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CHAPTER XV
THE DARKNESS IN ELDARA
Even the stout roan grew weary during the third day, and when they topped the last rise of hills, and looked down to darker shadows in Eldara in the black heart of the hollow, the mustang stood with hanging head, and one ear flopped forward. Cruel indeed had been the pace which Nash maintained, yet they had never been able to overhaul the flying piebald of Anthony Bard.
As they trotted down the slope, Nash looked to his equipment, handled his revolver, felt the strands of the lariat, and resting only his toes in the stirrups, eased all his muscles to make sure that they were uncramped from the long journey. He was fit; there was no doubt of that.
Coming down the main street—for Eldara boasted no fewer than three thoroughfares—the first houses which Nash passed showed no lights. As far as he could see, the blinds were all drawn; not even the glimmer of a candle showed, and the voices which he heard were muffled and low.
He thought of plague or some other disaster which might have overtaken the little village and wiped out nine tenths of the populace in a day. Only such a thing could account for silence in Eldara. There should have been bursts and roars of laughter here and there, and now and then a harsh stream of cursing. There should have been clatter of kitchen tins; there should have been neighing of horses; there should have been the quiver and tingle of children's voices at play in the dusty streets. But there was none of this. The silence was as thick and oppressive as the unbroken dark of the night. Even Butler's saloon was closed!
This, however, was something which he would not believe, no matter what testimony his eyes gave him. He rode up to a shuttered window and kicked it with his heel.
Only the echoes of that racket replied to him from the interior of the place. He swore, somewhat touched with awe, and kicked again.
A faint voice called: "Who's there?"
"Steve Nash. What the devil's happened to Eldara?"
The boards of the shutter stirred, opened, so that the man within could look out.
"Is it Steve, honest?"
"Damn it, Butler, don't you know my voice? What's turned Eldara into a cemetery?"
"Cemetery's right. 'Butch' Conklin and his gang are going to raid the place to-night."
"Butch Conklin?"
And Nash whistled long and low.
"But why the devil don't the boys get together if they know Butch is coming with his gunmen?"
"That's what they've done. Every able-bodied man in town is out in the hills trying to surprise Conklin's gang before they hit town with their guns going."
Butler was a one-legged man, so Nash kept back the question which naturally formed in his mind.
"How do they know Conklin is coming? Who gave the tip?"
"Conklin himself."
"What? Has he been in town?"
"Right. Came in roaring drunk."
"Why'd they let him get away again?"
"Because the sheriff's a bonehead and because our marshal is solid ivory. That's why."
"What happened?"
"Butch came in drunk, as I was saying, which he generally is, but he wasn't giving no trouble at all, and nobody felt particular called on to cross him and ask questions. He was real sociable, in fact, and that's how the mess was started."
"Go on. I don't get your drift."
"Everybody was treatin' Butch like he was the king of the earth and not passin' out any backtalk, all except one tenderfoot–"
But here a stream of tremendous profanity burst from Nash. It rose, it rushed on, it seemed an exhaustless vocabulary built up by long practice on mustangs and cattle.
At length: "Is that damned fool in Eldara?"
"D'you know him?"
"No. Anyway, go on. What happened?"
"I was sayin' that Butch was feelin' pretty sociable. It went all right in the bars. He was in here and didn't do nothin' wrong. Even paid for all the drinks for everybody in the house, which nobody could ask more even from a white man. But then Butch got hungry and went up the street to Sally Fortune's place."
A snarl came from Nash.
"Did they let that swine go in there?"
"Who'd stop him? Would you?"
"I'd try my damnedest."
"Anyway, in he went and got the centre table and called for ten dollars' worth of bacon and eggs—which there hasn't been an egg in Eldara this week. Sally, she told him, not being afraid even of Butch. He got pretty sore at that and said that it was a frame-up and everyone was ag'in' him. But finally he allowed that if she'd sit down to the table and keep him company he'd manage to make out on whatever her cook had ready to eat."
