Kitabı oku: «Frances Kane's Fortune», sayfa 2
CHAPTER IV.
FLUFF
The day on which Ellen Danvers arrived at the Firs was long remembered, all over the place, as the hottest which had been known in that part of the country for many a long year. It was the first week of July, and the sun blazed fiercely and relentlessly – not the faintest little zephyr of a breeze stirred the air – in the middle of the day, the birds altogether ceased singing, and the Firs, lying in its sheltered valley, was hushed into a hot, slumberous quiet, during which not a sound of any sort was audible.
Even the squire preferred a chair in the south parlor, which was never a cool room, and into which the sun poured, to venturing abroad; even he shuddered at the thought of the South Walk to-day. He was not particularly hot – he was too old for that – but the great heat made him feel languid, and presently he closed his eyes and fell into a doze.
Frances, who in the whole course of her busy life never found a moment for occasional dozes, peeped into the room, smiled with satisfaction when she saw him, tripped lightly across the floor to steal a pillow comfortably under his white head, arranged the window-curtains so as to shade his eyes, and then ran upstairs with that swift and wonderfully light movement which was habitual to her. She had a great deal to do, and she was not a person who was ever much affected by the rise or fall of the temperature. First of all, she paid a visit to a charming little room over the porch. It had lattice windows, which opened like doors, and all round the sill, and up the sides, and over the top of the window, monthly roses and jasmine, wistaria and magnolia, climbed. A thrush had built its nest in the honeysuckle over the porch window, and there was a faint sweet twittering sound heard there now, mingled with the perfume of the roses and jasmine. The room inside was all white, but daintily relieved here and there with touches of pale blue, in the shape of bows and drapery. The room was small, but the whole effect was light, cool, pure. The pretty bed looked like a nest, and the room, with its quaint and lovely window, somewhat resembled a bower.
Frances looked round it with pride, gave one or two finishing touches to the flowers which stood in pale-blue vases on the dressing-table, then turned away with a smile on her lips. There was another room just beyond, known in the house as the guest-chamber proper. It was much more stately and cold, and was furnished with very old dark mahogany; but it, too, had a lovely view over the peaceful homestead, and Frances's eyes brightened as she reflected how she and Ellen would transform the room with heaps of flowers, and make it gay and lovely for a much-honored guest.
She looked at her watch, uttered a hurried exclamation, fled to her own rather insignificant little apartment, and five minutes later ran down-stairs, looking very fresh, and girlish, and pretty, in a white summer dress. She took an umbrella from the stand in the hall, opened it to protect her head, and walked fast up the winding avenue toward the lodge gates.
"I hear some wheels, Miss Frances," said Watkins's old wife, hobbling out of the house. "Eh, but it is a hot day; we'll have thunder afore night, I guess. Eh, Miss Frances, but you do look well, surely."
"I feel it," said Frances, with a very bright smile. "Ah, there's my little cousin – poor child! how hot she must be. Well, Fluff, so here you are, back with your old Fanny again!"
There was a cry – half of rapture, half of pain – from a very small person in the lumbering old trap. The horse was drawn up with a jerk, and a girl, with very little of the woman about her, for she was still all curls, and curves, and child-like roundness, sprung lightly out of the trap, and put her arms round Frances's neck.
"Oh, Fan, I am glad to see you again! Here I am back just the same as ever; I haven't grown a bit, and I'm as much a child as ever. How is your father? I was always so fond of him. Is he as faddy as of old? That's right; my mission in life is to knock fads out of people. Frances dear, why do you look at me in that perplexed way? Oh, I suppose because I'm in white. But I couldn't wear black on a day like this, as it wouldn't make mother any happier to know that every breath I drew was a torture. There, we won't talk of it. I have a black sash in my pocket; it's all crumpled, but I'll tie it on, if you'll help me. Frances dear, you never did think, did you, that trouble would come to me? but it did. Fancy Fluff and trouble spoken of in the same breath; it's like putting a weight of care on a butterfly; it isn't fair – you don't think it fair, do you, Fan?"
The blue eyes were full of tears; the rosy baby lips pouted sorrowfully.
"We won't talk of it now, at any rate, darling," said Frances, stooping and kissing the little creature with much affection.
Ellen brightened instantly.
"Of course we won't. It's delicious coming here; how wise it was of mother to send me! I shall love being with you more than anything. Why, Frances, you don't look a day older than when I saw you last."
