe the day after that—the cruising, the searching, the trysts will begin anew.
Thank God, is all I have to say. Otherwise, schnooks like me would starve to death.
My unwitting partner in crime returns, her smile a little less anxious. Apparently I’ve passed the test. Or at least my money has.
“Would you…like that gift-wrapped?”
“Just a box, thanks.”
My conscience twinges, faintly, as I watch her lovingly swathe the suit in at least three trees’ worth of tissue paper, laying it tenderly in a box imprinted with the store’s logo, as if preparing a loved one for burial. The irony touches me. Minutes later, I’m hoofing it back downtown in a taxi, the suit ignorantly, trustingly huddled against my hip.
The taxi reeks of some oppressively expensive perfume, making my contact lenses pucker, making me almost miss the days when cabs smelled comfortingly of stale cigarettes. Opening the window is not an option, however, since Reykjavik is warmer than it is in Manhattan right now. It’s that first week after New Year’s, when the city, bereft of holiday decorations, looks like an ugly naked man left shivering in an exam room. I take advantage of a traffic snarl at 50th and Broadway to fish my cell phone out of my purse and call home, half watching swarms of tourists trying to decide whether or not to cross against the light. They’re so cute I can’t stand it.
“Mama!”
I’m immediately sucked back through time and space, not just to Richmond Hill, Queens, but into another dimension entirely. Instead of feeling connected, I feel oddly disconnected, that the woman in this taxi is not the person my daughter hears on the other end of the line. In the background, I hear Mr. Rogers reassuring his tiny viewers about something or other (my throat catches—how could Mr. Rogers die?). Guilt spurts through me again, sharper this time; I push the box slightly away, spurning it and everything it connotes, as if Fred Rogers is looking down from Heaven and sorrowfully shaking his head at me.
“Hey, Twink,” I say to the little girl who dramatically altered the course of my life half a decade ago. “Whatcha doing?”
You would think I would know by now not to ask leading questions of loquacious, detail-obsessed five-year-olds.
“I got hungry so I fixed myself a peanut butter sandwich,” Starr says, “but the bread was totally icky so I had cheese and crackers instead, and a pickle, and then I had to pee, and then you called so now I’m talking to you. Oh, and I saw the cutest puppy on TV—” a subject she’s managed to wedge into every conversation over the past three months “—and Leo said he’d take me for a walk later, if it’s warm enough, and you would not believe the loud fight those people behind us had this morning—”
I elbow my way through a comma and say, “That’s nice, honey…can I talk to Leo for a sec?”
I hear breathing. Then: “So can we?”
“Can we what?”
Breathing turns into a small, pithy, much-practiced sigh. “Get a puppy.”
Considering I want a puppy about as much as I want a lobotomy, I say, “We’ll see,” because I’m in a taxi and this is using up my free minutes and while I basically know more about nuclear physics than I do about mothering, I do know what kind of reaction “No, we can’t” will bring. And I have neither the minutes nor the strength to deal with the ramifications of “no” today.
Of course, the little breather on the other end of the line is a poignant reminder of the ramifications of “yes,” but there you are.
“Put Leo on,” I say again. Breathing stops, followed by a clunk, followed by heavier, masculine breathing.
“Yes, I’m still alive,” are the first words out of my grandfather’s mouth.
“Just checking,” I say, playing along. Sharing the joke. Except my father’s father had a quadruple bypass a few years ago. So the joke’s not so funny, maybe. I can hear, immortalized through the magic of reruns, King Friday pontificating about something or other. My grandfather is not immortal, however; there will be no reruns of his life, except in my memory. An unreliable medium, as I well know.
“Just checking?” He chuckles. “Three times, you’ve called today.”
“I worry,” I say, sounding like every woman stretching back to Eve. Whose real reaction to Adam’s nakedness was probably, “For God’s sake, put something on, already! You want to catch your death?”
“You shouldn’t worry,” my grandfather says. “It can kill you.”
Black humor is a big thing in my family. A survival tactic, ironically enough. “I’ll take that chance.”
Another chuckle; I listen carefully for any sign the man might momentarily drop dead. Never mind he’s been healthy as a horse since the operation. But at seventy-eight, he’s already bucking the family odds. I mean, one glance at my family medical history and the insurance examiner got this look on her face like she half expected me to keel over in front of her.
