Kitabı oku: «Riders of the Silences», sayfa 8
CHAPTER 21
Jacqueline could never ride a horse in that gown, or even sit sidewise in the saddle without hopelessly crumpling it, so they walked to the schoolhouse. It was a slow progress, for she had to step lightly and carefully for fear of the slippers. He took her bare arm and helped her; he would never have thought of it under ordinary conditions, but since she had put on this gown she was greatly changed to him, no longer the wild, free rider of the mountain-desert, but a defenseless, strangely weak being. Her strength was now something other than the skill to ride hard and shoot straight and quick.
So they came to the schoolhouse and reached the long line of buggies, buckboards, and, most of all, saddled horses. They crowded the horse-shed where the school children stabled their mounts in the winter weather. They were tethered to the posts of the fence; they were grouped about the trees.
It was a prodigious gathering, and a great affair for the mountain-desert. They knew this even before they had set foot within the building.
They stopped here and adjusted their masks carefully. They were made from a strip of black lining which Jack had torn from one of the coats in the trunk which lay far back in the hills.
Those masks had to be tied firmly and well, for some jester might try to pull away that of Pierre, and if his face were seen, it would be death—a slaughter without defense, for he had not been able to conceal his big Colt in these tight-fitting clothes. Even as it was, there was peril from the moment that the lights within should shine on that head of dark-red hair.
As for Jack, there was little fear that she would be recognized. She was strange even to Pierre every time he looked down at her, for she had ceased to be Jack and had become very definitely "Jacqueline." But the masks were on; the scarf adjusted about the throat and bare, shivering shoulders of Jack, and they stood arm in arm before the door out of which streamed the voices and the music.
"Are you ready?"
"Yes."
But she was trembling so, either from fear, or excitement, or both, that he had to take a firm hold on her arm and almost carry her up the steps, shove the door open, and force her in. A hundred eyes were instantly upon them, practiced, suspicious eyes, accustomed to search into all things and take nothing for granted; eyes of men who, when a rap came at the door, looked to see whether or not the shadow of the stranger fell full in the center of the crack beneath the door. If it fell to one side the man might be an enemy, and therefore they would stand at one side of the room, their hands upon the butt of a six-gun, and shout: "Come in." Such was the battery of glances from the men, and the color of Pierre altered, paled.
He knew some of those faces, for those who hunt and are hunted never forget the least gestures of their enemies. There was a mighty temptation to turn back even then, but he set his teeth and forced himself to stand calmly.
The chuckle which replied to this maneuver freed him for the moment. Suspicion was lulled. Moreover, the red-jeweled hair of Jacqueline and her lighted eyes called all attention almost immediately upon her. She shifted the golden scarf—the white arms and breast flashed in the light—a gasp responded. There would be talk tomorrow; there were whispers even now.
It was not the main hall that they stood in, for this school, having been built by an aspiring community, contained two rooms; this smaller room, used by the little ones of the school, was now converted into a hat-and-cloak room.
Pierre hung up his hat, removed his gloves slowly, nerving himself to endure the sharp glances, and opened the door for Jacqueline.
If she had held back tremulously before, something she had seen in the eyes of those in the first room, something in the whisper and murmur which rose the moment she started to leave, gave her courage. She stepped into the dance-hall like a queen going forth to address devoted subjects. The second ordeal was easier than the first. There were many times more people in that crowded room, but each was intent upon his own pleasure. A wave of warmth and light swept upon them, and a blare of music, and a stir and hum of voices, and here and there the sweet sound of a happy girl's laughter. They raised their heads, these two wild rangers of the mountain-desert, and breathed deep of the fantastic scene.
There was no attempt at beauty in the costumes of the masqueraders. Here and there some girl achieved a novel and pleasing effect; but on the whole they strove for cheaper and more stirring things in the line of the grotesque.
Here passed a youth wearing a beard made from the stiff, red bristles of the tail of a sorrel horse. Another wore a bear's head cunningly stuffed, the grinning teeth flashing over his head and the skin draped over his shoulders. A third disfigured himself by painting after the fashion of an Indian on the warpath, with crimson streaks down his forehead and red and black across his cheeks.
But not more than a third of all the assembly made any effort to masquerade, beyond the use of the simple black mask across the upper part of the face. The rest of the men and women contented themselves with wearing the very finest clothes they could afford to buy, and there was through the air a scent of the general merchandise store which not even a liberal use of cheap perfume and all the drifts of pale-blue cigarette smoke could quite overcome.
