Kitabı oku: «The Death Shot: A Story Retold», sayfa 29

Chapter Eighty One.
The voice of vengeance

Never did man believe himself nigher death, or experience greater satisfaction at being saved from it, than Charles Clancy. For upon his life so near lost, and as if miraculously preserved, depend issues dear to him as that life itself.

And these, too, may reach a successful termination; some thing whispers him they will.

But though grateful to God for the timely succour just received, and on Him still reliant, he does not ask God for guidance in what he intends now. Rather, shuns he the thought, as though fearing the All-Merciful might not be with him. For he is still determined on vengeance, which alone belongs to the Lord.

Of himself, he is strong enough to take it; and feels so, after being refreshed by another drink of the whiskey. The spirit of the alcohol, acting on his own, reinvigorates, and makes him ready for immediate action. He but stays to think what may be his safest course, as the surest and swiftest. His repeated repulses, while making more cautious, have done nought to daunt, or drive him from his original purpose. Recalling his latest interview with Helen Armstrong, and what he then said, he dares not swerve from it. To go back leaving it undone, were a humiliation no lover would like to confess to his sweetheart.

But he has no thought of going back, and only hesitates, reflecting on the steps necessary to ensure success.

He now knows why Darke retreated in such wild affright. Some speeches passing between the robbers, overheard by Jupiter, and by him reported, enable Clancy to grasp the situation. As he had conjectured, Darke was straying, and by chance came that way. No wonder at the way he went.

It is not an hour since he fled from the spot, and in all likelihood he is still straying. If so, he cannot be a great way off; but, far or near, Brasfort can find him.

It is but a question of whether he can be overtaken before reaching the rendezvous. For the only danger of which Clancy has dread, or allows himself to dwell upon, is from the other robbers. Even of these he feels not much fear. But for the mulatto and his mule, he would never have allowed them to lay hand on him. And now with his splendid horse once more by his side, the saddle awaiting him, he knows he will be safe from any pursuit by mounted men, as a bird upon the wing.

For the safety of his faithful follower he has already conceived measures. Jupiter is to make his way back to the San Saba, and wait for him at their old camp, near the crossing. Failing to come, he is to proceed on to the settlement, and there take his chances of a reception. Though the fugitive slave may be recognised, under Sime Woodley’s protection he will be safe, and with Helen Armstrong’s patronage, sure of hospitable entertainment.

With all this mentally arranged, though not yet communicated to Jupe, Clancy gives a look to his gun to assure himself it is in good order; another to the caparison of his horse; and, satisfied with both, he at length leaps into the saddle.

The mulatto has been regarding his movements with uneasiness. There is that in them which forewarns him of still another separation.

He is soon made aware of it, by the instructions given him, in accordance with the plan sketched cat. On Clancy telling him, he is to return to the San Saba alone, with the reasons why he should do so, he listens in pained surprise.

“Sure you don’t intend leavin’ me, Masser Charle?”

“I do – I must.”

“But whar you goin’ youself?”

“Where God guides – it may be His avenging angel. Yes, Jupe; I’m off again, on that scoundrel’s track. This shall be my last trial. If it turn out as hitherto, you may never see me more – you, nor any one else. Failing, I shan’t care to face human kind, much less her I love. Ah! I’ll more dread meeting my mother – her death unavenged. Bah! There’s no fear, one way or the other. So don’t you have any uneasiness about the result; but do as I’ve directed. Make back to the river, and wait there at the crossing. Brasfort goes with me; and when you see us again, I’ll have a spare horse to carry you on to our journey’s end; that whose shoes made those scratches – just now, I take it, between the legs of Dick Darke.”

“Dear masser,” rejoins Jupiter, in earnest protest. “Why need ye go worryin’ after that man now? You’ll have plenty opportunities any day. He aint likely to leave Texas, long’s that young lady stays in it. Besides, them cut-throats at the creek, sure come after me. They’ll be this way soon’s they find me gone, an’ set their eyes on that streak o’ red colour I left ahind me in the tent. Take my advice, Masser Charle, an’ let’s both slip out o’ thar way, by pushin’ straight for the settlement.”

