Kitabı oku: «From Gretna Green to Land's End: A Literary Journey in England.», sayfa 8

THE COTSWOLDS

Late in the afternoon we started out from Stratford for a peep at the Cotswolds, swelling downs that belong in the main to Oxfordshire, although, as our drive soon revealed to us, Warwickshire, Gloucestershire, Northamptonshire, and even Worcestershire all come in for a share of these pastoral uplands. It is in the Cotswolds, not far from the estuary of the Severn, that the Thames rises and flows modestly through Oxfordshire, which lies wholly within its upper valley, to become the commerce-laden river that takes majestic course through the heart of London.

We were still in the Shakespeare country, for his restless feet must often have roved these breezy wilds, famous since ancient days for hunts and races. "I am glad to see you, good Master Slender," says genial Master Page. And young Master Slender, with his customary tact, replies: "How does your fallow greyhound, sir? I heard say he was outrun on Cotsol." Whereupon Master Page retorts a little stiffly: "It could not be judged, sir," and Slender chuckles: "You'll not confess; you'll not confess." Why could it not be judged? For one of the delights of the Cotswold hunt – so hunters say – is the clear view on this open tableland of the straining pack. Shakespeare knew well the "gallant chiding" of the hounds, – how, when they "spend their mouths,"

 
"Echo replies
As if another chase were in the skies."
 

Here he may have seen his death-pressed hare, "poor Wat," try to baffle his pursuers and confuse the scent by running among the sheep and deer and along the banks "where earth-delving conies keep."

Still about our route clung, like a silver mist, Shakespeare traditions. In the now perished church of Luddington, two miles south of Stratford, the poet, it is said, married Anne Hathaway; but the same bridal is claimed for the venerable church of Temple Grafton, about a mile distant, and again for the neighbouring church of Billesley. Long Marston, "Dancing Marston," believes its sporting-ground was in the mind of the prentice playwright, a little homesick yet in London, when he wrote:

 
"The Nine-Men's Morris is filled up with mud;
And the quaint mazes in the wanton green,
For lack of tread, are undistinguishable."
 

At Lower Quinton stands an old manor-house of whose library – such is the whisper that haunts its folios – Will Shakespeare was made free. A happy picture that – of an eager lad swinging across the fields and leaping stiles to enter into his paradise of books.

We were well into Gloucestershire before this, that tongue of Gloucestershire which runs up almost to Stratford-on-Avon, and were driving on in the soft twilight, now past the old-time Common Fields with their furlongs divided by long balks; now over rolling reaches, crossed by low stone walls, of sheep-walk and water-meadow and wheat-land, with here and there a fir plantation or a hazel covert; now through a strange grey hamlet built of the native limestone. Our road was gradually rising, and just before nightfall we came into Chipping Campden, most beautiful of the old Cotswold towns. We had not dreamed that England held its like, – one long, wide, stately street, bordered by silent fronts of great stone houses, with here and there the green of mantling ivy, but mainly with only the rich and changeful colouring of the stone itself, grey in shadow, golden in the sun. Campden was for centuries a famous centre of the wool trade; the Cotswolds served it as a broad grazing-ground whose flocks furnished wool for the skilful Flemish weavers; its fourteenth century Woolstaplers' Hall still stands; its open market-house, built in 1624 midway of the mile-long street, is one of its finest features; its best-remembered name is that of William Grevel, described on his monumental brass (1401) as "Flower of the Wool-merchants of all England." He bequeathed a hundred marks toward the building of the magnificent church, which stood complete, as we see it now, in the early fifteenth century. Its glorious tower, tall and light, yet not too slender, battlemented, turreted, noble in all its proportions, is a Cotswold landmark. As we were feasting our eyes, after an evening stroll, upon the symmetries of that grand church, wonderfully impressive as it rose in the faint moonlight above a group of strange, pagoda-roofed buildings, its chimes rang out a series of sweet old tunes, all the more poignantly appealing in that the voices of those ancient bells were thin and tremulous, and now and then a note was missed.