"My father says," returned Frances, "that I age very quickly."
"But you don't, and I'll tell him so. Oh, no, he's not going to say those rude, unpleasant things when I'm by. How old are you, Fan, really? I forget."
"I am twenty-eight, dear."
"Are you?"
Fluff's blue eyes opened very wide.
"You don't look old, at any rate," she said presently. "And I should judge from your face you didn't feel it."
The ancient cab, which contained Ellen's boxes and numerous small possessions, trundled slowly down the avenue; the girls followed it arm in arm. They made a pretty picture – both faces were bright, both pairs of eyes sparkled, their white dresses touched, and the dark, earnest, and sweet eyes of the one were many times turned with unfeigned admiration to the bewitchingly round and baby face of the other.
"She has the innocent eyes of a child of two," thought Frances. "Poor little Fluff! And yet sorrow has touched even her!"
Then her pleasant thoughts vanished, and she uttered an annoyed exclamation.
"What does Mr. Spens want? Why should he trouble my father to-day of all days?"
"What is the matter, Frances?"
"That man in the gig," said Frances. "Do you see him? Whenever he comes, there is worry; it is unlucky his appearing just when you come to us, Fluff. But never mind; why should I worry you? Let us come into the house."
At dinner that day Frances incidentally asked her father what Mr. Spens wanted.
"All the accounts are perfectly straight," she said. "What did he come about? and he stayed for some time."
The slow blood rose into the old squire's face.
"Business," he said; "a little private matter for my own ear. I like Spens; he is a capital fellow, a thorough man of business, with no humbug about him. By the way, Frances, he does not approve of our selling the fruit, and he thinks we ought to make more of the ribbon border. He says we have only got the common yellow calceolarias – he does not see a single one of the choicer kinds."
"Indeed!" said Frances. She could not help a little icy tone coming into her voice. "Fluff, won't you have some cream with your strawberries? – I did not know, father, that Mr. Spens had anything to say of our garden."
"Only an opinion, my dear, and kindly meant. Now, Fluff" – the squire turned indulgently to his little favorite – "do you think Frances ought to take unjust prejudices?"
"But she doesn't," said Fluff. "She judges by instinct, and so do I. Instinct told her to dislike Mr. Spens' back as he sat in his gig, and so do I dislike it. I hate those round fat backs and short necks like his, and I hate of all things that little self-satisfied air."
"Oh, you may hate in that kind of way if you like," said the squire. "Hatred from a little midget like you is very different from Frances's sober prejudice. Besides, she knows Mr. Spens; he has been our excellent man of business for years. But come, Fluff, I am not going to talk over weighty matters with you. Have you brought your guitar? If so, we'll go into the south parlor and have some music."
CHAPTER V.
"FRANCES, YOU ARE CHANGED!"
"One, two, three, four, five, six, seven, eight – good – nine, ten, eleven, twelve, thirteen, fourteen – excellent! Oh, how out of breath I am, and how hot it is! Is that you, Frances? See, I've been skipping just before the south parlor window to amuse the squire for the last hour. He has gone to sleep now, so I can stop. Where are you going? How nice you look! Gray suits you. Oh, Frances, what extravagance! You have retrimmed that pretty shady hat! But it does look well. Now where are you off to?"
"I thought I would walk up the road a little way," said Frances. Her manner was not quite so calm and assured as usual. "Our old friend Philip Arnold is coming to-night, you know, and I thought I would like to meet him."
"May I come with you? I know I'm in a mess, but what matter? He's the man about whom all the fuss is made, isn't he?"
Frances blushed.
"What do you mean, dear?" she asked.
"Oh, don't I know? I heard you giving directions about his room, and didn't I see you walking round and round the garden for nearly two hours to-day choosing all the sweetest things – moss roses, and sweetbrier, and sprays of clematis? Of course there's a fuss made about him, though nothing is said. I know what I shall find him – There, I'm not going to say it – I would not vex you for worlds, Fan dear."
Frances smiled.
"I must start now, dear," she said, "or he will have reached the house before I leave it. Do you want to come with me, Fluff? You may if you like."
"No, I won't. I'm ever so tired, and people who are fussed about are dreadfully uninteresting. Do start for your walk, Frances, or you won't be in time to welcome your hero."
Frances started off at once. She was amused at Fluff's words.
