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WINES

With one or two exceptions only, the different kinds of wines owe their names to the places where they are produced. Thus, Burgundy and Champagne respectively come from the French provinces, Pontac from the town, and Moselle from the vineyards extensively cultivated on the banks of the river, so designated. Rhenish wines are popular all over Europe; yet none are probably more celebrated than the Johannisberg, produced at the Castle of Johannisberg (literally, John’s Rock), near Wiesbaden, and Hock, produced at Hockheim. Among Italian wines, Florence comes from the historic “City of Flowers,” whereas Falernian, celebrated by Martial, Horace, and other Latin authors, was made from grapes grown in the district around the ancient city of Falernum. A justly celebrated Tuscan wine is the Montepulciano, produced at the old city so denominated. As its name implies, Malaga is imported from Malaga, in Spain; Sherry is our English rendering of the place-name Xeres, near Cadiz; while Port constitutes the native wine of Oporto, the capital of Portugal. Of Mediterranean wines, Cyprus, brought from the now British island of that name, and Malmsey, an English corruption of Malvasia, so termed after the district in the island of Candia, where it is produced, are the chief. Madeira and Canary are imported from the islands so called, situated on the great ocean highway to the Cape of Good Hope. An excellent wine greatly sought after on the Continent, though somewhat unknown in this country, is Tokay, produced from white grapes cultivated in the district of Tokay, Upper Hungary. Claret owes its designation to the French clair, clear, because it is a clarified wine; whereas Tent Wine is a mere corruption of the Spanish vino tinto, signifying a white wine coloured. The sparkling champagne known as Sillery popularizes the name of the Marquis de Sillery, the proprietor of the vineyards where this particular species is produced; just as Pommery is destined to perpetuate the memory of Madame Pommery, mother to the Duchess de Polignac, and sole proprietress of the vineyards and subterranean Pommery vaults near Rheims. Moet and Chandon similarly denotes the champagne brewed by the well-known French firm trading under the style of “Moet et Chandon.”

Among concoctions of the vinous order we have Hippocras, so called because it is said to have been first made according to the recipe of Hippocrates, the Father of Medicine; Badminton, originally prepared at Badminton, the seat of the Duke of Beaufort; and Negus, named after Colonel Francis Negus, who invented it. Formerly, our countrymen set great store by Sack, which was simply the designation of a dry wine, derived from the French word sec, dry. Wine is said to be a Dry Wine when it is neither sweet nor sparkling. It cannot be sweet because, the fermentation being complete, the sugar contained in it is fully decomposed; moreover, it is dry because the carbonic acid has escaped. For the like reason, a certain evidence that port wine has completed the process of fermentation is the collection of tartar in the interior of the bottle, forming a crust; hence the term Crusted Port. A very bad wine of whatever kind usually bears the name of Three Men Wine, owing to the idea that it requires one man to hold the drinker, and another to pour it down his throat, while the third is the unfortunate individual himself. The derivation of the term Wine is the Anglo-Saxon vin from the Latin vinum, allied to vinea, a vine.

LITERARY SOBRIQUETS

Gildas, the earliest chronicler of British history (born 511, died 570), was surnamed The Wise on account of his learning, which must have excited the wonder of the semi-barbarian inhabitants of these islands in the sixth century. Later, the Saxon historian Beda, incorrectly called Bede (born 673, died 735), was surnamed The Venerable because he was also an ecclesiastic. Approaching more modern times, we meet with John White, a Nonconformist lawyer, who, in consequence of being the author of a work entitled “The First Century of Scandalous, Malignant Priests, made and admitted into Benefices by the Prelates, &c.,” merited the popular description of Century White. Still nearer our own day, Matthew Gregory Lewis (born 1775, died 1818) became the recipient of the name of Monk Lewis, after the publication of his famous novel, “The Monk”; just as John Thomas Smith, the antiquary (born 1766, died 1833), was indebted to his chatty, albeit valuable work, “A Book for a Rainy Day,” for his sobriquet of Rainy-Day Smith.