The fascinations of Campden held us the summer day long. We must needs explore the church interior, which has suffered at the hands of the restorer; yet its chancel brasses, wrought with figures of plump woolstaplers, their decorous and comely dames, and their kneeling children, reward a close survey. I especially rejoiced in one complacent burgher, attended by three wimpled wives, and a long row of sons and daughters all of the same size. There is a curious chapel, too, where we came upon the second Viscount Campden, in marble shroud and coronet, ceremoniously handing, with a most cynical and unholy expression, his lady from the sepulchre. There was a ruined guildhall to see, and some antique almshouses of distinguished beauty. As we looked, an old man came feebly forth and bowed his white head on the low enclosing wall in an attitude of grief or prayer. We learned later that one of the inmates had died that very hour. We went over the works of the new Guild of Handicraft, an attempt to realise, here in the freshness of the wolds, the ideals of Ruskin and Morris. We cast wistful eyes up at Dover's Hill, on whose level summit used to be held at Whitsuntide the merry Cotswold Games. "Heigh for Cotswold!" But it was the hottest day of the summer, and we contented ourselves with the phrase.

Other famous Cotswold towns are "Stow-on-the-Wold, where the wind blows cold"; Northleach in the middle of the downs, desolate now, but once full of the activities of those wool-merchants commemorated by quaint brasses in the splendid church, – brasses which show them snugly at rest in their furred gowns, with feet comfortably planted on stuffed woolpack or the fleecy back of a sheep, or, more precariously, on a pair of shears; Burford, whose High Street and church are as noteworthy as Campden's own; Winchcombe, once a residence of the Mercian kings and a famous shrine of pilgrimage; Cirencester, the "Capital of the Cotswolds," built above a ruined Roman city and possessing a church of surpassing richness. How we longed for months of free-footed wandering over these exhilarating uplands with their grey settlements like chronicles writ in stone! But Father Time was shaking his hour-glass just behind us, in his marplot fashion, and since it had to be a choice, we took the evening train to Chipping Norton.

I regret to say that Chipping Norton, the highest town in Oxfordshire, showed little appreciation of the compliment. It was not easy to find lodging and wellnigh impossible to get carriage conveyance back to Campden the next day. It is a thriving town, ranking third in the county, and turns out a goodly supply of leather gloves and the "Chipping Norton tweeds." The factory folk were, many of them, having their holiday just then; their friends were coming for the week-end and had one and all, it would seem, set their hearts on being entertained by a Saturday drive; the only victoria for hire in the place was going to Oxford to bring an invalid lady home; altogether the hostlers washed their hands – merely in metaphor – of the two gad-abouts who thought Chipping Norton not good enough to spend Sunday in. Before we slept, however, we had succeeded in engaging, at different points, a high wagonette, a gaunt horse, and a bashful boy, and the combination stood ready for us at nine o'clock in the morning.

Meanwhile we had seen the chief sights of this venerable town, whose name is equivalent to Market Norton. Its one wide street, a handsome, tree-shadowed thoroughfare with the Town Hall set like an island in its midst, runs up the side and along the brow of a steep plateau. A narrow way plunges down from this central avenue and passes a seven-gabled row of delectable almshouses, dated 1640. Indeed, no buildings in these Midland counties have more architectural charm than their quaint shelters for indigent old age. The abrupt lane leads to a large grey church, square-towered and perpendicular, like the church of Chipping Campden, but with a few Early English traces. Its peculiar feature is the glass clerestory, – great square windows divided from one another by the pillars of the nave. The sexton opened the doors for us so early that we had leisure to linger a little before the old altar-stone with its five crosses, before St. Mary's banner bordered with her own blue, before the warrior pillowed on his helmet and praying his last prayer beside his lady, whose clasped hands, even in the time-worn alabaster, have a dimpled, chubby, coaxing look; and before those characteristic merchant brasses, the men in tunics with close sleeves and girdles, one of them standing with each foot on a woolpack, the women in amazing head-dresses, "horned" and "pedimented," and all the work so carefully and elaborately wrought that the Cotswold brasses are authorities for the costume of the period.

One of the main objects of this expedition, however, was the drive back over the hills with their far views of down and wold to whose vegetation the limestone imparts a peculiar tint of blue. We deviated from the Campden road to see the Rollright Stones, a hoary army with their leader well in advance. He, the King Stone, is across the Warwickshire line, but, curiously enough, a little below the summit which looks out over the Warwickshire plain. This monolith, eight or nine feet high, fantastically suggests a huge body drawn back as if to brace itself against the fling of some tremendous curse. The tale tells how, in those good old times before names and dates had to be remembered, a petty chief, who longed to extend his sway over all Britain, had come thus far on his northward march. But here, when he was almost at the crest of the hill, when seven strides more would have brought him where he could see the Warwickshire village of Long Compton on the other side, out popped an old witch, as wicked as a thorn-bush, with the cry:

 
"If Long Compton thou canst see,
King of England thou shalt be."
 

