Kitabı oku: «War and Peace», sayfa 31
Chapter XIX
On the Pratzen Heights, where he had fallen with the flagstaff in his hand, lay Prince Andrew Bolkónski bleeding profusely and unconsciously uttering a gentle, piteous, and childlike moan.
Toward evening he ceased moaning and became quite still. He did not know how long his unconsciousness lasted. Suddenly he again felt that he was alive and suffering from a burning, lacerating pain in his head.
“Where is it, that lofty sky that I did not know till now, but saw today?” was his first thought. “And I did not know this suffering either,” he thought. “Yes, I did not know anything, anything at all till now. But where am I?”
He listened and heard the sound of approaching horses, and voices speaking French. He opened his eyes. Above him again was the same lofty sky with clouds that had risen and were floating still higher, and between them gleamed blue infinity. He did not turn his head and did not see those who, judging by the sound of hoofs and voices, had ridden up and stopped near him.
It was Napoleon accompanied by two aides-de-camp. Bonaparte riding over the battlefield had given final orders to strengthen the batteries firing at the Augesd Dam and was looking at the killed and wounded left on the field.
“Fine men!” remarked Napoleon, looking at a dead Russian grenadier, who, with his face buried in the ground and a blackened nape, lay on his stomach with an already stiffened arm flung wide.
“The ammunition for the guns in position is exhausted, Your Majesty,” said an adjutant who had come from the batteries that were firing at Augesd.
“Have some brought from the reserve,” said Napoleon, and having gone on a few steps he stopped before Prince Andrew, who lay on his back with the flagstaff that had been dropped beside him. (The flag had already been taken by the French as a trophy.)
“That’s a fine death!” said Napoleon as he gazed at Bolkónski.
Prince Andrew understood that this was said of him and that it was Napoleon who said it. He heard the speaker addressed as Sire. But he heard the words as he might have heard the buzzing of a fly. Not only did they not interest him, but he took no notice of them and at once forgot them. His head was burning, he felt himself bleeding to death, and he saw above him the remote, lofty, and everlasting sky. He knew it was Napoleon—his hero—but at that moment Napoleon seemed to him such a small, insignificant creature compared with what was passing now between himself and that lofty infinite sky with the clouds flying over it. At that moment it meant nothing to him who might be standing over him, or what was said of him; he was only glad that people were standing near him and only wished that they would help him and bring him back to life, which seemed to him so beautiful now that he had today learned to understand it so differently. He collected all his strength, to stir and utter a sound. He feebly moved his leg and uttered a weak, sickly groan which aroused his own pity.
“Ah! He is alive,” said Napoleon. “Lift this young man up and carry him to the dressing station.”
Having said this, Napoleon rode on to meet Marshal Lannes, who, hat in hand, rode up smiling to the emperor to congratulate him on the victory.
Prince Andrew remembered nothing more: he lost consciousness from the terrible pain of being lifted onto the stretcher, the jolting while being moved, and the probing of his wound at the dressing station. He did not regain consciousness till late in the day, when with other wounded and captured Russian officers he was carried to the hospital. During this transfer he felt a little stronger and was able to look about him and even speak.
The first words he heard on coming to his senses were those of a French convoy officer, who said rapidly: “We must halt here: the emperor will pass here immediately; it will please him to see these gentlemen prisoners.”
“There are so many prisoners today, nearly the whole Russian army, that he is probably tired of them,” said another officer.
“All the same! They say this one is the commander of all the Emperor Alexander’s Guards,” said the first one, indicating a Russian officer in the white uniform of the Horse Guards.
Bolkónski recognized Prince Repnín whom he had met in Petersburg society. Beside him stood a lad of nineteen, also a wounded officer of the Horse Guards.
Bonaparte, having come up at a gallop, stopped his horse.
“Which is the senior?” he asked, on seeing the prisoners.
They named the colonel, Prince Repnín.
“You are the commander of the Emperor Alexander’s regiment of Horse Guards?” asked Napoleon.
“I commanded a squadron,” replied Repnín.
“Your regiment fulfilled its duty honorably,” said Napoleon.
“The praise of a great commander is a soldier’s highest reward,” said Repnín.
“I bestow it with pleasure,” said Napoleon. “And who is that young man beside you?”
Prince Repnín named Lieutenant Sukhtelen.
After looking at him Napoleon smiled.
“He’s very young to come to meddle with us.”
“Youth is no hindrance to courage,” muttered Sukhtélen in a failing voice.
“A splendid reply!” said Napoleon. “Young man, you will go far!”
