Kitabı oku: «The Film of Fear», sayfa 4

"Yes, so far. At least no harm has come to your daughter. But I am sorry to say that she has received another warning."

"Here?" Mrs. Morton started, and glanced about in alarm.

"Yes."

"What was it?"

"A photograph." Duvall explained the contents of the mysterious package, but did not show the hideous picture to the girl's mother.

"And you haven't found out anything yet?"

"Nothing definite. There has scarcely been time. But we will. You may be sure of that."

"Have you seen Ruth?" Mrs. Morton asked.

"Yes. Mr. Baker introduced me to her. She thinks I am a newspaper man, who wants to write a special article about her for one of the Sunday papers. She suggested that I call at your house some evening, or possibly Sunday. If you are going back to town soon, I think it might be a good idea for me to drive back with you."

"By all means. I shall feel much safer. Suppose you wait for us at the entrance. I shall not be long."

Duvall nodded, and strolled toward the street, his mind busy with the events of the day. He stood for quite a while near the door, watching the people who came in and out. Many of them were women. He wondered if among them was the woman who was responsible for the threats of the past three days. It seemed improbable, and yet, there were indications that it was within the studio, rather than outside it, that the guilty person was to be found.

Mrs. Morton came out presently, accompanied by Ruth. The girl looked pale and troubled. Duvall went up to her.

"I have met your mother, Miss Morton," he said, "and she has very kindly suggested that I ride back to the city with you."

The girl nodded, without particular interest.

"We shall be very glad to have you," she said, "but you will excuse me, I know, if I do not talk to you about my work. I am feeling rather bad to-day, and I'm sure I couldn't tell you anything interesting."

"I'm sure I would not expect it, under the circumstances," Duvall replied, as Miss Morton, accompanied by her mother, went toward the automobile that stood near the entrance. "I don't doubt your work is full of trying incidents."

"Oh, it isn't my work," the girl replied, as he assisted her into the car. "I love my work. But there are other things." She glanced toward her mother with a tired smile, then sank back upon the cushions.

A moment later they were whirling toward the city.

CHAPTER VI

Duvall's ride back to town with Mrs. Morton and Ruth was quite uneventful. The latter, as she had explained, was ill, weak, indisposed to talk. Duvall and Mrs. Morton kept up a brisk conversation upon topics of the day, but both knew that it was of the girl they were thinking, and their interest in the subjects they discussed was clearly forced. Both were glad when the car at last stopped before the apartment building, and the long ride was over.

Mrs. Morton invited Duvall to come in and dine with them, and he promptly accepted. Ruth seemed indifferent. Assisted by her maid, she left the car and on reaching the apartment, at once went to her room.

"You will excuse me, I know," she said to Duvall. "I am tired out, and think I had better lie down at once. Nora will bring me some dinner," she said, turning to her mother.

Duvall and Mrs. Morton ate their dinner in silence. Some sense of oppression, of impending evil, hung over them both. Mrs. Morton left the table toward the close of the meal, and went to her daughter's room. With the solicitude of the typical mother she arranged the windows. That opening to the fire escape she raised to its full height. The one facing upon the court she left as it was, raised some six or eight inches. Then, having kissed her daughter good night, she returned to the library, where Duvall sat smoking a cigar.

"Ruth has gone to bed," she told him. "Both the windows in her room are open, the one on the fire-escape wide, the other partly raised."

Duvall looked at her with an expression of doubt.

"I think it would be better, for the present," he said, "to close and fasten the one opening on the fire escape. We cannot tell to what danger your daughter may be exposed."

Mrs. Morton rose and left the room.

"I will do as you advise," she said. Going to Ruth's bedroom she closed and fastened the window in question, then she went back to the library.

"Have you hit upon any theory to account for the sending of these letters?" she asked.

Duvall shook his head. "The whole thing is very mysterious," he said. "Of course it was easy enough for anyone to leave the photograph at the studio this afternoon. In fact it might readily have been done by one of the other actresses, who might be jealous of your daughter's success. But if the thing was done by anyone employed at the studio, how can we account for the message left in the bedroom at half-past nine this morning, the one we found on the floor? If the woman who is responsible for these threats was at the studio this morning, how could she arrange to have the note left in your daughter's bedroom here at the same hour? That would seem to imply a confederate. I confess that the entire matter is for the moment beyond me."

