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Thornton was fond of his daughter, and had never said an unkind word to her; but he had no scruples about letting her work for him, having a fixed idea that youth has an inexhaustible fund of health and strength upon which age can never overdraw. He was proud of her mental powers, and believed that to help a hack-scribbler with his multifarious contributions to magazines and newspapers was the finest education possible for her. If they went to the playhouse together 'twas she who wrote a critique on the players next morning, while her father slept. Dramatic criticism in those days was but scurvily treated by the Press, and Tonia was apt to expatiate beyond the limits allowed by an editor, and was mortified to see her opinions reduced to the baldest comment.
She talked to her father of Mrs. Mandalay's dancing-rooms. He knew there was such a place, but doubted whether 'twas a reputable resort. He promised to make inquiries, and thus delayed matters, without the unkindness of a refusal. Tonia was helping him with a comedy for Drury Lane – indeed, was writing the whole play, his part of the work consisting chiefly in running his pen across Tonia's scenes, and bidding her write them again in accord with his suggestions, which she did with equal meekness and facility. He grew a little lazier every day as he discovered his daughter's talent, and encouraged her to labour for him. He praised himself for having taught her Spanish, so that she had the best comedies in the world, as he thought, at her fingers' ends.
It was for the sake of the comedy Tonia urged her desire to see the beau monde.
"'Tis dreadful to write about people of fashion when one has never seen any," she said.
"Nay, child, there's no society in Europe will provide you better models than you'll find in yonder duodecimos," her father would say, pointing to Congreve and Farquhar. "Mrs. Millamant is a finer lady than any duchess in London."
"Mrs. Millamant is half a century old, and says things that would make people hate her if she was alive now."
"Faith, we are getting vastly genteel; and I suppose by-and-by we shall have plays as decently dull as Sam Richardson's novels, without a joke or an oath from start to finish," protested Thornton.
It was more than a month after Tonia's first appeal that her father came home to dinner one afternoon in high spirits, and clapped a couple of tickets on the tablecloth by his daughter's plate.
"Look there, slut!" he cried. "I seized my first chance of obliging you. There is a masked ball at Mrs. Mandalay's to-night, and I waited upon my old friend Lord Kilrush on purpose to ask him for tickets; and now you have only to run to the costumier's and borrow a domino and a mask, and see that there are no holes in your stockings."
"I always mend my stockings before the holes come," Antonia said reproachfully.
"You are an indefatigable wench! Come, there's a guinea for you; perhaps you can squeeze a pair of court shoes out of it, as well as the hire of the domino."
"You are a dear, dear, dearest dad! I'll ask Patty to go to the costumier's with me. She will get me a good pennyworth."
CHAPTER III.
AT MRS. MANDALAY'S ROOMS
Mrs. Mandalay's rooms were crowded, for Mrs. Mandalay's patrons included all the varieties of London society – the noble, the rich, the clever, the dull, the openly vicious, the moderately virtuous, the audaciously disreputable, masked and unmasked; the outsiders who came from curiosity; the initiated who came from habit; dissolute youth, frivolous old age, men and boys who came because they thought this, and only this, was life: to rub shoulders with a motley mob, to move in an atmosphere of ribald jokes and foolish laughter, air charged with the electricity of potential bloodshed, since at any moment the ribald jest might lead to the insensate challenge; to drink deep of adulterated wines, fired with the alcohol that inspires evil passions and kills thought. These were the diversions that men and women sought at Mrs. Mandalay's; and it was into this witch's cauldron that William Thornton plunged his daughter, reckless of whom she met or what she saw and heard, for it was an axiom in his blighting philosophy that the more a young woman knew of the world she lived in, the more likely she was to steer a safe course between its shoals and quicksands.
Antonia looked with amazement upon the tawdry spectacle – dominos, diamonds, splendour, and shabbiness, impudent faces plastered with white and red, beauty still fresh and young, boys still at the University, old men fitter for the hospital than for the drawing-room. Was this the dazzling scene she had longed for sometimes in the toilsome evenings, when her tired hand sank on the foolscap page, and in the pause of the squeaking quill she heard the clock ticking on the stairs and the cinders crumbling in the grate? She had longed for lighted rooms and joyous company, for the concerts, and dances, and dinners, and suppers she read about in the Daily Journal; but the scenes her imagination had conjured up were as different from this as paradise from pandemonium.