As for the music, it was furnished by two very old men, relics of the days when there were contests in fiddling; a stout fellow of middle age, with cheeks swelled almost to bursting as he thundered out terrific blasts on a slide trombone; a youth who rattled two sticks on an overturned dish-pan in lieu of a drum, and a cornetist of real skill.
There were hard faces in the crowd, most of them, of men who had set their teeth against hard weather and hard men, and fought their way through, not to happiness, but to existence, so that fighting had become their pleasure.
Now they relaxed their eternal vigilance, their eternal suspicion. Another phase of their nature weakened. Some of them were smiling and laughing for the first time in months, perhaps, of labor and loneliness on the range. With the gates of good-nature opened, a veritable flood of gaiety burst out. It glittered in their eyes, it rose to their lips in a wild laughter. They seemed to be dancing more furiously fast in order to forget the life which they had left, and to which they must return.
These were the conquerors of the bitter nature of the mountain-desert. There was beauty here, the beauty of strength in the men and a brown loveliness in the girls; just as in the music, the blatancy of the rattling dish-pan and the blaring trombone were more than balanced by the real skill of the violinists, who kept a high, sweet, singing tone through all the clamor.
And Pierre le Rouge and Jacqueline? They stood aghast for a moment when that crash of noise broke around them; but they came from a life where there was nothing of beauty except the lonely strength of the mountains and the appalling silences of the stars that roll above the desert. Almost at once they caught the overtone of human joyousness, and they turned with smiles to each other, and it was "Pierre?" "Jack?" Then a nod, and she was in his arms, and they glided into the dance.
CHAPTER 22
When a crowd gathers in the street, there rises a babel of voices, a confused and pointless clamor, no matter what the purpose of the gathering, until some man who can think as well as shout begins to speak. Then the crowd murmurs a moment, and after a few seconds composes itself to listen.
So it was with the noise in the hall when Pierre and Jacqueline began to dance. First there were smiles of derision and envy around them, but after a moment a little hush came where they moved.
They could not help but dance well, for they had youth and grace and strength, and the glances of applause and envy were like wine to quicken their blood, while above all they caught the overtone of the singing violins, and danced by that alone. The music ended with a long flourish just as they whirled to a stop in a corner of the room. At once an eddy of men started toward them.
"Who shall it be?" smiled Pierre. "With whom do you want to dance?
It's your triumph, Jack."
She was alight and alive with the victory, and her eyes roved over the crowd.
"The big man with the tawny hair."
"But he's making right past us."
"No; he'll turn and come back."
"How do you know?"
For answer she glanced up and laughed, and he realized with a singular sense of loneliness that she knew many things which were beyond his ken. Someone touched his arm, and a voice, many voices, beset him.
"How's the chances for a dance with the girl, partner?"
"This dance is already booked," Pierre answered, and kept his eyes on the tall man with the scarred face and the resolute jaw. He wondered why Jacqueline had chosen such a partner.
At least she had prophesied correctly, for the big man turned toward them just as he seemed about to head for another part of the hall. The crowd gave way before him, not that he shouldered them aside, but they seemed to feel the coming of his shadow before him, and separated as they would have done before the shadow of a falling tree.
In another moment Pierre found himself looking up to the giant. No mask could cover that long, twisting mark of white down his cheek, nor hide the square set of the jaw, nor dim the steady eyes.
And there came to Pierre an exceedingly great uneasiness in his right hand, and a twitching of the fingers low down on his thigh where the familiar holster should have hung. His left hand rose, following the old instinct, and touched beneath his throat where the cold cross lay.
He was saying easily: "This is your dance, isn't it?"
"Right, Bud," answered the big man in a mellow voice as great as his size. "Sorry I can't swap partners with you, but I hunt alone."
An overwhelming desire to get a distance between himself and this huge unknown came to Pierre.
He said: "There goes the music. You're off."
And the other, moving toward Jack, leaned down a little and murmured at the ear of the outlaw: "Thanks, Pierre."
Then he was gone, and Jacqueline was laughing over his shoulder back to Pierre.
Through his daze and through the rising clamor of the music, a voice said beside him: "You look sort of sick, dude. Who's your friend?"
"Don't you know him?" asked Pierre.
"No more than I do you; but I've ridden the range for ten years around here, and I know that he's new to these parts. If I'd ever glimpsed him before, I'd remember him. He'd be a bad man in a mix, eh?"
And Pierre answered with devout earnestness: "He would."
"But where'd you buy those duds, pal? Hey, look! Here's what I've been waiting for—the Barneses and the girl that's visitin' 'em from the East."