“No settlement, till I’ve settled with him! He can’t have got far away yet. Good, Brasfort! you’ll do your best to help me find him?”

The hound gives a low growl, and rollicks around the legs of the horse, seeming to say: —

“Set me on the scent; I’ll show you.”

Something more than instinct appears to inspire the Molossian. Though weeks have elapsed since in the cypress swamp it made savage demonstrations against Darke, when taking up his trail through the San Saba bottom it behaved as if actuated by the old malice, remembering the smell of the man! And now conducted beyond the place trodden by Borlasse and the others, soon as outside the confusion of scents, and catching his fresher one, it sends forth a cry strangely intoned, altogether unlike its ordinary bay while trailing a stag. It is the deep sonorous note of the sleuth-hound on slot of human game; such as oft, in the times of Spanish American colonisation, struck terror to the heart of the hunted aboriginal.

As already said, Brasfort has a strain of the bloodhound in him; enough to make danger for Richard Darke. Under the live-oak the hound would have pulled him from his saddle, torn him to pieces on the spot, but for Jupiter, to whom it was consigned, holding it hard back.

Clancy neither intends, nor desires, it to do so now. All he wants with it, is to bring him face to face with his hated foeman. That done, the rest he will do himself.

Everything decided and settled, he hastily takes leave of Jupiter, and starts off along the trail, Brasfort leading.

Both are soon far away.

On the wide waste the mulatto stands alone, looking after – half reproachfully for being left behind – regretting his master’s rashness – painfully apprehensive he may never see him more.

Chapter Eighty Two.
A man nearly mad

“Am I still drunk? Am I dreaming?”

So Richard Darke interrogates himself, retreating from the strangest apparition human eyes ever saw. A head without any body, not lying as after careless decapitation, but as though still upon shoulders, the eyes glancing and rolling, the lips moving, speaking – the whole thing alive! The head, too, of one he supposes himself to have assassinated, and for which he is a felon and fugitive. No wonder he doubts the evidence of his senses, and at first deems it fancy – an illusion from dream or drink. But a suspicion also sweeps through his soul, which, more painfully impressing, causes him to add still another interrogatory:

“Am I mad?”

He shakes his head and rubs his eyes, to assure himself he is awake, sober, and sane. He is all three; though he might well wish himself drunk or dreaming – for, so scared is he, there is in reality a danger of his senses forsaking him. He tries to account for the queer thing, but cannot. Who could, circumstanced as he? From that day when he stooped over Clancy, holding Helen Armstrong’s photograph before his face, and saw his eyes film over in sightless gaze, the sure forerunner of death, he has ever believed him dead. No rumour has reached him to the contrary – no newspaper paragraph, from which he might draw his deductions, as Borlasse has done. True, he observed some resemblance to Clancy in the man who surprised him under the live-oak; but, recalling that scene under the cypress, how could he have a thought of its being he? He could not, cannot, does not yet.

But what about the head? How is he to account for that? And the cries sent after him – still ringing in his ears – his own name, with the added accusation he himself believes true, the brand, “murderer!”

“Am I indeed mad?” he again asks himself, riding on recklessly, without giving guidance to his horse. His trembling hand can scarce retain hold of the rein; and the animal, uncontrolled, is left to take its course – only, it must not stop or stay. Every time it shows sign of lagging, he kicks mechanically against its ribs, urging it on, on, anywhere away from that dread damnable apparition.

It is some time before he recovers sufficient coolness to reflect – then only with vague comprehensiveness; nothing clear save the fact that he has completely lost himself, and his way. To go on were mere guesswork. True, the moon tells him the west, the direction of Coyote creek. But westward he will not go, dreading to again encounter that ghostly thing; for he thinks it was there he saw it.

Better pull up, and await the surer guidance of the sun, with its light, less mystical.