With good reason. Not only does our family exhibit a propensity for dying young, but without warning. Well, except for my mother. But other than that, it’s hale and hearty one minute, gone the next, boom. My mother, at forty, from ovarian cancer. My father at fifty-one, massive heart attack. Grandmother, sixty-three, stroke. Assorted aunts, uncles, third cousins—boom, boom, boom. Okay, and one splat, but Uncle Archie always had been the black sheep in the family.
“Well,” my grandfather says, amused, “nothing’s changed since lunchtime, I’m fine, the baby’s fine, everybody’s fine. Except maybe you.”
By the way, my graduation present was a burial plot. What can I tell you, the Levines tend to be practical people.
I change the subject. “You fix the Gomezes’ leaky faucet?”
My grandfather owns a pair of duplexes. We all live in one, he rents out the two apartments in the other. Sure, they bring in extra cash, but speaking as somebody who finds changing a lightbulb a pain in the butt, I keep thinking he should just sell the place, give over the responsibility to someone else.
“This morning,” he says. “Think maybe I’ll switch out their refrigerator, too.”
“What’s wrong with their fridge? It can’t be more than, what? Ten years old?”
“It’s too small. Especially with the new baby coming.”
Which would make their third. Sometimes, I’m surprised Leo even bothers to collect the rent. These aren’t tenants, they’re family. Not that I don’t like the Gomezes—or the Nguyens, in the upstairs apartment—don’t get me wrong. Mr. Gomez paints his own apartment, just asks Leo for the paint; and Mrs. Nguyen’s window boxes in the summer are the envy of the neighborhood, regular forests of petunias. Besides, the Gomez kids give Starr somebody to play with, on those odd occasions when she’s in the mood for other children. It’s just…oh, hell, I don’t know. I just think he should be free by now, you know?
“Don’t worry,” he says. “I can sell the old one, it’ll be okay.”
My brain’s slipped a cog. “Old what?”
“Refrigerator.”
“Oh.” The taxi driver blats his horn, scaring the crap out of me. Nothing moves, however. “Starr says maybe you’ll take her for a walk later?”
“I thought maybe. We’ve been cooped up in this house too long. It’s up in the mid-twenties, I’ll make sure she’s warm, don’t worry.”
But this time, even as I smile, I realize the knot in my gut isn’t anxiety (for once), it’s something closer to envy. My grandfather will dress my daughter in her leggings and heavy, puffy coat and mittens and that silly fake fur hat he gave her for Christmas—she will look adorable, very Beatrix Potter—just as he did me when I was her age, and take her on the same walk, up and down the funny little elevated Richmond Hill sidewalks, show her the same things, tell her the same stories. Will she listen as I did? Will she be as enthralled with Leo Levine as I was at her age?
As I still am?
“And I think you should get her that dog,” he says, and the sentimental bubble I’d been floating in goes pfft. “We could go to the pound on Saturday, let her pick. Something small.”
I shudder. “Small dogs are yippy. And neurotic.”
“A big dog, then.”
“Like either of us wants to pick up a big dog’s poop. Anyway, I probably have to work on Saturday,” I add, which is the truth.
“Again?”
“You know Market Week’s coming up. Nikky needs me.”
“Your daughter needs you, too,” he says quietly. “So do I, for that matter.”
I get this funny, tight feeling in my chest. “Oh, come on—you two do just fine without me.”
“That’s not the point.” I can hear the smile in his voice. “When you’re not around, it’s like…like ice cream without the chocolate sauce. Nothing wrong with plain ice cream, plain ice cream is fine. But with chocolate sauce, ah…then it’s a party.”
I laugh, which jostles loose the funny feeling, just a little. “Great. Now I’m gonna crave an ice-cream sundae for the rest of the day.”
“So. You won’t work on Saturday?”
My smile fades. “I’m sorry. I have to.”
“What kind of life is this, that you can’t spend the whole weekend with your daughter?”
“It’s my life,” I say softly, because what else can I say? “The one where I have to work to support my kid, you know? Like you and Dad did your kids?”
