Kitabı oku: «The Ruby Sword: A Romance of Baluchistan», sayfa 14

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An aromatic and pungent odour filled the air on the opening of the box. At first a layer of sheepskin vellum, then parchments. At these Yar Hussain merely glanced hurriedly and continued his investigations. One bag – then another – five bags of the same soft sheepskin and carefully tied, each about the size of an orange. On opening these – lo! three of them contained precious stones, cut, and some of splendid size and water. The other two were filled with uncut stones. This was beginning to look promising.

The next layer being uncovered yielded to view some magnificent personal ornaments, bracelets and the like, thickly jewelled. These were lifted out, and then the third skin covering being removed, that contained by the last and lower compartment of the chest lay revealed. Something long, wrapped in several rolls of the soft wash leather. Carefully, almost reverently, Yar Hussain unfolded these and – There it lay, in the bottom of the chest, hilt and scabbard literally glowing with splendid rose red jewels, relieved by the white flash of diamonds, dazzling the eyes of the beholders with the suddenness of its glare – there it lay, in its long hidden splendour, the cherished heirloom of the refugee Durani chief – the priceless Ruby Sword.

For some moments the surrounding Baluchis stood staring in stupefied silence, then they broke forth in ejaculations as to the wonderful ways of Allah, and so forth. Campian, beholding the wealth thus displayed, could not but feel some sort of qualm as he remembered how he might have concealed his knowledge until able to turn it to his own material account. It was only momentary, however, and he was the first to break in with a practical remark.

“Hearken, Sohrâb Khan,” he said. “I think I have now done all that I can do. Tell the sirdar that he and his have returned to me the service that my father rendered to his, have returned it twofold, and I, for my part, am rejoiced to have been the means by which he has come into the possession of his own. But there are those in Shâlalai I would fain see again, and if it is all the same to him, I think” – with a glance at the sun – “we might fetch Mehriâb station in time to catch the afternoon train.”

This very Western and end of the nineteenth century phrase breaking in upon such a scene of Eastern and mediaeval romanticism struck its utterer as almost ludicrous in its incongruity.

“In truth, that is comprehensible,” replied Yar Hussain, when this suggestion was put to him – “and it shall be done. Yes, my brother, who art now one of us, thy wishes shall be fulfilled. But now, receive this,” – placing in his hand one of the bags of cut stones – “and choose from among these,” – pointing to the jewelled bracelets – “that some recompense may be made thee for thy sufferings at the hands of our people, and that the remembrance of thy brethren here may be pleasant and sweet when thou art among thine own people in the years to come.”

Campian, repressing the momentary instinct which moved him to decline so splendid a gift, made choice of one of the bracelets – not one of the best, however. It was a splendid ornament for all that, and a tightening of the heart went through him as he wondered to himself if it would ever be worn. Then he asked if he could keep the Durani ring, which he valued more than ever.

“Surely,” was the sirdar’s reply. “In truth it is restored to a believer, and hath amply fulfilled its mission.”

When the train for Shâlalai stopped at Mehriâb station that day, the few European passengers it contained were lazily astonished by the presence on the platform of an evidently important Baluchi sirdar, accompanied by a large retinue. Their astonishment grew to activity, however, when one of the group, before entering a first-class carriage, took leave of them in excellent English, which was duly translated to the chief and his following by one of their number, the departure of the train being signalled by a perfect chorus of farewell “salaams” from those left behind. They were destined to be still more mightily astonished upon the arrival of the train at the last station or two before Shâlalai by the appearance of a European, of military or official aspect, who greeted the supposed Oriental with cordial handgrip, singing out in a voice that carried the whole length of the train:

“Devilish glad to see you back, old chap. And I’ve brought you your togs, so you’ll have time to get into them as we go along. By George, though, you look no end of a real sirdar in that get-up, all the same.”

And taking a Gladstone bag from the attendant bearer, he jumped in too.

Chapter Twenty Three.
Light

“After months – which seemed years – of the most abominable hardship, wearying anxiety, and constant danger, the security and restfulness of this sort of thing is simply beyond all words to define.”

Thus Campian, clad in irreproachable evening dress, with a wave of the hand which takes in the lighted table and trophy hung walls. The only other occupant of Upward’s dining room has just entered, likewise in full panoply – with opera-cloak, and fan and gloves.