"And Sally done it?" groaned Nash.
"Sure; it was like a dare—and you know Sally. She'd risk her whole place any time for the sake of a bet."
"I know it, but don't rub it in."
"She fetched out a steak and served Butch as if he'd been a king and then sat down beside him and started kiddin' him along, with all the gang of us sittin' or standin' around and laughin' fit to bust, but not loud for fear Butch would get annoyed.
"Then two things come in together and spoiled the prettiest little party that was ever started in Eldara. First was that player piano which Sally got shipped in and paid God-knows-how-much for; the second was this greenhorn I was tellin' you about."
"Go on," said Nash, the little snarl coming back in his voice. "Tell me how the tenderfoot walked up and kicked Butch out of the place."
"Somebody been tellin' you?"
"No; I just been readin' the mind of Eldara."
"It was a nice play, though. This Bard—we found out later that was his name—walks in, takes a table, and not being served none too quick, he walks over and slips a nickel in the slot of the piano. Out she starts with a piece of rippin' ragtime—you know how loud it plays? Butch, he kept on talkin' for a minute, but couldn't hear himself think. Finally he bellers: 'Who turned that damned tin-pan loose?'
"This Bard walks up and bows. He says: 'Sir, I came here to find food, and since I can't get service, I'll take music as a substitute.'
"Them was the words he used, Steve, honest to God. Used them to Butch!
"Well, Conklin was too flabbergasted to budge, and Bard, he leaned over and says to Sally: 'This floor is fairly smooth. Suppose you and I dance till I get a chance to eat?'
"We didn't know whether to laugh or to cheer, but most of us compromised by keeping an eye on Butch's gun.
"Sally says, 'Sure I'll dance,' and gets up.
"'Wait!' hollers Butch; 'are you leavin' me for this wall-eyed galoot?'
"There ain't nothin' Sally loves more'n a fight—we all know that. But this time I guess she took pity on the poor tenderfoot, or maybe she jest didn't want to get her floor all messed up.
"'Keep your hat on, Butch,' she says, 'all I want to do is to give him some motherly advice.'
"'If you're acting that part,' says Bard, calm as you please, 'I've got to tell mother that she's been keeping some pretty bad company.'
"'Some what?' bellers Butch, not believin' his ears.
"And young Bard, he steps around the girl and stands over Butch.
"'Bad company is what I said,' he repeats, 'but maybe I can be convinced.'
"'Easy,' says Butch, and reaches for his gun.
"We all dived for the door, but me being held up on account of my missing leg, I was slow an' couldn't help seein' what happened. Butch was fast, but the young feller was faster. He had Butch by the wrist before the gun came clear—just gave a little twist—and there he stood with the gun in his hand pointin' into Butch's face, and Butch sittin' there like a feller in a trance or wakin' up out of a bad dream.
"Then he gets up, slow and dignified, though he had enough liquor in him to float a ship.
"'I been mobbed,' he says, 'it's easy to see that. I come here peaceful and quiet, and here I been mobbed. But I'm comin' back, boys, and I ain't comin' alone.'
"There was our chance to get him, while he was walking out of that place without a gun, but somehow nobody moved for him. He didn't look none too easy, even without his shootin' irons. Out he goes into the night, and we stood around starin' at each other. Everybody was upset, except Sally and Bard.
"He says: 'Miss Fortune, this is our dance, I think.'
"'Excuse me,' says Sally, 'I almost forgot about it.'
"And they started to dance to the piano, waltzin' around among the tables; the rest of us lit out for home because we knew that Butch would be on his way with his gang before we got very far under cover. But hey, Steve, where you goin'?"
"I'm going to get in on that dance," called Nash, and was gone at a racing gallop down the street.
CHAPTER XVI
BLUFF
He found no dance in progress, however, but in the otherwise empty eating place, which Sally owned and ran with her two capable hands and the assistance of a cook, sat Sally herself dining at the same table with the tenderfoot, the flirt, the horse-breaker, the tamer of gun-fighters.
