Kitabı oku: «Faro Nell and Her Friends: Wolfville Stories», sayfa 5
"'Which he's worth the worry all right,' Texas replies. 'Thar's no efforts too great, when thar's a chance to save a party who has the same thorough onderstandin' of ladies which this gent has.'
"Up over the Red Light bar is a stuffed bobcat, the same bein' held as decorative. Only the day before Texas and Tutt stands talkin', a couple of Enright's riders comes packin' a live bobcat into town, which between 'em they ropes up over in the foothills of the Tres Hermanas, an' jams labor'ously into a pa'r of laiggin's. The same idee seizes on Texas an' Tutt yoonanimous. They sees that it only calls for the intelligent use of that Bar-8 bobcat, which them cow-punchers of Enright's ties down, to reegen'rate Monte, an' make him white as snow.
"Monte's ain't present none, bein' over to the O. K. House. By bein' plumb painstakin', Tutt an' Texas gets a collar onto the captive Bar-8 bobcat, an' chains him up over the Red Light bar, in place of the stuffed bobcat, deeposed. The Bar-8 bobcat jumps off once or twict before he learns, an' comes mighty clost to lynchin' himse'f. But Black Jack is patient, an' each time pokes him back with a cha'r. After mebby the third jump, it gets proned into the bobcat that thar's nothin' in it for him to go hurlin' himse'f into space that a-way, an' bein' saved from death by hangin' only through the cha'r-laig meditations of Black Jack. Acceptin' this yere view, he stands pat on his shelf. Likewise, he shore looks mighty vivid up thar, an' has got that former stuffed predecessor of his beat four ways from the jack.
"We're hankerin' around, now the Bar-8 bobcat's organized, waitin' for Monte to come amblin' up, an' be reformed.
"'An' you can gamble,' Tutt says, 'that the shock it'll throw into him'll have a ben'ficial effect. Shootin' off a hand or so ain't in it with the way that drunkard's goin' to feel.'
"'That's the way I figgers,' Texas remarks. 'One glance at that bobcat, him on the verge of the treemors, an' thar'll a thrill go through his rum-soaked frame like the grace of heaven through a camp meetin'. For one, I antic'pate most excellent effects. Whatever do you think, Doc?'
"'Whatever do I think?' Peets repeats. 'Which I thinks that, as the orig'nators of this yere cure for the licker habit, it'll be up to you an' Dave to convey the patient to his room at the O. K. House, as soon as ever you can control his struggles.'
"Monte at last heaves in sight, an' comes shiverin' up to the bar, every nerve as tight as a fiddle string. Black Jack shoves him the bottle.
"'What stuffed anamile sharp,' says Tutt, craftily directin' himself at Black Jack, 'mounts that bobcat up thar?'
"Monte nacherally raises his eyes. Thar's that Bar-8 feline, half-crouched, glarin' down on him with green eyes, big as moons.
"That settles it.
"Monte gives a yell which they hears in Red Dog. Wharupon the bobcat, takin' it for a threatenin' deemonstration, onfolds in an answerin' yell, an' makes a scramblin' jump at Monte's head. Shore, he don't land none, bein' brought up short, like a roped pony. Thar he swings, cussin' an' spittin' an' clawin', as mad as a drunken squaw, an' begins all over to hang himse'f afresh.
"Monte?
"That victim of appetite falls to the floor as dead an' flat as a wet December leaf.
"Actin' on them instructions, Tutt an' Texas picks Monte up an' packs him across to Peets, who, after fussin' over him for mebby an hour, brings him round s'fficient so he goes from one convulsion into another, in what you-all might deescribe as an endless chain of fits. Thar's nothin' to it; Peets is indoobitable the best equipped drug sharp that ever breaks loose in Arizona. At that, while Monte lives, he don't but jest. He's shore close enough at one time to kingdom come to hear the singin'.
"For two weeks Monte's boilin' an' boundin' round in his blankets, Texas an' Tutt, feelin' a heap reemorseful, standin' watch and watch. It's decided that no more attempts to reform him will be made, him bein'–accordin' to Peets–too far gone that a-way.
"'He's plumb onreform'ble,' explains Peets; 'whiskey's got to be so much a second nacher with him, that the only way you-all could cure him now is kill him.'