"It is impossible for the little creature to guess anything," she said to herself; "that would never do. Philip should be quite unbiased. It would be most unfair for him to come here as anything but a perfectly free man. Ten years ago he said he loved me; but am I the same Frances? I am older; father says I am old for twenty-eight – then I was eighteen. Eighteen is a beautiful age – a careless and yet a grave age. Girls are so full of desires then; life stretches before them like a brilliant line of light. Everything is possible; they are not really at the top of the hill, and they feel so fresh and buoyant that it is a pleasure to climb. There is a feeling of morning in the air. At eighteen it is a good thing to be alive. Now, at eight-and-twenty one has learned to take life hard; a girl is old then, and yet not old enough. She is apt to be overworried; I used to be, but not since his letter came, and to-night I think I am back at eighteen. I hope he won't find me much altered. I hope this dress suits me. It would be awful now, when the cup is almost at my lips, if anything dashed it away; but, no! God has been very good to me, and I will have faith in Him."
All this time Frances was walking up-hill. She had now reached the summit of a long incline, and, looking ahead of her, saw a dusty traveler walking quickly with the free-and-easy stride of a man who is accustomed to all kinds of athletic exercises.
"That is Philip," said Frances.
Her heart beat almost to suffocation; she stood still for a moment, then walked on again more slowly, for her joy made her timid.
The stranger came on. As he approached he took off his hat, revealing a very tanned face and light short hair; his well-opened eyes were blue; he had a rather drooping mustache, otherwise his face was clean shaven. If ten years make a difference in a woman, they often effect a greater change in a man. When Arnold last saw Frances he was twenty-two; he was very slight then, his mustache was little more than visible, and his complexion was too fair. Now he was bronzed and broadened. When he came up to Frances and took her hand, she knew that not only she herself, but all her little world, would acknowledge her lover to be a very handsome man.
"Is that really you, Frances?" he began.
His voice was thoroughly manly, and gave the girl who had longed for him for ten years an additional thrill of satisfaction.
"Is that really you? Let me hold your hand for an instant; Frances you are changed!"
"Older, you mean, Philip."
She was blushing and trembling – she could not hide this first emotion.
He looked very steadily into her face, then gently withdrew his hand.
"Age has nothing to do with it," he said. "You are changed, and yet there is some of the old Frances left. In the old days you had a petulant tone when people said things which did not quite suit you; I hope – I trust – it has not gone. I am not perfect, and I don't like perfection. Yes, I see it is still there. Frances, it is good to come back to the old country, and to you."
"You got my letter, Philip?"
"Of course; I answered it. Were you not expecting me this evening?"
"Yes: I came out here on purpose to meet you. What I should have said, Philip, was to ask you if you agreed to my proposal."
"And what was that?"
"That we should renew our acquaintance, but for the present both be free."
Arnold stopped in his walk, and again looked earnestly at the slight girl by his side. Her whole face was eloquent – her eyes were bright with suppressed feeling, but her words were measured and cold. Arnold was not a bad reader of character. Inwardly he smiled.
"Frances was a pretty girl," he said to himself; "but I never imagined she would grow into such a beautiful woman."
Aloud he made a quiet reply.
"We will discuss this matter to-morrow, Frances. Now tell me about your father. I was greatly distressed to see by your letter that your mother is dead."
"She died eight years ago, Philip. I am accustomed to the world without her now; at first it was a terrible place to me. Here we are, in the old avenue again. Do you remember it? Let us get under the shade of the elms. Oh, Fluff, you quite startled me!"
Fluff, all in white – she was never seen in any other dress, unless an occasional black ribbon was introduced for the sake of propriety – came panting up the avenue. Her face was flushed, her lips parted, her words came out fast and eagerly:
"Quick, Frances, quick! The squire is ill; I tried to awake him, and I couldn't. Oh, he looks so dreadful!"
"Take care of Philip, and I will go to him," said Frances. "Don't be frightened, Fluff; my father often sleeps heavily. Philip, let me introduce my little cousin, Ellen Danvers. Now, Nelly, be on your best behavior, for Philip is an old friend, and a person of importance."
"But we had better come back to the house with you, Frances," said Arnold. "Your father may be really ill. Miss – Miss Danvers seems alarmed."
