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Kitabı oku: «The Carrie Diaries», sayfa 4
CHAPTER SEVEN Paint the Town Red
“Carrie, you’re not going to be able to joke your way out of this,” Mrs. Givens says, pointing to the can of paint.
“I wasn’t planning to make a joke,” I insist, as if I’m completely innocent. I have a problem with authority. I really do. It turns me into mush. I’m a real jellyfish when it comes to facing adults.
“What were you planning to do with the paint, then?” Mrs. Givens is one of those middle-aged ladies who you look at and think, If I ever end up like her, shoot me. Her hair is teased into a dried bush that looks like it could self-ignite at any moment. I suddenly picture Mrs. Givens with a conflagration on her head, running through the halls of Castlebury High, and I nearly crack up.
“Carrie?” she demands.
“The paint is for my father—for one of his projects.”
“This is not like you, Carrie. You’ve never been in trouble before.”
“I swear, Mrs. Givens. It’s nothing.”
“Very well. You can leave the paint with me and pick it up after school.”
“Givens confiscated my paint can,” I whisper to The Mouse as we enter calculus.
“How did she find it?”
“She saw me trying to shove it into my locker.”
“Damn,”The Mouse says.
“I know. We’re going to have to go to plan B.”
“What is plan B?”
“Action must be taken,” I say. “I’ll think of something.”
I sit down and look out the window. It’s October now. Time to find a perfect red leaf and iron it between two pieces of waxed paper. Or stick cloves into a crisp apple, the juice running all over your fingers. Or scoop the slimy guts out of a pumpkin and roast the seeds until they nearly explode. But mostly, it’s time to paint the year of our high school graduation on the roof of the dairy barn.
It’s a grand tradition around here. Every fall, a few members of the graduating class scrawl their year on the roof of the barn behind the school. It’s always some boys who do it. But this year, The Mouse and I decided we should do it. Why should the boys have all the fun? Then we got Lali involved. Lali was going to bring the ladder, and The Mouse and I would get the paint. Then Maggie wanted to come. Maggie is fairly useless in these kinds of situations, but I figured she’d be good for booze and cigarettes. Then Maggie spilled the beans to Peter. I told her to un-tell Peter, but she said she couldn’t do that, and now Peter’s all excited about it even though he says he won’t actually be participating. Instead, he plans to stand there and direct.
After calculus, I head out to the barn, where I take a good look at the structure. It’s at least a hundred years old, and though it looks sturdy enough, the roof is higher and steeper than I’d imagined. But if we chicken out, next week the boys will probably do it, and I don’t want that to happen. No more missed opportunities. I want to leave some mark on Castlebury High, so when I’m old, I can say, “I did it. I painted the year of our graduation on the old barn out back.” Lately, high school hasn’t been bugging me as much as usual and I’ve been in a pretty good mood. Today, I’m wearing overalls, Converse sneakers, and a red and white checked shirt that I got at a vintage store in honor of the occasion. I also have my hair in braids, and I’m wearing a strip of rawhide around my head.
I’m standing there, staring up at the roof, when I’m suddenly overcome by a mysterious happiness and I have to start doing my best John Belushi Animal House imitation. I run all the way around the barn and when I get back to where I started, Sebastian Kydd is there, looking at me curiously while he shakes a cigarette out of a pack of Marlboro Reds.
“Having fun?” he asks.
“Sure,” I say. I should be embarrassed, but I’m not. I hate the way girls are supposed to be embarrassed all the time and I decided a long time ago that I just wouldn’t do it. “What about you? Are you having fun?”
“Relatively.”
I’m sure he is having fun, but not with me. After that night at The Emerald—nothing. He never called, never came by my house—all I get are bemused looks from him when he sees me in calculus or in the halls or occasionally hanging out here at the barn. I tell myself it’s just as well; I don’t need a boyfriend anyway—but it doesn’t prevent my mind from veering out of control every time I sense he’s in the vicinity. It’s almost as bad as being twelve—worse, I remind myself, because I ought to know better by now.
