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MR
STARLIGHT
Laurie Graham



COPYRIGHT

Fourth Estate

An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain in 2004 by Fourth Estate

Copyright © Laurie Graham 2004

Laurie Graham asserts the right to be identified as the author of this work.

Cover illustration © Rachel Ross

A catalogue record for this book is available from the British Library

All rights reserved under International and PanAmerican Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780007306480

Ebook Edition © NOVEMBER 2012 ISBN: 9780007389087

Version: 2017-03-30

DEDICATION

Dedicated to

Caryl Avery and Les Zuke,

my A to Z friendship,

and

to my best boys,

Tony Bird and Charles Darwent

EPIGRAPH

Give my regards to Broadway

Remember me to Herald Square

Tell all the gang at Forty-Second Street

That I will soon be there

COHAN

CONTENTS

Cover

Title Page

Copyright

Dedication

Epigraph

One

Two

Three

Four

Five

Six

Seven

Eight

Nine

Ten

Eleven

Twelve

Thirteen

Fourteen

Fifteen

Sixteen

Seventeen

Eighteen

Nineteen

Twenty

Twenty-One

Twenty-Two

Twenty-Three

Twenty-Four

Twenty-Five

Twenty-Six

Twenty-Seven

Twenty-Eight

Twenty-Nine

Thirty

Thirty-One

Thirty-Two

Thirty-Three

Thirty-Four

Thirty-Five

Thirty-Six

Thirty-Seven

Thirty-Eight

Thirty-Nine

Keep Reading

About the Author

Also by Laurie Graham

About the Publisher

ONE

He had six bathrooms at the finish, every one of them done up to a different scheme, although most of them were never used. There was his, with a heart-shaped tub and a mirror on the ceiling, and the monogrammed towels folded just so, and nobody else supposed to go in there, only Pearl who looked after him. And then there was my favourite with a glass block floor and gold-plated dolphin taps, and a whole wall filled with water and tropical fish. Not that bathrooms interest me that much. Still, it’s funny to think how we started out in Ninevah Street, with a lav down the yard and a jerry under the bed, in case you needed to go in the night, and a tin bath dragged indoors and put on the hearthrug, but only for special occasions.

We all had baths when our Dilys was getting married, so that was quite a production, and I had another one, I remember, when I was bad with the measles and the doctor had been sent for. But generally speaking, you could go all year in our house and never see that tin tub. Until Sel started getting top billing and Mam got stars in her eyes. Ever after that, if it was club night, it was bath night.

I was in the trimming shop at Greely’s Motors in those days, working six in the morning till two in the afternoon. You could earn more doing a night shift but after I got jilted, the size of my pay packet didn’t seem to matter any more. Renée and I had been saving up, getting our little bits and pieces together for when we were married, but when she called it off, well, I lost heart. And if I worked the early shift it meant I had my evenings. I could do the clubs with our Selwyn, as his accompanist.

When we started out they billed us as the Boff Brothers but that soon changed. Soon it was Selwyn Boff, the Saltley Songster, with Cledwyn Boff on piano, only in smaller letters. It has been my experience that once your letters get smaller they’re unlikely to get bigger again. Then, as he developed a following he dropped the Boff and tried being just plain Selwyn.

‘Your own, your very own Selwyn,’ the emcee would say and by then nobody cared who was playing. As long as Sel was out front, holding the ladies’ hands, looking into their eyes, making out he was singing for nobody in the world but them, he could have had a chimpanzee on the piano stool. Mam used to say, ‘Did you play nicely last night, Cledwyn?’

I’d say, ‘I could have played bare-arsed with my elbows for all anybody would have noticed.’

And I’d duck before she could clout me.

Our mam’s profession was teaching pianoforte so we were all expected to learn when we were nippers. But Dilys apparently would never sit still and pay attention, so she was sent to tap dancing instead, and when Mam decided Sel had the makings of a singer he was sent to Miss Jaycock in Paradise Street, for voice and elocution. After that I got the piano to myself and when I joined the Boys’ Brigade I learned the trumpet too.

Mam believed everybody should be able to do a turn, even if it was only play ‘God Save the King’ with a comb and tissue paper, but Dilys never liked performing. She’d sidle off outside and hide down the yard if we had company, if she thought Mam was going to make her climb up on the table and do ‘You are my honey, Honeysuckle’, and then, later on, she did put up a lot of weight due to married life and you can’t dance if you’re heavy. It’s harmful to the knees.

I was the true musician of the family, but my brother did have another kind of talent and I never begrudged him that, not even for all the times he got written up in the Sunday papers and told a load of fibs or never even mentioned me. He may not have had the best voice in the world, and he never did learn to sight-sing, but he had the knack of showmanship. He could lift people out of themselves and send them home happy. That’s why he got bookings while trained musicians went hungry. But you can’t argue against box office takings. I suppose that’s what Uncle Teilo recognised in him.

Teilo wasn’t our real uncle, but he was bookings secretary at the Nechells Non-Political Club and he wasn’t without influence at the Birmingham Welsh and the Rover Sports and Social, and he’d shown a friendly interest in us from when we were young lads. Also, he was very fond of our mam. I believe he may have made her certain offers, over the years, only she was a bit hazy as to the whereabouts of Dad.

We had our debut at the Birmingham Welsh before the war. Sel was only ten. We were the first act of the evening, doing ‘Gilbert the Filbert’ and ‘I Don’t Want to Play in Your Yard’, and whatever we were paid, I don’t remember seeing any money. It must have gone straight into Mam’s purse. She only ever let us do Friday nights because Sel had school and I had work to get up for, but the Boff Brothers became quite a name, and when I came back after the war we picked up where we’d left off. Of course, by then Sel wasn’t a boy soprano any more. By then he’d been going to the pictures and getting some big ideas. ‘I’ll be appearing in a dinner suit from now on,’ he said.