"But I am not," said Frances, smiling first at Philip and then at her little cousin. "Fluff – we call this child Fluff as a pet name – does not know my father as I do. He often sleeps heavily, and when he does his face gets red, and he looks strange. I know what to do with him. Please don't come in, either of you, for half an hour. Supper will be ready then."
She turned away, walking rapidly, and a bend in the avenue soon hid her from view.
Little Ellen had not yet quite recovered her breath. She stood holding her hand to her side, and slightly panting.
"You seem frightened," said Arnold, kindly.
"It is not that," she replied. Her breath came quicker, almost in gasps. Suddenly she burst into tears. "It's all so dreadful," she said.
"What do you mean?" said Arnold.
To his knowledge he had never seen a girl cry in his life. He had come across very few girls while in Australia. One or two women he had met, but they were not particularly worthy specimens of their sex; he had not admired them, and had long ago come to the conclusion that the only perfect, sweet, and fair girl in existence was Frances Kane. When he saw Fluff's tears he discovered that he was mistaken – other women were sweet and gracious, other girls were lovable.
"Do tell me what is the matter," he said, in a tone of deep sympathy; for these fast-flowing tears alarmed him.
"I'm not fit for trouble," said Fluff. "I'm afraid of trouble, that's it. I'm really like the butterflies – I die if there's a cloud. It is not long since I lost my mother, and – now, now – I know the squire is much more ill than Frances thinks. Oh, I know it! What shall I do if the squire really gets very ill – if he – he dies? Oh, I'm so awfully afraid of death!"
Her cheeks paled visibly, her large, wide-open blue eyes dilated; she was acting no part – her terror and distress were real. A kind of instinct told Arnold what to say to her.
"You are standing under these great shady trees," he said. "Come out into the sunshine. You are young and apprehensive. Frances is much more likely to know the truth about Squire Kane than you are. She is not alarmed; you must not be, unless there is really cause. Now is not this better? What a lovely rose! Do you know, I have not seen this old-fashioned kind of cabbage rose for over ten years!"
"Then I will pick one for you," said Fluff.
She took out a scrap of cambric, dried her eyes like magic, and began to flit about the garden, humming a light air under her breath. Her dress was of an old-fashioned sort of book-muslin – it was made full and billowy; her figure was round and yet lithe, her hair was a mass of frizzy soft rings, and when the dimples played in her cheeks, and the laughter came back to her intensely blue eyes, Arnold could not help saying – and there was admiration in his voice and gaze:
"What fairy godmother named you so appropriately?"
"What do you mean? My name is Ellen."
"Frances called you Fluff; Thistledown would be as admirably appropriate."
While he spoke Fluff was handing him a rose. He took it, and placed it in his button-hole. He was not very skillful in arranging it, and she stood on tiptoe to help him. Just then Frances came out of the house. The sun was shining full on the pair; Fluff was laughing, Arnold was making a complimentary speech. Frances did not know why a shadow seemed to fall between her and the sunshine which surrounded them. She walked slowly across the grass to meet them. Her light dress was a little long, and it trailed after her. She had put a bunch of Scotch roses into her belt. Her step grew slower and heavier as she walked across the smoothly kept lawn, but her voice was just as calm and clear as usual as she said gently:
"Supper is quite ready. You must be so tired and hungry, Philip."
"Not at all," he said, leaving Fluff and coming up to her side. "This garden rests me. To be back here again is perfectly delightful. To appreciate an English garden and English life, and – and English ladies – here his eyes fell for a brief moment on Fluff – one most have lived for ten years in the backwoods of Australia. How is your father, Frances? I trust Miss Danvers had no real cause for alarm?"
"Oh, no; Ellen is a fanciful little creature. He did sleep rather heavily. I think it was the heat; but he is all right now, and waiting to welcome you in the supper-room. Won't you let me show you the way to your room? You would like to wash your hands before eating."
Frances and Arnold walked slowly in the direction of the house. Fluff had left them; she was engaged in an eager game of play with an overgrown and unwieldly pup and a Persian kitten. Arnold had observed with some surprise that she had forgotten even to inquire for Mr. Kane.
CHAPTER VI.
"I WILL NOT SELL THE FIRS."
On the morning after Arnold's arrival the squire called his daughter into the south parlor.
"My love," he said, "I want a word with you."