“That was different,” he says, with a deep sadness, like a man watching helplessly from the riverbank as floodwaters wash away everything he’s known and accepted as real, solid, indestructible.
“Yes, it was.” Up ahead, traffic finally jars loose. I skid across the slick seat like a pinball as the cabby swerves into what he perceives to be an opening in the next lane. “We’ll talk later,” I say, adding, “I’ll try to be home by six,” before clapping my phone shut and stowing it back in my bag, shoving that part of my existence right in there with it.
I swear, sometimes I feel like Batman, living two lives. Except I’d look totally stupid in that outfit.
We shoot through Times Square and on down Seventh Avenue like a front-runner in the Daytona 500. Something like three seconds later, the taxi screeches to a halt in front of the building that houses Nicole Katz’s showroom and offices, way up in the thirtieth floor penthouse.
The cabby nods his thanks at the hefty tip—I’m very generous with other people’s money—and I haul myself and the poor unsuspecting garment out of the cab. I can feel the cabby’s eyes glued to my backside as I dodge passersby to get to the revolving door. Considering the amount of clothes I have on, the guy must have some imagination, is all I have to say. Considering how long it’s been since I’ve had anything even remotely resembling sex, I’m not even tempted to take offense.
Thirty stories and a major head rush later, the elevator opens directly onto reception. Chinoiserie for days, lots of black lacquer and reds and yellows, don’t ask. I’m sure it was cutting edge in 1978. Sprawled across the wall over the reception desk like a row of stoned Bob Fosse dancers, ridiculously large, gleaming gold letters spell out:
Nicole Katz, Ltd.
Valerie, our receptionist since Christmas, is too deeply engrossed in what I assume is a personal phone call (frown line snuggled neatly between her dark brows, liberal use of “Ohmigod!”) to acknowledge my return as I pass the desk. Whatever. She’s twenty-one. Engaged. Working at Nicole Katz is not exactly her life’s goal. A year from now, she will be remembered only as what’s-her-name, that brunette receptionist we had a while back, name started with a V, maybe? And she will undoubtedly remember me as the short, chunky chick who wore all those strange hats and weird clothes.
Our relationship is based on mutual dismissability.
I yank open one side of the double glass door and walk into the showroom. Which, I observe on a sigh, has been visited in my absence by a small but potent explosive device. Rumpled, discarded samples and fabric swatches obliterate every pseudo-Chinese surface; Joy and leftover cigarette smoke duke it out for air rights. Nikky’s personal handiwork, would be my guess. The devastation is even more grotesque in the harsh winter daylight blaring through the wall-to-wall windows overlooking the Hudson.
The woman is a total nutcase, but she’s a successful nutcase.
“Where is it, where is it?” I hear the instant the door shooshes closed, cutting off Valerie’s next “Ohmig—” Before I can answer, Jock, the draper, lunges at me, snatching the box from my hands with only a glancing leer at my wool-swathed chest. “You got a size 8, right?”
Having done this at least a dozen times in the past year, I do know the drill. “Yes, Jock,” I say, yanking off my hat and shrugging out of my father’s camel topcoat, then one of his Pierre Cardin suit jackets (both altered to fit me), wedging the lot into the mirrored closet next to the showroom doors. I tug down the hem of one of my mother’s Villager sweaters, circa 1968. The dusty rose one with the ivory and blue design across the yoke. Starr has already informed me she wants it when she gets big. We’ll see.
My desperately-needs-a-trim layered hair crackles like a miniature electrical storm around my head. My Telly Monster imitation. This does not stop Jock from grabbing me, plastering his (not exactly impressive) crotch against my hip and planting a big, sloppy kiss on my cheek. Then he’s off to do what a draper’s gotta do. I hope, for his sake, he got more out of our little encounter than I did.
Oh, Giaccomo Andretti’s basically harmless, his lothario complex notwithstanding. He’s just a bit doughy and married for my taste. And his view of his skills as a draper is a tad skewed. Jock sees himself as a world-class pattern maker. That he hasn’t draped an original pattern since Dinkins was mayor is beside the point.