On bounded the chief – what were seven steps to reach a throne! – but the wooded summit, still shutting off his view, rose faster than he, and again the eldritch screech was heard:

 
"Rise up, stick! stand still, stone!
King of England thou shalt be none."
 

And there he stands to this day, even as the spell froze him, while the sorceress, disguised as an elder tree, keeps watch over her victim. The fairies steal out from a hole in the bank on moonlight nights and weave their dances round him. No matter how securely the children of the neighbourhood fit a flat stone over the hole at bedtime, every morning finds it thrust aside. We would not for the world have taken liberties with that elfin portal, but if we had been sure which of the several elder trees was the witch, we might have cut at her with our penknives and seen, – it is averred by many, – as her sap began to flow and her strength to fail, the contorted stone strain and struggle to free itself from the charm. And had we seen that, I am afraid we should forthwith have desisted from our hacking and taken to our heels. As it was, the place had an uncanny feel, and we went back into Oxfordshire some eighty yards to review the main body of the army,

 
"a dismal cirque
Of Druid stones upon a forlorn moor."
 

These mysterious monuments, which in the day of the Venerable Bede were no less remarkable than Stonehenge, have been ravaged by time, but some sixty of them – their magic baffles an exact count – remain. Grey Druid semblances, heathen to the core, owl-faced, monkey-faced, they stand in a great, ragged circle, enclosing a clump of firs. Deeply sunken in the ground, they are of uneven height; some barely peep above the surface; the tallest rises more than seven feet; some lie prone; some bend sideways; all have an aspect of extreme antiquity, a perforated, worm-eaten look the reverse of prepossessing. But our visit was ill-timed. If we had had the hardihood to climb up to that wind-swept waste at midnight, we should have seen those crouching goblins spring erect, join hands and gambol around in an ungainly ring, trampling down the thistles and shocking every church spire in sight. At midnight of All Saints they make a mad rush down the hillside for their annual drink of water at a spring below.

The antiquaries who hold that these strange stones were erected not as a Druid temple, nor as memorials of victory, nor for the election and inauguration of primitive kings, but for sepulchral purposes, rest their case largely on the Whispering Knights. This third group is made up of five stones which apparently once formed a cromlech and may have been originally covered with a mound. They are some quarter of a mile behind the circle, – a bad quarter of a mile I found it as I struggled across the rugged moor knee-deep in rank clover and other withering weeds. Just before me would fly up partridges with a startled whirr, hovering so near in their bewilderment that I could almost have knocked a few of them down with my parasol, if that had appealed to me as a pleasant and friendly thing to do. For this was a "cover," destined to give a few of Blake's and Shelley's countrymen some autumn hours of brutalising sport.

 
"Each outcry of the hunted hare
A fibre from the brain doth tear.
A skylark wounded in the wing;
A cherubim doth cease to sing."
 

The Five Knights lean close together, yet without touching, enchanted to stone in the very act of whispering treason against their ambitious chief. They whisper still under the elder tree, and often will a lass labouring in the barley fields slip away from her companions at dusk to beg the Five Knights to whisper her an answer to the question of her heart. I walked back, having hit on a path, in company with a rustic harvester, whose conversation was confined to telling me five times over, in the stubborn, half-scared tone of superstition, that while the other elders are laden with white berries, this elder always bears red; and the collie wagged his tail, and the donkey wagged his ears, in solemn confirmation.

The wagonette gathered us in again, and soon we passed, not far from the fine Elizabethan mansion known as Chastleton House, the Four-Shire Stone, a column marking the meeting-point of Oxfordshire, Warwickshire, Gloucestershire, and Worcestershire. Our route lay for a while in Gloucestershire. As our shy young driver refreshed our skeleton steed, which had proved a good roadster, with gruel, that favourite beverage of English horses, at Moreton-in-the-Marsh, another little grey stone town with open market-hall, we noted a building marked P. S. A. and learned it was a workingman's club, or something of that nature, and that the cabalistic initials stood for Pleasant Sunday Afternoon. We changed horses at Campden, did our duty by the inevitable cold joints, and drove up to Fish Inn, with its far outlook, and thence down into the fertile Vale of Evesham. We had not been ready to say with Richard II,

 
"I am a stranger here in Glostershire;
These high wild hills and rough uneven ways
Draw out our miles, and make them wearisome,"
 

but we found a new pleasure in the smiling welcome of gardened Worcestershire. The charming village of Broadway, beloved of artists, detained us for a little, and at Evesham, even more attractive with its beautiful bell-tower, its Norman gateway and cloister arch – pathetic relics of its ruined abbey – and with its obelisk-marked battlefield where fell Simon de Montfort, "the most peerless man of his time for valour, personage, and wisdom," we brought our driving-tour in the Midlands to a close.