I glance at Sebastian, thinking it’s a good thing he can’t read my mind, but he’s no longer paying attention. He’s looking over my shoulder at the two Jens, who are carefully picking their way up the hill in high heels, like they’ve never walked on grass before. Their appearance is not surprising. The two Jens have taken to following Sebastian everywhere, like two small, cheery tugboats. “Ah,” I say. “Your fan club is here.”
He looks at me quizzically but says nothing. In my fantasy, Sebastian is a person of great and perceptive thought. But in reality, I don’t know a thing about him.
Lali picks me up in the truck at nine o’clock that evening. We’re dressed in black turtlenecks, black jeans, and sneakers. There’s an enormous harvest moon. Lali hands me a beer and I crank up the radio and we scream over the music. I’m pretty sure this is going to be the best thing we’ve ever done. I’m pretty sure this is going to be a real Senior Moment—A Moment to Remember. “Fuck Cynthia Viande,” I scream, for no good reason.
“Fuck Castlebury High,” Lali says. “Fuck the Pods.”
We pull into the driveway of the high school going about eighty miles an hour and drive right over the grass. We try to drive straight up the hill, but the truck gets stuck, so we decide to park it in a dark corner of the parking lot. While we’re struggling to get the ladder out of the back, I hear the telltale sputter of a fully loaded V-eight engine, and sure enough, Sebastian Kydd pulls up beside us.
What the hell is he doing here?
He rolls down the window. “You girls need some help?”
“No.”
“Yes,” Lali says. She gives me the shut-up look. I give her the shut-up look right back.
Sebastian gets out of the car. He’s like a panther getting up from a nap. He even yawns. “Slow night?”
“You could say that,” Lali says.
“Or you could get off your keister and help us. Since you don’t appear to be leaving,” I add.
“Can we trust you?” Lali asks.
“Depends on what you want to trust me with,” he says.
Eventually, we get the ladder up against the barn, and then The Mouse shows up with the paint and a large brush. Two enormous cone-shaped lights play over the parking lot, indicating Maggie’s arrival in the Cadillac. Maggie insists she can’t keep track of her high and low beams and usually blinds her fellow motorists. She parks the car and meanders up the hill with Walt and Peter in tow. Peter busies himself by examining the paint. “Red?” he says, and then, as if we didn’t hear him the first time, “Red?”
“What’s wrong with red?”
“It’s not the traditional Castlebury color for this exercise. It should be blue.”
“We wanted red,” I counter. “Whoever does the painting gets to pick the color.”
“But it’s not right,” Peter insists. “For the rest of the year, I’m going to be looking out the window seeing the year of our graduation painted in red instead of blue.”
“Does it really matter?” Sebastian asks.
“Red is a statement. It’s a fuck-you to tradition,”Walt says. “I mean, isn’t that the point?”
“Right on, brother.” Sebastian nods.
Maggie hugs her arms around her chest. “I’m scared.”
“Have a cigarette,” Walt remarks. “That will calm your nerves.”
“Who’s got the booze?” Lali asks. Someone hands her a bottle of whiskey, and she takes a swig, wiping her mouth on her shirt sleeve.
“Okay, Bradley. Get on up there,”The Mouse commands.
In unison, we tip our heads back and look skyward. The orange moon has come up behind the roof, casting a boxlike black shadow below. In the spooky light, the peak appears as high as Mount Everest.
“You’re going up?” Sebastian asks, astonished.
“Bradley used to be very good in gymnastics,”The Mouse says. “Very good. Until she was about twelve, anyway. Remember when you did that jump onto the balance beam and landed right on your—”
“I’d rather not,” I say, sneaking a glance at Sebastian.
“I’d do it, but I’m scared of heights,”Lali explains. Heights, indeed, are the only thing she admits to being scared of, probably because she thinks it makes her more interesting. “Every time I cross the bridge to Hartford, I have to get down on the floor so I don’t get dizzy.”