Dancing was difficult in such a crowd, but there was a country dance going on to the music of an orchestra of fiddles and French horns, stationed in a gallery over one end of the room. The music was a pot-pourri of favourite melodies in the "Beggar's Opera," and the strongly marked tunes beat upon Antonia's brain as she and her father stood against the wall near the entrance doors, watching the crowd.
A master of the ceremonies came to ask her if she would dance. Her father answered for her, somewhat curtly. No, the young lady had only looked in to see what Mrs. Mandalay's rooms were like.
"Mrs. Mandalay's rooms are too good to be made a show for country cousins," the man answered impudently, after a flying glance at Thornton's threadbare suit; "and Miss has too pretty a figure under her domino to shirk a dance."
"Be good enough to leave us to ourselves, sir. Our tickets have been paid for; and we have a right to consume this polluted atmosphere without having to suffer impertinence."
"Oh, if you come to that, sir, I carry a sword, and will swallow no insult from a beggarly parson; and there are plenty of handsome women pining for partners."
He edged off as he spoke, and was safe amongst the crowd before he finished his sentence.
"Let's go home, sir," said Antonia. "I never could have pictured such an odious place."
"'Tis one of the most fashionable assemblies in London, child."
"Then I wonder at the taste of Londoners. Pray, sir, let's go home. I should never have teased you to bring me here had I known 'twas like this; but you have at least cured me of the desire to come again – or to visit any place that resembles this."
"You are pettish and over-fastidious. I came here for your amusement, and you may stay here for mine. I can't waste coach hire because you are capricious. I must have something for my money. Do you stay here quietly, while I circulate and find a friend or two."
"Oh, father, don't leave me among this rabble! I shall die of disgust if any one speaks to me – like that vulgar wretch just now."
"Tush, Tonia, there are no women-eaters here; and you have brains enough to know how to answer any impudent jackanapes in London."
He was gone before she could say anything more. She had hated to be there even with her father at her side. It was agony to stand there alone, fanning herself with the trumpery Spanish fan that had been sent her with the domino. She was not shy as other women are on their first appearance in an assembly. She had been trained to despise her fellow-creatures, and had an inborn pride that would have supported her anywhere. But the scene gave her a feeling of loathing that she had never known before. The people seemed to her of an unknown race. Their features, their air exhaled wickedness. "The sons of Belial, flown with insolence and wine." She hated herself for being there, hated her father for bringing her there.
They had come very late, when the assembly was at its worst, or at its best, according to one's point of view. The modish people, who vowed they detested the rooms, and only looked in to see who was there, were elbowing their way among fat citizens and their wives from Dowgate, and rich merchants from Clapham Common; while the more striking figures in the crowd belonged obviously to the purlieus of Covent Garden and the paved courts near Long Acre.
Tonia watched them till, in spite of her aversion, she began to grow interested in the masks and the faces. The faces told their own story; but the masks had a more piquant attraction, suggesting mystery. She began to notice couples who were obviously lovers, and to imagine a romance here and there. Her eyes passed over the disreputable painted faces, and fixed on the young and beautiful, secure in pride of birth, the assurance of superiority. She caught furtive glances, the lingering clasp of hands, the smile that promised, the whisper that pleaded. Romance and mystery enough here to fill more volumes than Richardson had published. And then among the people who came in late, talked loud, and did not dance, there were such satins and brocades, velvet and lace, feathers and jewels, as neither the theatres nor her dreams had ever shown her. She was woman enough to look at these with pleasure, in spite of her masculine education.
She had forgotten how long she had been standing there when her father came back, smelling of brandy, and accompanied by a man whom she had been watching some minutes before, one of the late arrivals, who looked young at a distance, but old, or at best middle-aged, when he came near her. She had seen him surrounded by a bevy of women, who hung about him with an eager appreciation which would have been an excuse for vanity in a Solomon.
The new-comer's suit of mouse-coloured velvet was plainer than anybody else's, but his air and figure would have given distinction to a beggar's rags, and there needed not the star and ribbon half hidden under the lapel of his coat to tell her that he was a personage.
"My friend and patron, Lord Kilrush, desires to make your acquaintance, Antonia," her father said with his grand air.