OXFORD

Shakespeare's frequent horseback journeys from London to Stratford, and from Stratford to London, must have made him familiar with the county of Oxfordshire. He would have seen its northern uplands sprinkled over with white-fleeced sheep of the pure old breed, sheep so large that their mutton is too fat for modern palates: a smaller sheep, yielding inferior wool, is fast supplanting the original Cotswold. He would not have met upon the downs those once so frequent passengers, the Flemish merchants with their trains of sumpter mules and pack-horses, bound for Chipping Campden or some other market where wool might be "cheapened" in the way of bargaining, for by Shakespeare's day the cloth-making industry in the valley of the Stroud Water, Gloucestershire, had attained to such a flourishing condition that the export of raw material was forbidden.

It is not likely that his usual route would have given him the chance to refresh himself with Banbury cakes at Banbury and, profane player that he was, bring down upon himself a Puritan preachment from Ben Jonson's Zeal-of-the-land-Busy; but Shakespeare's way would almost certainly have lain through Woodstock. This ancient town has royal traditions reaching back to King Alfred and Etheldred the Redeless, but these are obscured for the modern tourist by the heavy magnificence of Blenheim Palace, the Duke of Marlborough's reward for his "famous victory." The legend of Fair Rosamund – how Henry II hid her here embowered in a labyrinth, and how the murderous Queen Eleanor tracked her through the maze by the clue of a silken thread – Shakespeare, like Drayton, could have enjoyed without molestation from the critical historian, who now insists that it was Eleanor whom the king shut up to keep her from interfering with his loves. Poor Rosamund! Her romance is not suffered to rest in peace here any more than was her fair body in the church of Godstow nunnery. There she had been buried in the centre of the choir, and the nuns honoured her grave with such profusion of broidered hangings and burning tapers as to scandalise St. Hugh, Bishop of Lincoln, who, on visiting the nunnery in 1191, gave orders that she be disinterred and buried "out of the church with other common people to the end that religion be not vilified." But after some years the tender nuns slipped those rejected bones into a "perfumed leather bag" and brought them back within the holy pale. The dramatist, who seems to have done wellnigh his earliest chronicle-play writing in an episode of the anonymous "Edward III," may have remembered, as he rode into the old town, that the Black Prince was born at Woodstock. But whether or no he gave a thought to Edward III's war-wasted heir, he could hardly have failed to muse upon that monarch's poet, "most sacred happie spirit," Geoffrey Chaucer, whose son Thomas – if this Thomas Chaucer were indeed the poet's son – resided at Woodstock in the early part of the fifteenth century. And still fresh would have been the memory of Elizabeth's imprisonment in the gate-house during a part of her sister Mary's reign. It was here, according to Holinshed, on whom the burden of pronouns rested lightly, that the captive princess "hearing upon a time out of hir garden at Woodstock a certaine milkemaid singing pleasantlie wished herselfe to be a milkemaid as she was, saieing that hir case was better, and life more merier than was hirs in that state as she was."

Charles I and the Roundheads had not then set their battle-marks all over Oxfordshire, and Henley, now famed for its July regatta as far as water flows, was still content with the very moderate speed of its malt-barges; but Oxford – I would give half my library to know with what feelings Shakespeare used to behold its sublime group of spires and towers against the sunset sky. This "upstart crow," often made to wince under the scorn of those who, like Robert Greene, – the red-headed reprobate! – could write themselves "Master of Arts of both Universities," what manner of look did he turn upon that august town

 
"gorgeous with high-built colleges,
And scholars seemly in their grave attire,
Learnèd in searching principles of art?"
 