Not that the Versace will be recognizable once its progeny have Nikky’s label in them. She’s not stupid. The lapel will be wider or narrower or ditched altogether; the skirt will be longer or shorter or slit up the back if this one’s slit up the sides; the fabric will be a print if this one’s a solid or solid if this one’s a stripe, silk instead of linen, a fine wool instead of gabardine.
In other words, this so-called “designer” doesn’t have an original idea rattling around underneath her Bucks County Matron silver pageboy. Her “classic” fit is derived from, quite simply, other designers’ slopers.
Yep. By three o’clock this afternoon, Jock will have carefully dissected the Versace and traced the pattern from it. By noon tomorrow, Olympia, Jock’s best seamstress, will have so carefully reconstructed it no one will ever know it was apart. And by the next morning, I will have returned said suit to the salesgirl, with the sorrowful explanation my sister didn’t like it, after all.
And for this I spent four years at FIT.
Divested of my contraband goods, I hie myself to what passes for my office this week—a banquet table crammed into a corner of the bookkeeper’s office. Apparently my boss can’t quite figure out what I do or where to put me. She only knows she can’t do without me. Or so she says. Which is fine by me. Making myself indispensable is what I do best.
And yes, I’ve asked for an office. Repeatedly. Nikky keeps saying, “You’re absolutely right, darling, I’ve simply got to do something about that….” and then she promptly forgets about it.
Before you ask, “And you’re here why?” two words:
Benefits package.
A stack of new orders awaits me. In Nikky’s completely indecipherable handwriting. Of course, even if the woman weren’t writing in some ancient Indo-European dialect, since she routinely leaves out things like, oh, sizes and colors…
At least, these seem to be mostly reorders. So in theory, if I look up the stores’ original orders, I should be able to figure it out.
In theory.
Long red nails a blur at her calculator, Angelique, the bookkeeper du jour, doesn’t even glance over. “Thought you’d like that,” she says in her Jamaican accent. Nikki is nothing if not an equal-opportunity employer. In the past three months, we’ve had one Italian, one Chinese, and two Jewish bookkeepers of various genders and sexual orientations. And now Angelique, who I give two more weeks, tops. Especially as her crankiness indicators have been rising quite nicely over the past few days. It takes a special person to work here. Sane people need not apply.
“Nikky said to tell you Harry needs these ASAP so he can figure out the cutting schedules and get them to the subs.”
The subcontractors. Better known as the sweatshops that permeate the relentlessly drab real estate over on 10th and 11th Avenues, filled with seamstresses who speak a dozen different languages, none of which happen to be English. Skirts that retail for two-four-eight-hundred bucks, cut out by the dozens by powersaws on fifty-foot long cutting tables, stitched together by industrial sewing machines that sound like 747 engines, for which the sub gets a few bucks a skirt. Which is not what the seamstresses get, believe me. But hey—Nikky can say her products are American-made.
Of course, I can’t sit at my ersatz desk because my chair is piled with samples dumped there by God-knows-who. So I gather them up—from the current fall line, we’re all sick to death of them—and haul them back to the showroom, thinking maybe I should straighten out the showroom before Sally, Nikki’s saleswoman, sees it.
“Je-sus!”
Too late.
I shoulder my way through the swinging door, my arms full, to be greeted by large, horrified blue eyes. Sally Baines is the epitome of elegant, with her softly waved, ash-blond hair and her restrained makeup. Today our lovely, slim, fiftyish Sally is tastefully attired, as usual, in Nikki’s (cough) designs—a creamy silk blouse tucked into a challis skirt in navy and dark green and cranberry paisley, a matching shawl draped artfully over her shoulders and caught with a gold and pearl pin.
“An hour, I was gone.” The words are softly spoken, precisely English-accented. “If that. How can she do this much damage in one bloody hour?”
This is a rhetorical question.
“Come on,” I say, hefting the samples in my arms up onto the rack, then turning to the nearest mangled heap. “I’ll help.”
I hear the ghosts of anyone who’s ever lived with me laughing their heads off. Okay, so I’m not exactly known as the Queen of Tidy.
Just as Sally and I are cleaning up the last of the debris, in this case lipstick-marked coffee cups and full ashtrays, Nikki sweeps in through the doors, swathed in Autumn Haze mink and looking as fresh as three-day-old kuchen. She scans the now-clean room (I’m brought to mind of those insurance commercials where the destruction is undone by running the film backwards), then beams at us as much as the Botox will allow.