Nash stood in the shadow of the doorway watching that lean, handsome face with the suggestion of mockery in the eyes and the trace of sternness around the thin lips. Not a formidable figure by any means, but since his experiences of the past few days, Nash was grown extremely thoughtful.
What he finally thought he caught in this most unusual tenderfoot was a certain alertness of a more or less hair-trigger variety. Even now as he sat at ease at the table, one elbow resting lightly upon it, apparently enwrapped in the converse of Sally Fortune, Nash had a consciousness that the other might be on his feet and in the most distant part of the room within a second.
What he noted in the second instant of his observation was that Sally was not at all loath to waste her time on the stranger. She was eating with a truly formidable conventionality of manner, and a certain grace with which she raised the ponderous coffee cup, made of crockery guaranteed to resist all falls, struck awe through the heart of the cowpuncher. She was bent on another conquest, beyond all doubt, and that she would not make it never entered the thoughts of Nash. He set his face to banish a natural scowl and advanced with a good-natured smile into the room.
"Hello!" he called.
"It's old Steve!" sang out Sally, and whirling from her chair, she advanced almost at a run to meet him, caught him by both hands, and led him to a table next to that at which she had been sitting.
It was as gracefully done as if she had been welcoming a brother, but Nash, knowing Sally, understood perfectly that it was only a play to impress the eye of Bard. Nevertheless he was forced to accept it in good part.
"My old pal, Steve Nash," said Sally, "and this is Mr. Anthony Bard."
Just the faintest accent fell on the "Mr.," but it made Steve wince. He rose and shook hands gravely with the tenderfoot.
"I stopped at Butler's place down the street," he said, "and been hearin' a pile about a little play you made a while ago. It was about time for somebody to call old Butch's bluff."
"Bluff?" cried Sally indignantly.
"Bluff?" queried Bard, with a slight raising of the eyebrows.
"Sure—bluff. Butch wasn't any more dangerous than a cat with trimmed claws. But I guess you seen that?"
He settled down easily in his chair just as Sally resumed her place opposite Bard.
"Steve," she said, with a quiet venom, "that bluff of his has been as good as four-of-a-kind with you for a long time. I never seen you make any play at Butch."
He returned amiably: "Like to sit here and have a nice social chat, Sally, but I got to be gettin' back to the ranch, and in the meantime, I'm sure hungry."
At the reminder of business a green light came in the fine blue eyes of Sally. They were her only really fine features, for the nose tilted an engaging trifle, the mouth was a little too generous, the chin so strong that it gave, in moments of passivity, an air of sternness to her face. That sternness was exaggerated as she rose, keeping her glare fixed upon Nash; a thing impossible for him to bear, so he lowered his eyes and engaged in rolling a cigarette. She turned back toward Bard.
"Sorry I got to go—before I finished eating—but business is business."
"And sometimes," suggested Bard, "a bore."
It was an excellent opening for a quarrel, but Nash was remembering religiously a certain thousand dollars, and also a gesture of William Drew when he seemed to be breaking an imaginary twig. So he merely lighted his cigarette and seemed to have heard nothing.
"The whole town," he remarked casually, "seems scared stiff by this Butch; but of course he ain't comin' back to-night."
"I suppose," said the tenderfoot, after a cold pause, "that he will not."
But the coldness reacted like the most genial warmth upon Nash. He had chosen a part detestable to him but necessary to his business. He must be a "gabber" for the nonce, a free talker, a chatterer, who would cover up all pauses.
"Kind of strange to ride into a dark town like this," he began, "but I could tell you a story about—"
"Oh, Steve," called the voice of Sally from the kitchen.
He rose and nodded to Bard.
"'Scuse me, I'll be back in a minute."
"Thanks," answered the other, with a somewhat grim emphasis.