Uncle Teilo said, ‘Oh yes? What did you do? Knock somebody over for their clothing coupons?’

But he’d been to Horace’s, the house clearance people, and bought a dead man’s suit.

‘I want the lights down,’ he said. ‘I want total darkness before I come on, then Cled’ll play a glissando and when the lights go up, there I’ll be.’

‘Oh, I don’t know,’ Uncle Teilo said. ‘How will folks see to drink?’

But he did agree to a few things. We moved up the billing to close the first half and we were allowed a lacy cloth on the top of the piano and a potted palm. Bloody thing had to be lugged on the bus every time, but Sel said it raised the tone. He wanted the audience to give proper order too and not walk in front of him with glasses of ale while he was singing, but that’s the kind of respect that has to be earned. Still, by the beginning of 1948 we were getting top billing and Sel announced he was handing in his notice at the Milk Maid ice cream factory and turning semi-professional.

Dilys said, ‘Oh, do be careful, Sel. The Milk Maid’s a good place to work.’

Mam said, ‘Well, there are only twenty-four hours in the day and he has to groom himself for stardom.’

Dilys said, ‘What about his benefits? What about the retirement scheme?’

Mam said, ‘Where he’s going he won’t need a Milk Maid pension.’

I said, ‘What I want to know is where does this leave me? We’re supposed to be a duo.’

He said, ‘We still can be, for the time being. Until things really take off. There comes a time when you have to decide what you want. A Milk Maid pension or fame? A long-service medal from Greely’s or a life?’

I said, ‘Why can’t you ever be satisfied?’

Mam said, ‘You’re a good little pianist, Cledwyn, but that’s all you’ll ever amount to. Selwyn’s a true performer. He gives his all.’

I suppose he started giving his all after he got his first shiny jacket. He’d decided the potted palm and the penguin suit weren’t enough, and he wanted to make himself more memorable, so he went off to London on a day return and came back with some glittery stuff that was meant for ladies’ evening gowns. Mrs Grimley, next door, ran it up for him on her sewing machine and the first time he wore it, at the Non-Political, there was nearly a riot. All those women pushing to get up front and touch it, Nechells not being a place where you saw a lot of gold lamé.

The next Saturday he went back down to Oxford Street for more supplies. Mrs Grimley said she couldn’t be doing with any more of it because of the fraying and the mess on her carpet, so he took it all to a tailor called Funkleman and had two more jackets made, one in silver lamé, one in rainbow glistenette. Funkleman thought our Sel was loopy but he took his money anyway.

After that he spent all his time thinking about suits and relied on me to do the musical groundwork, picking out new songs, trying out new arrangements. If we were doing both halves he’d change his whole outfit before the second set. He’d come running on and twirl around, so they could get a good look at his outfit. And the ladies appeared to like it. They didn’t seem to care if he was out of puff and his singing was affected. Sometimes we’d only do half of the second set because they kept calling to him, egging him on to dance around some more and come down to the front, and make goo-goo eyes at them and ask them their names. Married women with their husbands looking on. He was lucky one of them didn’t come over and thump him, but it never happened. Sel always got away with murder.

So the routine was, if we had a booking I’d go straight to bed when I got home from Greely’s, to try and get some sleep, although I hardly ever did, what with the daylight streaming in and Sel upstairs practising his twirling, like an elephant with clogs on. Then, about five o’clock Mam would start filling the tin tub, so he could have a soak before tea. She’d put towels on the clothes horse and arrange it round him like a screen so he could be private. I don’t know why she bothered because she was in and out every minute, topping up the water and scrubbing his back. ‘Don’t mind me,’ she’d say. ‘You haven’t got anything I haven’t seen.’

And he didn’t mind. He’d just sit there smiling like a great pink bab, steaming and smelling of white heather bath salts.

‘Why don’t you get in after him, Cled?’ she’d say. ‘It’s a pity to waste the hot water.’

But I wouldn’t. A stand-up wash in the kitchen suited me and I wouldn’t have put it past him to do a jimmy riddle in the tub, just to spite me.

As it was, I’d had to move out of our bedroom. ‘He needs a room to himself,’ Mam said, ‘so he can work on his presentation and conserve himself for his public.’

She got him a full-length mirror and made a star out of a silver cake board and stuck it to the door, and I had to move downstairs and have a zed bed in the front room.

I said, ‘Why can’t he have the front room? He could hang his stuff from the picture rail.’

We never used that front room. Nobody did in those days. It was kept for funeral teas, but luckily we never seemed to have any.

‘And have everybody peering in,’ she said, ‘spying on his costumes? No, no. That wouldn’t do. You have to understand, Cledwyn. A star has to keep his air of mystiquerie.’

So everybody peered in at me instead, especially Mrs E from next door, because the front-room curtains were the kind that only looked like curtains. You couldn’t actually close them. I always waited till I was under the covers before I took my trousers off.

We were getting three or four bookings a week, travelling as far as Wolverhampton or Castle Bromwich sometimes, struggling on the bus with his shiny jacket on a special hanger and him with his collar up and sunglasses on at seven o’clock on a January night so as not to be recognised.

‘I’ll have to get a car,’ he kept saying. ‘I’ll buy it and you can drive me.’

I wouldn’t have minded.

‘We’ll have tartan rugs in the back,’ he said. ‘And a personalised number plate. SEL 1.’

We were doing all right for money by then but Sel could spend it faster than they could mint it. Day trips to London. Cuff links and fancy shirts and high-heeled boots from Drury Lane. He kept a log of what he’d worn where, so he wouldn’t repeat himself. He bought silly things as well. Knick-knacks for his bedroom. A suitcase with his initials on it.

Mam encouraged him, of course. ‘Beautiful,’ she’d say. ‘You’ve got very good taste, Selwyn, like me.’

But it would have been nice if he’d put a few quid aside every week, like I did. There were things needed doing around the house. The roof needed re-tiling and the gas stove was from the year dot. And then there were the sanitary arrangements. The council were bringing in home improvement grants and not before time.