So deciding, he slips out of the saddle; and letting his horse out on the trail-rope, lays himself down. Regardless of the animal’s needs, he leaves all its caparison on, even to the bitt between its teeth. What cares he for its comforts, or for aught else, thinking of that horrible head?

He makes no endeavour to snatch a wink of sleep, of which he has had enough; but lies cogitating on the series of strange incidents and sights which have late occurred to him, but chiefly the last, so painfully perplexing. He can think of nothing to account for a phenomenon so abnormal, so outside all laws of nature.

While vainly endeavouring to solve the dread enigma, a sound strikes upon his ear, abruptly bringing his conjectures to a close. It is a dull thumping, still faint and far off; but distinguishable as the tramp of a horse.

Starting to his feet, he looks in the direction whence it proceeds. As expected, he sees a horse; and something more, a man upon its back, both coming towards him.

Could it, perchance, be Bosley? Impossible! He was their prisoner under the live-oak. They would never let him go. Far more like it is Woodley – the terrible backwoodsman, as ever after him? Whoever it be, his guilty soul tells him the person approaching can be no friend of his, but an enemy, a pursuer. And it may be another phantom!

Earthly fears, with unearthly fancies, alike urging him to flight, he stays not to make sure whether it be ghost or human; but, hastily taking up his trail-rope, springs to the back of his horse, and again goes off in wild terrified retreat.

It scarce needs telling, that the horseman who has disturbed Richard Darke’s uncomfortable reflections is Charles Clancy. Less than an hour has elapsed since his starting on the trail, which he has followed fast; the fresh scent enabling Brasfort to take it up in a run. From the way it zigzagged, and circled about, Clancy could tell the tracked steed had been going without guidance, as also guess the reason. The rider, fleeing in affright, has given no heed to direction. All this the pursuer knows to be in his favour; showing that the pursued man has not gone to Coyote creek, but will still be on the steppe, possibly astray, and perhaps not far off.

Though himself making quick time, he is not carelessly pursuing; on the contrary taking every precaution to ensure success. He knows that on the hard turf his horse’s tread can be heard to a great distance; and to hinder this he has put the animal to a “pace” – a gait peculiar to Texas and the South-Western States. This, combining speed with silence, has carried him on quickly as in a canter. The hound he has once more muzzled, though not holding it in leash; and the two have gone gliding along silent as spectres.

At each turn of the trail, he directs looks of inquiry ahead.

One is at length rewarded. He is facing the moon, whose disc almost touches the horizon, when alongside it he perceives something dark upon the plain, distinguishable as the figure of a horse. It is stationary with head to the ground, as if grazing, though by the uneven outline of its back it bears something like a saddle. Continuing to scrutinise, he sees it is this; and, moreover, makes out the form of a man, or what resembles one, lying along the earth near by.

These observations take only an instant of time; and, while making them he has halted, and by a word, spoken low, called his hound off the trail. The well-trained animal obeying, turns back, and stands by his side waiting.

The riderless horse, with the dismounted rider, are still a good way off, more than half a mile. At that distance he could not distinguish them, but for the position of the moon, favouring his view. Around her rim the luminous sky makes more conspicuous the dark forms interposed between.

He can have no doubt as to what they are. If he had, it is soon solved. For while yet gazing upon them – not in conjecture, but as to how he may best make approach – he perceives the tableau suddenly change. The horse tosses up its head, while the man starts upon his feet. In an instant they are together, and the rider in his saddle.

And now Clancy is quite sure: for the figure of the horseman, outlined against the background of moonlit sky, clear-edged as a medallion, shows the feathered circlet surmounting his head. To all appearance a red savage, in reality a white one – Richard Darke.

Clancy stays not to think further. If he did he would lose distance. For soon as in the saddle, Darke goes off in full headlong gallop. In like gait follows the avenger, forsaking the cautious pace, and no longer caring for silence.

Still there is no noise, save that of the hammering hooves, now and then a clink, as their iron shoeing strikes a stone. Otherwise silent, pursuer and pursued. But with very different reflections; the former terrified, half-frenzied, seeking to escape from whom he knows not; the latter, cool, courageous, trying to overtake one he knows too well.