"Were you able to find out anything concerning the telegram which came this morning?"

"Nothing, except that it was sent by a woman. I was not surprised to learn that. Naturally I should expect that a woman was responsible for these threats. But what woman? That is the question." He sat for a long time, thinking, his eyes fixed upon the floor.

Suddenly there came a ring at the doorbell. Mrs. Morton, without waiting for the maid, sprang to the hall, with Duvall close at her heels. As she threw it open, they saw a man standing in the doorway. Duvall was the first to recognize their caller.

"How do you do, Mr. Baker," he said, holding out his hand.

Mr. Baker came in, and greeted Mrs. Morton.

"I didn't expect to find Mr. Duvall here," he said. "In fact, I came to you to get his hotel address. Luckily I won't need it, now."

"Anything new?" Duvall asked, as they returned to the library.

"Nothing much. I got those samples of the writing of the various typewriters, as you requested," Baker replied, "and I thought that instead of waiting until to-morrow, it would be better to bring them to you to-night." He took a sheaf of papers from his pocket. "There are thirty-two in all. What are you going to do with them?" He placed the papers in Duvall's hand.

The latter sat down at the library table and placed the sheets of paper before him.

"Of course you know," he said to Baker, "that every typewriting machine has its unmistakable peculiarities. It is almost impossible to find a machine that has been used at all, that has not developed certain individual defects, or qualities, found in no other machine. Now let us take for instance the letters that Miss Morton has received during the past few days. They have all been written on the same machine, and I am of the opinion that it is a fairly old one. While going down to the studio this afternoon, I worked out and wrote down in my notebook the particular features which appear in all these letters." He took a small leather-covered book from his pocket.

"In the first place," he said, "the letter 'a' throughout the several communications is always found to be out of line. The key bar is doubtless a trifle bent. Let us, therefore, see if, in any of the samples you have brought me, there exists a similar defect."

He took the samples of writing, one by one, and after scrutinizing them carefully, passed them over to Baker, who likewise subjected them to a critical examination. When their work was completed, it was found that of the thirty-two samples, the displacement of the letter "a" occurred in but three, and in one of these it was so slight as to be scarcely noticeable. Duvall laid the three pages to one side. "A second fault shown in the typewriting of the letters," he said, "is to be found in the capital 'W.' Its lower right-hand corner has been worn or broken off, so that it invariably fails to register." He handed one of the letters to Baker. "See here, and here. The corner of the 'W' instead of being clear and distinct, is blunt and defective. Let us see whether a similar fault is to be found in any one of these three samples." He picked up the three sheets of paper that he had placed to one side.

As he examined them, Mr. Baker and Mrs. Morton saw a shadow of disappointment cross his face. He handed the three pages to Baker.

"The threatening letters were not written on any machine at your studio," he said.

Baker took the pages and looked them over carefully.

"No," he said at length. "You are right. None of these show the second defect you have named."

"Well," observed Duvall cheerfully, "we have accomplished something, at least. We know that these letters were not written at the studio, and it seems reasonably certain that the woman we are looking for has a typewriter in her rooms, or wherever she may live. Of course she might have had the typewriting done by some public stenographer, but I consider it unlikely. A person sending threats of this character would not be apt to entrust so dangerous a secret to a third person. We must therefore make up our minds to find a woman who has a typewriting machine, and knows how to use it."

"There are probably a hundred thousand such women in New York," Baker observed, gloomily.

"No doubt. But we have more information than that about the person who sent these letters."

"What, for instance?" asked Baker and Mrs. Morton in a breath.

"Well, in the first place, this woman was able to secure possession of a photograph of Miss Morton." He took the hideously distorted picture from his pocket. "Do either of you know where this photograph was made?"

Mrs. Morton examined the picture with a shudder. Then she rose, went to a cabinet at the other end of the room, and took out an album. Returning to the table, she placed the book before her, and began to turn the pages. In a few moments she found what she was looking for, a duplicate of the likeness which lay before them, with the exception, of course, of its frightful distortions.