I said, ‘I think this is something we should look into. Get this place brought up to standard. We should do it for Mam.’

The way it worked was you paid half and the council paid half, and you could get a proper bathroom put in, next to the kitchen. Mrs Grimley had signed up for it and the Edkinses at number 15, but Sel wasn’t interested.

He said, ‘Mam, do you want the upheaval of getting a bathroom?’

‘No, I don’t think so,’ she said. ‘Where would we keep the coal? And how would we go on without our convenience?’

That was what they did. Took your coal house and the outside lav and converted them into all mod cons.

I said, ‘That’s easy. We can get a bunker for the coal and we won’t need an outside lav any more because we’ll have an inside one. And lovely hot baths whenever you want them. We can put a shelf up, for your Amami and your talc. You’ll be like Cleopatra.’

‘I don’t know,’ she said. She was wavering, I could tell.

I said to Sel, ‘Tell her how nice it’d be. No more lugging in bathwater for you every club night.’

‘Cled,’ he said, ‘frankly I’m thinking bigger than Ninevah Street. Bigger and better, onward and ever upward. I’ll be moving on soon so what’s the point of spending money on this dump?’

I said, ‘Oh, well, then, you’ll be moving on so you’re all right. What about the rest of us? How about a few comforts for Mam in her old age?’

‘You plum duff,’ he said. ‘When I move on, she’ll move on. And so will you, unless you intend trimming car seats the rest of your life. I’m on my way to the big time, our kid, and you and Mam are invited along.’

But his first move out of Ninevah Street was nearly his last. He came close to moving on somewhere nobody else can follow.

TWO

It was September of 1949 when it happened. It had been so hot the tar was melting on the roads and there wasn’t a breath of air. You didn’t feel like doing anything, only sitting still in your vest and pants and having a glass of lemonade, but we had club appearances three nights in a row so we had to stir ourselves, and of course we got a very poor turnout. People were staying at home, sitting out on their front steps, hoping for a cooling breeze. Things were so half-hearted the night we played the Alma Street Liberal I said we should cancel the rest of our bookings till the weather broke, but His Numps wouldn’t hear of it.

‘Sel Boff never cancels,’ he said. ‘The show goes on.’

So the show did go on. We were appearing at the Birmingham Welsh, with a novelty gargler who did the William Tell overture, Chucky Crawford doing his old card tricks and a vocalist called Avril who was just starting out, dark honey blonde with a nice frontage and a big voice for such a pint pot. She was making a play for Sel, straightening her stocking seams in front of him, getting him to fasten her necklace. I could have saved her the trouble. When it was showtime he had a one-track mind.

He seemed all right in the first half. We did ‘Start the Day With a Smile’, ‘Where or When’ and ‘You Rascal You’, and he’d acted the giddy goat as usual, running around, showing the ladies his new cummerbund, getting into a sweat.

I said, ‘I don’t know why you insist on wearing a jacket in this heat. Why don’t you get yourself a short-sleeved shirt like me?’

‘Because I don’t want to look like a PT instructor,’ he said. ‘Because I’m tonight’s star turn and my public has expectations.’

Then, just before we were due back on, he said, ‘Cled, I don’t feel too clever.’

I said, ‘Is it your guts?’

‘No,’ he said, ‘I keep coming over dizzy. Ask Mostyn to give us another five minutes.’

Mostyn was the emcee. He said, ‘It is stifling tonight. I’ll open another window.’

I fetched a glass of water and carried it through, and there was Sel, collapsed on the floor, turning blue around the mouth. I thought it was his heart. You do hear of it happening in young men. His eyes were open but he appeared not to hear me. We needed to phone for an ambulance but the telephone was in Mostyn’s office and he had to find the key.

Avril was shouting, ‘Hurry up, you silly old sod. There’s a boy dying while you’re going through your pockets.’

‘I am hurrying,’ he said. ‘You go out front and keep the punters happy.’

‘Send the gargler on,’ she said. ‘I’m not leaving Selwyn.’

Chucky Crawford said, ‘Don’t worry, I’ll go back on.’

By the time Mostyn came back from the telephone Sel’s eyes had rolled back in their sockets.

Avril said, ‘Did you tell them to hurry?’

Mostyn said, ‘Ambulances always hurry. And you’ve got a few things to learn about show business, my girl. Rule number one, whatever’s going on backstage, you look after your audience.’

‘Mostyn,’ she said, ‘there’s hardly anybody in and as long as the beer keeps flowing they won’t complain.’

And it’s true. It’s been my experience that people would rather take part in a heart attack than watch card tricks any day.

That ambulance had no great distance to come but it seemed to take hours. We were in a cubbyhole that passed for a dressing room, boxes of Christmas trimmings piled up on the shelves, mops and buckets in the corner, wondering if Sel was going to last the night.

Avril had his head cradled on her lap, stroking his hair. ‘Beautiful curls,’ she said.

I could have told her where those curls came from: a Toni home perm done in our Dilys’s living room.

When they arrived they gave him oxygen and asked me a lot of questions. All I knew was he’d had a ham salad and a glass of orange squash for his tea, the same as I had except I’d let him have my spring onions. I didn’t like to eat anything like that on a club night, in case I got lucky with the ladies. Also, he’d had brown pickle instead of salad cream, and three rock cakes. He’d seemed right enough during the first set apart from missing a line or two, but he did that sometimes, when he ran out of wind. He never breathed properly, for a singer. They said they were rushing him to the General Hospital and I might want to notify his next of kin.

Then Uncle Teilo turned up, alerted by Mostyn. ‘Oh dear,’ he kept saying. ‘My star turn. Oh dear, oh dear.’

By rights I should have ridden in the ambulance. I was family. But Teilo whispered something to the ambulance people, elbowed his way in.

‘You go and fetch your mam,’ he said. ‘Don’t worry about Sel. I’ll make sure he gets a top doctor.’