Turning to the poets, John Sylvester, the translator of Du Barta’s “Divine Weeks and Works” (born 1563, died 1613), is popularly referred to as Silver-tongued Sylvester on account of the sweet melody of his verse. John Taylor, The Water Poet (born 1580, died 1654), was a Thames waterman; James Hogg, The Ettrick Shepherd (born 1772, died 1835), followed the employment of a shepherd in the forest of Ettrick, Selkirkshire; and Edward Capern, The Bidëford Postman (born 1819), was for several years a letter-carrier in the little town of Bidëford, Devonshire. Nathaniel Lee (born 1655, died 1691) received the name of The Mad Poet from the fact of his four years’ confinement in a mad-house. The Quaker Poet was Bernard Barton, the friend of Charles Lamb (born 1784, died 1849); while Samuel Rogers, The Banker Poet (born 1763, died 1855), divided his time pleasantly between the counting-house and the study. Thomas Moore (born 1779, died 1852) merited the style of Anacreon Moore by his translations from the Greek poet Anacreon, and the circumstance that his own original verses were constructed upon the same classic model. Richard Horne, the poet and critic (born 1802, died 1884), was known as Orion Horne, and also as The Farthing Poet, on account of his principal work “Orion,” published at one farthing, as a satire on the poverty of the book-buying public.

Sir Walter Scott (born 1771, died 1832) was surnamed The Wizard of the North owing to the magic influence which he exerted over all classes of the people, and the widespread fascination of his novels; while Henry Mackenzie, the author of “The Man of Feeling” (born 1745, died 1831), enjoyed the signal honour of being designated The Addison of the North, owing to the purity and excellence of his style. No more flattering recognition of the genius of William Wordsworth (born 1770, died 1850) could ever have been desired than the title of The Minstrel of the Border, bestowed upon him by Sir Walter Scott. The Corn Law Rhymer was Ebenezer Elliott (born 1781, died 1849) who, by the dedication of his numerous versified philippics to the opponents of Free Trade, indirectly, if not directly, prepared the way for the repeal of the obnoxious Corn Laws in the year 1846. Reference to the word “Philippics” carries us back in imagination to Demosthenes, who directed one of his most famous orations against Philip, King of Macedon; hence, any indignant invective or vehement denunciation is characteristically styled a Philippic.

THE COUNTIES OF ENGLAND AND WALES

Northumberland originally denoted the land north of the Humber; Cumberland, the land occupied by the Cymri; and Westmoreland, the land of the Westmorings, or people of the Western moors. Durham is a corruption of Dunholm, signifying a hill-fort on an island in the river; dun being Celtic for a hill, or fort on a hill, and holm the Scandinavian for an island. The Shire, or County, of York, in common with the majority of the Midland and Welsh counties, is named after its chief town; or rather, in this case, the ancient city described in documents as Eurewic, but pronounced Yorric, from its position on the river Eure, now known as the Ouse.

Lancashire indicates the Shire of Lancaster, the caester, or camp-town, on the Lune. This Anglo-Saxon word Caester, derived from the Latin castra, a camp, fortress, appears also in the names of Cheshire, a contraction of Caestershire, the Shire of Chester, the town built on the site of the old Roman castra, or camp; in Leicestershire, the Shire of the camp-town on the river Leire, now called the Soar; in Worcestershire, the Shire of Hwic-ware-shire, or fortress-town, of the Huiccii; and in Gloucestershire, the Shire of the camp-town in which Gloi, a son of the Emperor Claudius, was born during the Roman occupation of Britain.

Lincoln is a contraction of the Latin Lindumcolonia, signifying the colony formed by the Romans on the Llyn-dun, literally “the fortified hill by the pool,” originally occupied and so called by the ancient Britons [see London]. The names Norfolk and Suffolk respectively indicate those portions of the eastern coast settled by the Angles, who separated into two distinct tribes, viz., the north folk and the south folk. Essex is a contraction of East-seaxe, denoting the territory occupied by the East Saxons; Sussex, of Suth-seaxe, or South Saxons; and Middlesex, of Middle-seaxe, or the inhabitants of the district between Essex and Wessex, the land of the West Saxons, which, under the Heptarchy, extended to the westward as far as Devon. Surrey is a modification of the Anglo-Saxon Suth-rey, south of the river, i.e., the Thames. Kent was formerly Cantium, indicating the land bestowed upon Canute, one of the companions of Brute, an early King of Britain, who, according to Geoffrey of Monmouth, settled in England and eventually founded the Danish dynasty.

