Kitabı oku: «Mark Twain: A Biography. Volume II, Part 1: 1886-1900»

VOLUME II, Part 1: 1875-1886

CV
MARK TWAIN AT FORTY

In conversation with John Hay, Hay said to Clemens:

"A man reaches the zenith at forty, the top of the hill. From that time forward he begins to descend. If you have any great undertaking ahead, begin it now. You will never be so capable again."

Of course this was only a theory of Hay's, a rule where rules do not apply, where in the end the problem resolves itself into a question of individualities. John Hay did as great work after forty as ever before, so did Mark Twain, and both of them gained in intellectual strength and public honor to the very end.

Yet it must have seemed to many who knew him, and to himself, like enough, that Mark Twain at forty had reached the pinnacle of his fame and achievement. His name was on every lip; in whatever environment observation and argument were likely to be pointed with some saying or anecdote attributed, rightly or otherwise, to Mark Twain. "As Mark Twain says," or, "You know that story of Mark Twain's," were universal and daily commonplaces. It was dazzling, towering fame, not of the best or most enduring kind as yet, but holding somewhere within it the structure of immortality.

He was in a constant state of siege, besought by all varieties and conditions of humanity for favors such as only human need and abnormal ingenuity can invent. His ever-increasing mail presented a marvelous exhibition of the human species on undress parade. True, there were hundreds of appreciative tributes from readers who spoke only out of a heart's gratitude; but there were nearly as great a number who came with a compliment, and added a petition, or a demand, or a suggestion, usually unwarranted, often impertinent. Politicians, public speakers, aspiring writers, actors, elocutionists, singers, inventors (most of them he had never seen or heard of) cheerfully asked him for a recommendation as to their abilities and projects.

Young men wrote requesting verses or sentiments to be inscribed in young ladies' autograph albums; young girls wrote asking him to write the story of his life, to be used as a school composition; men starting obscure papers coolly invited him to lend them his name as editor, assuring him that he would be put to no trouble, and that it would help advertise his books; a fruitful humorist wrote that he had invented some five thousand puns, and invited Mark Twain to father this terrific progeny in book form for a share of the returns. But the list is endless. He said once:

"The symbol of the race ought to be a human being carrying an ax, for every human being has one concealed about him somewhere, and is always seeking the opportunity to grind it."

Even P. T. Barnum had an ax, the large ax of advertising, and he was perpetually trying to grind it on Mark Twain's reputation; in other words, trying to get him to write something that would help to popularize "The Greatest Show on Earth."

There were a good many curious letters-letters from humorists, would-be and genuine. A bright man in Duluth sent him an old Allen "pepper-box" revolver with the statement that it had been found among a pile of bones under a tree, from the limb of which was suspended a lasso and a buffalo skull; this as evidence that the weapon was the genuine Allen which Bemis had lost on that memorable Overland buffalo-hunt. Mark Twain enjoyed that, and kept the old pepper-box as long as he lived. There were letters from people with fads; letters from cranks of every description; curious letters even from friends. Reginald Cholmondeley, that lovely eccentric of Condover Hall, where Mr. and Mrs. Clemens had spent some halcyon days in 1873, wrote him invitations to be at his castle on a certain day, naming the hour, and adding that he had asked friends to meet him. Cholmondeley had a fancy for birds, and spared nothing to improve his collection. Once he wrote Clemens asking him to collect for him two hundred and five American specimens, naming the varieties and the amount which he was to pay for each. Clemens was to catch these birds and bring them over to England, arriving at Condover on a certain day, when there would be friends to meet him, of course.

Then there was a report which came now and then from another English castle—the minutes of a certain "Mark Twain Club," all neatly and elaborately written out, with the speech of each member and the discussions which had followed—the work, he found out later, of another eccentric; for there was no Mark Twain Club, the reports being just the mental diversion of a rich young man, with nothing else to do.—[In Following the Equator Clemens combined these two pleasant characters in one story, with elaborations.]

Letters came queerly addressed. There is one envelope still in existence which bears Clemens's name in elaborate design and a very good silhouette likeness, the work of some talented artist. "Mark Twain, United States," was a common address; "Mark Twain, The World," was also used; "Mark Twain, Somewhere," mailed in a foreign country, reached him promptly, and "Mark Twain, Anywhere," found its way to Hartford in due season. Then there was a letter (though this was later; he was abroad at the time), mailed by Brander Matthews and Francis Wilson, addressed, "Mark Twain, God Knows Where." It found him after traveling half around the world on its errand, and in his answer he said, "He did." Then some one sent a letter addressed, "The Devil Knows Where." Which also reached him, and he answered, "He did, too."