“What if you’re the one who’s driving?” asks The Mouse.
“Then she has to stop in the middle of traffic and sit there shaking until the police come and tow her car,” I say, finding this vision hysterical.
Lali gives me a dirty look. “That is so not true. If I’m driving, it’s different.”
“Uh-huh,”Walt says.
Maggie takes a gulp of whiskey. “Maybe we should go to The Emerald. I’m getting cold.”
Oh no. Not after we’ve made all this effort. “You go to The Emerald, Magwitch. I’m going to do this,” I say, with what I hope sounds like gutsy determination.
Peter rubs Maggie’s shoulders, a gesture not lost on Walt. “Let’s stay. We can go to The Emerald later.”
“All right,” The Mouse says pointedly. “Anyone who doesn’t want to be here should go now. Anyone who wants to stay should just shut up.”
“I’m staying,”Walt says, lighting up a cigarette. “And I’m not shutting up.”
The plan is simple: Lali and Peter will hold the ladder while I go up. Once I’m at the top, Sebastian will climb up after me with the can of paint. I place my hand on a rung. The metal is cold and grooved. Look up, I remind myself. The future is ahead of you. Don’t look down. Never look back. Never let ‘em see you sweat.
“Go on, Carrie.”
“You can do it.”
“She’s at the top. Ohmigod. She’s on the roof!” That’s Maggie.
“Carrie?” Sebastian says. “I’m right behind you.”
The harvest moon has transformed into a bright white orb surrounded by a million stars. “It’s beautiful up here,” I shout. “You should all have a look.”
I slowly rise, testing my balance, and take a few steps to get my footing. It’s not so hard. I remind myself of all the kids who have done this in the past. Sebastian’s at the top of the ladder with the paint. With the can in one hand and the brush in the other, I make my way to the side of the roof.
I begin painting, as the group takes up a chant below. “One…Nine…Eight…”
“NINETEEN. EIGHTY—” And just as I’m about to paint the last number, my foot slips.
The can flies out of my hand, bounces once, and rolls off the roof, leaving a huge splotch of paint behind. Maggie screams. I drop down to my knees, scrambling to get a handhold on the wooden shingles. I hear a soft thud as the can hits the grass. Then…nothing.
“Carrie?”The Mouse says tentatively.“Are you all right?”
“I’m fine.”
“Don’t move,” Peter shouts.
“I’m not.”
And it’s true. I’m not moving. But then, with excruciating slowness, I begin to slide. I try to jam my toe into the shingles to stop, but my sneaker glides right over the slick spill of red paint. I reassure myself that I will not die. It’s not my time. If I were going to die, I’d know it, right? Some part of my brain is aware of the scraping of skin, but I have yet to feel the pain. I’m picturing myself in a body cast, when suddenly a firm hand grabs my wrist and drags me up to the peak. Behind me I see the tips of the ladder fall away from the edge, followed by a whomp as it clatters into the bushes.
Everyone is screaming.
“We’re okay. We’re fine. No injuries,” Sebastian shouts as the wail of a police siren rips the air.
“There goes Harvard,” Peter says.
“Hide the ladder in the barn,” Lali commands. “If the cops ask we’re just up here smoking cigarettes.”
“Maggie, give me the booze,”Walt says. There’s a crash as he throws the bottle into the barn.
Sebastian tugs on my arm. “We need to get to the other side.”
“Why?”
“Don’t ask questions. Just do it,” he orders as we scramble over the peak. “Lie flat on your back with your knees bent.”
“But now I can’t see what’s happening,” I protest.
“I’ve got a record. Don’t move and don’t say a word, and pray the cops don’t find us.”
My breath is as loud as the pounding of a drum.
“Hello, Officers,”Walt says when the police arrive.
“What are you kids up to?”
“Nothing. Just smoking some cigarettes,” Peter says.
“Have you been drinking?”
“Nope.” A group answer.