"By way of partial rep'ration for what he suffers, as soon as Monte can ag'in move about, Enright calls a meetin' of the camp, an' dooly commissions him 'Offishul Drunkard,' with a absoloote an' non-reevok'ble license to go as far as he likes.
"'This yere post of offishul drunkard,' Enright explains to the meetin', 'carries with it no money, no power, an' means only that he's free to drink from dark to daylight an' to dark ag'in, oncriticized, onreproved, an' onsaved. Colonel Sterett imparts to us in the last Daily Coyote how them Hindoos has their sacred cobras. Cobras not bein' feas'ble none in Arizona, Wolfville in loo of sech accepts old Monte. Yereafter, w'arin' the title of offishul drunkard, he takes his place in the public regyard as Wolfville's sacred cobra.'
"When Monte learns of his elevation, his eyes fills up with gratified pride, an' as soon as ever he's able to stand the w'ar an' t'ar, he goes on a protracted public drunk, by way of cel'bration, while we looks tol'rantly on.
"'Gents,' he says, 'I thanks you. Yereafter the gnawin' tooth of conscience will be dulled, havin' your distinguished endorsement so to do. Virchoo is all right in its place. But so is vice. The world can't all be good an' safe at one an' the same time. Which if we all done right, an' went to the right, we'd tip the world over. Half has got to do wrong an' go to the left, to hold things steady. That's me; I was foaled to do wrong an' go to the left. It's the only way in which a jealous but inscroot'ble Providence permits me to serve my hour. Offishul drunkard! Ag'in I thanks you. Which this yere's the way I long have sought, an' mourned because I found it not, long meter.'
"Boggs is the only gent who takes a gloomy view.
"'That's fine for this yere egreegious Monte,' says Boggs, talkin' to Enright; 'as Wolfville's pet drunkard an' offishul cobra, he's mighty pleasantly provided for. But how about the camp? Whar does Wolfville come in? We're a strong people; but does any gent pretend that we possesses the fortitoode reequired to b'ar up through all the comin' rum-soaked years?–an' all onder the weight of this yere onmatched inebriate, whom by our own act an' as offishul drunkard, we onmuzzles in our shrinkin' midst? Gents, this thing can't last.'
"'Not necessar'ly, Dan,' retorts Enright, his manner trenchin' on the cold; 'not necessar'ly. Let me expound the sityooation. I need not remind you-all that Sand Creek Riley, who drives the Tucson stage, gets bumped off the other evenin', while preeposterously insistin' that aces-up beats three-of-a-kind. Realizin' the trooth of half what you has said, Dan, I this evenin' enters into strategic reelations with the stage company's agent; an' as a reesult, an' datin' from now on, old Monte will be hired to fill the place of Sand Creek Riley, whom we all regrets. It's hardly reequired that I p'int out the benefits of this yere arrangement. As stage driver, old Monte for every other night will get sawed off on Tucson. An' I misjedges the vitality of this camp if, with the pressure on it thus relieved, an' Tucson carryin' half the load, it's onable to live through. In my opinion, Dan, by the light of this explanation, you at least oughter hope for the best.'
"'That's whatever!' says Boggs, who's plumb convinced; 'if I'd waited ontil you was heard, Sam, I'd never voiced them apprehensions. But the fact is, this yere Monte cobra of ours, with his bibbin's an' his guzzlin's, has redooced me to a condition of nervous prostration. It's all right now. Which I will say, however, that I can't reeflect none without a shudder on what them Tucson folks'll say an' think, so soon as ever they wakes up to what's been played on 'em.'"
V
HOW THE MOCKING BIRD WAS WON
"Myst'ries?
"We lives surrounded by 'em. Look whar you will, nacher has a ace buried. Take dogs, now: Why is it when one of 'em, daylight or dark, cuts the trail of a anamile, he never makes the fool mistake of back-trackin' it, but is shore to run his game the way it's movin'? There must be some kind of head-an'-tail to the scent, that a-way, to give the dog the hunch. Myst'ry!–all myst'ry! The more a gent goes messin' 'round for s'lootions, the more he's taught hoomility an' that he ain't knee-high to toads.