Here in the midst of the valley of the Thames, Oxford had already kept for centuries a queenly state, chief city of the shire, with a university that ranked as one of the "two eyes of England." The university, then as now, was made up of a number of colleges which owned, by bequest and by purchase, a considerable portion of the county, though they by no means limited their estates to Oxfordshire. Almost all those "sacred nurseries of blooming youth" which delight us to-day were known to the dust-stained traveller who put up, perhaps twice a year, perhaps oftener, at the Crown Inn, kept by John Davenant, vintner. Apart from the painfully modern Keble, a memorial to the author of "The Christian Year," and the still more recent roof-trees for dissent, Congregational Mansfield and Unitarian Manchester, what college of modern Oxford would be utterly strange to Shakespeare? Even in Worcester, an eighteenth-century erection on the site of the ruined Benedictine foundation of Gloucester College, search soon reveals vestiges of the old monastic dwellings. Not a few of the very edifices that Shakespeare saw still stand in their Gothic beauty, but in case of others, as University, which disputes with Merton the claim of seniority, boasting no less a founder than Alfred the Great, new buildings have overgrown the old. Some have changed their names, as Broadgates, to which was given, eight years after Shakespeare's death, a name that even in death he would hardly have forgotten, – Pembroke, in honour of William, Earl of Pembroke, then Chancellor of the University. Already venerable, as the poet looked upon them, were the thirteenth-century foundations of Merton, with its stately tower, its library of chained folios, its memories of Duns Scotus; and Balliol, another claimant for the dignities of the first-born, tracing its origin to Sir John de Balliol, father of the Scottish king, remembering among its early Fellows and Masters John Wyclif the Reformer; and Hart Hall, where Tyndale was a student, the Hertford College of to-day; and St. Edmund Hall, which has been entirely rebuilt. Another thirteenth-century foundation, St. Alban Hall, has been incorporated with Merton.

The fourteenth-century colleges, too, would have worn a weathered look by 1600, – Exeter and Oriel and Queen's and New. The buildings of Exeter have been restored over and over, but the mediæval still haunts them, as it haunted Exeter's latest poet, William Morris, who loved Oxfordshire so well that he finally made his home at Kelmscott on the Upper Thames. Oriel, which, as Shakespeare would have known, was Sir Walter Raleigh's college, underwent an extensive rebuilding in the reign of Charles I. To Oriel once belonged St. Mary Hall, where Sir Thomas More studied, – a wag of a student he must have been! – and now, after an independence of five hundred years, it is part of Oriel again. Queen's, named in honour of Philippa, the consort of Edward III, has so completely changed its outer fashion that George II's Queen Caroline is perched upon its cupola, but by some secret of individuality it is still the same old college of the Black Prince and of Henry V, – the college where every evening a trumpet summons the men to dine in hall, and every Christmas the Boar's Head, garnished with the traditionary greenery, is borne in to the singing of an old-time carol, and every New Year's Day the bursar distributes thread and needles among its unappreciative masculine community with the succinct advice: "Take this and be thrifty."

New College, unlike these three, has hardly altered its original fabric. If Shakespeare smiled over the name borne by a structure already mossed and lichened by two centuries, we have more than twice his reason for smiling; indeed, we have one excuse that he had not, for we can think of Sydney Smith as a New College man. Old it is and old it looks. The very lanes that lead to it, grey and twisted passages of stone, conduct us back to the mediæval world. The Virgin Mary, the Archangel Gabriel, and, no whit abashed in such high company, Bishop Wykeham, the Founder, watch us from their storm-worn niches as we pass under the gateway into the majestic quadrangle. Here time-blackened walls hold the gaze enthralled with their ancientry of battlements and buttresses, deep-mullioned windows and pinnacle-set towers. Beyond lie the gardens, still bounded on two sides by the massive masonry, embrasured, bastioned, parapeted, of the old City Wall, – gardens where it should always be October, drifty, yellow, dreamy, quiet, with wan poplars and aspens and chestnuts whispering and sighing together, till some grotesque face sculptured on the wall peers out derisively through ivy mat or crimson creeper, and the red-berried hollies, old and gay with many Christmases, rustle in reassuring laughter. Meanwhile the rooks flap heavily among the mighty beeches, whose tremendous trunks are all misshapen with the gnarls and knobs of age.