As a rule Frances was very willing to have words with her father. She was always patient and gentle and sweet with him; but she would have been more than human if she had not cast some wistful glances into the garden, where Philip was waiting for her. He and she also had something to talk about that morning, and why did Fluff go out, and play those bewitching airs softly to herself on the guitar? And why did she sing in that wild-bird voice of hers? and why did Philip pause now and then in his walk, as though he was listening – which indeed he was, for it would be difficult for any one to shut their ears to such light and harmonious sounds. Frances hated herself for feeling jealous. No – of course she was not jealous; she could not stoop to anything so mean. Poor darling little Fluff! and Philip, her true lover, who had remained constant to her for ten long years.
With a smile on her lips, and the old look of patience in her steady eyes, she turned her back to the window and prepared to listen to what the squire had to say.
"The fact is, Frances – " he began. "Sit down, my dear, sit down; I hate to have people standing, it fidgets me so. Oh! you want to be out with that young man; well, Fluff will amuse him – dear little thing, Fluff – most entertaining. Has a way of soothing a man's nerves, which few women possess. You, my dear, have often a most irritating way with you; not that I complain – we all have our faults. You inherit this intense overwrought sort of manner from your mother, Frances."
Frances, who was standing absolutely quiet and still again, smiled slightly.
"You had something to talk to me about," she said, in her gentlest of voice.
"To be sure I had. I can tell you I have my worries – wonder I'm alive – and since your mother died never a bit of sympathy do I get from mortal. There, read that letter from Spens, and see what you make of it. Impudent? uncalled for? I should think so; but I really do wonder what these lawyers are coming to. Soon there'll be no distinctions between man and man anywhere, when a beggarly country lawyer dares to write to a gentleman like myself in that strain. But read the letter, Frances; you'll have to see Spens this afternoon. I'm not equal to it."
"Let me see what Mr. Spens says," answered Frances.
She took the lawyer's letter from the squire's shaking old fingers, and opened it. Then her face became very pale, and as her eyes glanced rapidly over the contents, she could not help uttering a stifled exclamation.
"Yes, no wonder you're in a rage," said the squire. "The impudence of that letter beats everything."
"But what does Mr. Spens mean?" said Frances. "He says here – unless you can pay the six thousand pounds owing within three months, his client has given him instructions to sell the Firs. What does he mean, father? I never knew that we owed a penny. Oh, this is awful!"
"And how do you suppose we have lived?" said the squire, who was feeling all that undue sense of irritation which guilty people know so well. "How have we had our bread and butter? How has the house been kept up? How have the wages been met? I suppose you thought that that garden of yours – those vegetables and fruit – have kept everything going? That's all a woman knows. Besides, I've been unlucky – two speculations have failed – every penny I put in lost in them. Now, what's the matter, Frances? You have a very unpleasant manner of staring."
"There was my mother's money," said Frances, who was struggling hard to keep herself calm. "That was always supposed to bring in something over two hundred pounds a year. I thought – I imagined – that with the help I was able to give from the garden and the poultry yard that we – we lived within our means."
Her lips trembled slightly as she spoke. Fluff was playing "Sweethearts" on her guitar, and Arnold was leaning with his arms folded against the trunk of a wide-spreading oak-tree. Was he listening to Fluff, or waiting for Frances? She felt like a person struggling through a horrible nightmare.
"I thought we lived within our means," she said, faintly.
"Just like you – women are always imagining things. We have no means to live on; your mother's money has long vanished – it was lost in that silver mine in Peru. And the greater part of the six thousand pounds lent by Spens has one way or another pretty nearly shared the same fate. I've been a very unlucky man, Frances, and if your mother were here, she'd pity me. I've had no one to sympathize with me since her death."
"I do, father," said his daughter. She went up and put her arms round his old neck. "It was a shock, and I felt half stunned. But I fully sympathize."
"Not that I am going to sell the Firs," said the squire, not returning Frances's embrace, but allowing her to take his limp hand within her own. "No, no; I've no idea of that. Spens and his client, whoever he is, must wait for their money, and that's what you have got to see him about, Frances. Come, now, you must make the best terms you can with Spens – a woman can do what she likes with a man when she knows how to manage."
"But what am I to say, father?"
"Say? Why, that's your lookout. Never heard of a woman yet who couldn't find words. Say? Anything in the world you please, provided you give him to clearly to understand that come what may I will not sell the Firs."