"An' yet when it comes to things myster'ous everything else is bound to go to the diskyard compared to a lady's heart. Of course, I speaks only in a sperit of philos'phy, an' not as one who's suffered. I never myse'f am able pers'nal to approach closter to a lady's heart than across the street. Peets once reemarks that all trails leads to Rome. In that business of trails a lady's heart has got Rome left standin' sideways. Not only does every trail lead tharunto, but thar's sech a thing as goin' cross-lots. Take gettin' in love; thar's as many ways as cookin' eggs. While you'll see gents who goes skallyhootin' into that dulcet condition as straight as a arrer, thar's others who sidles in, an' still others who backs in. I even knows a boy who shoots his way in.
"Which the lady in this case is the Mockin' Bird. That Mockin' Bird maiden has wooers by onbounded scores, but holds herse'f as shy an' as much aloof as if she's a mountain sheep. Not one can get near enough to her to give her a ripe peach. Along comes the eboolient Turkey Track, bulges headlong into her dest'nies, takes to menacin' at her with a gun an', final, to bombardin' her outright, an'–love an' heart an' hand–she comes a-runnin'.
"Wolfville's without that last evidence of advancement, a callaboose. It bein' inconvenient to shoot up or lynch everybody who infringes our rooles, Jack Moore invents a convincin' but innocuous punishment for minor offenders. Endorsed by Enright, he established a water trough–it's big enough to swim a dog–over by the windmill; an' when some perfervid cow-puncher, sufferin' from a overdose of nosepaint, takes to aggravatin' 'round Moore swashes him about in the trough some profoose, ontil he gives his word to live a happier an' a better life.
"It's like magic the way that water trough works. No matter how gala some pronghorn of a cowboy may feel, it shore lets the whey out of him. Given the most voylent, it's only a matter of minutes before he's soaked into quietood. Enright himse'f says Moore's entitled to a monyooment for the idee.
"Turkey Track's name is Ford, Tom Ford, but workin' that a-way for the Turkey Track outfit he nacherally gets renamed for the brand. Turkey Track an' two boon companions has been goin' to an' fro from the Red Light to the Dance Hall, ontil by virchoo of a over-accumyoolation of licker they're beginnin' to step some high. Also, they takes to upliftin' their tired souls with yells, an' blazin' away at froote cans with their six-shooters.
"It gets so that Enright tells Moore to give 'em a call-down.
"'What them boys does,' says Enright, 'is done harmless an' light-hearted to be shore, an' nothin' radic'lly wrong is either aimed at or meant; but all the same, Jack, it's no more'n proodence to go knock their horns off. It ain't what them yooths is doin', but what they may be led to do, which makes the danger. It's like old Deacon Sopris at the Cumberland Methodist class meetin' says of kyard-playin'. "It ain't," explains the deacon, "that thar's any harm in the children playin' seven-up around the kitchen table of a winter's evenin' for grains of corn, but seven-up persisted in is shore to lead to dancin'." An' so with these young merry-makers. They'll keep on slamin' away at empty bottles an' former tomatter cans that a-way, ontil the more seedate element objects, an' somebody gets downed. Don't you agree with me, Doc?'
"'Nothin' shorer!' says Peets.
"Moore corrals Turkey Track an' his fellow revellers, an' tosses off a few fiats.
"'Quit that whoopin' an' shootin', boys,' says Moore. 'Likewise, keep your hardware in your belts, as more deecorous. So shore as I finds a gun in any of your hands ag'in, I'll shoot it out.'
"Turkey Track an' his compadres don't say nothin' back. They savvys about the water trough, an' ain't hungerin' none to have their ardor dampened in no sech fashion. So they blinks an' winks like a passel of squinch owls, but never onbuckles in no argyooment. All the same, it irks 'em a whole lot, an' after Moore reetires they begins mod'rate to arch their necks an' expand 'round a little.
"They allows–talkin' among themselves in a quer'lous way–that they ain't hurtin' no one, an' for Moore to come shovin' 'round an' lecturin' on etiquette is a conceited exhibition of authority as offensive as it is onjest. Thar's doubts, too, about it's bein' constitootional.
"'Whatever does that jim-crow sp'ile-sport of a marshal mean?' says Turkey Track. 'It looks like he's not only deefyin' the organic law of this country, but puttin' on a heap of dog. Does he reckon this yere camp's a church?'