Prince Andrew, who had also been brought forward before the emperor’s eyes to complete the show of prisoners, could not fail to attract his attention. Napoleon apparently remembered seeing him on the battlefield and, addressing him, again used the epithet “young man” that was connected in his memory with Prince Andrew.
“Well, and you, young man,” said he. “How do you feel, mon brave?”
Though five minutes before, Prince Andrew had been able to say a few words to the soldiers who were carrying him, now with his eyes fixed straight on Napoleon, he was silent… . So insignificant at that moment seemed to him all the interests that engrossed Napoleon, so mean did his hero himself with his paltry vanity and joy in victory appear, compared to the lofty, equitable, and kindly sky which he had seen and understood, that he could not answer him.
Everything seemed so futile and insignificant in comparison with the stern and solemn train of thought that weakness from loss of blood, suffering, and the nearness of death aroused in him. Looking into Napoleon’s eyes Prince Andrew thought of the insignificance of greatness, the unimportance of life which no one could understand, and the still greater unimportance of death, the meaning of which no one alive could understand or explain.
The emperor without waiting for an answer turned away and said to one of the officers as he went: “Have these gentlemen attended to and taken to my bivouac; let my doctor, Larrey, examine their wounds. Au revoir, Prince Repnín!” and he spurred his horse and galloped away.
His face shone with self-satisfaction and pleasure.
The soldiers who had carried Prince Andrew had noticed and taken the little gold icon Princess Mary had hung round her brother’s neck, but seeing the favor the emperor showed the prisoners, they now hastened to return the holy image.
Prince Andrew did not see how and by whom it was replaced, but the little icon with its thin gold chain suddenly appeared upon his chest outside his uniform.
“It would be good,” thought Prince Andrew, glancing at the icon his sister had hung round his neck with such emotion and reverence, “it would be good if everything were as clear and simple as it seems to Mary. How good it would be to know where to seek for help in this life, and what to expect after it beyond the grave! How happy and calm I should be if I could now say: ‘Lord, have mercy on me!’ … But to whom should I say that? Either to a Power indefinable, incomprehensible, which I not only cannot address but which I cannot even express in words—the Great All or Nothing—” said he to himself, “or to that God who has been sewn into this amulet by Mary! There is nothing certain, nothing at all except the unimportance of everything I understand, and the greatness of something incomprehensible but all-important.”
The stretchers moved on. At every jolt he again felt unendurable pain; his feverishness increased and he grew delirious. Visions of his father, wife, sister, and future son, and the tenderness he had felt the night before the battle, the figure of the insignificant little Napoleon, and above all this the lofty sky, formed the chief subjects of his delirious fancies.
The quiet home life and peaceful happiness of Bald Hills presented itself to him. He was already enjoying that happiness when that little Napoleon had suddenly appeared with his unsympathizing look of shortsighted delight at the misery of others, and doubts and torments had followed, and only the heavens promised peace. Toward morning all these dreams melted and merged into the chaos and darkness of unconciousness and oblivion which in the opinion of Napoleon’s doctor, Larrey, was much more likely to end in death than in convalescence.
“He is a nervous, bilious subject,” said Larrey, “and will not recover.”
And Prince Andrew, with others fatally wounded, was left to the care of the inhabitants of the district.
Book Four
Chapter I
Early in the year 1806 Nicholas Rostóv returned home on leave. Denísov was going home to Vorónezh and Rostóv persuaded him to travel with him as far as Moscow and to stay with him there. Meeting a comrade at the last post station but one before Moscow, Denísov had drunk three bottles of wine with him and, despite the jolting ruts across the snow-covered road, did not once wake up on the way to Moscow, but lay at the bottom of the sleigh beside Rostóv, who grew more and more impatient the nearer they got to Moscow.
“How much longer? How much longer? Oh, these insufferable streets, shops, bakers’ signboards, street lamps, and sleighs!” thought Rostóv, when their leave permits had been passed at the town gate and they had entered Moscow.
“Denísov! We’re here! He’s asleep,” he added, leaning forward with his whole body as if in that position he hoped to hasten the speed of the sleigh.
Denísov gave no answer.
“There’s the corner at the crossroads, where the cabman, Zakhár, has his stand, and there’s Zakhár himself and still the same horse! And here’s the little shop where we used to buy gingerbread! Can’t you hurry up? Now then!”
“Which house is it?” asked the driver.
“Why, that one, right at the end, the big one. Don’t you see? That’s our house,” said Rostóv. “Of course, it’s our house! Denísov, Denísov! We’re almost there!”