Hampshire, also written Hants, expresses the Shire of Hantone, or Hantune, now known as Southampton, the south town on the river Ant, or Southampton Water. Dorset was originally Dwrset, a compound of the Celtic dwr, water, and the Anglo-Saxon set, a settlement, alluding to the early settlement of this district by a tribe of Britons who styled themselves Dwr-trigs, or “water-dwellers.” Somerset is a corruption of the Anglo-Saxon Suthmorset, literally “the south-moor-settlement.” Devon is a modified form of Dwfuient, the Celtic for “the deep valleys.” An earlier name for this portion of Britain was Damnonia, the territory of the Damnonii, a Celtic tribe. Cornwall denotes the territory of the “foreigners in the horn,” agreeably to the Latin cornu, a horn, referring to its numerous promontories, and its inhabitants the Wahl, the Saxon term for “foreigners.” Like Wales, this portion of our island was never invaded by the Anglo-Saxons; consequently its people, the Cymri, a branch of the Celts, were left in undisturbed possession [see Wales]. The Duchy of Cornwall is still included in the Principality of Wales. Wiltshire only partly expresses the Shire of Wilton, a contraction of Willy-town, or the town on the river Willy. Berkshire is a modern spelling of the Anglo-Saxon Bearoc-scire, “forest shire,” in allusion to the forest districts of Bagshot and Windsor; while Buckingham was originally described as Boccenham, the Anglo-Saxon for “beech-tree-home,” this county being especially noted for its beeches.

Oxford derived its name from the Ox-ford over the Isis; Hertford, from the ford crossed by harts; Hereford, from the army ford; and Stafford, from the ford crossed by means of staves or stilts. Bedford is a contraction of Bedican ford, the Anglo-Saxon for “the protected ford.” Cambridge owes its name to the University town by the bridge over the Cam, or crooked river [see Camberwell]. Huntingdon was anciently a great deer forest, and therefore much resorted to for hunting. Northampton is a corruption of North-avon-town, alluding to its position north of the river Neu, in olden times known as the Avon. Rutland expresses the Anglo-Saxon for “red land,” referring to the colour of its soil. Warwick is the modern description of the Anglo-Saxon Waer-wic, signifying the garrison, or war town. Nottingham is a corruption of Snotingaham, “the place of caves,” so called on account of the soft sandstone which so greatly facilitated the formation of caverns during the early history of our country; as e.g., “Mortimer’s hole,” and the subterranean passage that led thereto from Nottingham Castle in the reign of Edward III. Derby is a contraction of the Saxon Deer-by, or “wild-beast village,” doubtless so designated from its frequent invasion by strange animals from the mountainous district of “The Peak” in search of prey. Shropshire denotes the Shire of Scrobbesburgh, the Anglo-Saxon for “shrub-town,” modified by the Normans into Sloppesburie (from which the present town of Salop derived its name), and corrupted in modern times into Shrewsbury. Monmouth indicates the county that includes the mouth of the Mon, originally described as the Mynwy, “the border river.”

Anglesea, properly Anglesey [see Chelsea, &c.], is one of the three counties of Wales whose names are not essentially Welsh. Thus, Glamorgan signifies the Gwlad-Morgan, or territory of Morgan, a chieftain who lived in the tenth century; Brecknock is the hill of Brecon, or Brychan, a Welsh prince; Radnor is a modern spelling of Rhiadnwr-Gwy, meaning “the Cataract of the Wye”; Montgomery refers to the fortress built on the mont, or height, by Roger de Montgomerie, in 1093; Denbigh was originally Dinbach, the Celtic and Cymric for “a little fort”; Flint was so called from the quantity of quartz found in this county; Carnarvon owes its origin to Cær-yu-ar-Fon, the cær, or fortress, on the arfon, or water; Carmarthen denotes the fortress erected by Merlin; Merioneth was named after Merion, an early British saint; Cardigan indicates the territory of Ceredig, a Welsh chieftain; while Pembroke signifies the pen, or head of the broc, the Celtic and Cymric for a district, so called because this promontory was virtually the Land’s End.