"What girl?"
"Look!"
The Barnes group was passing through the door, and last came the unmistakable form of Dick Wilbur, masked, but not masked enough to hide his familiar smile or cover the well-known sound of his laughter as it drifted to Pierre across the hall, and on his arm was a girl in an evening dress of blue, with a small, black mask across her eyes, and deep-golden hair.
Pausing before she swung into the dance with Wilbur, she made a gesture with the white arm, and looked up laughing to big, handsome Dick. Pierre trembled with a red rage when he saw the hands of Wilbur about her.
Dick, in passing, marked Pierre's stare above the heads of the crowd, and frowned with trouble. The hungry eyes of Pierre followed them as they circled the hall again; and this time Wilbur, perhaps fearing that something had gone wrong with Pierre, steered close to the edge of the dancing crowd and looked inquisitively across.
He leaned and spoke to the girl, and she turned her head, smiling, to Pierre. Then the smile went out, and even despite the mask, he saw her eyes widen. She stopped and slipped from the arm of Wilbur, and came step by step slowly toward him like one walking in her sleep. There, by the edge of the dancers, with the noise of the music and the shuffling feet to cover them, they met. The hands she held to him were cold and trembling.
"Is it you?"
"It is I."
That was all; and then the shadow of Wilbur loomed above them.
"What's this? Do you know each other? It isn't possible! Pierre, are you playing a game with me?"
But under the glance of Pierre he fell back a step, and reached for the gun which was not there. They were alone once more.
"Mary—Mary Brown!"
"Pierre!"
"But you are dead!"
"No, no! But you—Pierre, where can we go?"
"Outside."
"Let us go quickly!"
"Do you need a wrap?"
"No."
"But it is cold outside, and your shoulders are bare."
"Then take that cloak. But quickly, Pierre, before we're followed."
He drew it about her; he led her through the door; it clicked shut; they were alone with the sweet, frosty air before them. She tore away the mask.
"And yours, Pierre?"
"Not here."
"Why?"
"Because there are people. Hurry. Now here, with just the trees around us—"
And he tore off his mask.
The white, cold moon shone over them, slipping down between the dark tops of the trees, and the wind stirred slowly through the branches with a faint, hushing sound, as if once more a warning were coming to Pierre this night. He looked up, his left hand at the cross.
"Look down. You are afraid of something, Pierre. What is it?"
"With your arms around my neck, there's nothing in the world I fear. I never dreamed I could love anything more than the little girl who lay in the snow, and died there that night."
"And I never dreamed I could smile at any man except the boy who lay by me that night. And he died."
"What miracle saved you?"
She said: "It was wonderful, and yet very simple. You remember how the tree crushed me down into the snow? Well, when the landslide moved, it carried the tree before it; the weight of the trunk was lifted from me. Perhaps it was a rock that struck me over the head then, for I lost consciousness. The slide didn't bury me, but the rush carried me before it like a stick before a wave, you see.
"When I woke I was almost completely covered with a blanket of debris, but I could move my arms, and managed to prop myself up in a sitting posture. It was there that my father and his searching party found me; he had been combing that district all night. They carried me back, terribly bruised, but without even a bone broken. It was a miracle that I escaped, and the miracle must have been worked by your cross; do you remember?"
He shuddered. "The cross—for every good fortune it has brought me, it has brought bad luck to others. I'll throw it away, now—and then—no, it makes no difference. We are done for."
"Pierre!"
"Don't you see, Mary, or are you still blind as I was ever since I saw you tonight? It's all in that name—Pierre."
"There's nothing in it, Pierre, that I don't love."
His head was bowed as if with the weight of the words which he foresaw. "You have heard of the wild men of the mountains, and the long-riders?"
He knew that she nodded, though she could not speak.
"I am Red Pierre."
"You!"
"Yes."
Yet he had the courage to raise his head and watch her shrink with horror. It was only an instant. Then she was beside him again, and one arm around him, while she turned her head and glanced fearfully back at the lighted schoolhouse. The faint music mocked them.
"And you dared to come to the dance? We must go. Look, there are horses! We'll ride off into the mountains, and they'll never find us—we'll—"
"Hush! One day's riding would kill you—riding as I ride."
"I'm strong—very strong, and the love of you, Pierre, will give me more strength. But quickly, for if they knew you, every man in that place would come armed and ready to kill. I know, for I've heard them talk. Tell me, are one-half of all the terrible things they say—"
"They are true, I guess."