Silence, followed by the sound of feet squelching around in the wet grass. “What the hell’s this?” demands one of the cops. The beam from his flashlight slides up the roof and into the sky. “You kids painting the barn? That’s a misdemeanor. Violation of private property.”
“Yo, Marone,” Lali says to one of the cops. “It’s me.”
“Whoa,” Marone says. “Lali Kandesie. Hey, Jack. It’s Lali, Ed’s girl.”
“You want to take a look around?” Jack asks cautiously, now that he’s being confronted by the boss’s daughter.
“Nah. Looks okay to me,” says Marone.
Jack snorts. “Okay, kids. Party’s over. We’re going to make sure you get to your cars and get home safely.”
And they all leave.
Sebastian and I lie frozen on the roof. I stare up at the stars, intensely aware of his body a few inches from mine. If this isn’t romance, I don’t know what is.
Sebastian peers over the side. “I think they’re gone.”
Suddenly, we look at each other and laugh. Sebastian’s laugh—I’ve never heard anything like it—is deep and throaty and slightly sweet, like ripe fruit. I imagine the taste of his mouth as being slightly fruity too, but also sharp, with a tang of nicotine. Boys’ mouths are never what you think they’re going to be anyway. Sometimes they’re stiff and sharp with teeth, or like soft little caves filled with down pillows.
“Well, Carrie Bradshaw,” he says. “What’s your big plan now?”
I hug my knees to my chest. “Don’t have one.”
“You? Without a plan? That must be a first.”
Really? Is that how he thinks of me? As some nerdly, uptight, efficient planner? I’ve always thought of myself as the spontaneous type. “I don’t always have a plan.”
“But you always seem to know where you’re going.”
“I do?”
“Sure. I can barely keep up with you.”
What does that mean? Is this a dream? Am I actually having this conversation with Sebastian Kydd?
“You could always try calling—”
“I did. But your phone’s perennially busy. So tonight I was going to stop by your house, but then I saw you getting in Lali’s truck and followed you. I figured you were up to something interesting.”
Is he saying he likes me?
“You’re definitely a character,” he adds.
A character? Is that good or bad? I mean, what kind of guy falls in love with a character?
“I guess I can be…sort of funny sometimes.”
“You’re funny a lot. You’re very entertaining. It’s good. Most girls are boring.”
“They are?”
“Come on, Carrie. You’re a girl. You must know that.”
“I think most girls are pretty interesting. I mean, they’re a lot more interesting than boys. Boys are the ones who are boring.”
“Am I boring?”
“You? You’re not boring at all. I just meant—”
“I know.” He moves a little closer. “Are you cold?”
“I’m okay.”
He takes off his jacket. As I put it on, he notices my hands. “Christ,” he says. “That must hurt.”
“It does—a little.”The palms of my hands are stinging like hell where I’ve scraped the skin. “It’s not the worst thing that’s happened to me though. One time, I fell off the back of the Kandesies’ truck and broke my collarbone. I didn’t know it was broken until the next day. Lali made me go to the doctor.”
“Lali’s your best friend, huh?”
“Pretty much. I mean, she’s been my best friend since we were ten. Hey,” I ask. “Who’s your best friend?”
“Don’t have one,” he says, staring out at the trees.
“I guess that’s the way guys are,” I say musingly. I check my hands. “Do you think we’re ever going to get off this roof?”
“Do you want to get off this roof?”
“No.”
“So don’t think about it. Someone will come and get us eventually. Maybe Lali, or your friend The Mouse. She’s cool.”
“Yeah.” I nod. “She’s got her life all figured out. She’s applying early admission to Yale. And she’ll definitely get in.”
“That must be nice,” he says with a hint of bitterness.
“Are you worried about your future?”
“Isn’t everyone?”
“I guess…But I thought…I don’t know. I thought you were going to Harvard or something. Weren’t you in private school?”
“I was. But I realized I didn’t necessarily want to go to Harvard.”
“How could anyone not want to go to Harvard?”