"This picture was made by Gibson, on Fifth Avenue," she said, referring to the photograph in the book. Both Baker and Duvall saw at once that on the retouched picture, the name of the photographer had been scratched off.

"How many of them were made, and what became of them?" Duvall asked quickly.

"Ordinarily I could not answer such a question," Mrs. Morton replied, "for Ruth has had many photographs taken, and we have not of course kept a record of them, or what has become of them, but in this particular case I happen to remember that she did not like the pose particularly, and ordered but half a dozen. I do not think that she gave any of them away. If I am right in my supposition, there should be five more here in the apartment." Closing the book, Mrs. Morton went to the cabinet again, and took out a portfolio containing numberless photographs of her daughter in all sorts of poses.

After some searching, she produced a brown-paper envelope, containing a number of pictures, all taken by the same photographer, at the same time. There were in the envelope four copies of the photograph, the fifth of which was contained in the album.

"Evidently one has been given away," Duvall exclaimed. "Now if we can only find out to whom, our search for the writer of these letters may be very quickly ended."

Mr. Baker regarded them both with a puzzled look.

"I have seen that picture before," he said, "and of course I could not have done so, had I not seen the one that is missing." He sat for a while in silence, searching his recollection for a solution of the problem. Suddenly he spoke. "There was a picture like that in my office, at one time," he exclaimed. "Miss Morton sent a number down, for advertising purposes, and I am positive that this one was among them. I remember distinctly the pose of the head, the unusual arrangement of the hair. That photograph should be in our files. The fact that it has been taken out shows that the person who has been writing these letters is a member of our own staff, or at least has access to our files."

"That does not necessarily follow," observed Duvall.

"Why not?"

"Because the picture might have been obtained from the photographer."

"But they are not allowed to dispose of the portraits of others, without the sitter's permission."

"I know that, but they sometimes do so, especially in the case of anyone so well known as Miss Morton. She has become a sort of public character.

"Well," remarked Duvall, "we can readily find out, in the morning. You, Mr. Baker, can go through your files, and should you find the photograph to be there, I will take the matter up with the photographer. If, on the contrary, the picture is missing, it will be fairly conclusive evidence that the person or persons we are looking for are in some way connected with the studio."

"I will make an investigation the first thing in the morning," Mr. Baker announced, rising. "Do you expect to be at the studio early, Mr. Duvall?"

"Yes. Quite early."

"Then we had best leave matters until then. Good night. Good night, Mrs. Morton." He turned and started toward the door.

He had proceeded but a few steps, when the three occupants of the room were startled by a series of sudden and agonizing cries. From the rear of the apartment came a succession of screams so piercing in their intensity, so filled with horror, that they found themselves for a moment unable to stir. Then Mrs. Morton gave a cry of anguish, and darted out into the hall, closely followed by Duvall and Mr. Baker.

The screams continued, filling the entire apartment with their clamor. That the voice which uttered them was that of Ruth Morton none of the three doubted for a moment. With sinking hearts they went on, prepared for the worst. Duvall found himself dreading the moment when they should reach the bedroom door, and face the girl, her beauty, perhaps, disfigured beyond all recognition.

There was a sharp turn, at the end of the hall, into a shorter cross hall, at the end of which was the door of Ruth's bedroom. It was closed, but as though in response to Mrs. Morton's agonized appeals, it suddenly opened as they reached it, and Ruth Morton, pale as death, appeared.

With wide open eyes staring straight ahead, she half stepped, half fell through the doorway, her slender figure clothed only in her night dress. "Ruth," Mrs. Morton screamed, as she caught sight of her daughter.

The girl tried to say something, but her tongue failed her. Then, with a faint moan, she lurched forward and fell limply into her mother's arms.

PART II

CHAPTER VII

When Duvall, Mr. Baker, of the motion picture company, and Mrs. Morton rushed down the hallway of the latter's apartment in response to the screams from Ruth's bedroom, they were one and all convinced that the girl had suffered some terrible injury – that the mysterious threats to destroy her beauty which had been made during the past few days had been converted into some frightful reality.