Denísov raised his head, coughed, and made no answer.
“Dmítri,” said Rostóv to his valet on the box, “those lights are in our house, aren’t they?”
“Yes, sir, and there’s a light in your father’s study.”
“Then they’ve not gone to bed yet? What do you think? Mind now, don’t forget to put out my new coat,” added Rostóv, fingering his new mustache. “Now then, get on,” he shouted to the driver. “Do wake up, Váska!” he went on, turning to Denísov, whose head was again nodding. “Come, get on! You shall have three rubles for vodka—get on!” Rostóv shouted, when the sleigh was only three houses from his door. It seemed to him the horses were not moving at all. At last the sleigh bore to the right, drew up at an entrance, and Rostóv saw overhead the old familiar cornice with a bit of plaster broken off, the porch, and the post by the side of the pavement. He sprang out before the sleigh stopped, and ran into the hall. The house stood cold and silent, as if quite regardless of who had come to it. There was no one in the hall. “Oh God! Is everyone all right?” he thought, stopping for a moment with a sinking heart, and then immediately starting to run along the hall and up the warped steps of the familiar staircase. The well-known old door handle, which always angered the countess when it was not properly cleaned, turned as loosely as ever. A solitary tallow candle burned in the anteroom.
Old Michael was asleep on the chest. Prokófy, the footman, who was so strong that he could lift the back of the carriage from behind, sat plaiting slippers out of cloth selvedges. He looked up at the opening door and his expression of sleepy indifference suddenly changed to one of delighted amazement.
“Gracious heavens! The young count!” he cried, recognizing his young master. “Can it be? My treasure!” and Prokófy, trembling with excitement, rushed toward the drawing-room door, probably in order to announce him, but, changing his mind, came back and stooped to kiss the young man’s shoulder.
“All well?” asked Rostóv, drawing away his arm.
“Yes, God be thanked! Yes! They’ve just finished supper. Let me have a look at you, Your Excellency.”
“Is everything quite all right?”
“The Lord be thanked, yes!”
Rostóv, who had completely forgotten Denísov, not wishing anyone to forestall him, threw off his fur coat and ran on tiptoe through the large dark ballroom. All was the same: there were the same old card tables and the same chandelier with a cover over it; but someone had already seen the young master, and, before he had reached the drawing room, something flew out from a side door like a tornado and began hugging and kissing him. Another and yet another creature of the same kind sprang from a second door and a third; more hugging, more kissing, more outcries, and tears of joy. He could not distinguish which was Papa, which Natásha, and which Pétya. Everyone shouted, talked, and kissed him at the same time. Only his mother was not there, he noticed that.
“And I did not know … Nicholas … My darling! …”
“Here he is … our own … Kólya, [44] dear fellow … How he has changed! … Where are the candles? … Tea! …”
“And me, kiss me!”
“Dearest … and me!”
Sónya, Natásha, Pétya, Anna Mikháylovna, Véra, and the old count were all hugging him, and the serfs, men and maids, flocked into the room, exclaiming and oh-ing and ah-ing.
Pétya, clinging to his legs, kept shouting, “And me too!”
Natásha, after she had pulled him down toward her and covered his face with kisses, holding him tight by the skirt of his coat, sprang away and pranced up and down in one place like a goat and shrieked piercingly.
All around were loving eyes glistening with tears of joy, and all around were lips seeking a kiss.
Sónya too, all rosy red, clung to his arm and, radiant with bliss, looked eagerly toward his eyes, waiting for the look for which she longed. Sónya now was sixteen and she was very pretty, especially at this moment of happy, rapturous excitement. She gazed at him, not taking her eyes off him, and smiling and holding her breath. He gave her a grateful look, but was still expectant and looking for someone. The old countess had not yet come. But now steps were heard at the door, steps so rapid that they could hardly be his mother’s.
Yet it was she, dressed in a new gown which he did not know, made since he had left. All the others let him go, and he ran to her. When they met, she fell on his breast, sobbing. She could not lift her face, but only pressed it to the cold braiding of his hussar’s jacket. Denísov, who had come into the room unnoticed by anyone, stood there and wiped his eyes at the sight.
“Vasíli Denísov, your son’s friend,” he said, introducing himself to the count, who was looking inquiringly at him.
“You are most welcome! I know, I know,” said the count, kissing and embracing Denísov. “Nicholas wrote us … Natásha, Véra, look! Here is Denísov!”