"'I moves we treats them mandates,' says one of the boys, who's a rider for the G-bar ranch, 'with merited contempt.'
"'As how?' asks the third, who belongs with the Four-J brand. 'You ain't so locoed as to s'ggest we-all t'ars person'ly into this Jack Moore marshal none I hopes?'
"'Which you fills me with disgust!' says the other, nettled at the idee of pawin' the onprofit'ble grass 'round Moore; 'but whatever's the matter with goin' up to the far end of the street, an' w'irl an' come squanderin' back jest a shootin'?'
"'Great!' says Turkey Track, applaudin' the scheme. 'Which we-all nacherally shoots up their old prairie dog town, same as if it's a Mexican plaza, an' then jogs on to our ranches, all triumphant an' comfortable.'
"The three rides up to the head of the street, an' then turns an'–givin' their ponies the steel–comes whizzin' down through the center of eevents, yelpin' like Apaches an' lookin' like fireworks. They've got a gun in each hand, an' they shakes the flame an' smoke out of 'em same as three volcanoes on hossback.
"Moore's standin' in front of the Noo York store, talkin' to Tutt. As you-all might imagine, it frets him to the quick to see how little them effervescent sperits cares for his injunctions. By way of rebooke–not wantin' to down 'em outright for what, take it the worst way, ain't nothin' more heen'ous than a impropriety–Moore gets his artillery to b'ar, an' as they flashes by like comets, opens on the ponies. It's hard on the ponies; but it won't do to let them young roysterers get away with their play. The example'll spread; an', onless checked at the jump, inside of a month thar'd be nothin' but a whoopin' procession of cow-punchers chargin' up an' down the causeways. Tenderfeet might acquire misgivin's techin' us bein' a peaceful camp, an' the thing op'rate as a blow to trade. It's become a case of either get the boys or get the ponies, an' onder the circumstances the ponies has the call.
"Thar's no more artistic gun-player than Moore in town, onless it's Cherokee, an' mebby Doc Peets, who's a heap soon with a derringer. As the ponies flash by, Moore's six-shooter barks three times. Two ponies goes rollin'; the third–it's Turkey Track's–continyoos cavortin' down the street an' out of town. Turkey Track never pulls up nor looks back. The last we sees of him is when he's two miles away, an' a swell rises up behind him an' hides him from view.
"The G-bar boy, an' him from the Four-J outfit, hits the grass twenty feet ahead of their ponies, like a roll of blankets chucked out of a wagon, an' after bumpin' an' tumblin' along for a rod or so, an' all mighty condoosive to fractures an' dislocations, they flattens out reespective same as a couple of cancelled postage stamps. Shore, the fall jolts the savvy plumb out of 'em.
"Bein' they're stretched out an' passive, Moore collects 'em an' sops 'em up an' down in the water trough for mebby it's fifteen minutes. Which they're reesus'tated an' reeproved at one an' the same time. When them yooths comes to, they're a model to angels. To be shore, their intellects don't shine out at first none like the sun at noon, but continyoos blurred for hours. Even as late as the weddin' of Turkey Track with the Mockin' Bird–an' that ain't for all of eight weeks–the G-bar boy informs Boggs confidenshul, as they're takin' a little licker all sociable, that speakin' mental he's as yet a heap in eeclipse.
"The maiden name of the Mockin' Bird is Loocinda Gildersleeve, but pop'lar pref'rence allers sticks to her stage title. She's a fav'rite at the Bird Cage Op'ry House, at which nursery of the drammy she's been singin' off an' on for somethin' like three years. She's a shore-enough singer, too, the Mockin' Bird is. None of your yeepin's an' peepin's, none of your mice squeaks an' tea-kettle tones an' cub coyote yelps. Which she's got a round, meelod'yous bellow like a hound in full cry, an' while she's singin' thar ain't a wolf'll open his mouth within a mile of town. Which them anamiles is plumb abashed, the Mockin' Bird outholdin' 'em to that degree.