One glance at the girl's white face as she fell fainting into her mother's arms told the detective that their fears had been, to that extent at least, groundless. The girl's lovely features, although drawn and contorted by fear, showed no signs of the disfigurement they feared.

Leaving the girl to her mother's care, Duvall, closely followed by Baker, dashed into the bedroom, and at once switched on the lights. The place, to the intense surprise of both, presented a picture of perfect quiet and order. The bed clothing was slightly disarranged, but this of course was but natural, since Ruth had sprung up under the influence of some terrible fear, and rushed from the room. Everything else seemed in its place.

Duvall's first act was to examine the window. The one fronting on the fire escape was closed and tightly fastened. It was perfectly clear that no one had entered the room in that way.

The other window, facing on the court, was raised a few inches, just as Mrs. Morton had left it half an hour before. Duvall turned to his companion with a puzzled frown.

"I had supposed, Mr. Baker," he said, "that someone had entered this room, and frightened Miss Morton while she was asleep, but that is impossible. The windows have not been disturbed."

Baker glanced at the one which faced the court.

"That one may have been," he said, indicating it with a nod. "Someone may have come in that way, raising the window to effect an entrance, and lowering it again after leaving."

"I admit that what you say would be possible, were there any way in which the window might be reached from outside," Duvall replied, "but if you will look out, and tell me how anyone could make an entrance from the court, I will agree to the possibility you suggest."

Baker raised the window, and glanced out.

"The apartment above," Duvall went on, "is unoccupied, and the window above is closed and fastened. The little attic in the adjoining house is unused, although that is not important, since no one could reach this window from it, in any event. Can you suggest any other way?"

Mr. Baker shook his head.

"She must have been frightened by some terrible nightmare," he said. "I do not wonder at it. She has gone through enough to upset anybody's nerves. Suppose we go back and question her."

"Just a moment," exclaimed Duvall. Then he dropped upon his knees beside the disordered bed, and began to examine the surface of the counterpane with minute care.

"What is it?" Baker asked, joining him.

"I don't know – yet," returned Duvall, as he took a magnifying glass from his pocket and proceeded to scrutinize with the greatest interest some marks upon the counterpane's surface. Presently he rose, replaced the glass in his pocket, and turned to his companion.

"There is something very astonishing about this whole affair," he exclaimed. "What do you make of those?" He indicated a series of dark smudges upon the bedspread, arranged in little groups.

Baker bent over and examined the marks with an exclamation of surprise.

"Why – they look like finger prints," he cried. "Large finger prints."

"It is impossible to say whether they are finger prints or not," Duvall replied. "As you see, there are a great many of them, very confusingly arranged. But there is something else, that you have not noticed. What do you suppose could have made a mark like this?" He pointed to a long straight dark line, which extended half way across the counterpane, and pointed directly toward the window which faced upon the court. The line was very faint, but clearly defined, as though someone had laid a thin dusty stick across the bed.

"I can't make anything of it," Baker exclaimed, gazing toward the window.

"Nor can I," said Duvall. "At one time, because of certain indentations on the letters found in this room, I had thought that they might have been introduced through the partly opened window by means of a long rod, a fishing pole, perhaps. This mark on the counterpane appears to bear out that theory. The smudges which look like finger prints may have been merely the points at which the end of the pole, or whatever was attached to the end of the pole, came in contact with the bed. All that is perfectly supposable. But you can see for yourself that if a long pole were thrust through the window, raised as the latter was but a trifle above the level of the bed, the other end of such a pole must of necessity have been held at approximately the same level, and the only point outside the window from which it could have been so held is in the air, forty feet above the bottom of the court! The thing is absurd."

"There is, of course, the window of the apartment below," Baker suggested. "Might not it have been used?"

"I thought of that," Duvall replied. "You can see for yourself that even a tall man standing on the window sill below, would find not only his hands, but even his head, far below the sill of this window, nor could anyone so support themselves, without something to hold on to. But all that is beside the question. The people in the apartment below are friends of Mrs. Morton's, a middle-aged man and his wife, with two young children. They are eminently respectable people, and quite above suspicion."