“Yes. That is indeed true. Do you know, I wish we had not got to go out to-night.”

“Then why do we; for as it happens I entirely share that wish. Suppose we stay at home instead. Or are you going to say ‘Duty’?”

Vivien does not at once reply. Something in the tone, in the scarcely veiled meaning wherewith he emphasises the word, strikes home to her. The Upward party and her uncle have gone on, bound for a regimental theatrical performance at the Assembly Rooms, and they two are left to follow. Not many days have gone by since Campian’s return to Shâlalai; not many more are to go by before he leaves it – almost certainly for ever.

“Shall we stay at home then, dear?” answers Vivien, a little wave of unsuppressed tenderness in her voice. “We may throw duty overboard for once, for the sake of a poor returned wanderer. But – I have made you this, and in any case you must wear it.” “This” being an exquisite little “button-hole” which she is now carefully pinning on for him. The great tiger jaws on the walls seem to snarl inaudibly in the lamplight – as though to remind both of the multifold perils of the beautiful, treacherous East.

Now, the act of pinning on a button-hole under some circumstances is bound to lead to a good deal, therefore in this case, that an arm should close around the operatrix seems hardly surprising.

“Do you still venerate that vacant old fetish? It parted us once, Vivien.”

Again she is silent, and her eyes fill. The great black and orange stripes of the tiger skins seem to dance in angry rays before her vision. Her voice will not come to her. But he continues:

“Has it never occurred to you that you – that we – made a very considerable mistake that time? We each found our counterpart in the other. Surely such an experience is unique. Then what happened? You set up a fetish – a miserable fraud – a mere whimsical conception of an idol – and called it Duty – while I – I was fool enough to let you do it.”

“I don’t know why things were ordered that way,” he continues, for still Vivien makes no reply – “or for what purpose, of earth or heaven, five years of happiness should have been knocked off our lives. But for whatever it is, I don’t believe for a moment it was arranged we should meet so strangely and unexpectedly in this out of the way part of the world – all for nothing. We have been brought together again, and we have tried to keep up the rôle of strangers – of mere acquaintances – and the whole thing is a most wretched and flimsy fiasco. Is it not?”

“Yes.”

She is looking at him now, full and earnestly. Her fingers are toying with the “button-hole” she has pinned on his coat. Unconsciously she is leaning on him as he holds her within his embrace.

“Our love showed forth in every moment, in every word, in every action of our lives,” he continues. “The mask we tried to wear was quite unavailable to stifle the cry of two aching hearts. Listen, darling. There is no room for affectation between us now. Our love is as ever it was – rather is it stronger. Am I right?”

“Yes. You are the one love of my life, and always have been. And you know it – dearest.”

So sweet, so soft comes this reply, that the very tones are as an all pervading caress.

“Those five years are beyond our reach,” he continues. “They are gone never to return, but we can make up for them during the remainder of our lives. And – we will. Will we not?”

“Yes – we will.”

The reply, though low, is full-voiced and unhesitating. Luminous eyes, sweet with their love light, are raised to his, and the man’s head is drawn down to meet again that kiss which seemed to join soul to soul in the dread hour of peril and of bloodshed and self-abnegation. And, with the moment, the long years of desolation and heart-emptiness are as though they had never been – for after the drear gloom of their weary length – the sharp and fiery trial of their culmination, Love has triumphed, and now there is light.

And here with the doings of our two principal characters we have no further concern, and if this holds good of them, still more does it hold good of those among whom their lot has been temporarily cast. But if life, in its fatefulness, has refrained from dashing the cup of happiness – tardily yet finally grasped – from the hands of these two, its normal grimness of irony is not likely to suffer in the long run. For Umar Khan is still at large. Force and diplomacy alike have failed to bring that arch-free-booter and murderer within measurable distance of the gallows and faggot pyre, which he has so richly earned a score of times over. For the twenty-first time the wily evildoer has escaped retribution, and in all probability will continue to do so. Which – if not exactly satisfying to our reader’s sense of poetic justice – is Life.

The End

Türler ve etiketler

Yaş sınırı:
12+
Litres'teki yayın tarihi:
10 nisan 2017
Hacim:
240 s. 1 illüstrasyon
Telif hakkı:
Public Domain
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