“Because it’s a crock. Once I go to Harvard, that’s it. Then I’ll have to go to law school. Or business school. Then I’ll be a suit, working for a big corporation. Taking the commuter train to New York City every day. And then some girl will get me to marry her, and before you know it, I’ll have kids and a mortgage. Game over.”
“Hmph.” It’s not exactly what a girl wants to hear from a guy, but on the other hand, I have to give him points for being honest. “I know what you mean. I always say I’m never getting married. Too predictable.”
“You’ll change your mind. All women do.”
“I won’t. I’m going to be a writer.”
“You look like a writer,” he says.
“I do?”
“Yeah. You look like you’ve always got something going on in your head.”
“Am I that transparent?”
“Kind of.” He leans over and kisses me. And suddenly, my life splits in two: before and after.
CHAPTER EIGHT The Mysteries of Romance
“Tell me exactly what he said.”
“He said I was interesting. And a character.”
“Did he say he liked you?”
“I think it was more that he liked the idea of me.”
“Liking the idea of a girl is different from actually liking a girl,” Maggie says.
“I think if a guy says you’re interesting and a character, it means you’re special,” The Mouse counters.
“But it doesn’t mean he wants to be with you. Maybe he thinks you’re special—and weird,” Maggie says.
“So what happened after we left?” The Mouse asks, ignoring her.
“Lali came and rescued us. He went home. He said he’d had enough excitement for one evening.”
“Has he said anything since?” Maggie asks.
I scratch a nonexistent itch. “Nope. But it doesn’t matter.”
“He’ll call,”The Mouse says with confidence.
“Of course he’ll call. He has to call,” Maggie says, with too much enthusiasm.
Four days have passed since the barn-painting incident and we’re dissecting the event for about the twentieth time. After Lali rescued us, apparently The Mouse and Walt did come back, but we were gone along with the ladder, so they figured we got away okay. On Monday when we showed up at school, we couldn’t stop laughing. Every time one of us looked out the window and saw 198 and that big red splotch, we’d crack up. At assembly that morning, Cynthia Viande referred to the incident, saying the vandalism to private property had not gone unnoticed, and the perpetrators, if caught, would be prosecuted.
We all snickered like little cats.
All of us, that is, except for Peter. “Can the cops really be that dumb?” he kept asking. “I mean, they were right there. They saw us.”
“And what did they see? A few kids standing around an old dairy barn.”
“That Peter guy—geez,”Lali said.“He’s so paranoid. What the hell was he doing there anyway?”
“I think he likes Maggie.”
“But Maggie’s with Walt.”
“I know.”
“She has two boyfriends now? How can you have two boyfriends?”
“Listen,” Peter said the next day, sidling up to me in the hall. “I’m not sure we can trust Sebastian. What if he rats us out?”
“Don’t worry. He’s the last person who’s going to tell.”
Hearing Sebastian’s name was like a skewer to the gut.
Ever since the kiss, Sebastian’s presence has been like an invisible shadow sewn to my skin. I cannot go anywhere without him. In the shower, he hands me the shampoo. His face floats up behind the words in my textbooks. On Sunday, Maggie, Walt, and I went to a flea market, and while I pawed through piles of sixties T-shirts, all I could think about was what Sebastian would like.
Surely he’ll call.
But he hasn’t.
A week passes, and on Saturday morning, I reluctantly pack a little suitcase. I look at the clothes I’ve laid out on the bed, perplexed. They’re like the random, disjointed thoughts of a thousand strangers. What was I thinking when I bought that beaded fifties sweater? Or that pink bandanna? Or the green leggings with yellow stripes? I have nothing to wear for this interview. How can I be who I’m supposed to be with these clothes?
Who am I supposed to be again?
Just be yourself.
But who am I?
What if he calls while I’m gone? Why hasn’t he called already?
Maybe something happened to him.
Like what? You saw him every day at school and he was fine.
“Carrie?” my father calls out. “Are you ready?”