Clancy pursues but with one thought, to punish the murderer of his mother. And sure he will succeed now. Already is the space shortened between them, growing less with every leap of his horse. A few strides more and Richard Darke will be within range of his rifle.

Letting drop the reins, he takes firmer grasp on his gun. His horse needs no guidance, but goes on as before, still gaining.

He is now within a hundred lengths of the retreating foe, but still too far off for a sure shot. Besides, the moon is in front, her light dazzling his eyes, the man he intends to take aim at going direct for her disc, as if with the design to ride into it.

While he delays, calculating the distance, suddenly the moon becomes obscured, the chased horseman simultaneously disappearing from his sight!

Chapter Eighty Three.
At length the “Death Shot.”

Scarce for an instant is Clancy puzzled by the sudden disappearance of him pursued. That is accounted for by the simplest of causes; a large rock rising above the level of the plain, a loose boulder, whose breadth interposing, covers the disc of the moon. A slight change of direction has brought it between; Darke having deflected from his course, and struck towards it.

Never did hunted fox, close pressed by hounds, make more eagerly for cover, or seek it so despairingly as he. He has long ago been aware that the pursuer is gaining upon him. At each anxious glance cast over his shoulder, he sees the distance decreased, while the tramp of the horse behind sounds clearer and closer.

He is in doubt what to do. Every moment he may hear the report of a gun, and have a bullet into his back. He knows not the instant he may be shot out of his saddle.

Shall he turn upon the pursuer, make stand, and meet him face to face? He dares not. The dread of the unearthly is still upon him. It may be the Devil!

The silence, too, awes him. The pursuing horseman has not yet hailed – has not spoken word, or uttered exclamation. Were it not for the heavy tread of the hoof he might well believe him a spectre.

If Darke only knew who it is, he would fear him as much, or more. Knowing not, he continues his flight, doubting, distracted. He has but one clear thought, the instinct common to all chased creatures – to make for some shelter.

A copse, a tree, even were it but a bush, anything to conceal him from the pursuer’s sight – from the shot he expects soon to be sent after him.

Ha! what is that upon the plain? A rock! And large enough to screen both him and his horse. The very thing!

Instinctively he perceives his advantage. Behind the rock he can make stand, and without hesitation he heads his horse for it.

It is a slight change from his former direction, and he loses a little ground; but recovers it by increased speed. For encouraged by the hope of getting under shelter, he makes a last spurt, urging his animal to the utmost.

He is soon within the shadow of the rock, still riding towards it.

It is just then that Clancy loses sight of him, as of the moon. But he is now also near enough to distinguish the huge stone; and, while scanning its outlines, he sees the chased horseman turn around it, so rapidly, and at such distance, he withholds his shot, fearing it may fail.

Between pursued and pursuer the chances have changed; and as the latter reins up to consider what he should do, he sees something glisten above the boulder, clearly distinguishable as the barrel of a gun. At the same instant a voice salutes him, saying: —

“I don’t know who, or what you are. But I warn you to come no nearer. If you do, I’ll send a bullet – Great God!”

With the profane exclamation, the speaker suddenly interrupts himself, his voice having changed from its tone of menace to trembling. For the moonlight is full upon the face of him threatened; he can trace every feature distinctly. It is the same he late saw on the sun ice of the plain!

It can be no dream, nor freak of fancy. Clancy is still alive; or if dead he, Darke, is looking upon his wraith!

To his unfinished speech he receives instant rejoinder: —

“You don’t know who I am? Learn then! I’m the man you tried to assassinate in a Mississippian forest – Charles Clancy – who means to kill you, fairer fashion, here on this Texan plain. Dick Darke! if you have a prayer to say, say it soon; for sure as you stand behind that rock, I intend taking your life.”

The threat is spoken in a calm, determined tone, as if surely to be kept. All the more terrible to Richard Darke, who cannot yet realise the fact of Clancy’s being alive. But that stern summons must have come from mortal lips, and the form before him is no spirit, but living flesh and blood.