She had heard of Lord Kilrush, an Irish peer, with an immense territory on the Shannon and on the Atlantic which he never visited; a man of supreme distinction in a world where the cut of a coat and the pedigree of a horse count for more than any moral attributes. While he had all the dignity of a large landowner, the bulk of his fortune was derived from his mother, who was the only child of an East Indian factor, "rich with the spoil of plundered provinces."
Antonia had been watching the modish women's manoeuvres long enough to be able to sink to the exact depth and rise with the assured grace of a fashionable curtsey. The perfect lips under the light lace of her mask relaxed in a grave smile, parting just enough to show the glitter of pearly teeth between two lines of carmine. Her flashing eyes and lovely mouth gave Kilrush assurance of beauty. It would have taken the nose of a Socrates, or a complexion pitted with the smallpox, to mar the effect of such eyes and such lips.
"Pray allow me to escort you through the rooms, and to get you a cup of chocolate, madam," he said, offering his arm. "Your father tells me that 'tis your first visit to this notorious scene. Mrs. Mandalay's chocolate is as famous as her company, and of a better quality – for it is innocent of base mixtures."
"Go with his lordship, Tonia," said her father, answering her questioning look; "you must be sick to death of standing here."
"Oh, I have amused myself somehow," she said. "It is like a comedy at the theatres – I can read stories in the people's faces."
She took Kilrush's arm with an easy air that astonished him.
"Then you like the Mandalay room?" he said, as he made a path through the crowd, people giving way to him almost as if to a royal personage.
He was known here as he was known in all pleasure places for a leader and a master spirit. It suited him to live in a country where he had no political influence. He had never been known to interest himself about any serious question in life. Early in his career, when his wife ran away with his bosom friend, his only comment was that she always came to the breakfast-table with a slovenly head, and it was best for both that they should part. He ran his rapier through his friend's left lung early one morning in the fields behind Montague House; but he told his intimates that it was not because he hated the scoundrel who had relieved him of an incubus, but because it would have been ungenteel to let him live.
He conducted Antonia through the suite of rooms that comprised "Mrs. Mandalay's." There were two or three little side-rooms where people sat in corners and talked confidentially, as they do in such places to this day. The confidences may have been a shade more audacious then, an incipient intrigue more daringly conducted, but it was the same and the same – a married woman who despised her husband; a married man who detested his wife; a young lady of fashion playing high stakes for a coronet, and baulked or ruined at the game. Antonia glanced from one group to the other as if she knew all about them. To be a student of Voltaire is not to think too well of one's fellow-creatures. She had read Fielding too, and knew that women were fools and men reprobates. She had wept over Richardson's Clarissa, and knew that there had once been a virtuous woman, or that a dry-as-dust printer's elderly imagination had conceived such a creature.
One room was set apart for light refreshments, coffee and chocolate, negus and cakes; and here Kilrush found a little table in a corner, and seated her at it. The crowd in this room was so dense that it created a solitude. They were walled in by brocaded sacques and the backs of velvet coats, and could talk to each other without fear of being overheard. This was so much pleasanter than standing against a wall staring at strange faces that Antonia began to think she liked Mrs. Mandalay's. She took off her mask, unconscious that an adept in coquetry would have maintained the mystery of her loveliness a little longer. Kilrush was content to worship her for the perfection of her mouth, the half-seen beauty of her eyes. She flung off the little velvet loup, and gave him the effulgence of her face, with an unconsciousness of power that dazzled him more than her beauty.
"I was nearly suffocated," she said.
He was silent in a transport of admiration. Her face had an exotic charm. It was too brilliant for native growth. The South glowed in the lustre of her eyes and in the sheen of her raven hair. He had seen such faces in Italy. The towers and cupolas, the church bells, the market women's parti-coloured stalls, the lounging boatmen and clear white light of the Isola Bella came back to him as he looked at her. He had spent an autumn in the Borromean Palaces, a visitor to the lord of those delicious isles, and he had seen faces like hers, and had worshipped them, in the heyday of youth, when he was on his grand tour. He remembered having heard that Thornton had married a lovely Italian girl, whom he had stolen from her home in Lombardy, while he was travelling as bear-leader to an India merchant's son.
Antonia sipped her chocolate with a composure that startled him. Women – except the most experienced – were apt to be fluttered by his lightest attentions; yet this girl, who had never seen him till to-night, accepted his homage with a supreme unconcern, or indeed seemed unconscious of it. Her innocent assurance amused him. No rustic lass serving at an inn had ever received his compliments without a blush, for he had an air of always meaning more than he said.