“You two are absolute angels,” she says, sweeping over to me to give me a one-armed hug. “Angels. I would have straightened up myself later, you know that—”
Sally and I avoid looking at each other.
“—but I got stuck at lunch with my attorney and time just got away from me. Did you get the suit? Is Harold here? Did my daughter call?”
“Yes, I don’t think so, and not that I know of,” I said, wondering why she doesn’t ask Vanessa or Virginia or whatever the hell her name is, since, um, she’s the one paid to answer the phone?
Harold, by the way, is Nikky’s husband. You’ll undoubtedly meet him later. Lucky you.
Nikky goes on about whatever it is Nikky goes on about for another thirty seconds or so, then sweeps into the back to assuredly wreak more havoc, leaving a zillion startled molecules in her wake. Ten seconds later, the yelling starts.
So Harold is here. He has a teensy office, way in the back (where all good bogeymen live) just large enough for him to run his own business from. And what business might that be, you ask? Okay…picture some Lower East Side bargain emporium, racks and racks of sleazy little tops for $5.99. Those are Harold’s. He actually hires a—picture quotation marks drawn in the air—designer to crank out these things, which are then produced someplace where monsoons and leeches are taken seriously. We all try to ignore him, but unfortunately he periodically emerges from his lair, snarling and snapping, to fight with his wife and piss me—and everybody else—off. An occupation in which he is apparently presently engaged.
Sally bequeaths me a sympathetic glance as I haul in a breath, close my eyes and reenter the Twilight Zone. However, I think as I return to my cubbyhole and begin logging all those orders onto the computer so I can print out the cutting list so Harry, our production manager, can order fabric and send specs over to the subs, compared to some jobs I could name, this one is downright cushy. There is that medical plan, for one thing. And I tell myself, as I often do, that one must endure a certain amount of indignity on the way to the top, if for no other reason than to be able to enjoy inflicting similar indignities on those underneath you when you get there.
It’s all part of some divine plan. Or at least, part of my plan. After five agonizing years on salesfloors and in buyer’s offices, Seventh Avenue is a major, major step. “Assistant to name designer,” the ad had said.
Yeah, well, she has a name all right. But then, so do we all.
Actually, Nicole isn’t her real name. My guess is Rivkah Katz didn’t quite project the image she was looking for. Not much call for babushkas in the Hamptons. But for all her hard work (cough), for all her stuff isn’t cheap (as opposed to her husband’s stuff, which redefines the word), you won’t find Nicole Katz Designs in Bendel’s or Barney’s or Bloomie’s. You won’t find Gwyneth or Renee or Julia sporting her togs. Anna Wintour isn’t wetting her pants to get a sneak peek at her fall line.
You will, however, find her clothes tucked away in Better Sportswear in Macy’s or L&T or Dayton’s, in boutiques catering to well-off women of a certain age. You might catch the broad-stroked sketches splashed across a full page in the Times twice a year, showcasing her pretty silk blouses and fine wool skirts; a cashmere twinset; a suit, suspiciously familiar. Pricey enough to be taken seriously by many, but not pricey enough to be taken seriously by those who—supposedly—count. No doubt about it, Nikky Katz is solidly second tier. But she’ll never be first tier, never have her clothes mentioned in the same breath as Prada or Klein (either one) or Versace.
The thing is, though, she’s in a damn good position for someone whose talent is limited to sticking with the tried-and-true. And for knowing which designs to knock off. Hey—the woman’s raking it in hand over fist, producing a stable product that continues to sell by dint of its not being subject to the whims of the rich, bored twenty-somethings that fuel the upper echelons of the fashion industry. Her customers depend on her to give them what works, and in twenty years, she hadn’t disappointed them yet.
All in all, not a bad gig. Especially as she’s all but invisible, way up here in her snug little niche, her customers clinging to her like bees to a hive. Neither the big designers nor the young and hungry newbies want her market share. Ergo, in one of the most fatuous, unpredictable, unstable industries in the world, Nikky Katz’s business is as solid and safe as Fort Knox.
Which is why she’s my idol.