In the kitchen Sally spoke without prelude. "What deviltry are you up to now, Steve?"
"Me?" he repeated with eyes widened by innocence. "What d'you mean, Sally?"
"Don't four-flush me, Steve."
"Is eating in your place deviltry?"
"Am I blind?" she answered hotly. "Have I got spring-halt, maybe? You're too polite, Steve; I can always tell when you're on the way to a little bell of your own making, by the way you get sort of kind and warmed up. What is it now?"
"Kiss me, Sally, and I'll tell you why I came to town."
She said with a touch of colour: "I'll see you—" and then changing quickly, she slipped inside his ready arms with a smile and tilted up her face.
"Now what is it, Steve?"
"This," he answered.
"What d'you mean?"
"You know me, Sally. I've worn out the other ways of raising hell, so I thought I'd start a little by coming to Eldara to kiss you."
Her open hand cracked sharply twice on his lean face and she was out of his arms. He followed, laughing, but she armed herself with a red-hot frying pan and defied him.
"You ain't even a good sport, Steve. I'm done with you! Kiss you?"
He said calmly: "I see the hell is startin', all right."
But she changed at once, and smiled up to him.
"I can't stay mad at you, Steve. I s'pose it's because of your nerve. I want you to do something for me."
"What?"
"Is that a way to take it! I've asked you a favour, Steve."
He said suspiciously: "It's got something to do with the tenderfoot in the room out there?"
It was a palpable hit, for she coloured sharply. Then she took the bull by the horns.
"What if it is?"
"Sally, d'you mean to say you've fallen for that cheap line of lingo he passes out?"
"Steve, don't try to kid me."
"Why, you know who he is, don't you?"
"Sure; Anthony Bard."
"And do you know who Anthony Bard is?"
"Well?" she asked with some anxiety.
"Well, if you don't know you can find out. That's what the last girl done."
She wavered, and then blinked her eyes as if she were resolved to shut out the truth.
"I asked you to do me a favour, Steve."
"And I will. You know that."
"I want you to see that Bard gets safe out of this town."
"Sure. Nothing I'd rather do."
She tilted her head a little to one side and regarded him wistfully.
"Are you double-crossin' me, Steve?"
"Why d'you suspect me? Haven't I said I'd do it?"
"But you said it too easy."
The gentleness died in her face. She said sternly: "If you do double-cross me, you'll find I'm about as hard as any man on the range. Get me?"
"Shake."
Their hands met. After all, he did not guarantee what would happen to the tenderfoot after they were clear of the town. But perhaps this was a distinction a little too fine for the downright mind of the girl. A sea of troubles besieged the mind of Nash.
And to let that sea subside he wandered back to the eating room and found the tenderfoot finishing his coffee. The latter kept an eye of frank suspicion upon him. So the silence held for a brooding moment, until Bard asked: "D'you know the way to the ranch of William Drew?"
It was a puzzler to Nash. Was not that his job, to go out and bring the man to Drew's place? Here he was already on the way. He remembered just in time that the manner of bringing was decidedly qualified.
He said aloud: "The way? Sure; I work on Drew's place."
"Really!"
"Yep; foreman."
"You don't happen to be going back that way to-night?"
"Not all the way; part of it."
"Mind if I went along?"
"Nobody to keep you from it," said the cowpuncher without enthusiasm.
"By the way, what sort of a man is Drew?"
"Don't you know him?"
"No. The reason I want to see him is because I want to get the right to do some—er—fishing and hunting on a place of his on the other side of the range."
"The place with the old house on it; the place Logan is?"
"Exactly. Also I wish to see Logan again. I've got several little things I'd like to have him explain."
"H-m!" grunted Nash without apparent interest.
"And Drew?"
"He's a big feller; big and grey."
"Ah-h-h," said the other, and drew in his breath, as though he were drinking.
It seemed to Nash that he had never seen such an unpleasant smile.