"Your father told me he had reared you in seclusion, madam," he said, "and I take it this is your first glimpse of our gay world."
"My first and last," she replied. "I do not love your gay world. I did wrong to tease my father to bring me here. I imagined a scene so different."
"Tell me what your fancy depicted."
"Larger rooms, fewer people, more space and air – a fête champêtre by Watteau within doors; dancers who danced for love of dancing, and who were all young, not old wrinkled men and fat women; not painted grimacing faces, and an atmosphere cloudy with hair-powder."
"But is not this better than to sit in your lodgings and mope over books?"
"I never mope over books; they are my friends and companions."
"What, in the bloom of youth, when you should be dancing every night, gadding from one pleasure to another all day long? Books are the friends of old age. I shall take to books myself when I grow old."
Tonia's dark brows elevated themselves unconsciously, and her eyes expressed wonder. Was he not old enough already for books and retirement? The man of seven and forty saw the look and interpreted it.
"She knows I am old enough to be her father," he thought, "and that is the reason of her sang froid. Women of the world know that mine is the dangerous age – the age when a man who can love loves desperately, when concentration of purpose takes the place of youthful energy."
They sat in silence for a few minutes while she finished her chocolate, and while he summed up the situation. Then she rose hastily.
"I have been keeping you from your friends," she said.
"Oh, I have no friends here."
"Why, everybody was becking and bowing to you."
"I am on becking and bowing terms with everybody; but most of us hate each other. Let me get you some more chocolate."
"No, thank you. I must go back to my father."
They had not far to go. Thornton was at a table on the other side of the room, drinking punch with one of his patrons in the book trade, a junior partner who was frivolous enough to look in at Mrs. Mandalay's.
"Miss Thornton is so unkind as to fleer at our solemnities," said Kilrush, "and swears she will never come here again."
"I told her she was a fool to wish to come," answered Thornton. "Your lordship has been uncommonly civil to take care of her. What the devil should a Grub Street hack's daughter do here? She has never had a dancing-lesson in her life."
"She ought to begin to-morrow. Serise would glory in such a pupil. Give her but the knack of a minuet, and she would show young peeresses how to move like queens, or like a swan gliding on the current."
"Oh, pray, my lord, don't flatter her. She has not the art to riposter, and she may think you mean what you say."
Kilrush went with them to the street, where his chairmen were waiting to carry him to St. James's Square, or to whatever gambling-house he might prefer to the solitude of his ancestral mansion. He wanted to send Antonia home in his chair, but Thornton declined the favour laughingly.
"Your chairmen would leave your service to-morrow if you sent them to such a shabby neighbourhood," he said, taking his daughter on his arm. "We shall find a hackney coach on the stand."
CHAPTER IV.
A MORNING CALL
Tonia worked at the comedy, but did not find her idea of a woman of ton greatly enlarged by the women she had seen at Mrs. Mandalay's. Indeed, she began to think that her father was right, and that Mrs. Millamant – whose coarseness of speech disgusted her – was her best model. Yet, disappointing as that tawdry assembly had been, she felt as if she had gained something by her brief encounter with Lord Kilrush, and her pen seemed firmer when she tried to give life and meaning to the leading character in her play, the rôle intended for Garrick. She had begun by making him young and foolish. She remodelled the character, and made him older and wiser, and tried to give him the grand air; evolving from her inner consciousness the personality which her brief vision of Kilrush had suggested. Her ardent imagination made much out of little.
Of the man himself she scarcely thought, and would hardly have recognized his person had they met in the street. But the ideal man she endowed with every fascinating quality, every attracting grace.
Her father noted the improvement in her work.
"Why, this fourth act is the best we have done yet," he said, "and I think 'twas a wise stroke of mine to make our hero older – "
"Oh, father, 'twas my notion, you'll remember."
"You shall claim all the invention for your share, if you like, slut, so long as we concoct a piece that will satisfy Garrick, who grows more and more finical as he gets richer and more fooled by the town. The part will suit him all the better now we've struck a deeper note. He can't wish to play schoolboys all his life."
It was three weeks after the masquerade when there came a rap at the parlour door one morning, and the maid-servant announced Lord Kilrush.