CARRIAGES

The Phaeton owes its designation to the mythological personage of that name who received permission to drive the sun-car of Helios, his father, for one day, with the result that, being overthrown, he nearly set the world on fire. The Victoria was introduced in the year that witnessed the coronation of Her Majesty Queen Victoria. The Clarence was the favourite conveyance of the Duke of Clarence, afterwards William IV. The Brougham, invented in 1839, received its name from Lord Brougham, who was the first to permanently adopt it; and the same may be said of the Stanhope, so called in compliment to Lord Stanhope. The Sociable is an appropriate name enough for an open carriage of which the facing seats afford opportunity for pleasant conversation. The Landau was first made at Landau in Germany; whereas the Tilbury perpetuates the name of a celebrated London sportsman who introduced this particular species of carriage during the early part of the present century.

The small, light, one-horse vehicle known as a Dog-cart is so called because such a one was originally constructed for sportsmen to drive their pointers and setters (which they kept in a box under the seat) to the scene of the sport. The term Buggy is a corruption of Bourgeois, a French name indicating a vehicle intended for the middle classes so denominated; while Gig is a contraction of the Italian giga, a romp, and the French gigue, a lively dance, a jig, in allusion to its jumping and rocking motion. The like derivation applies to the long, light ship’s wherry which passes under the same name. The term Sulky, as applied to a light two-wheeled conveyance, owed its origin to the fact that, when it was introduced, people hazarded the opinion that none but sulky, morose, and selfish people would ride in such a carriage, because it had only accommodation for one person. The Noddy, peculiar to Dublin, derives its title from the jolting motion which keeps its riders continually nodding; and the Jaunting Car, from the jaunts and country outings for which, on the other side of the Irish Sea, these vehicles are largely employed. The English Break bears its name because it partakes of the character of the four-wheel vehicle used by horse-breakers; indeed, it differs from the latter only in the addition of the upper portion containing the seats.

Stage-coaches were originally so called on account of the different stages at which they stopped to change horses and refresh the passengers. ’Bus is short for Omnibus, a Latin word signifying “for all.” The step at the back of an omnibus is facetiously styled the Monkey-board, in consequence of the capers usually executed thereon by the conductor. The board on either side of the roof of the vehicle, upon which theatrical and other advertisements are exhibited is known as the Knife-board, from its fancied resemblance to that article of domestic utility. So far from having derived its name from one of the northern suburbs of London, a Hackney-coach is simply an English rendering of coche-a-haquence, the literal French for a coach drawn by a hired horse. The word Coach (French, coche, the diminutive of the Italian conchula, a shell) really means a shell-like contrivance upon wheels. Cab is a contraction of the Cabriolet, from cabriole, a goat’s leap, in allusion to its lightness and springiness, first introduced in Paris. This vehicle, after undergoing sundry changes and improvements, was patented in the year 1883 as the “Safety Cab” by Joseph Aloysius Hansom, from which circumstance it has in more recent times come to be generally designated the Hansom Cab.

The term Hearse traces its origin through the German hirsch from the Gothic hersa, a sepulchral mound. At a later date it implied a temporary monument, but nowadays it denotes the funeral car. The word Funeral, by the way, is a contraction of the Latin funeralis, signifying a torchlight procession, from funis, a torch, because interments among the Romans always took place by night. Pantechnicon is a Greek word, composed of pan, all, and techne, art, indicative of the place where every kind of industrial art was exhibited or exposed for sale. In modern days the term has come to be exclusively applied to a vehicle constructed for the removal of household furniture. Lastly, the cloth that covers the box-seat of a carriage of any kind is called the Hammer-cloth, because in the old coaching days it concealed the box which contained a hammer, nails, and other implements useful for repairs in the event of a breakdown on the journey.