"You-all don't hear no sech singin' in the East. Thar ain't room; an' moreover the East's too timid. For myse'f, an' I ain't got no y'ear for music, them top notes of the Mockin' Bird, like the death yell of a mountain lion, is cap'ble of givin' me the fantods; while the way she hands out 'Home, Sweet Home' an' 'Suwannee River,' an' her voice sort o' diggin' down into the soul, sets eemotional sports like Boggs an' Black Jack to sobbin' as though their hearts is broke. She's certainly a jo-darter of a vocalist–the Mockin' Bird is, an' once when she renders 'Loosiana Loo' an' Boggs's more'n common affected, he offers to bet yellow chips as high as the ceilin' she can sing the sights off a Colt's .45.
"'Which I enjoys one of the most mis'rable evenin's of my c'reer,' says Boggs to Faro Nell, when she expresses sympathy at him feelin' so cast down. 'I wouldn't have missed it for a small clay farm.'
"'Yo tambien' says Black Jack, who's keepin' Boggs melancholly company while he weeps. 'Only I reckons the odd kyard in my own case is that, before I'm a man an' in some other existence, I used to be one of these yere ornery little fice dogs, which howls every time it hears a pianny. It's some left-over vestiges of that life when I'm a dog which sets me to bawlin', that a-way, whenever the Mockin' Bird girl sings. I experiences pensive sensations, sim'lar to what comes troopin' over a gent, who's libatin' alone, on the heels of the third drink.'
"The Mockin' Bird looks as sweet as she sings. I mentions long ago about the phil'sophic old stoodent who says, 'They do say love is blind, but I'll be ding-danged if some gents can't see more in their girls than I can.' This yere wisdom don't apply none to the Mockin' Bird. Them wooers of hers, to say nothin' of Turkey Track, possesses jestification for becomin' so plumb maudlin'. Lovely? She's as pretty as a cactus flower, or a sunrise on the staked plains.
"Folks likes her, too. Take that evenin' when a barbarian from over to'ards the Cow Springs cuts loose to disturb the exercises at the Bird Cage Op'ry House with a measly fling or two. The public well nigh beefs him. They'd have shore put him over the jump, only Enright interferes.
"It's doorin' the openin' scene, when the actors is camped 'round in a half-circle, facin' the fiddlers. Huggins, who manages the Bird Cage, an' who's the only hooman who ever consoomes licker, drink for drink, with Monte, an' lives to tell the tale, is in the middle. Bowin' to the Mockin' Bird, an' as notice that she's goin' to carol some, he announces:
"'The world-reenowned cantatrice, Mam'selle Loocinda Gildersleeve, cel'brated in two hemispheres as the Mockin' Bird of Arizona, will now sing the ballad wharwith she ravished the y'ears of every crowned head of Europe, the same bein' that pop'lar air from the op'ry of Loocretia Borgia, "Down in the Valley."'
"At this that oncooth crim'nal from the Cow Springs gets up:
"'The Mockin' Bird of Arizona which you-all is bluffin' about,' he shouts, 'can't sing more'n a burro, an' used to sling hash in a section house over by Colton.'
"'Never the less, notwithstandin',' replies Huggins, who's too drunk to feel ruffled, 'Mam'selle Loocinda Gildersleeve, known to all the world as the Mockin' Bird of Arizona, will now sing "Down in the Valley."'
"Huggins would have let things go at that, but not so the Wolfville pop'lace. In the cockin' of a winchester they swoops down on that Cow Springs outcast like forty hen-hawks on a single quail, an' as I yeretofore observes, if it ain't for Enright they'd have made him shortly hard to find. You can gamble, the Cow Springs savage never does go out on that limb ag'in.
"While Turkey Track escapes the water trough, an' makes his getaway that time all right, the pore pony ain't got by Moore onscathed. The bullet hits him jest to the r'ar of the saddle-flap, an' out about a brace of miles he stumbles over dead.
"It's yere eevents begins to fall together like a shock of oats. The Mockin' Bird's been over entrancin' Tucson, an' the reg'lar stage with Monte not preecisely dove-tailin' with her needs, she charters a speshul buckboard to get back. Thar's a feeble form of hooman ground owl drivin' her, one of these yere parties who's all alkali an' hard luck, an' as deevoid of manly sperit as jack-rabbits onweaned.