I’d have had to wait for a bus only a very nice couple called Jean and Dennis offered to run me home in their Hillman Minx.

‘We couldn’t bear for anything to happen to him,’ Jean said. ‘We follow him all over, don’t we, Dennis?’

He had fans like that even in those days. The husband didn’t say a lot. It always was the ladies he appealed to, but still, that Dennis drove like the clappers to get me back to Ninevah Street.

Jean said, ‘And then we’ll run you to the hospital, won’t we, Dennis? Who’d have thought it! Selwyn Boff’s brother riding in our motor!’

‘Did you loosen his cummerbund?’ That was the first thing Mam wanted to know. ‘Did you tell them he was invalided out of the RAF?’

I could have strangled her. Three times she ran back into the house, fetching things to take to the hospital. Indigestion pills and his hairbrush and then the evening paper, for the crossword puzzle, and all the while the car was ticking over, burning juice.

I said, ‘Leave that! He’s in no state for crosswords.’

‘He will be,’ she said. ‘He’ll perk up once he knows I’m there. Did you tell them he can only drink sterilised milk?’

I said, ‘He’s unconscious, Mam. He won’t be drinking any milk tonight.’

She said, ‘Well, if they give him the wrong milk and he comes out in hives we’ll have you to thank.’

I said, ‘I’m not his keeper.’

‘Yes you are,’ she said. ‘That’s exactly what you are. He’s only a bab.’

They allowed us to see him for five minutes but he was in a big machine, to help him with his breathing so we couldn’t really see him at all. They said they hoped to be able to tell us more in the morning.

Mam said, ‘I’ll just brush his hair. Tell him I’m here.’

‘Not tonight,’ they said. ‘He’s too ill.’

That’s when it hit her. ‘Oh, Cledwyn,’ she sobbed. ‘Whatever can it be? Don’t let me lose him. I couldn’t bear to lose him.’

She wouldn’t come home, insisted on waiting there all night though there was nothing to be done.

I said, ‘Should I ask Dilys to come? She could wait with you.’

‘No,’ she said, ‘Dilys is neither use nor ornament at this time of night. She can’t manage without her sleep the way I can.’

I said, ‘Well, if I’m going to be up all night, I’d better phone Greely’s, tell them I shan’t be in tomorrow morning.’

‘Just go home,’ she said. ‘I don’t need anybody to sit with me. It’s a mother’s job to keep watch. And it’ll be me he asks for when he wakes up.’

So Jean and Dennis kindly drove me home and when I offered them something for their trouble and their petrol, Jean said, ‘You keep your hand in your pocket. We don’t want your money, do we, Dennis? Of course, what we’d really love is an autograph.’

‘Happy to oblige,’ I said. ‘Where’s your autograph book?’

‘Oh no,’ she said. ‘This wouldn’t be the right time. He’s a sick boy. But when he’s on the mend, if you think to mention it to him, a signed photo would be lovely.’

I expect she lived to regret not letting me sign her book, especially after I’d had my hit single.

Sel got worse before he got better. He was on the critical list for several days and Mam instructed us on what we were to say to the reporters.

Dilys said, ‘There aren’t any reporters, Mam.’

Mam said, ‘That’s because you keep using the front entrance. They’ll be round the back, thinking to catch you out. That’s what they did when Judy Garland was in hospital.’

Avril tried to visit too, just the once, but Mam soon saw her off. ‘Family only,’ she said. ‘Doctor’s orders.’

This wasn’t quite true because Uncle Teilo was buzzing around every day, looking for progress reports, wondering how many more bookings he’d have to cancel. Sel was unconscious for a whole day and when he came to we had a bit of a fright. ‘I’ve gone blind,’ he said. He was clinging to Mam. ‘I can’t see anything. I’m too young to go blind.’

Mam said, ‘Don’t worry, Selwyn, Mam’s here. Mam’ll send for a specialist. Cledwyn, tell your Uncle Teilo to get a specialist. Whatever it costs.’

But it was only blurred vision. Gradually it cleared, then his eyeballs turned yellow and his belly swelled up like a balloon, and he itched so much he scratched himself nearly raw. It had all been caused by his jacket, they said. He’d been poisoned by the stuff that had been used to clean it. Carbon tetrachloride. Mam said, ‘It was no such thing. It was DabAway. And I only freshened it up. What was I supposed to do? Leave the sweat to rot the seams? Costly fabric like that?’

They said Mam wasn’t to have known. It was in very tiny print about using the product in moderation and airing the garment thoroughly after it had been cleaned. They said four bottles was a lot, but she still shouldn’t blame herself. She said, ‘I’m not blaming myself.’ But I think she did, on the quiet.

At the end of the first week they asked me to step into the doctor’s office.

I said, ‘Are you sending him home?’

‘No,’ he said, ‘far from it. Your brother isn’t out of the woods yet. There could be kidney damage. We have to wait and see.’ I said, ‘How long?’

‘Two to three weeks,’ he said. ‘If there is damage … you might want to consider whether your mother should be warned.’

I said, ‘She’ll do whatever it takes. She’ll cash in a policy if it’s a case of going private.’

‘It isn’t,’ he said. ‘It’s a case of a possible sudden deterioration.’

Dilys was visiting when I looked in on him. She was trimming his hair and they were laughing and joking, no idea he might be on death row. ‘Cheer up, our kid,’ he said, when he saw me. ‘You look like you just saw a ghost. Come and sit down. I’ve got quite a story to tell the pair of you. I’ve had an amazing experience. A vision.’

Dilys said, ‘Well, you are on a lot of medication.’

‘Nothing to do with medication,’ he said. ‘A beautiful lady came to me, in the middle of the night. She was dressed in long white robes.’

I said, ‘It was probably that little staff nurse with the nice ankles.’ I had my eye on her myself, always crackling her apron, pretending to be busy.