"You'll get what you want out of Drew. He's generous."
"I hope so," nodded the other, with far-off eyes. "I've got a lot to ask of him."
CHAPTER XVII
BUTCH RETURNS
He reminded Nash of some big puma cub warming itself at a hearth like a common tabby cat, a tame puma thrusting out its claws and turning its yellow eyes up to its owner—tame, but with infinite possibilities of danger. For the information which Nash had given seemed to remove all his distrust of the moment before and he became instantly genial, pleasant. In fact, he voiced this sentiment with a disarming frankness immediately.
"Perhaps I've seemed to be carrying a chip on my shoulder, Mr. Nash. You see, I'm not long in the West, and the people I've met seem to be ready to fight first and ask questions afterward. So I've caught the habit, I suppose."
"Which a habit like that ain't uncommon. The graveyards are full of fellers that had that habit and they're going to be fuller still of the same kind."
Here Sally entered, carrying the meal of the cowpuncher, arranged it, and then sat on the edge of Bard's table, turning from one to the other as a bird on a spray of leaves turns from sunlight to shadow and cannot make a choice.
"Bard," stated Nash, "is going out to the ranch with me to-night."
"Long ride for to-night, isn't it?"
"Yes, but we'll bunk on the way and finish up early in the morning."
"Then you'll have a chance to teach him Western manners on the way, Steve."
"Manners?" queried the Easterner, smiling up to the girl.
She turned, caught him beneath the chin with one hand, tilting his face, and raised the lessoning forefinger of the other while she stared down at him with a half frown and a half smile like a schoolteacher about to discipline a recalcitrant boy.
"Western manners," she said, "mean first not to doubt a man till he tries to double-cross you, and not to trust him till he saves your life; to keep your gun inside the leather till you're backed up against the wall, and then to start shootin' as soon as the muzzle is past the holster. Then the thing to remember is that the fast shootin' is fine, but sure shootin' is a lot better. D'you get me?"
"That's a fine sermon," smiled Bard, "but you're too young to make a convincing preacher, Miss Fortune."
"Misfortune," said the girl quickly, "don't have to be old to do a lot of teachin'."
She sat back and regarded him with something of a frown and with folded arms.
He said with a sudden earnestness: "You seem to take it for granted that I'm due for a lot of trouble."
But she shook her head gloomily.
"I know what you're due for; I can see it in your eyes; I can hear it in your way of talkin'. If you was to ride the range with a sheriff on one side of you and a marshal on the other you couldn't help fallin' into trouble."
"As a fortune-teller," remarked Nash, "you'd make a good undertaker, Sally."
"Shut up, Steve. I've seen this bird in action and I know what I'm talking about. When you coming back this way, Bard?"
He said thoughtfully: "Perhaps to-morrow night—perhaps—"
"It ought to be to-morrow night," she said pointedly, her eyes on Nash.
The latter had pushed his chair back a trifle and sat now with downward head and his right hand resting lightly on his thigh. Only the place in which they sat was illumined by the two lamps, and the forward part of the room, nearer the street, was a sea of shadows, wavering when the wind stirred the flame in one of the lamps or sent it smoking up the chimney. Sally and Bard sat with their backs to the door, and Nash half facing it.
"Steve," she said, with a sudden low tenseness of voice that sent a chill up Bard's spinal cord, "Steve, what's wrong?"
"This," answered the cowboy calmly, and whirling in his chair, his gun flashed and exploded.
They sprang up in time to see the bulky form of Butch Conklin rise out of the shadows in the front part of the room with outstretched arms, from one of which a revolver dropped clattering to the floor. Backward he reeled as though a hand were pulling him from behind, and then measured his length with a crash on the floor.
Bard, standing erect, quite forgot to touch his weapon, but Sally had produced a ponderous forty-five with mysterious speed and now crouched behind a table with the gun poised. Nash, bending low, ran forward to the fallen man.
"Nicked, but not done for," he called.