"This yere ground owl party, drivin' for the Mockin' Bird, comes clatterin' along with the buckboard jest as Turkey Track strips the saddle an' bridle from his deefunct pony. Turkey Track is not without execyootive ability, an' seein' he's afoot an' thirty miles from his home ranch, he pulls his gun an' sticks up the buckboard plenty prompt. At the mere sight of a weepon the hands of that young owl-person goes searchin' for stars, an' he's beggin' Turkey Track not to rub him out–him thinkin' it's a reg'lar hold-up. That's all the opp'sition thar is, onless you counts the reemarks of the Mockin' Bird, who becomes both bitter an' bitin' in equal parts, but has no more effect on Turkey Track–an' him afoot that a-way–than pourin' water on a drowned rat. Shore, a cow-puncher'd fight all day, an' even face a enraged female, before he'd walk a hour.
"Turkey Track piles his saddle an' bridle onto the r'ar of the buckboard, an' settin' in behind on his plunder, commands the ground owl driver to head west till further orders. Likewise, he so far onbends as to say that them orders won't be deecem'nated, none whatever, ontil he's landed at the Turkey Track home ranch. Since he backs this yere programme with his artillery, the ground owl ain't got nothin' to say, an' it's no time when the outfit's weavin' along a side trail in the sole int'rests of Turkey Track.
"What's worse, to dispell the ennui of sech a trip, an' drive away dull care, Turkey Track takes to despotizin' over the Mockin' Bird with his six-shooter, an' compels her to sing constant throughout them thirty miles. He makes her carrol everythin' from 'Old Hundred' to 'Turkey in the Straw,' an' then brings her back to 'Old Hundred' an' starts her over. The pore harassed Mockin' Bird, what with the dust, an' what with Turkey Track tyrannizin' at her with his gun, sounds final like an ongreased wheelbarrow which has seen better days. She don't get her voice ag'in for mighty clost to a month, an' even then, as she says herse'f, thar's places where the rivets reequires tightenin'.
"It's pressin' onto eight weeks before ever Turkey Track is heard of 'round town ag'in. Also, it's in the Bird Cage Op'ry House he hits the surface of his times. The Mockin' Bird has jest done drove the vocal picket-pin of 'Old Kentucky Home,' when, bang! some loonatic shoots at her. Which the bullet bores a hole in the scenery not a foot above her head.
"Every one sees by the smoke whar that p'lite attention em'nates from, an' before you could count two, Moore, Boggs, an' Texas Thompson has convened themselves on top of that ident'cal spot. Thar sets Turkey Track, cryin' like a child.
"'It's no use, gents,' he sobs, the tears coursin' down his cheeks, 'she's so plumb bewitchin', an' I adores her so, I simply has to blaze away or bust.'
"While he don't harm the Mockin' Bird none, the sent'ment of the Stranglers, when Enright raps 'em to order inform'ly at the Red Light an' Black Jack has organized the inspiration, favors hangin' Turkey Track. Even Texas, who loathes ladies by reason of what's been sawed off onto him in the way of divorce an' alimony, that a-way, by his Laredo wife, is yoonan'mous for swingin' him off.
"'That I don't believe in marryin' 'em,' says Texas, expoundin' his p'sition concernin' ladies in answer to Boggs who claims he's inconsistent, 'don't mean I wants 'em killed. But you never was no logician, Dan.'
"Cherokee's the only gent who's inclined to softer attitoodes, an' that leeniency is born primar'ly of the inflooence of Nell. Nell is plumb romantic, an' when she hears how the Turkey Track's been enfiladin' at the Mockin' Bird only because he loves her, while she don't reely know what she does want done with that impossible cow-puncher, she shore don't want him hanged.
"'It's sech a interestin' story!' says Nell, an' then capers across to Missis Rucker an' Tucson Jennie to c'llect their feelin's.
"Moore brings in Turkey Track.
"'Be you-all tryin' to blink out this yere young lady?' asks Enright, 'or is that gun play in the way of applause?'
"'It's love,' protests Turkey Track, his voice chokin'; 'it's simply a cry from the soul. I learns to love her that day on the buckboard while I'm lookin' at her red ha'r, red bein' my winnin' color. Gents, you-all won't credit it none, but jest the same them auburn tresses gets wropped about my heart.'
"'Whatever do you make of it, Doc?' whispers Enright.