Surely this was the farthest horizon of fame.

Countless Mark Twain anecdotes are told of this period, of every period, and will be told and personally vouched for so long as the last soul of his generation remains alive. For seventy years longer, perhaps, there will be those who will relate "personal recollections" of Mark Twain. Many of them will be interesting; some of them will be true; most of them will become history at last. It is too soon to make history of much of this drift now. It is only safe to admit a few authenticated examples.

It happens that one of the oftenest-told anecdotes has been the least elaborated. It is the one about his call on Mrs. Stowe. Twichell's journal entry, set down at the time, verifies it:

Mrs. Stowe was leaving for Florida one morning, and Clemens ran over early to say good-by. On his return Mrs. Clemens regarded him disapprovingly:

"Why, Youth," she said, "you haven't on any collar and tie."

He said nothing, but went up to his room, did up these items in a neat package, and sent it over by a servant, with a line:

"Herewith receive a call from the rest of me."

Mrs. Stowe returned a witty note, in which she said that he had discovered a new principle, the principle of making calls by instalments, and asked whether, in extreme cases, a man might not send his hat, coat, and boots and be otherwise excused.

Col. Henry Watterson tells the story of an after-theater supper at the Brevoort House, where Murat Halstead, Mark Twain, and himself were present. A reporter sent in a card for Colonel Watterson, who was about to deny himself when Clemens said:

"Give it to me; I'll fix it." And left the table. He came back in a moment and beckoned to Watterson.

"He is young and as innocent as a lamb," he said. "I represented myself as your secretary. I said that you were not here, but if Mr. Halstead would do as well I would fetch him out. I'll introduce you as Halstead, and we'll have some fun."

Now, while Watterson and Halstead were always good friends, they were political enemies. It was a political season and the reporter wanted that kind of an interview. Watterson gave it to him, repudiating every principle that Halstead stood for, reversing him in every expressed opinion. Halstead was for hard money and given to flying the "bloody shirt" of sectional prejudice; Watterson lowered the bloody shirt and declared for greenbacks in Halstead's name. Then he and Clemens returned to the table and told frankly what they had done. Of course, nobody believed it. The report passed the World night-editor, and appeared, next morning. Halstead woke up, then, and wrote a note to the World, denying the interview throughout. The World printed his note with the added line:

"When Mr. Halstead saw our reporter he had dined."

It required John Hay (then on the Tribune) to place the joke where it belonged.

There is a Lotos Club anecdote of Mark Twain that carries the internal evidence of truth. Saturday evening at the Lotos always brought a gathering of the "wits," and on certain evenings—"Hens and chickens" nights—each man had to tell a story, make a speech, or sing a song. On one evening a young man, an invited guest, was called upon and recited a very long poem.

One by one those who sat within easy reach of the various exits melted away, until no one remained but Mark Twain. Perhaps he saw the earnestness of the young man, and sympathized with it. He may have remembered a time when he would have been grateful for one such attentive auditor. At all events, he sat perfectly still, never taking his eyes from the reader, never showing the least inclination toward discomfort or impatience, but listening, as with rapt attention, to the very last line. Douglas Taylor, one of the faithful Saturday-night members, said to him later:

"Mark, how did you manage to sit through that dreary, interminable poem?"

"Well," he said, "that young man thought he had a divine message to deliver, and I thought he was entitled to at least one auditor, so I stayed with him."

We may believe that for that one auditor the young author was willing to sacrifice all the others.

One might continue these anecdotes for as long as the young man's poem lasted, and perhaps hold as large an audience. But anecdotes are not all of history. These are set down because they reflect a phase of the man and an aspect of his life at this period. For at the most we can only present an angle here and there, and tell a little of the story, letting each reader from his fancy construct the rest.

CVI
HIS FIRST STAGE APPEARANCE

Once that winter the Monday Evening Club met at Mark Twain's home, and instead of the usual essay he read them a story: "The Facts Concerning the Recent Carnival of Crime in Connecticut." It was the story of a man's warfare with a personified conscience—a sort of "William Wilson" idea, though less weird, less somber, and with more actuality, more verisimilitude. It was, in fact, autobiographical, a setting-down of the author's daily self-chidings. The climax, where conscience is slain, is a startling picture which appeals to most of humanity. So vivid is it all, that it is difficult in places not to believe in the reality of the tale, though the allegory is always present.

The club was deeply impressed by the little fictional sermon. One of its ministerial members offered his pulpit for the next Sunday if Mark Twain would deliver it to his congregation. Howells welcomed it for the Atlantic, and published it in June. It was immensely successful at the time, though for some reason it seems to be little known or remembered to-day. Now and then a reader mentions it, always with enthusiasm. Howells referred to it repeatedly in his letters, and finally persuaded Clemens to let Osgood bring it out, with "A True Story," in dainty, booklet form. If the reader does not already know the tale, it will pay him to look it up and read it, and then to read it again.