Of the fifteenth-century foundations, All Souls, "The College of All Souls of the Faithful Departed," and especially of those who fell in the French wars, retains much of its original architecture; in the kitchen of Lincoln, if not in the chapel, Shakespeare would still find himself at home; and for him, as for all the generations since, the lofty tower of Magdalen rose as Oxford's crown of beauty. Magdalen College is ancient. The very speaking of the name (Maudlin) tells us that, all the more unmistakably because Magdalen Bridge and Magdalen Street carry the modern pronunciation. But Magdalen College, with its springing, soaring grace, its surprises of delight, its haunting, soul-possessing loveliness, has all the winning charm of youth. Its hundred acres of lawn and garden, wood and park, where deer browse peacefully beneath the shade of giant elms and where Addison's beloved Water Walks beside the Cherwell are golden with the primroses and daffodils of March and blue with the violets and periwinkles of later spring, are even more tempting to the book-fagged wanderer than Christ Church Meadow and "Mesopotamia." It is hard to tell when Magdalen is most beautiful. It has made the circle of the year its own. On May Day dawn, all Oxford, drowsy but determined, gathers in the broad street below to see – it depends upon the wind whether or no one may hear – the choir chant their immemorial hymn from the summit of the tower. When the ending of the rite is made known to the multitude by the flinging over of the caps, – black mortar-boards that sail slowly down the one hundred and fifty feet like a flock of pensive rooks, – then away it streams over Magdalen Bridge toward Iffley to gather Arnold's white and purple fritillaries, and, after a long and loving look at Iffley's Norman Church, troops home along the towing-path beside the Isis. Shakespeare may himself have heard, if he chanced to be passing through on St. John Baptist's Day, the University sermon preached from the curiously canopied stone pulpit well up on the wall in a corner of one of the quadrangles, while the turf was sweet with strewn rushes and all the buildings glistening with fresh green boughs. But even in midwinter Magdalen is beautiful, when along Addison's Walk the fog is frosted like most delicate enamel on every leaf and twig, and this white world of rime takes on strange flushes from the red sun peering through the haze.

Of the six Tudor foundations, Trinity occupies the site of Durham College, a thirteenth-century Benedictine institution suppressed by Henry VIII; St. John's, closely allied to the memory of Archbishop Laud, is the survival of St. Bernard College, which itself grew out of a Cistercian monastery; Brasenose, associated for earlier memory with Foxe of the "Book of Martyrs" and for later with Walter Pater, supplanted two mediæval halls; and Jesus College, the first to be founded after the Reformation, endowed by a Welshman for the increase of Welsh learning, received from Elizabeth a site once held by academic buildings of the elder faith. Only Corpus Christi, where Cardinal Pole and Bishop Hooker studied to such different ends, although it is, as its name indicates, of Catholic origin, rose on fresh soil and broke with the past, with the mediæval educational tradition, by making regular provision for the systematic study of Latin and Greek.

The great Tudor foundation was Christ Church, built on the sacred ground where, in the eighth century, St. Frideswide, a princess with a pronounced vocation for the religious life, had erected a nunnery of which she was first abbess. The nunnery became, after her death, a house of canons, known as St. Frideswide's Priory. Cardinal Wolsey brought about the surrender of this priory to the king, and its prompt transfer to himself, some fifteen years before the general Dissolution. His ambition, not all unrealised, was to found as his memorial a splendid seat of the New Learning at Oxford to be called Cardinal's College. He had gone so far as to erect a magnificent hall, with fan-vaulted entrance and carved oak ceiling of surpassing beauty, a kitchen ample enough to feed the Titans, "The Faire Gate" and, in outline, the Great Quadrangle, for whose enlargement he pulled down three bays of the Priory church, when his fall cut short his princely projects. His graceless master attempted to take over to himself the credit of Wolsey's labours, substituting the name of King Henry VIII's College, but on creating, a few years later, the bishopric of Oxford, he blended the cathedral and college foundations as the Church and House of Christ. The cathedral fabric is still in the main that of the old Priory church. Of the several quadrangles, Canterbury Quad keeps a memory of Canterbury College, which, with the other Benedictine colleges, Gloucester and Durham, went down in the storm. Christ's Church – "The House," as its members call it – is the aristocratic college of Oxford. Noblemen and even princes may be among those white-surpliced figures that flit about the dim quads after Sunday evensong. Ruskin's father, a wealthy wine-merchant of refined tastes and broad intelligence, hesitated to enter his son as a gentleman commoner at Christ's lest the act should savour of presumption. Yet no name has conferred more lustre on "The House" than that of him who became the Slade Professor of Fine Arts, waking all Oxford to nobler life and resigning, at last, because he could not bear that the university should sanction vivisection.