‘No,’ he said. ‘It wasn’t any nurse. It was a visitation. She stood as near to me as you are and she was bathed in a heavenly glow.’

Dilys said, ‘You must have been dreaming. Had they given you a jab?’

‘No,’ he said. ‘I was as wide awake as I am now. Something made me sit up all of a sudden and there she was, smiling at me. But here’s the best bit: she knew all about me, all about my singing career and everything.’

I said, ‘Did she tell you Industrial Brush Social Club want to charge us for a no-show?’

‘Bugger Industrial Brush,’ he said. ‘This lady laid out my whole life before me. She said my days singing on the clubs are finished. She said I have a Higher Purpose.’

Dilys said, ‘What, like Dewi Elias?’ Dewi was one of Aunty Gwenny’s in-laws, worked as a roofer for years until he slipped and had a bang on the head. Then he went for a deacon. Reckoned he’d heard celestial voices.

‘Never mind Dewi Elias,’ he said. ‘I’m on the threshold of a momentous change in my life.’

It made my blood run cold to hear him making plans, after what I’d been told.

‘See?’ he said. ‘That’s why I was spared from DabAway poisoning. She told me I’m meant to go to America and there I shall make my fortune.’

Dilys said, ‘Could it have been the lady with the library trolley?’

I said, ‘Not in the middle of the night.’ I was hoping he had seen a vision, in a way. He was too young to die.

He said, ‘She was sent from above. I know she was. One minute she was here, clear as I see you, next minute she was gone.’

I said, ‘Did she glide away?’

‘Not so much glide as fade,’ he said.

Dilys said, ‘You haven’t told Mam?’

‘No,’ he said. ‘I didn’t think she’d like it.’

He was right about that. Mam didn’t even like Joan Wagstaff visiting, who had been one of his best pals in school, and she was a married woman.

I’ve often wondered if it was caused by the pills or if he made it all up, but he stuck to the same story all his days. Then again, Sel never saw any harm in being approximate with the facts.

I walked with Dilys to the bus stop.

She said, ‘Are you going to say anything to Mam?’

I said, ‘I think I might. If America’s on the agenda she ought to be warned.’

I was inclined to leave well alone with the other business. If Sel started to go downhill I could always get the doctor to explain things to her. No sense in running to meet trouble.

I said, ‘It could kill her.’

Dilys said, ‘What? Him going to America? I don’t think so. She’s made like a Sherman tank. As long as Sel’s in the limelight she’ll keep rolling.’

So I brought the matter up with Mam that same evening.

‘Visions!’ she said. ‘I’ll give them visions. They’ve been letting nuns in to bother helpless invalids. I shall make a complaint to the matron in the morning.’

Mam hated nuns. We were chapel. Well, we weren’t anything, really, but if we’d had to be something we’d have been Ebenezer Congregational.

‘Well, that settles it,’ she said. She’d got a right old cob on her and I hadn’t even got as far as the details of Sel’s Higher Purpose in America. ‘I’m getting him out of there,’ she said. ‘I’ll have him moved somewhere nice and quiet where he’s not troubled by intruders.’

And she did. As soon as he got the all clear on his kidneys he was on his way to a convalescent home in Abergele, thanks to the generosity of well-wishers from the Birmingham Welsh, and then on to Aunty Gwenny’s, for fresh air and home-made currant bread. It made no difference, though. He may have been sitting in the Land of our Fathers with a rug round his knees, but in his heart he was already on his way to America.

THREE

I was six when Sel came on the scene. I’ll never forget the day. We’d had team games that afternoon, out in the yard at Bright Street Infants because it was such a nice day and I’d been called out to the front to show the class good ball control. I was feeling very pleased with myself and then when I got to the corner of Ninevah Street I bumped into Mrs Edkins.

‘Cledwyn,’ she said. ‘You’ve got a new bab at your house so you’d better come to me for your tea tonight.’

I ran home so fast, to see if it was true about the bab and beg Mam not to send me to Mrs E’s. Normally my sister Dilys could have given me my tea. She was fourteen. Only she was on holiday at Aunty Gwenny’s, getting over tonsillitis. But when I ran in the door there she was, back from the country, and Mam was on the couch in her nightie and His Numps lay in a drawer out of the sideboard, all wrapped up in blankets and a woolly bonnet.

First thing I said was, ‘Can Dilys give me my tea? I’ll be good.’

Mam said, ‘Look at you, in a muck sweat. What have I told you about running? See what’s in the crib?’

‘Is it a bab?’ I said. I’d never really seen one close up. ‘Where did it come from?’

‘Under a gooseberry bush,’ Mam said. ‘Now go and wash your face and then you can give him a kiss.’

I said, ‘How long is he stopping?’ and Mam and Dilys both laughed. The main thing was, I didn’t have to go to the Edkinses for my tea, as long as I went about on tiptoe and didn’t wake the baby. I hated going next door. There was nothing to play with and Mrs E smelled of fried bread and sometimes she didn’t button up her blouse properly, so you could see things, unless you closed your eyes tight. Dilys wanted to name the bab Skippy, like in the cartoons, and I wanted him to be called Billy Walker, like the Aston Villa captain, but Mam said neither of those were proper names and he’d to be called Selwyn. Selwyn Amos, like I was Cledwyn Amos, after her brother Amos who’d died in the Battle of the Somme. Dad wasn’t around at that time so he didn’t get a say. Even in 1928 it could be hard finding the right kind of work. A man had to be willing to travel. By the time he turned up again the new bab had opened his eyes properly and was all signed up as Selwyn Amos. It was official. Dad didn’t seem to mind.

According to Mam, our dad had had a college education, though where he’d had it we never knew, and it didn’t appear to have done him much good because he was always getting laid off, or having a falling out that wasn’t his fault and being sent on his way. It was a good thing for us that Mam had a profession.