DANCES

Dancing is styled the Terpsichorean Art in honour of Terpsichore, the daughter of Jupiter and Mnemosyne, whom the ancients regarded as its inventress. The Morris Dance, from which our “Jack in the Green” and his fellow May-day revellers trace their origin, was the military dance of the Moors, or Moriscoes, introduced into this country by John of Gaunt on his return from Spain in the reign of Edward III. Five men and a boy took part in it, and from the fact of the boy wearing an ill-fitting helmet called a morione, he received the name of “Mad Morion,” which was subsequently corrupted into Maid Marian. The Saraband was invented by Zarabanda, a famous dancer of Seville in the sixteenth century. The Gavotte arose among the Gavots, a people who inhabited the department of the Upper Alps and the province of Dauphiny, in France. Quadrille is the literal French for “a little square,” so called from the position taken up by the dancers; while the Lancers derived their name from a company of Lancers who originally improvised this variation of the Quadrille for their own amusement while seated in their saddles. The Polka, of Polish origin, is so designated on account of the Bohemian word pulka, a half, in allusion to the half step occurring in it; the Schottische is a variation of the Polka; the Mazourka is the national dance of Poland—all of which, with the addition of the Redowa, are native terms. The Waltz is a contraction of the German Waltzer, derived from the verb waltzen, to roll, to revolve, alluding to the revolutions made by the pairs of dancers placed vis-à-vis. The Country Dance, so far from being a peasants’ dance, is nothing more than a corruption of the French contre-danse, signifying that the parties place themselves opposite to each other during the dance. Strictly speaking, the Contre-danse and the Quadrille are one and the same. The Roger de Coverley derived its name from the great-grandfather of Roger de Coverley, or rather, to be precise, of Roger of Cowley, near Oxford, who invented it. The Minuet (Latin minutus, small) is so called wholly on account of the short steps peculiar to this dance. The Tarantella was invented in Italy out of the supposition that the profuse perspiration which it induced was a certain cure for the poisonous bite of the Tarantula Spider, named after the city of Taranto, where its baneful presence was first manifested. Cinderella Dances are those which terminate before midnight, in allusion to Cinderella of nursery renown.

The origin of the word Ball, in its application to a dancing-party, is somewhat singular. Centuries ago there was in vogue on the Continent a three-fold game, in which the players danced to the sound of their own voices while they threw to one another a ball. In all probability this arose out of the curious “Ball-Play in Church” by the Neapolitans during the Saturnalia, or “Feast of Fools,” corresponding to our Easter-tide. There is even now a statute in existence which regulated the size and character of the ball to be used on such occasions. In opening the ceremony, the Dean took the ball in his left hand, and commenced an antiphon, which the organ took up; whereupon he tossed the ball to first one and then another of the choir-boys, as they joined hands, sang, and danced around him. When, therefore, the three-fold game alluded to above divided and its three sets of dancers became independent of each other, the dance itself took the name of the article that was, as if by common consent, discarded—to wit, the ball; and the song was styled the Ballata, or, according to the modern English, a Ballad indicative of a dancing-song; while the verb ballare, to dance, gave existence to the French Ballet, signifying a dance tune. Apropos of the Ballet, the term Coryphée, as applied to a ballet-dancer, traces its origin from the Greek coryphœus, the designation of one who danced to the lute in the theatres of the ancients. En passant, the famous war dance of the Greeks, executed in very quick time and known as the Phyrric Dance, was so denominated after Pyrrichos, a celebrated Dorian flautist.

The Hornpipe is an inversion of pib-gorn, the name of the old Welsh instrument consisting of a pib, or pipe, with a gorn, or horn, at each end, to which this dance was originally stepped; the Reel has reference to the whirling evolutions performed by the dancer, as of winding cotton on a reel; whereas the Jig comes from the French gigue, a lively dance, and gige, a stringed instrument, the usual accompaniment to this rough-and-ready style of pedal exhilaration. The term Breakdown is an Americanism, denoting the last boisterous dance before the breaking up of a dancing-party towards early morning. Appropriately enough, such a dance invariably constitutes the final item of a negro-minstrel entertainment.