The same happy, rapturous faces turned to the shaggy figure of Denísov.
“Darling Denísov!” screamed Natásha, beside herself with rapture, springing to him, putting her arms round him, and kissing him. This escapade made everybody feel confused. Denísov blushed too, but smiled and, taking Natásha’s hand, kissed it.
Denísov was shown to the room prepared for him, and the Rostóvs all gathered round Nicholas in the sitting room.
The old countess, not letting go of his hand and kissing it every moment, sat beside him: the rest, crowding round him, watched every movement, word, or look of his, never taking their blissfully adoring eyes off him. His brother and sisters struggled for the places nearest to him and disputed with one another who should bring him his tea, handkerchief, and pipe.
Rostóv was very happy in the love they showed him; but the first moment of meeting had been so beatific that his present joy seemed insufficient, and he kept expecting something more, more and yet more.
Next morning, after the fatigues of their journey, the travelers slept till ten o’clock.
In the room next their bedroom there was a confusion of sabers, satchels, sabretaches, open portmanteaus, and dirty boots. Two freshly cleaned pairs with spurs had just been placed by the wall. The servants were bringing in jugs and basins, hot water for shaving, and their well-brushed clothes. There was a masculine odor and a smell of tobacco.
“Hallo, Gwíska—my pipe!” came Vasíli Denísov’s husky voice. “Wóstov, get up!”
Rostóv, rubbing his eyes that seemed glued together, raised his disheveled head from the hot pillow.
“Why, is it late?”
“Late! It’s nearly ten o’clock,” answered Natásha’s voice. A rustle of starched petticoats and the whispering and laughter of girls’ voices came from the adjoining room. The door was opened a crack and there was a glimpse of something blue, of ribbons, black hair, and merry faces. It was Natásha, Sónya, and Pétya, who had come to see whether they were getting up.
“Nicholas! Get up!” Natásha’s voice was again heard at the door.
“Directly!”
Meanwhile, Pétya, having found and seized the sabers in the outer room, with the delight boys feel at the sight of a military elder brother, and forgetting that it was unbecoming for the girls to see men undressed, opened the bedroom door.
“Is this your saber?” he shouted.
The girls sprang aside. Denísov hid his hairy legs under the blanket, looking with a scared face at his comrade for help. The door, having let Pétya in, closed again. A sound of laughter came from behind it.
“Nicholas! Come out in your dressing gown!” said Natásha’s voice.
“Is this your saber?” asked Pétya. “Or is it yours?” he said, addressing the black-mustached Denísov with servile deference.
Rostóv hurriedly put something on his feet, drew on his dressing gown, and went out. Natásha had put on one spurred boot and was just getting her foot into the other. Sónya, when he came in, was twirling round and was about to expand her dresses into a balloon and sit down. They were dressed alike, in new pale-blue frocks, and were both fresh, rosy, and bright. Sónya ran away, but Natásha, taking her brother’s arm, led him into the sitting room, where they began talking. They hardly gave one another time to ask questions and give replies concerning a thousand little matters which could not interest anyone but themselves. Natásha laughed at every word he said or that she said herself, not because what they were saying was amusing, but because she felt happy and was unable to control her joy which expressed itself by laughter.
“Oh, how nice, how splendid!” she said to everything.
Rostóv felt that, under the influence of the warm rays of love, that childlike smile which had not once appeared on his face since he left home now for the first time after eighteen months again brightened his soul and his face.
“No, but listen,” she said, “now you are quite a man, aren’t you? I’m awfully glad you’re my brother.” She touched his mustache. “I want to know what you men are like. Are you the same as we? No?”
“Why did Sónya run away?” asked Rostóv.
“Ah, yes! That’s a whole long story! How are you going to speak to her—thou or you?”
“As may happen,” said Rostóv.
“No, call her you, please! I’ll tell you all about it some other time. No, I’ll tell you now. You know Sónya’s my dearest friend. Such a friend that I burned my arm for her sake. Look here!”
She pulled up her muslin sleeve and showed him a red scar on her long, slender, delicate arm, high above the elbow on that part that is covered even by a ball dress.
“I burned this to prove my love for her. I just heated a ruler in the fire and pressed it there!”
Sitting on the sofa with the little cushions on its arms, in what used to be his old schoolroom, and looking into Natásha’s wildly bright eyes, Rostóv re-entered that world of home and childhood which had no meaning for anyone else, but gave him some of the best joys of his life; and the burning of an arm with a ruler as a proof of love did not seem to him senseless, he understood and was not surprised at it.