Mam met our dad when she came to Birmingham before the First World War. She’d been in Oswestry in service, and then she’d come to a big house in Edgbaston, to be a governess to somebody’s kiddies, teaching them their ABC and piano and manners. She was Anne Roberts, from Pentrefoelas, and she was quite the traveller of the Roberts family. Her sister Gwenny married Rhys Elias and never went any further than Denbigh.

Aunty Gwenny and Uncle Rhys had three sons, all named John because only the youngest one lived, and he did pretty well for himself. He ended up in Chester, in wholesale fruit and veg.

Dad’s people were the Boffs and they came from the Shrewsbury area. I don’t think we ever met any of them.

Aunty Gwenny didn’t approve of Dad. ‘You could have done better, Annie,’ she always said and she nicknamed him ‘Gypsy’, which stuck.

But I never heard Mam say a word against him. ‘Gwenny doesn’t understand,’ she’d say. ‘She’s not seen the world the way I have. Your father’s overqualified for the work that’s on offer around here.’ As to why we didn’t all move somewhere nearer to work that was up to his high level of aptitude, that was never gone into. Actually, it quite suited us, his not often being there. It was only a small house and he was a big man. And Mam kept cheerful enough. She had her piano pupils and there was always Uncle Teilo if she needed a new light bulb screwing in.

I’ve often wondered if our dad’s problem was drink. We were teetotal so we never had alcohol in the house, but money did seem to run through his fingers and he used to weep sometimes, too, which might have been brought on by the demon drink.

But Mam always stayed calm. ‘Go down to Sturdy’s,’ she’d say. ‘Mr Edkins says they’re setting men on. Go and ask at the gate.’ She’d give him the bus fare and a bit extra, to help him feel like a man, but she never let him see where she’d fetched it from. Mam had hiding places all over. In her shoe sometimes. In her brassiere. ‘And remember not to mention your college education,’ she’d say.

But he’d usually come back with a long face and a story. He was too old. Or the powers that be had it in for him. I question whether he even went to Sturdy’s gate and asked.

I liked having a bab in the family. After Sel arrived I didn’t get so much attention paid to me, which meant I could stay out in the street later, practising my ball control. And with Dilys helping in the kitchen I could get away with things Mam didn’t allow, like not eating my crusts. Then, just before Sel’s first Christmas, Dilys got a start as a jam tart packer at Oven Fresh, which meant Mam had all the housework to do again and I could get more time on the piano.

I loved my music. Mam had children sent to her for lessons who had to be threatened with the stick before they’d practise, but not me. And I caught on fast, too. Mam wasn’t a great one for dishing out praise but she did tell me once I had natural ability.

Sel was a wakeful type of baby and he only had to see me lift the lid of the piano to start smiling. That’s how I picture us then: him propped up in the corner of the couch, big and bonny, blowing bubbles and dribbling down his bib, and me playing him my little pieces, still too short to reach the pedals.

After he learned to walk he’d tag along behind me everywhere and on school mornings, when I had to go and leave him, he’d cry as though his heart was broken.

Mam’d say, ‘You’re too soft, Cledwyn. Just walk out of the door and don’t be so daft. Babies are meant to cry.’

I never really understood the wisdom of that.

So me and Sel were close from the beginning although, of course, as the years went by we had our ups and downs. By the time he started at Bright Street I was nearly ready to move on to the big school. I didn’t want him trailing behind me, expecting me to play with him like I did at home, but one thing about Sel, wherever he went people liked him. He made some little friends of his own that first week and that was how he carried on. He was no footballer and I don’t even remember him joining in a game of conkers, but he got along with the girls, like Vera Muddimer and Joan Wagstaff, skipping with a rope and playing Kings and Queens and getting up little concerts. He joined the Cub Scouts but he only went once. He said, ‘I’m not going back.’

And Mam said, ‘You don’t have to, darling, not if you don’t like it.’

I said, ‘You made me go. You said I had to persevere.’

‘Selwyn’s cut from a different cloth,’ she said. ‘He’s not tough, like you.’

So he was allowed to stay at home and develop what Mam called ‘the domestic arts’. Stitching an S on all his hankies. Rearranging Mam’s ornaments. Decorating biscuits. Dilys used to bring bags of mis-shapes home from Oven Fresh and he loved titivating them with coloured icing and silver balls. He could be quite artistic. I was already working at Greely’s by the time he passed for the Grammar School. I said to Mam, ‘I hope he’ll get on all right there.’

‘Why wouldn’t he?’ she said.

I was worried about him because the Grammar School was boys only. I said, ‘He’s going to miss Joan and Vera.’

‘Selwyn makes friends wherever he goes,’ she said. ‘And there’s time enough for girls later.’

And it was true, he did have the knack of playing the fool and winning folks over, even the ones who called him a sissy. It was as though he was daring the whole world not to like him.

When Dilys was eighteen she started walking out with Arthur Persons. Mam never let them out of her sight. They had to keep the door open while they said goodnight out on the front step, even if there was a gale blowing, and if she couldn’t be in the room supervising them, I had to keep watch.

‘Play your new piece for Arthur,’ Mam’d say, which meant she needed to go outside and pay a penny and I was supposed to guard our Dilys’s virtue.

Poor Arthur. He endured two years of that while they saved up for a bed and some easy chairs, and then they got married, in the spring of 1933. The wedding took place at Miller Street Congregational. Dilys wore a blue suit made for her by Mrs Grimley and Uncle Teilo walked her up the aisle, our dad having had to rush away to Gloucester to follow up a business opportunity. Me and Selwyn were attendants. I wasn’t keen but Dilys begged me. I was twelve years old by then and I’d seen some of the get-ups attendants were expected to wear. There were often weddings round the corner at St Botolph’s and I’d seen boys dressed in velveteen and lacy collars. But Mam said there’d be nothing like that, just a bath the night before and a nice clean shirt and tie, so I agreed. Sel had long white socks and new shoes, and he carried a lucky cardboard horseshoe to give to the happy couple as they came out of the chapel, and the reason I remember that is he was so pleased with his white socks he spent the whole time looking at them and worrying in case they got smudged. If you look at Dilys’s wedding photo all you can see of him is the top of his head because he’s busy gazing down at his legs.