"I won't think of them. Whatever you've done, it was not you, but some devil that forced you on. Pierre, I love you more than ever. Will you go East with me, and home? We will lose ourselves in New York. The millions of the crowd will hide us."
"Mary, there are some men from whom even the night can't hide me. If they were blind their hate would give them eyes to find me."
"Pierre, you are not turning away from me—Pierre—There's some ghost of a chance for us. Will you take that chance and come with me?"
He thought of many things, but what he answered was: "I will." "Then let's go at once. The railroad—"
"Not that way. No one in that house suspects me now. We'll go back and put on our masks again, and—hush. What's there?"
"Nothing."
"There is—a man's step."
And she, seeing the look on his face, covered her eyes in horror. When she looked up a great form was looming through the dark, and then the voice of Wilbur came, hard and cold.
"I've looked everywhere for you. Miss Brown, they are anxious about you in the schoolhouse. Will you go back?"
"No—I—"
But Pierre commanded: "Go back."
So she turned, and he ordered again: "I think our friend has something to say to me. You can find your way easily. Tomorrow—"
"Tomorrow, Pierre?"
"Yes."
"I shall be waiting."
With what a voice she said it! And then she was gone.
He turned quietly to big Dick Wilbur, on whose contorted face the moonlight fell.
"Say it, Dick, and have it out in cursing me, if that'll help."
The big man stood with his hands gripped behind, fighting for self-control.
"Pierre, I've cared for you more than I've cared for any other man. I've thought of you like a kid brother. Now tell me that you haven't done this thing, and I'll believe you rather than my senses. Tell me you haven't stolen the girl I love away from me; tell me—"
"I love her, Dick."
"Damn you! And she?"
"She'll forget me; God knows I hope she'll forget me." "I brought two guns with me. Here they are."
He held out the weapons.
"Take your choice."
"Does it have to be this way?"
"If you'd rather have me shoot you down in cold blood?"
"I suppose this is as good a way as any."
"What do you mean?"
"Nothing. Give me a gun."
"Here. This is ten paces. Are you ready?"
"Yes."
"Pierre. God forgive you for what you've done. She liked me, I know. If it weren't for you, I would have won her and a chance for real life again—but now—damn you!"
"I'll count to ten, slowly and evenly. When I reach ten we fire?"
"Yes."
"I'll trust you not to beat the count, Dick."
"And I you. Start."
He counted quietly, evenly: "One, two, three, four, five, six, seven, eight, nine—ten!"
The gun jerked up in the hand of Wilbur, but he stayed the movement with his finger pressing still upon the trigger. The hand of Pierre had not moved.
He cried: "By God, Pierre, what do you mean?"
There was no answer. He strode across the intervening space, dropped his gun and caught the other by the shoulders. Out of Pierre's nerveless fingers the revolver slipped to the ground.
"In the name of God, Pierre, what has happened to you?"
"Dick, why didn't you fire?"
"Fire? Murder you?"
"You shoot straight—I know—it would have been over quickly."
"What is it, boy? You look dead—there's no color in your face, no light in your eyes, even your voice is dead. I know it isn't fear. What is it?"
"You're wrong. It's fear."
"Fear and Red Pierre. The two don't mate."
"Fear of living, Dick."
"So that's it? God help you. Pierre, forgive me. I should have known that you had met her before, but I was mad, and didn't know what I was doing, couldn't think."
"It's over and forgotten. I have to go back and get Jack. Will you ride home with us?"
"Jack? She's not in the hall. She left shortly after you went, and she means some deviltry. There's a jealous fiend in that girl. I watched her eyes when they followed you and Mary from the hall."
"Then we'll ride back alone."
"Not I. Carry the word to Jim that I'm through with the game. I'm going to wash some of the grime off my conscience and try to make myself fit to speak to this girl again."
"It's the cross," said Pierre.
"What do you mean?"
"Nothing. The bad luck has come to poor old Jim at last, because he saved me out of the snow. Patterson has gone, and now you, and perhaps Jack—well, this is good-bye, Dick?"
"Yes."
Their hands met.
"You forgive me, Dick?"
"With all my heart, old fellow."
"I'll try to wish you luck. Stay close to her. Perhaps you'll win her."
"I'll do what one man can."
"But if you succeed, ride out of the mountain-desert with her—never let me hear of it."
"I don't understand. Will you tell me what's between you, Pierre?
You've some sort of claim on her. What is it?" "I've said good-bye.
Only one thing more. Never mention my name to her."
So he turned and walked out into the moonlight and Wilbur stared after him until he disappeared beyond the shoulder of a hill.