"Then I give the thing up," exclaimed Baker. "Suppose we have a talk with Miss Morton."

They found the girl lying on a couch in the library, with her mother sitting beside her. She seemed very weak and quiet, but in full possession of her faculties. Duvall drew up a chair, and asked her if she felt able to tell them what had occurred.

"Yes," she replied in a faint voice, her face still showing evidences of her fright. "I will try to tell you exactly what happened."

"I had taken some medicine to make me sleep, before I got into bed, because I was very nervous and upset. When mother came back to fix the windows I was already drowsy, and just remember that she turned out the lights, and then I must have dozed.

"All of a sudden I heard a strange rasping noise, and I woke up, with the feeling that there was someone in the room. I don't know just why I felt so sure of that, whether it was merely a sense of someone's presence, or the sound of someone moving about near my bed. I think, however, that it was the latter.

"The room was dark, of course, but enough light came through the windows to make a moving object distinguishable. I looked about, terribly frightened, but for a moment I saw nothing. The noise I had heard at first continued. Then without the least warning, a hand seemed to clutch at the bedclothes, and I saw above me, bending over me, a terrible dark face, exactly like the grinning death's head on those letters I've been getting.

"I lay perfectly still, frozen with horror, and in a moment the face had disappeared, and then I began to scream. Right after that I sprang from the bed and threw open the door, and found mother and Mr. Baker and yourself standing in the hall. That is all I know."

Duvall looked at her for a moment, puzzled.

"Are you sure you really saw someone leaning over you? Might it not have been an illusion, the result of your nervous condition?"

"No. I am certain someone was there – someone quite tall, I should say, and with a terrible, evil face."

"It might have been a mask, of course," Duvall suggested. "Someone wearing a mask."

"Yes. It might have been. It was too dark for me to tell, of course. But I remember the eyes, for I saw them distinctly. They were only a few inches from my own." She put her hands to her face and shuddered. "It was terrible, terrible. I shall never sleep in that room again."

"There – there, dearie," Mrs. Morton whispered in a soothing voice. "You need not sleep there. You can lie right here, for the rest of the night, and I will stay with you and see that no one harms you."

"That would be best, Mrs. Morton," Duvall remarked. "And to-morrow I suggest that you and your daughter move, temporarily at least, to another location. Some quiet hotel, where you will not be subject to these terrible annoyances. I cannot imagine how it is done, but in some way, some almost superhuman way, it seems, someone can apparently either enter your daughter's room, or at least reach it from without, at will."

"What do you mean by that?" asked Ruth, somewhat mystified.

"I mean this, Miss Morton. I do not believe that there was anyone in your room to-night. I do not believe that there has ever been anyone there. But I do believe that the two letters we found there were introduced from without, in some mysterious way, at the end of a long pole, or rod. And I think that what frightened you so to-night was merely a mask, a grotesque representation of the seal used on the letters, and pushed toward you in some way, as you lay in bed for the purpose of terrifying you."

"But – why – why?" the girl cried.

"I cannot say. But it has occurred to me that these people, whoever they are, that are trying to injure you, may not intend any physical violence at all, at least for the present, but may be depending solely upon the terrible and insidious power of suggestion. You must bear this possibility in mind, and try to control your fears. I can readily believe that thirty days of this sort of persecution, and you would be a physical and mental wreck. But we shall stop it. You need have no fears on that score." Mrs. Morton turned to her daughter with a few words of explanation.

"Mr. Richards, or rather, Mr. Duvall, is not a newspaper man, Ruth, but a detective, who is trying to bring the wretches who are annoying you to justice. I feel every confidence in him."

Ruth turned toward Duvall a very white and pathetic face.

"I hope you will succeed, Mr. Duvall," she said, in a weak voice. "I cannot stand much more."

"I shall, Miss Morton. And now," he turned to Mr. Baker, "I think we had better go, and let Miss Morton get some rest. I will come here in the morning, Mrs. Morton," he continued, addressing the girl's mother, "and we will consider further the question of your moving to a hotel. Meanwhile I do not think you have anything further to fear this evening. Good night."

Before leaving the apartment he made another examination of the marks upon the bedclothes, then closed and fastened both windows, and locked the door of the room.