Dilys and Arthur started off in one room at Arthur’s parents’ house in Tysely, and then they got a flat with shared kitchen and bathroom on the Pershore Road, and all the while Arthur was climbing the ladder at Aldridge’s Machine Tools and doing very well for himself. By the time Dilys was in the family way they were buying a house at Great Barr with a garden front and back, so much down and then so much per month.

Every so often Dad would turn up with a bag of laundry and holes in his socks, and I’d be sent to Jewks’s for a skein of darning wool. ‘And while you’re out,’ Mam’d whisper, ‘run round to Uncle Teilo’s and tell him your father’s home.’

It was one of Dad’s homecomings that led to a big falling out between Mam and Dilys.

‘Tell Arthur your father’s available for work,’ Mam said.

‘No need,’ Dilys said. ‘I expect they’ll be giving it out on the wireless. But Arthur can’t get him work.’

‘Of course he can,’ Mam said. ‘If he’s any kind of son-in-law. If he’s as high up at Aldridge’s as he cracks on.’

Dilys said, ‘If Arthur sullied his hands setting Dad on he soon wouldn’t be anything at Aldridge’s. I’m not asking him.’

Mam said, ‘Then I’ll get him a start. I’ll go to Aldridge’s myself and tell them who I am.’

‘Don’t you bloody dare,’ Dilys was shouting. ‘Don’t you bloody bloody dare.’ I could see her point of view. There were always complications where Dad was involved, complications and recriminations. It was just as well Dilys stood her ground because Arthur was too mild to have done it for himself.

Then Dad went off to the Labour Exchange one morning and didn’t come back. It was the usual pattern.

Mam said, ‘I expect he was offered something. He’d heard there might be an opening in the Potteries. That’s how it is. If an opportunity presents itself you have to jump in quick, before someone else does. You don’t have time for goodbyes.’ But I noticed his spare shirt was gone and so was my Brylcreem.

I went over to Dilys’s to tell her Gypsy was gone. I said, ‘So you and Mam can patch things up now.’

‘I don’t know,’ she said. ‘It’s quite a relief not having to see her.’

I said, ‘Sel misses you.’

‘Bring him over on the bus,’ she said. ‘I’d like that. And Mam doesn’t need to know.’

But however much Sel missed Dilys it wasn’t enough for him to go behind Mam’s back. ‘No,’ he said. ‘Mam’s the mam and Dilys is the girl, so what Mam says goes. And if you go to Dilys’s again, I’m telling.’

So we were incommunicado until Arthur came round one night and said Dilys had had two lovely baby girls and it was time to let bygones be bygones. And as it was Dad they’d quarrelled over and he himself was a bygone just then, Mam relented and we all went to see the new arrivals. They’d named them Betsan and Gaynor.

I was fifteen and Sel was nine, which seemed young to be uncles, but we were both pretty chuffed about it.

Dilys said, ‘Sit on those kitchen chairs, the pair of you, and each of you hold one of the babies.’

I was up for it, but Sel wouldn’t. ‘Their legs are too thin,’ he said. ‘And they’ve got funny skin.’

There were certain things he never liked to touch and there was no persuading him. He could be very funny that way.

‘Well, Dilys,’ Mam said. ‘Now you’ve got your work cut out.’

‘Don’t worry,’ Dilys said. ‘I’ve got a good man to help me.’

After that peace broke out and we saw Dilys most weeks. If Villa were playing at home she’d bring the girls over to see Mam while me and Arthur went to the match. I always liked Arthur. He was as gentle as a lamb. Then sometimes we’d go over there, to Great Barr, on a Sunday afternoon and we’d have tinned salmon and salad and pears in syrup or fruit cocktail, and then walnut cake, with white icing and glacé cherries. Happy days.

Then, of course, along came the war and I decided to jump before I was pushed. I tried for the Engineers and when they realised I could get a tune out of a cornet they made me a bandsman, which meant being a medical orderly too in case we saw action. I was at home, on embarkation leave, when Dad turned up. His face suddenly appeared at the kitchen window, cigarette behind his ear, silly grin on his face, as if he’d just come home from work, not been missing, whereabouts unknown, for more than twelve months. ‘Put the kettle on,’ he said. ‘Where’s your mam?’

She was at Spooner’s, fetching gammon for my send-off tea.

‘Bloody wars,’ he said. ‘I did my bit in the last lot. And you’ll be all right at Greely’s. Reserved occupation.’

I said, ‘I volunteered.’

‘Oh yes?’ he said. ‘More fool you. And what are you doing, half-pint?’

Sel was snipping holes in a piece of paper, making a doily for the cake stand. ‘Helping my mam,’ he said. ‘And there won’t be enough gammon for you. You weren’t expected.’

But of course Mam gave up her rasher for Gypsy and when Uncle Teilo called in she came over very light-hearted. Whatever Dad said, she laughed, whatever Teilo said, she laughed, although he didn’t seem to be in a very humorous mood. ‘I’ll be seeing you, Annie,’ he said, as he was leaving. ‘You know where to find me.’

‘Home is the hunter, Teilo,’ she said. ‘So I won’t have to trouble you for any more light bulbs.’

We didn’t sleep much that night. I was wondering what war was going to be like and Sel wasn’t happy about the new arrangements. ‘Don’t go in the army, Cled,’ he said. ‘What if you get shot?’

I said, ‘I have to go, our kid. It’s my duty. And it’s your job to look after Mam.’

‘I always look after her,’ he said. ‘But why did he have to come back and upset everything?’

I said, ‘You know Dad. He probably won’t stay long.’

‘Yes he will,’ he said. ‘He told Mam he’s going to build her an air raid shelter.’