“Well, and is that all?” he asked.
“We are such friends, such friends! All that ruler business was just nonsense, but we are friends forever. She, if she loves anyone, does it for life, but I don’t understand that, I forget quickly.”
“Well, what then?”
“Well, she loves me and you like that.”
Natásha suddenly flushed.
“Why, you remember before you went away? … Well, she says you are to forget all that… . She says: ‘I shall love him always, but let him be free.’ Isn’t that lovely and noble! Yes, very noble? Isn’t it?” asked Natásha, so seriously and excitedly that it was evident that what she was now saying she had talked of before, with tears.
Rostóv became thoughtful.
“I never go back on my word,” he said. “Besides, Sónya is so charming that only a fool would renounce such happiness.”
“No, no!” cried Natásha, “she and I have already talked it over. We knew you’d say so. But it won’t do, because you see, if you say that—if you consider yourself bound by your promise—it will seem as if she had not meant it seriously. It makes it as if you were marrying her because you must, and that wouldn’t do at all.”
Rostóv saw that it had been well considered by them. Sónya had already struck him by her beauty on the preceding day. Today, when he had caught a glimpse of her, she seemed still more lovely. She was a charming girl of sixteen, evidently passionately in love with him (he did not doubt that for an instant). Why should he not love her now, and even marry her, Rostóv thought, but just now there were so many other pleasures and interests before him! “Yes, they have taken a wise decision,” he thought, “I must remain free.”
“Well then, that’s excellent,” said he. “We’ll talk it over later on. Oh, how glad I am to have you!”
“Well, and are you still true to Borís?” he continued.
“Oh, what nonsense!” cried Natásha, laughing. “I don’t think about him or anyone else, and I don’t want anything of the kind.”
“Dear me! Then what are you up to now?”
“Now?” repeated Natásha, and a happy smile lit up her face. “Have you seen Duport?”
“No.”
“Not seen Duport—the famous dancer? Well then, you won’t understand. That’s what I’m up to.”
Curving her arms, Natásha held out her skirts as dancers do, ran back a few steps, turned, cut a caper, brought her little feet sharply together, and made some steps on the very tips of her toes.
“See, I’m standing! See!” she said, but could not maintain herself on her toes any longer. “So that’s what I’m up to! I’ll never marry anyone, but will be a dancer. Only don’t tell anyone.”
Rostóv laughed so loud and merrily that Denísov, in his bedroom, felt envious and Natásha could not help joining in.
“No, but don’t you think it’s nice?” she kept repeating.
“Nice! And so you no longer wish to marry Borís?”
Natásha flared up. “I don’t want to marry anyone. And I’ll tell him so when I see him!”
“Dear me!” said Rostóv.
“But that’s all rubbish,” Natásha chattered on. “And is Denísov nice?” she asked.
“Yes, indeed!”
“Oh, well then, goodbye: go and dress. Is he very terrible, Denísov?”
“Why terrible?” asked Nicholas. “No, Váska is a splendid fellow.”
“You call him Váska? That’s funny! And is he very nice?”
“Very.”
“Well then, be quick. We’ll all have breakfast together.”
And Natásha rose and went out of the room on tiptoe, like a ballet dancer, but smiling as only happy girls of fifteen can smile. When Rostóv met Sónya in the drawing room, he reddened. He did not know how to behave with her. The evening before, in the first happy moment of meeting, they had kissed each other, but today they felt it could not be done; he felt that everybody, including his mother and sisters, was looking inquiringly at him and watching to see how he would behave with her. He kissed her hand and addressed her not as thou but as you—Sónya. But their eyes met and said thou, and exchanged tender kisses. Her looks asked him to forgive her for having dared, by Natásha’s intermediacy, to remind him of his promise, and then thanked him for his love. His looks thanked her for offering him his freedom and told her that one way or another he would never cease to love her, for that would be impossible.
“How strange it is,” said Véra, selecting a moment when all were silent, “that Sónya and Nicholas now say you to one another and meet like strangers.”
Véra’s remark was correct, as her remarks always were, but, like most of her observations, it made everyone feel uncomfortable, not only Sónya, Nicholas, and Natásha, but even the old countess, who—dreading this love affair which might hinder Nicholas from making a brilliant match—blushed like a girl.
Denísov, to Rostóv’s surprise, appeared in the drawing room with pomaded hair, perfumed, and in a new uniform, looking just as smart as he made himself when going into battle, and he was more amiable to the ladies and gentlemen than Rostóv had ever expected to see him.
44 Nicholas.