Frances stood still for two whole minutes. During this time she was thinking deeply – so deeply that she forgot the man who was waiting outside – she forgot everything but the great and terrible fact that, notwithstanding all her care and all her toil, beggary was staring them in the face.
"I will see Mr. Spens," she said at last, slowly: "it is not likely that I shall be able to do much. If you have mortgaged the Firs to this client of Mr. Spens, he will most probably require you to sell, in order to realize his money; but I will see him, and let you know the result."
"You had better order the gig, then, and go now; he is sure to be in at this hour. Oh, you want to talk to the man that you fancy is in love with you; but lovers can wait, and business can't. Understand clearly, once for all, Frances, that if the Firs is sold, I die."
"Dear father," said Frances – again she took his unwilling hand in hers – "do you suppose I want the Firs to be sold? Don't I love every stone of the old place, and every flower that grows here? If words can save it, they won't be wanting on my part. But you know better than I do that I am absolutely powerless in the matter."
She went out of the room, and the squire sat with the sun shining full on him, and grumbled. What was a blow to Frances, a blow which half stunned her in its suddenness and unexpectedness, had come gradually to the squire. For years past he knew that while his daughter was doing her utmost to make two ends meet – was toiling early and late to bring in a little money to help the slender household purse – she was only postponing an evil day which could never be averted. From the first, Squire Kane in his own small way had been a speculator – never at any time had he been a lucky one, and now he reaped the results.
After a time he pottered to his feet, and strolled out into the garden. Frances was nowhere visible, but Arnold and Ellen were standing under a shady tree, holding an animated conversation together.
"Here comes the squire," said Fluff, in a tone of delight. She flew to his side, put her hand through his arm, and looked coaxingly and lovingly into his face.
"I am so glad you are not asleep," she said. "I don't like you when you fall asleep and get so red in the face; you frightened me last night – I was terrified – I cried. Didn't I, Mr. Arnold?"
"Yes," replied Arnold, "you seemed a good deal alarmed. Do you happen to know where your daughter is, Mr. Kane?"
"Yes; she is going into Martinstown on business for me. Ah, yes, Fluff, you always were a sympathizing little woman." Here the squire patted the dimpled hand; he was not interested in Philip Arnold's inquiries.
"If Frances is going to Martinstown, perhaps she will let me accompany her," said Arnold. "I will go and look for her."
He did not wait for the squire's mumbling reply, but started off quickly on his quest.
"Frances does want the gift of sympathy," said the squire, once more addressing himself with affection to Ellen. "Do you know, Fluff, that I am in considerable difficulty; in short, that I am going through just now a terrible trouble – oh, nothing that you can assist me in, dear. Still, one does want a little sympathy, and poor dear Frances, in that particular, is sadly, painfully deficient."
"Are you really in great trouble?" said Fluff. She raised her eyes with a look of alarm.
"Oh, I am dreadfully sorry! Shall I play for you, shall I sing something? Let me bring this arm-chair out here by this pear-tree; I'll get my guitar; I'll sing you anything you like – 'Robin Adair,' or 'Auld Robin Gray,' or 'A Man's a Man;' you know how very fond you are of Burns."
"You are a good little girl," said the squire. "Place the arm-chair just at that angle, my love. Ah, that's good! I get the full power of the sun here. Somehow it seems to me, Fluff, that the summers are not half as warm as they used to be. Now play 'Bonnie Dundee' – it will be a treat to hear you."
Fluff fingered her guitar lovingly. Then she looked up into the wizened, discontented face of the old man opposite to her.
"Play," said the squire. "Why don't you begin?"
"Only that I'm thinking," said the spoiled child, tapping her foot petulantly. "Squire, I can't help saying it – I don't think you are quite fair to Frances."
"Eh, what?" said Squire Kane, in a voice of astonishment. "Highty-tighty, what next! Go on with your playing, miss."
"No, I won't! It isn't right of you to say she's not sympathetic."
"Not right of me! What next, I wonder! Let me tell you, Fluff, that although you're a charming little chit, you are a very saucy one."
"I don't care whether I'm saucy or not. You ought not to be unfair to Frances."
These rebellious speeches absolutely made the squire sit upright in his chair.
"What do you know about it?" he queried.
"Because she is sympathetic; she has the dearest, tenderest, most unselfish heart in the world. Oh, she's a darling! I love her!"
"Go on with your playing, Fluff," said the squire.