Terror-stricken, appalled, shaking as with an ague, the gun almost drops from his grasp. But with a last desperate resolve, and effort mechanical, scarce knowing what he does, he raises the piece to his shoulder, and fires.

Clancy sees the flash, the jet, the white smoke puffing skyward; then hears the crack. He has no fear, knowing himself at a safe distance. For at this has he halted.

He does not attempt to return the fire, nor rashly rush on. Darke carries a double-barrelled gun, and has still a bullet left. Besides, he has the advantage of position, the protecting rampart, the moon behind his back, and in the eyes of his assailant, everything in favour of the assailed.

Though chafing in angry impatience, with the thirst of vengeance unappeased, Clancy restrains himself, measuring the ground with his eyes, and planning how he may dislodge his skulking antagonist. Must he lay siege to him, and stay there till —

A low yelp interrupts his cogitations. Looking down he sees Brasfort by his side. In the long trial of speed between the two horses, the hound had dropped behind. The halt has enabled it to get up, just in time to be of service to its master, who has suddenly conceived a plan for employing it.

Leaping from his saddle, he lays holds of the muzzle strap, quickly unbuckling it. As though divining the reason, the dog dashes on for the rock; soon as its jaws are released, giving out a fierce angry growl.

Darke sees it approaching in the clear moonlight, can distinguish its markings, remembers them. Clancy’s stag-hound! Surely Nemesis, with all hell’s hosts, are let loose on him!

He recalls how the animal once set upon him.

Its hostility then is nought to that now. For it has reached the rock, turned it, and open-mouthed, springs at him like a panther.

In vain he endeavours to avoid it, and still keep under cover. While shunning its teeth, he has also to think of Clancy’s gun.

He cannot guard against both, if either. For the dog has caught hold of his right leg, and fixed its fangs in the flesh. He tries to beat it off, striking with the butt of his gun. To no purpose now. For his horse, excited by the attack, and madly prancing, has parted from the rock, exposing him to the aim of the pursuer, who has, meanwhile, rushed up within rifle range.

Clancy sees his advantage, and raises his gun, quick as for the shooting of a snipe. The crack comes; and, simultaneous with it, Richard Darke is seen to drop out of his saddle, and fall face foremost on the plain – his horse, with a wild neigh, bolting away from him.

The fallen man makes no attempt to rise, nor movement of any kind, save a convulsive tremor through his frame; the last throe of parting life, which precedes the settled stillness of death. For surely is he dead.

Clancy, dismounting, advances towards the spot; hastily, to hinder the dog from tearing him, which the enraged animal seems determined to do. Chiding it off, he bends over the prostrate body, which he perceives has ceased to breathe. A sort of curiosity, some impulse irresistible, prompts him to look for the place where his bullet struck. In the heart, as he can see by the red stream still flowing forth!

“Just where he hit me! After all, not strange – no coincidence; I aimed at him there.”

For a time he stands gazing down at the dead man’s face. Silently, without taunt or recrimination. On his own there is no sign of savage triumph, no fiendish exultation. Far from his thoughts to insult, or outrage the dead. Justice has had requital, and vengeance been appeased. It is neither his rival in love, nor his mortal enemy, who now lies at his feet; but a breathless body, a lump of senseless clay, all the passions late inspiring it, good and bad, gone to be balanced elsewhere.

As he stands regarding Darke’s features, in their death pallor showing livid by the moon’s mystic light, a cast of sadness comes over his own, and he says in subdued soliloquy: —

“Painful to think I have taken a man’s life – even his! I wish it could have been otherwise. It could not – I was compelled to it. And surely God will forgive me, for ridding the world of such a wretch?”

Then raising himself to an erect attitude, with eyes upturned to heaven – as when in the cemetery over his mother’s grave, he made that solemn vow – remembering it, he now adds in like solemnal tone —

“I’ve kept my oath. Mother; thou art avenged!”