Thornton was lying on a sofa in shirt-sleeves and slippers, smoking a long clay pipe, the picture of a self-indulgent sloven – that might have come straight from Hogarth. Tonia was writing at a table by an open window, the June sunshine gleaming in her ebon hair. Her father had been dictating and suggesting, objecting and approving, as she read her dialogue.
The visit was startling, for though Thornton was on easy terms with his lordship, who had known him at the University, and had patronized and employed him in his decadence, Kilrush had never crossed his threshold till to-day. Had he come immediately after the meeting at Mrs. Mandalay's, Antonia's father might have suspected evil; but Thornton had flung that event into the rag-bag of old memories, and had no thought of connecting his patron's visit with his daughter's attractiveness. He was about as incapable of thought and memory as a thinking animal can be, having lived for the past fourteen years in the immediate present, conscious only of good days and bad days, the luck or the ill-luck of the hour, without hope in the days that were coming, or remorse for the days that were gone.
Kilrush knew the man to the marrow of his bones, and although he had been profoundly impressed by Antonia's unlikeness to other women, he had waited a month before seeking to improve her acquaintance, and thus hoped to throw the paternal Argus off his guard.
Tonia laid down her pen, rose straight and tall as a June lily, and made his lordship her queenly curtsey, blushing a lovely crimson at the thought of the liberties that rapid quill had taken with his character.
"He is not half so handsome as my Dorifleur!" she thought; "but he has the grand air that no words can express. Poor little Garrick! What a genius he must be, and what heels he must wear, if he is to represent such a man!"
Kilrush returned the curtsey with a bow as lofty, and then bent over the ink-stained fingers and kissed them, as if they had been saintly digits in a crystal reliquaire.
"Does Miss Thornton concoct plays, as well as her gifted parent?" he inquired, with the smile that was so exquisitely gracious, yet not without the faintest hint of mockery.
"The jade has twice her father's genius," said Thornton, who had risen from the sofa and laid his pipe upon the hob of the wide iron grate, where a jug of wall-flowers filled the place of a winter fire. "Or, perhaps I should say, twice her father's memory, for she has a repertory of Spanish and Italian plays to choose from when her Pegasus halts."
"Nay, father, I am not a thief," protested Tonia.
Kilrush glanced at the hack-scribbler, remembering that awkward adventure with the farmer's cash-box which had brought so worthy a gentleman to the treadmill, and which might have acquainted him with Jack Ketch. He glanced from father to daughter, and decided that Antonia was unacquainted with that scandalous episode in her parent's clerical career.
After that one startled blush and conscious smile, the cause whereof he knew not, she was as unconcerned in his lordship's company to-day as she had been at Mrs. Mandalay's. She gave him no minauderies, no downcast eyelids or shy glances; but sat looking at him with a pleased interest while he talked of the day's news with her father, and answered him frankly and brightly when he discussed her own literary work.
"You are very young to write plays," he said.
"I wrote plays when I was five years younger," she answered, laughing, "and gave them to Betty to light the fires."
"And your father warmed his legs before the dramatic pyre, and never knew 'twas the flame of genius?"
"She was a fool to burn her trash," said Thornton. "I might have made a volume of it – 'Tragedies and Comedies, by a young lady of fifteen.'"
"I'll warrant Shakespeare burnt a stack of balderdash before he wrote The Two Gentlemen of Verona, poor stuff as it is," said Kilrush.
"Is your lordship so very sure 'tis poor stuff?" asked Tonia.
"If it wasn't, don't you think Garrick would have produced it? He loves Shakespeare – a vastly respectable poet whose plays he can act without paying for them. Be sure you let me know when your comedy is to be produced, madam, for I should die of vexation not to be present at the first performance."
"Alas! there is a great gulf between a written play and an acted one," sighed Tonia. "Mr. Garrick may not like it. But 'tis more my father's play than mine, my lord. He finds the ideas, and I provide the words."
"She has a spontaneous eloquence that takes my breath away. But for the machinery, the fabric of the piece, the arrangement of the scenes, the method, the taste, the scope of the characters, and their action upon one another, I confess myself the author," Thornton said, in his grandiloquent way, having assumed his company manner, a style of conversation which he kept for persons of quality.