“Almost.” I fold a plaid skirt and the beaded sweater into the suitcase, add a wide belt, and throw in an old Hermès scarf that belonged to my mother. She bought it on the one trip to Paris she took with my father a few years ago.
“Carrie?”
“Coming.” I bang down the stairs.
My father is always nervous before a trip. He gathers maps and estimates time and distance. He’s only comfortable with the unknown or the unexpected if it’s a number in an equation. I keep reminding him that this is not a big deal. It’s his alma mater, and Brown is only forty-five minutes away.
But he fusses. He takes the car to the car wash. He withdraws cash. He inspects his travel comb. Dorrit rolls her eyes. “You’re going to be gone for less than twenty-four hours!”
It rains during the drive. As we head east, I notice the leaves are already beginning to flee their branches, like flocks of birds heading south for the winter.
“Carrie,” my father says. “Don’t sweat the small stuff. Don’t beat yourself up about things.” He can usually sense when something is wrong, although he’s rarely able to pinpoint the cause.
“I’m not, Dad.”
“Because when you do,” he continues, warming up to one of his favorite topics, “you lose twice. You’ve lost what you’ve lost, but then you also lose your perspective. Because life happens to people. Life is bigger than people. It’s all about nature. The life cycle…It’s out of our control.”
It shouldn’t be, though. There ought to be a law that says every time a boy kisses a girl, he has to call within three days.
“So in other words, old man, shit happens and then you die.”
I say this in a way that makes my father laugh. Unfortunately, I can hear Sebastian in the backseat, laughing too.
“Carrie Bradshaw, right?”
The guy named George shifts my file from one arm to another and shakes my hand. “And you, sir, must be Mr. Bradshaw.”
“That’s right,” my father says. “Class of 1958.”
George looks at me appraisingly. “Are you nervous?”
“A little.”
“Don’t be.” He smiles reassuringly. “Professor Hawkins is one of the best. He has PhD’s in English literature and physics. I see on your application that you’re interested in science and writing. Here at Brown, you can do both.” He reddens a little, as if he realizes he’s being quite the salesman, and suddenly adds, “Besides, you look great.”
“Thanks,” I murmur, feeling a bit like a lamb being led to slaughter.
I immediately realize I’m being silly and overly dramatic. George is right: Everything about Brown is perfect, from the charming redbrick buildings of the Pembroke College campus, to College Green, dotted with voluptuous elms that still have their leaves, to the glorious columned John Carter Brown Library. I need only insert my mannequin self into this picture-postcard scene.
But as the day progresses from the interview in the artfully messy professor’s office—“What are your goals, Ms. Bradshaw?” “I’d like to make an impact on society. I’d like to contribute something meaningful”—to the tour of the campus, chem labs, the computer room, a first-year dorm room, and finally to dinner with George on Thayer Street, I begin to feel more and more flimsy, like a doll constructed of tissue paper. Halfway through dinner, when George mentions there’s a rock ‘n’ roll band playing at the Avon Theatre, I feel like I can’t refuse, even though I’d prefer to lie in my hotel room and think about Sebastian instead.
“Go,” my father urges. He’s already informed me that George is the kind of young man—intelligent, well-mannered, thoughtful—that he’s always pictured me dating.
“You’re going to love Brown,” George says in the car. He drives a Saab. Well engineered, slightly expensive, with European styling. Like George, I think. If I weren’t obsessed with Sebastian, I probably would find George attractive.
“Why do you love Brown so much?” I ask.
“I’m from the city, so this is a nice break. Of course, I’ll be in the city this summer. That’s the great thing about Brown. The internships. I’m going to be working for The New York Times.”
George suddenly becomes much more interesting. “I’ve always wanted to live in New York City,” I say.
“It’s the best place in the world. But Brown is right for me now.” He gives me a hesitant smile. “I needed to explore a different side of myself.”
“What were you like before?”
“Tortured,” George says, and grins. “What about you?”