Meantime Tom Sawyer remained unpublished.

"Get Bliss to hurry it up!" wrote Howells. "That boy is going to make a prodigious hit."

But Clemens delayed the book, to find some means to outwit the Canadian pirates, who thus far had laid hands on everything, and now were clamoring at the Atlantic because there was no more to steal.

Moncure D. Conway was in America, and agreed to take the manuscript of Sawyer to London and arrange for its publication and copyright. In Conway's Memoirs he speaks of Mark Twain's beautiful home, comparing it and its surroundings with the homes of Surrey, England. He tells of an entertainment given to Harriet Beecher Stowe, a sort of animated jarley wax-works. Clemens and Conway went over as if to pay a call, when presently the old lady was rather startled by an invasion of costumed. figures. Clemens rose and began introducing them in his gay, fanciful fashion. He began with a knight in full armor, saying, as if in an aside, "Bring along that tinshop," and went on to tell the romance of the knight's achievements.

Conway read Tom Sawyer on the ship and was greatly excited over it. Later, in London, he lectured on it, arranging meantime for its publication with Chatto & Windus, thus establishing a friendly business relation with that firm which Mark Twain continued during his lifetime.

Clemens lent himself to a number of institutional amusements that year, and on the 26th of April, 1876, made his first public appearance on the dramatic stage.

It was an amateur performance, but not of the usual kind. There was genuine dramatic talent in Hartford, and the old play of the "Loan of the Lover," with Mark Twain as Peter Spuyk and Miss Helen Smith—[Now Mrs. William W. Ellsworth.]—as Gertrude, with a support sufficient for their needs, gave a performance that probably furnished as much entertainment as that pleasant old play is capable of providing. Mark Twain had in him the making of a great actor. Henry Irving once said to him:

"You made a mistake by not adopting the stage as a profession. You would have made even a greater actor than a writer."

Yet it is unlikely that he would ever have been satisfied with the stage. He had too many original literary ideas. He would never have been satisfied to repeat the same part over and over again, night after night from week to month, and from month to year. He could not stick to the author's lines even for one night. In his performance of the easy-going, thick-headed Peter Spuyk his impromptu additions to the lines made it hard on the company, who found their cues all at sixes and sevens, but it delighted the audience beyond measure. No such impersonation of that. character was ever given before, or ever will be given again. It was repeated with new and astonishing variations on the part of Peter, and it could have been put on for a long run. Augustin Daly wrote immediately, offering the Fifth Avenue Theater for a "benefit" performance, and again, a few days later, urging acceptance. "Not for one night, but for many."

Clemens was tempted, no doubt. Perhaps, if he had yielded, he would today have had one more claim on immortality.

CVII
HOWELLS, CLEMENS, AND "GEORGE"

Howells and Clemens were visiting back and forth rather oftener just then. Clemens was particularly fond of the Boston crowd—Aldrich, Fields, Osgood, and the rest—delighting in those luncheons or dinners which Osgood, that hospitable publisher, was always giving on one pretext or another. No man ever loved company more than Osgood, or to play the part of host and pay for the enjoyment of others. His dinners were elaborate affairs, where the sages and poets and wits of that day (and sometimes their wives) gathered. They were happy reunions, those fore-gatherings, though perhaps a more intimate enjoyment was found at the luncheons, where only two or three were invited, usually Aldrich, Howells, and Clemens, and the talk continued through the afternoon and into the deepening twilight, such company and such twilight as somehow one seems never to find any more.

On one of the visits which Howells made to Hartford that year he took his son John, then a small boy, with him. John was about six years old at the time, with his head full of stories of Aladdin, and of other Arabian fancies. On the way over his father said to him:

"Now, John, you will see a perfect palace."

They arrived, and John was awed into silence by the magnificence and splendors of his surroundings until they went to the bath-room to wash off the dust of travel. There he happened to notice a cake of pink soap.

"Why," he said, "they've even got their soap painted!" Next morning he woke early—they were occupying the mahogany room on the ground floor —and slipping out through the library, and to the door of the dining-room, he saw the colored butler, George—the immortal George—setting the breakfast-table. He hurriedly tiptoed back and whispered to his father:

"Come quick! The slave is setting the table!"