"I doubt Miss Thornton is fonder of study than of pleasure, or I should have seen her at Mrs. Mandalay's again – "
"I hate the place," interjected Tonia; "and if women of fashion are all like the painted wretches I saw there – "
"They all paint – white lead is the rule and a clean-washed face the exception," said Kilrush; "but 'twould not be fair to judge the beau monde by the herd you saw t'other night. Mrs. Mandalay's is an olla podrida of good and bad company. Your father must initiate you in the pleasures of Ranelagh."
"I have had enough of such pleasures. I had a curiosity – like Fatima's – to see a world that was hid from me. But for pleasure I prefer the fireside, and a novel by Richardson. If he would but give us a new Clarissa!"
"You admire Clarissa?"
"I adore, I revere her!"
"A pious simpleton who stood in the way of her own happiness. Why, in the name of all that's reasonable, did she refuse to marry Lovelace, when he was willing?"
Tonia flashed an indignant look at him.
"If she could have stooped to marry him she would have proved herself at heart a wanton!" she said, with an outspoken force that startled Kilrush.
Hitherto he had met only two kinds of women – the strictly virtuous, who affected an Arcadian innocence and whose talk was insupportably dull, and the women whose easy morals allowed the widest scope for conversation; but here was a girl of undoubted modesty, who was not afraid to argue upon a hazardous theme.
"You admire Clarissa for her piety, perhaps?" he said. "That is what our fine ladies pretend to appreciate, though they are most of them heathens."
"I admire her for her self-respect," answered Tonia. "That is her highest quality. When was there ever a temper so meek, joined with such fortitude, such heroic resolve?"
"She was a proud, self-willed minx," said Kilrush, entranced with the vivid expression of her face, with the fire in her speech.
"'Twas a woman's pride in her womanhood, a woman fighting against her arch enemy – "
"The man who loved her?"
"The man she loved. 'Twas that made the struggle desperate. She knew she loved him."
"If she had been kinder, now, and had let love conquer?" insinuated Kilrush.
"She would not have been Clarissa; she would not have been the long-suffering angel, the martyr in virtue's cause."
"Prythee, my lord, do not laugh at my daughter's high-flown sentiments," said Thornton. "I have done my best to educate her reason; but while there are romancers like Samuel Richardson to instil folly 'tis difficult to rear a sensible woman."
"That warmth of sentiment is more delightful than all your cold reason, Thornton; but I compliment you on the education which has made this young lady to tower above her sex."
"Oh, my lord, do not laugh at me. I have just learnt enough to know that I am ignorant," said Tonia, with her grand air – grand because so careless, as of one who is alike indifferent to the effect of her words and the opinion of those with whom she converses.
Kilrush prolonged his visit into a second hour, during which the conversation flitted from books to people, from romance to politics, and never hung fire. He took leave reluctantly, apologizing for having stayed so long, and gave no hint of repeating his visit, nor was asked to do so. But he meant to come again and again, having as he thought established himself upon a footing of intimacy. A Grub-Street hack could have no strait-laced ideas – a man who had been in jail for something very like larceny, and who had educated his young daughter as a free-thinker.
"She finds my conversation an agreeable relief after a ten years' tête-à-tête with Thornton," he told himself, as he picked his way through the filth of Green Street to Leicester Fields. "But 'tis easy to see she thinks I have passed the age of loving, and is as much at home with me as if I were her grandfather. Yet 'twas a beautiful red that flushed her cheek when I entered the room. Well, if she is pleased to converse with me 'tis something; and I must school myself to taste a platonic attachment. A Lovelace of seven and forty! How she would jeer at the notion!"
Lord Kilrush waited a fortnight before repeating his visit, and again called at an hour when Thornton was likely to be at home; but his third visit, which followed within a week of the second, happened late in the afternoon, when he found Antonia alone, but in no wise discomposed at the prospect of a tête-à-tête. She enjoyed his conversation with as frank and easy a manner as if she had been a young man, and his equal in station; and he was careful to avoid one word or look which might have disturbed her serenity. It was unflattering, perhaps, to be treated so easily, accepted so frankly as a friend of mature years; but it afforded him the privilege of a companionship that was fast becoming a necessity of his existence. The days that he spent away from Rupert Buildings were dull and barren. His hours with Antonia had an unfailing charm. He forgot even twinges of gout, and the burden of time – that dread of old age and death which so often troubled his luxurious solitude.