Mr. Baker left him at the corner.

"You will come to the studio to-morrow, of course."

"By all means. I shall come down with Miss Morton and her mother. That will give us an opportunity to investigate further the matter of the missing photograph, and also to talk over that plan I had in mind concerning the new film you are to show at the Grand to-morrow night. It is barely possible that, by means of a plan I have in mind, we may be able to locate the person or persons responsible for all this trouble."

"I certainly hope so," said Baker, as he took his leave. "This thing is getting on my nerves, too."

Duvall made his way back to his hotel, as much mystified as ever. He had thought for a moment of spending the night on the sidewalk in front of the Mortons' apartment, watching the windows facing on the court, but his experience told him that it would be useless. The alarm which Ruth had made, the closing of the windows of her bedroom, the locking of the door, all made it highly improbable that any further attempt would be made to annoy her during the night. He walked along in a state of intense preoccupation, trying to discover some reasonable explanation of the astonishing events of the day.

Once he had an impression, a feeling, that he was being followed, but when he turned around, there was no one in sight but a slightly tipsy man, and a couple of young girls, far down the street. He dismissed the thought from his mind, and proceeded to his hotel.

It was not yet eleven o'clock, and Grace was waiting for him in the little parlor of their suite.

"Well, Richard," she remarked, as he came in, "you've had quite a day of it."

"Yes, quite," he replied, throwing himself into a chair. "What have you been doing with yourself?"

"Shopping, mostly. I found it rather dull. I went to a moving picture this afternoon. Saw your friend Ruth Morton. She certainly is a very beautiful girl."

"Yes – very," Duvall replied, absently.

"Have you seen her to-day?" Grace went on, with a smile.

"Yes. Why?"

"Oh – nothing. I was just thinking."

Duvall burst into a laugh, and rising, went over to his wife and kissed her.

"For heaven's sake, Grace," he said, "don't be silly. I'm not interested in motion picture actresses."

"You weren't, I'll admit, nor in motion pictures either, until recently, but perhaps you have changed. I could understand any man being fascinated by a girl like Ruth Morton."

Duvall did not pursue the question. It was a hard and fast rule between them not to discuss his professional work. And Mrs. Morton had made it a point that he should confide in no one, not even his wife.

"Well," he said, picking up an evening paper, "I'm not fascinated yet. No letters for me to-day, I suppose."

"None." Grace went on with her sewing.

They sat for a while in silence. Presently there came a knock on the door, and a boy appeared, bearing a telegram, Duvall opened it carelessly, thinking it some word from the overseer of his farm. He sat up with sudden astonishment as he read the contents of the message.

"Keep out," the telegram read, "or you will find that we can strike back."

Duvall placed the telegram in his pocket with a frown. So it appeared that in spite of all his care, his connection with the case was known. How this was possible he could not imagine. His first visit to the Morton apartment that day had been in the guise of a workman. His subsequent appearance at the studio, and later, at the apartment, had been in the character of a newspaper man. There was only one explanation. Someone had watched him while he was making his examination of Ruth Morton's room, and, subsequently, had followed him from the apartment to his hotel. He began to realize that he was dealing with a shrewd brain, and one that acted with almost uncanny quickness and precision. He determined that, if Mrs. Morton and her daughter changed their place of residence the following day, he would do the same. He said nothing of his intentions to Grace, however. It was more than ever necessary that he preserve secrecy in this case.

"No bad news, I hope, Richard," Grace remarked, glancing up from her sewing.

"No. Nothing serious. Have you heard anything from home?"

"Yes. Everything is going along quite smoothly. The boy is well and happy, and Mrs. Preston says to stay as long as we want to."

"Well," said Duvall, rising and throwing down his newspaper, "if things don't go better than they have been going to-day, I may have to be here some time. I've got a queer case on, Grace. I'd like to tell you about it, but I can't. But it is quite unusual. Some features to it that I have never met before."

"Oh – I wish I might help you," Grace exclaimed. "You know how often I have done so in the past."

"I know, dear. But I am bound to secrecy, for the present at least. Suppose we turn in now. I've got to get up early."