"Thank God!" cried Sally, and the two joined Nash about the prostrate body.
That bullet had had very certain intentions, but by a freak of chance it had been deflected on the angle of the skull and merely ploughed a bloody furrow through the mat of hair from forehead to the back of the skull. He was stunned, but hardly more seriously hurt than if he had been knocked down by a club.
"I've an idea," said the Easterner calmly, "that I owe my life to you, Mr. Nash."
"Let that drop," answered the other.
"A quarter of an inch lower," said the girl, who was examining the wound, "and Butch would have kissed the world good-bye."
Not till then did the full horror of the thing dawn on Bard. The girl was no more excited than one of her Eastern cousins would have been over a game of bridge, and the man in the most matter-of-fact manner, was slipping another cartridge into the cylinder of the revolver, which he then restored to the holster.
It still seemed incredible that the man could have drawn his gun and fired it in that flash of time. He recalled his adventure with Butch earlier that evening and with Sandy Ferguson before; for the first time he realized what he had done and a cold horror possessed him like the man who has nerves to walk the tight rope across the chasm and faints when he looks back on the gorge from the safety of the other side. The girl took command.
"Steve, run down to the marshal's office; Deputy Glendin is there."
She took the wet cloth and made a deft bandage for the head of Conklin. With his shaggy hair covered, and all his face sagging with lines of weariness, the gun-fighter seemed no more than a middle-aged man asleep, worn out by trouble.
"Is there a doctor?" asked Bard anxiously.
"That ain't a case for a doctor—look here; you're in a blue faint. What is the matter?"
"I don't know; I'm thinking of that quarter of an inch which would have meant the difference to poor Conklin."
"'Poor' Conklin? Why, you fish, he was sneakin' in here to try his hand on you. He found out he couldn't get his gang into town, so he slipped in by himself. He'll get ten years for this—and a thousand if they hold him up for the other things he's done."
"I know—and this fellow Nash was as quiet as the strike of a snake. If he'd been a fraction of a second slower I might be where Conklin is now. I'll never forget Nash for this."
She said pointedly: "No, he's a bad one to forget; keep an eye on him. You spoke of a snake—that's how smooth Steve is."
"Remember your own motto, Miss Fortune. He saved my life; therefore I must trust him."
She answered sullenly: "You're your own boss."
"What's wrong with Nash?"
"Find out for yourself."
"Are all these fellows something other than they seem?"
"What about yourself?"
"How do you mean that?"
"What trail are you on, Bard? Don't look so innocent. Oh, I seen you was after something a long time ago."
"I am. After excitement, you know."
"Ain't you finding enough?"
"I've got two things ahead of me."
"Well?"
"This trip, and when I come back I think making love to you would be more exciting than gun-plays."
They regarded each other with bantering smiles.
"A tenderfoot like you make love to me? That would be exciting, all right, if it wasn't so funny."
"As for the competition," he said serenely, "that would be simply a good background."
"Hate yourself, don't you, Bard?" she grinned.
"The rest of these boys are all very well, but they don't see that what you want is the velvet touch."
"What's that?"
She was as frankly curious as some boy hearing a new game described.
"You've only been loved in one way. These rough-handed fellows come in and throw an arm around you and ask you to marry them; isn't that it? What you really need, is an old, simple, but very effective method."
Though her eyes were shining, she yawned.
"It don't interest me, Bard."
"On the contrary, you're getting quite excited."
"So does a horse before it gets ready to buck."
"Exactly. If I thought it would be easy I wouldn't be tempted."
"Well, if you like fighting you've sure mapped out a nice sizeable quarrel with me, Bud."
"Good. I'm certainly coming back to Eldara. Now about this method of mine—"
"Throwing your cards on the table, eh? What you got, Bard, a royal flush?"
"Right again. It's a very simple method but you couldn't beat it."
"Bud, you ain't half old enough to kid me."