This being the second mention of George, it seems proper here that he should be formally presented. Clemens used to say that George came one day to wash windows and remained eighteen years. He was precisely the sort of character that Mark Twain loved. He had formerly been the body-servant of an army general and was typically racially Southern, with those delightful attributes of wit and policy and gentleness which go with the best type of negro character. The children loved him no less than did their father. Mrs. Clemens likewise had a weakness for George, though she did not approve of him. George's morals were defective. He was an inveterate gambler. He would bet on anything, though prudently and with knowledge. He would investigate before he invested. If he placed his money on a horse, he knew the horse's pedigree and the pedigree of the horses against it, also of their riders. If he invested in an election, he knew all about the candidates. He had agents among his own race, and among the whites as well, to supply him with information. He kept them faithful to him by lending them money—at ruinous interest. He buttonholed Mark Twain's callers while he was removing their coats concerning the political situation, much to the chagrin of Mrs. Clemens, who protested, though vainly, for the men liked George and his ways, and upheld him in his iniquities.

Mrs. Clemens's disapproval of George reached the point, now and then, where she declared he could not remain.

She even discharged him once, but next morning George was at the breakfast-table, in attendance, as usual. Mrs. Clemens looked at him gravely:

"George," she said, "didn't I discharge you yesterday?"

"Yes, Mis' Clemens, but I knew you couldn't get along without me, so I thought I'd better stay a while."

In one of the letters to Howells, Clemens wrote:

When George first came he was one of the most religious of men. He had but one fault—young George Washington's. But I have trained him; and now it fairly breaks Mrs. Clemens's heart to hear him stand at that front door and lie to an unwelcome visitor.

George was a fine diplomat. He would come up to the billiard-room with a card or message from some one waiting below, and Clemens would fling his soul into a sultry denial which became a soothing and balmy subterfuge before it reached the front door.

The "slave" must have been setting the table in good season, for the Clemens breakfasts were likely to be late. They usually came along about nine o'clock, by which time Howells and John were fairly clawing with hunger.

Clemens did not have an early appetite, but when it came it was a good one. Breakfast and dinner were his important meals. He seldom ate at all during the middle of the day, though if guests were present he would join them at luncheon-time and walk up and down while they were eating, talking and gesticulating in his fervent, fascinating way. Sometimes Mrs. Clemens would say:

"Oh, Youth, do come and sit down with us. We can listen so much better."

But he seldom did. At dinner, too, it was his habit, between the courses, to rise from the table and walk up and down the room, waving his napkin and talking!—talking in a strain and with a charm that he could never quite equal with his pen. It's the opinion of most people who knew Mark Twain personally that his impromptu utterances, delivered with that ineffable quality of speech, manifested the culmination of his genius.

When Clemens came to Boston the Howells household was regulated, or rather unregulated, without regard to former routine. Mark Twain's personality was of a sort that unconsciously compelled the general attendance of any household. The reader may recall Josh Billings's remark on the subject. Howells tells how they kept their guest to themselves when he visited their home in Cambridge, permitting him to indulge in as many unconventions as he chose; how Clemens would take a room at the Parker House, leaving the gas burning day and night, and perhaps arrive at Cambridge, after a dinner or a reading, in evening dress and slippers, and joyously remain with them for a day or more in that guise, slipping on an overcoat and a pair of rubbers when they went for a walk. Also, how he smoked continuously in every room of the house, smoked during every waking moment, and how Howells, mindful of his insurance, sometimes slipped in and removed the still-burning cigar after he was asleep.

Clemens had difficulty in getting to sleep in that earlier day, and for a time found it soothing to drink a little champagne on retiring. Once, when he arrived in Boston, Howells said:

"Clemens, we've laid in a bottle of champagne for you."

But he answered:

"Oh, that's no good any more. Beer's the thing."

So Howells provided the beer, and always afterward had a vision of his guest going up-stairs that night with a pint bottle under each arm.

He invented other methods of inducing slumber as the years went by, and at one time found that this precious boon came more easily when he stretched himself on the bath-room floor.

He was a perpetual joy to the Howells family when he was there, even though the household required a general reorganization when he was gone.

Mildred Howells remembers how, as a very little girl, her mother cautioned her not to ask for anything she wanted at the table when company was present, but to speak privately of it to her. Miss Howells declares that while Mark Twain was their guest she nearly starved because it was impossible to get her mother's attention; and Mrs. Howells, after one of those visits of hilarity and disorder, said:

"Well, it 'most kills me, but it pays," a remark which Clemens vastly enjoyed. Howells himself once wrote:

Your visit was a perfect ovation for us; we never enjoy anything so much as those visits of yours. The smoke and the Scotch and the late hours almost kill us; but we look each other in the eyes when you are gone, and say what a glorious time it was, and air the library, and begin sleeping and longing to have you back again….