But Sel didn’t know Gypsy Boff as well as I did. By the next time I came home on leave he was history. Mam had volunteered him for the Miller Street Home Guard but he only lasted a week or two and then he’d disappeared for the duration.

I said, ‘I suppose he was too brainy for the Home Guard?’

But Mam wouldn’t be drawn on the subject. ‘People lose touch when there’s a war on,’ she said. ‘As you’ll find out.’

I reckon he must have had a woman somewhere. Some lonely widow who was glad to have his ration book. We did see him again after the war, though, so whatever else had transpired, the Luftwaffe hadn’t flattened him.

I didn’t have a bad war, compared with some. I saw some terrible sights but at least I came home. There were quite a few I’d known at Bright Street who didn’t make it, and then there was Mr Grimley from next door. He was believed to have copped it when they bombed the cannon factory in Armoury Road. They never found anything of him. He just never came home again.

I was demobbed early in 1946 and not long after I arrived home Sel got called up to do his National Service. He had to report to a recruitment station in Acocks Green.

Mam said, ‘This government seems determined to rob me of a son.’

I said, ‘They’ll never take Sel. One look at him and they’ll send him home.’

‘What do you mean?’ she said. ‘He’s a fine-looking boy.’

He was tall and well-built, but there was that soft girlie side to him too. I couldn’t see him clambering up and over a cargo net. He didn’t have the musculature for it. I couldn’t see him getting stuck in to bayonet practice. And neither could he. ‘I’m not letting them cut my hair,’ he said. ‘I’m going to tell them I’m a pacifist.’ So he went off to Acocks Green, whistling and smelling of talc and expecting to be back in five minutes, but he was gone all day and when he did turn up he looked like a bulldog chewing on a wasp. ‘Fat lot you know,’ he said. ‘I’ve only gone and got into the RAF.’

Now, there was a lot of competition for the air force. Nobody just walked, especially not a boy who didn’t have the right attitude.

I said, ‘You can’t have done. You’ve misunderstood.’

‘No I haven’t,’ he said. ‘They asked for anybody who’d passed their School Certificate and there was only me and one other, so they said we were both in. Now what am I going to do? I don’t want to fly aeroplanes. I want to work on my singing career.’

Mam said, ‘Go back and tell them you’re musical. Tell them you’re willing to serve in a concert party.’

I said, ‘This is National Service, Mam, not Take Your Pick.’

‘Then he can be a bandsman,’ she said, ‘like you. I’ll write to them.’

I said, ‘He can’t play anything.’

She said, ‘He can play the triangle. You don’t need to be Paderewski to be an air force bandsman.’

He said, ‘But I don’t want to be a bandsman. I’m going to be a singer.’

Dilys said, ‘The RAF does have a nice uniform, Sel. Anyway, perhaps it won’t come to it.’

But it did come to it. Well, it did and it didn’t. He got his papers to go to RAF Padgate for basic training. He left on the Friday while I was at work and by Tuesday night he was back home, medically exempt due to ‘Weak Back and Nervous Temperament’ and whistling again. He walked straight back into his job in the payroll office at the ice cream factory, Uncle Teilo got us some club bookings and we all settled down again.

Sel practised his singing in front of the dressing-table mirror and I kept up to date with the hit parade. A song didn’t have to be aired many times before I had it committed to memory, and we were known around the circuit for offering a good mix of old and new. I began trying my hand at composition too and, although I didn’t receive a lot of encouragement, I’d say many of my early efforts have stood the test of time: ‘Gnat on the Windscreen of Life’, ‘Knee Deep in Love’, which I wrote for Renée when we started courting, ‘You Pulled the Chain on Me’, written after she called things off.

Renée had a look of Rita Hayworth about her and she was my first experience with the fair sex. Mam didn’t like her, but Mam never got along with other ladies. She’d chat for hours with Mr Edkins next door, laughing and joking, but the minute Mrs E poked her head out she ’d turn frosty. And she was the same with any girl I looked at. ‘Too full of herself,’ she’d say. Or, ‘All kid gloves and no drawers.’

Me and Renée had to do what courting we could in the back row of the Gaumont, so after six months I asked her to marry me, in the hope of moving things along in the bedroom department. After we got engaged Mam had to allow her in the house, begrudging as she was. It looked like being a long haul, saving up for our bits and pieces, but at least we could be in out of the cold. At least we didn’t always have to have fish and chips and a cuddle in the bus shelter. We even had full-scale relations, just the once, when Mam was getting over pleurisy and went to stay at Aunty Gwenny’s.

But then Sel had to open his mouth and ruin everything. ‘Mam,’ he said. ‘I reckon there’s a spring gone in the front-room couch.’

‘Why?’ she said. ‘Have you been going in there, wearing it out?’

‘Not me,’ he said. ‘But Cled did, and when he lay on top of Renée it didn’t half make a noise.’

It was all very well for him. He hadn’t matured to that degree yet. His idea of having a good time with a girl was meeting Vera Muddimer for the Shoppers’ Lunch in Lewis’s. He thought it was highly amusing when Mam said I’d have to move out if I was going to treat the place as a knocking shop. But I couldn’t move out. We didn’t have enough in our savings account, and after that Renée wouldn’t show her face in Ninevah Street. ‘I’ve got needs, Cled,’ she said. ‘So you’ll have to decide. Is it me or your mam?’

I said, ‘If you’ll just be patient. Another twelve months and we’ll be set up.’

But she suddenly got it into her head to leave Greely’s and be a bus conductress, five pounds a week, free uniform and half-price travel. And then, well, the writing was on the wall. A bus conductress has men hopping on and off all day long. It was really no job for an engaged person who was having second thoughts.

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Türler ve etiketler

Yaş sınırı:
0+
Litres'teki yayın tarihi:
27 aralık 2018
Hacim:
323 s. 6 illüstrasyon
ISBN:
9780007389087
Telif hakkı:
HarperCollins

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