“Oh, I’m a little tortured too,” I say, thinking of Sebastian. But when we pull up to the theater, I vow to put Sebastian out of my mind. Clusters of college kids, drinking beer and flirting, are seated outside at tiny French tables. As we push through the crowd, George puts his hand on my shoulder and squeezes. I look up at him and smile.
“You’re awfully cute, Carrie Bradshaw,” he says into my ear.
We stay out until closing time, and when we get back in the car, George kisses me. He kisses me again in the driveway of the hotel. It’s a clean and tentative kiss, the kiss of a man who thinks in straight lines. He takes a pen out of the glove compartment. “May I ask for your number?”
“Why?” I ask, giggling.
“So I can call you, dummy.” He tries to kiss me again, but I turn my head.
I’m feeling a little woozy, and the beer hits me full force when I lie down. I ask myself if I would have given George my number if I weren’t so drunk. I probably wouldn’t have let him kiss me either. But surely Sebastian will call now. Guys always call as soon as another man is interested. They’re like dogs:They never notice if you’ve changed your hair, but they can sense when there’s another guy sniffing around their territory.
We’re back in Castlebury by mid-afternoon on Sunday, but my theory proves wrong. Sebastian hasn’t called. Maggie, on the other hand, has. Several times. I’m about to call her when she calls me. “What are you doing? Can you come over?”
“I just got back,” I say, suddenly deflated.
“Something happened. Something big. I can’t explain it on the phone. I have to tell you in person.” Maggie sounds very dire and I wonder if her parents are getting divorced.
Maggie’s mother, Anita, opens the door. Anita looks stressed, but you can tell that a long time ago she was probably pretty. Anita is really, really nice—too nice, in fact. She’s so nice that I always get the feeling the niceness has swallowed up the real Anita, and someday she’s going to do something drastic, like burn down the house.
“Oh, Carrie,” Anita says.“I’m so glad you’re here. Maggie won’t come out of her room and she won’t tell me what’s wrong. Maybe you can get her to come downstairs. I’d be so grateful.”
“I’ll take care of it, Mrs. Stevenson,” I say reassuringly. Hiding in her room is something Maggie’s been doing for as long as I’ve known her. I can’t tell you how many times I’ve had to talk her out.
Maggie’s room is enormous with floor-to-ceiling windows on three sides and a closet the length of one wall. Nearly everyone in town is familiar with the Stevenson house, because it was designed by a famous contemporary architect and is mostly comprised of glass. The inside of the house is pretty sparse, though, because Maggie’s father can’t abide clutter. I crack open the door to Maggie’s room as Anita stands anxiously to the side. “Magwitch?”
Maggie is lying in her bed, wearing a white cotton nightgown. She rises from beneath the covers like a ghost, albeit a rather churlish one.“Anita!” she scolds.“I told you to leave me alone.” The expression on Anita’s face is startled, guilty, and helpless, which is pretty much her usual demeanor around Maggie. She scurries away as I go in.
“Mags?” I caution. “Are you okay?”
Maggie sits cross-legged on the bed and puts her head in her hands. “I don’t know. I did something terrible.”
“What?”
“I don’t know how to tell you.”
I can tell, however, that I’m going to have to wait for this terrible revelation, so I sit on the padded stool-y thing Maggie uses as a chair. According to her father, it’s a Swedish-designed ergonomically correct sitting contraption that prevents backaches. It’s also sort of bouncy, so I bob up and down a bit. But then I’m suddenly tired of everyone else’s problems.
“Listen, Mags,” I say firmly. “I don’t have much time. I have to pick up Dorrit at the Hamburger Shack.”This is true, sort of. I probably will have to pick her up eventually.
“But Walt will be there!” she cries out.
“So?” Walt’s parents insist that Walt have an after-school job to make money for college, but the only job Walt’s ever had is working at the Hamburger Shack for four dollars an hour. And it’s only part-time, so it’s hard to see how Walt will be able to save enough money for even one semester.
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