"'This boy,' returns Peets, 'has got himse'f too much on his own mind. He's sufferin' from what the books calls exaggerated ego.'
"'That's one way of bein' locoed, ain't it?'
"'Shore. But him bein' twisted mental ain't no reason for not adornin' the windmill with his remains. The only public good a hangin' does is to scare folks up a lot, an' you can scare a loonatic quite as quick an' quite as hard as a gent whose intellects is plumb.'
"'Thar she stands,' Turkey Track breaks in ag'in, not waitin' for no questions, 'an' me as far below her as stingin' lizards is from stars! Then, ag'in, when folks down in front is a'plaudin' her, she wavin' at 'em meanwhile the gracious smile, it makes me jealous. Gents, I don't plan nothin', but the first I knows I lugs out the old .45 an' onhooks it.'
"The Mockin' Bird has come over from the O. K. House with Nell, Missis Rucker an' Tucson Jennie. As she hears Turkey Track's confession two drops shows in her eyes like diamonds. Clutchin' hold of Nell, an' with Missis Rucker an' Tucson Jennie flockin' along in the r'ar, she rushes out the front door.
"This manoover leaves us some upset, ontil Nell returns to explain.
"'She's overcome by them disclosures,' says Nell, 'an' goes outside to blush.'
"'The ontoward breaks of that songstress,' observes Enright oneasily, 'has a tendency to confoose the issue, an' put this committee in the hole.'
"'Thar's nothin' confoosin' about it, Sam Enright.' It's Missis Rucker who breaks out high an' threatenin', she havin' come back with Nell. 'This yere Mockin' Bird girl's in love with that gun-playin' cowboy, an' it's only now she finds it out. Do you-all murderers still insist on hangin' this yere boy, or be you willin' to see 'em wed an' live happy ever after?'
"'Let's rope up a divine some'ers,' exclaims Boggs, 'an' have 'em married. If that Mockin' Bird girl wants Turkey Track she shall shore have him. I'd give her his empty head on a charger, if she asks it, same as that party in holy writ, she singin' "Suwannee River" like she does.'
"Cherokee, who's more or less rooled by Nell, thinks a weddin' the proper step, an' Tutt, who sees somethin' in Tucson Jennie's eye, declar's himse'f some hasty.
"Even Texas backs the play.
"'But make no mistake,' says Texas; 'I insists on wedlock over lynchin' only because it's worse.'
"'Which it's as well, Sam Enright,' observes Missis Rucker, blowin' through her nose mighty warlike, 'that you an' your marauders has sense enough to see your way through to that deecision. Which if you'd failed, I'd have took this Turkey Track boy away from you-all with my own hands. This Vig'lance Committee needn't think it's goin' to do as it pleases 'round yere–hangin' folks for bein' in love, an' closin' its y'ears to the moans of a bleedin' heart.'
"'My dear ma'am,' says Enright, his manner mollifyin'; 'I sees nothin' to discuss. The committee surrenders this culprit into the hands of you-all ladies, an' what more is thar to say?'
"'Thar's this more to say,' an' Missis Rucker's that earnest her mouth snaps like a trap. 'You an' your gang, settin' round like a passel of badgers, don't want to get it into your heads that you're goin' to run rough-shod over me. When I gets ready to have my way in this outfit, the prairie dog that stands in my path'll shore wish he'd never been born.'
"Enright don't say nothin' back, an' the balance of us maintainin' a dignified silence, Missis Rucker, after a look all 'round, withdraws, takin' with her Tucson Jennie an' Nell, Turkey Track in their midst.
"'Gents,' observes Enright, when they're shore departed, an' speakin' up deecisive, 'ways must be deevised to 'liminate the feminine element from these yere meetin's. I says this before, but the idee don't seem to take no root. Thar's nothin' lovelier than woman, but by virchoo of her symp'thies she's oncap'ble of exact jestice. Her feelin's lead her, an' her heart's above her head. For which reasons, while I wouldn't favor nothin' so ondignified as hidin' out, I s'ggests that we be yereafter more circumspect, not to say surreptitious, in our deelib'rations.'
"Shore, they're married. The cer'mony comes off in the O. K. House, an' folks flocks in from as far away as Deming.