"What you need," he persisted calmly, "is someone who would sit down and simply talk good, plain English to you."
"Let 'er go."
"In the first place I will call attention to your method of dressing."
"Anything wrong with it?"
"I knew you'd be interested."
She slipped into a chair and sat cross-legged in it, her elbows on her knees and her chin cupped in both her hands.
"Sure I'm interested. If there's a new way fixin' ham-and, serve it out."
"I would begin," he went on judiciously, "by saying that you dressed in five minutes in the dark."
"It's generally dark at 5 a.m.," she admitted.
"You look, on the whole, as if you'd fallen into your clothes."
The wounded man stirred and groaned faintly.
She called: "Lie down, Butch; I'm busy. Go on, Bard."
"If you keep a mirror it's a wall decoration—not for personal use."
"Maybe this is an old method, Bard; but around this place it'd be a quick way of gettin' shot."
"Angry?"
"You'd peeve a mule."
"This was only an introduction. The next thing is to sit close beside you and shift the lamp so that the light would shine on your face; then take your hand—"
He suited his action to his word.
"Let go my hand, Bard. It's like the rest of me—not a decoration but for use."
"Afraid of me, Sally?"
"Not of a regiment like you."
"Then of my method?"
"Go on; I'm game."
"But this is all there is to it."
"What d'you mean?"
"Just what I say. Having observed that you haven't set off any of your advantages, I will sit here and look into your face in silence, which is as much as to say that no matter how you dress you can't spoil a very excellent figure, Sally. I suppose you've heard that before?"
"Lots of times," she muttered.
"But you wouldn't hear it from me. All I would do would be to sit and stare and let you imagine what I'm thinking. And you'd begin to see that in spite of the way you do your hair you can't spoil its colour nor its texture."
He raised his other hand and touched it.
"Like silk, Sally."
He studied her closely, noting the flush which began to touch her cheeks.
"Part of the game is for you to keep looking me in the eye."
"Well, I'll be—Go on, I'm game."
"Is it hard to sit like this—silently? Do I do it badly?"
"No, you show lots of practice. How many have you tried this method on, Bard?"
He made a vague gesture and then, smiling: "Millions, Sally, and they all liked it."
"So do I."
And they laughed together, and grew serious at the same instant.
"All silence—like this?" she queried.
"No; after a while I would say: 'You are beautiful.'"
"You don't get a blue ribbon for that, Bard."
"Not for the words, but the way they're said, which shows I mean them."
She blinked as though to clear her eyes and then met his stare again.
"You know you are beautiful, Sally."
"With a pug nose—freckles—and all that?"
"Just a tip-tilt in the nose, Sally. Why, it's charming. And you have everything else—young, strong, graceful, clear."
"What d'you mean by that?"
"Clear? Fresh and colourful like the sunset over the desert. Do you understand?"
Her eyes went down to consider.
"I s'pose I do."
"With a touch of awe in it, because the silence and the night are coming, and the stars walk down, one by one—one by one. And the wind is low, soft, musical, whispering, as you do now—What if this were not a game of suppose, Sally?"
She wrenched herself suddenly away, rising.
"I'm tired of supposing!" she cried.
"Then we'll call it all real. What of that?"
That colour was unmistakably high now; it ran down from her cheeks and even stained the pure white of the throat where the flap of the shirt was open. He was excited as a hunter who has tracked some new and dangerous animal and at last driven it to bay, holding his gun poised, and not knowing whether or not it will prove vulnerable.
He stepped close, eager, prepared for any wild burst of temper; but she let him take her hands, let him draw her close, bend back her head; hold her closer still, till the warmth and softness of her body reached him, but when his lips came close she said quietly: "Are you a rotter, Bard?"
He stiffened and the smile went out on his lips. He stepped back.
She repeated: "Are you a rotter?"
He raised the one hand which he still retained and touched it to his lips.
"I am very sorry," said Anthony, "will you forgive me?"
