Kitabı oku: «Mark Twain: A Biography. Volume II, Part 2: 1886-1900», sayfa 9

CLXXXIII
THE SIEUR DE CONTE AND JOAN

In a note which he made many years later Mark Twain declared that he was fourteen years at work on Joan of Arc; that he had been twelve years preparing for it, and that he was two years in writing it.

There is nothing in any of his earlier notes or letters to indicate that he contemplated the story of Joan as early as the eighties; but there is a bibliographical list of various works on the subject, probably compiled for him not much later than 1880, for the latest published work of the list bears that date. He was then too busy with his inventions and publishing schemes to really undertake a work requiring such vast preparation; but without doubt he procured a number of books and renewed that old interest begun so long ago when a stray wind had blown a leaf from that tragic life into his own. Joan of Arc, by Janet Tuckey, was apparently the first book he read with the definite idea of study, for this little volume had been recently issued, and his copy, which still exists, is filled with his marginal notes. He did not speak of this volume in discussing the matter in after-years. He may have forgotten it. He dwelt mainly on the old records of the trial which had been dug out and put into modern French by Quicherat; the 'Jeanne d'Arc' of J. Michelet, and the splendid 'Life of the Maid' of Lord Ronald Gower, these being remembered as his chief sources of information.—[The book of Janet Tuckey, however, and ten others, including those mentioned, are credited as "authorities examined in verification" on a front page of his published book. In a letter written at the conclusion of "Joan" in 1895, the author states that in the first two-thirds of the story he used one French and one English authority, while in the last third he had constantly drawn from five French and five English sources.]

"I could not get the Quicherat and some of the other books in English," he said, "and I had to dig them out of the French. I began the story five times."

None of these discarded beginnings exists to-day, but we may believe they were wisely put aside, for no story of the Maid could begin more charmingly, more rarely, than the one supposedly told in his old age by Sieur Louis de Conte, secretary of Joan of Arc, and translated by Jean Francois Alden for the world to read. The impulse which had once prompted Mark Twain to offer The Prince and the Pauper anonymously now prevailed. He felt that the Prince had missed a certain appreciation by being connected with his signature, and he resolved that its companion piece (he so regarded Joan) should be accepted on its merits and without prejudice. Walking the floor one day at Viviani, smoking vigorously, he said to Mrs. Clemens and Susy:

"I shall never be accepted seriously over my own signature. People always want to laugh over what I write and are disappointed if they don't find a joke in it. This is to be a serious book. It means more to me than anything I have ever undertaken. I shall write it anonymously."

So it was that that gentle, quaint Sieur de Conte took up the pen, and the tale of Joan was begun in that beautiful spot which of all others seems now the proper environment for its lovely telling.

He wrote rapidly once he got his plan perfected and his material arranged. The reading of his youth and manhood, with the vivid impressions of that earlier time, became now something remembered, not merely as reading, but as fact.

Others of the family went down into the city almost daily, but he remained in that still garden with Joan as his companion—the old Sieur de Conte, saturated with memories, pouring out that marvelous and tragic tale. At the end of each day he would read to the others what he had written, to their enjoyment and wonder.

How rapidly he worked may be judged from a letter which he wrote to Hall in February, in which he said:

I am writing a companion piece to 'The Prince and the Pauper', which is half done & will make 200,000 words.

That is to say, he had written one hundred thousand words in a period of perhaps six weeks, marvelous work when one remembers that after all he was writing history, some of which he must dig laboriously from a foreign source. He had always, more or less, kept up his study of the French, begun so long ago on the river and it stood him in good stead now. Still, it was never easy for him, and the multitude of notes along the margin of his French authorities bears evidence of his faithfulness and the magnitude of his toil. No previous work had ever required so much of him, such thorough knowledge; none had ever so completely commanded his interest. He would have been willing to remain shut away from visitors, to have been released altogether from social obligations; and he did avoid most of them. Not all, for he could not always escape, and perhaps did not always really wish to. Florence and its suburbs were full of delightful people—some of them his old friends. There were luncheons, dinners, teas, dances, concerts, operas always in progress somewhere, and not all of these were to be resisted even by an absorbed author who was no longer himself, but sad old Sieur de Conte, following again the banner of the Maid of Orleans, marshaling her twilight armies across his illumined page.

CLXXXIV
NEW HOPE IN THE MACHINE

If all human events had not been ordered in the first act of the primal atom, and so become inevitable, it would seem a pity now that he must abandon his work half-way, and make another hard, distracting trip to America.

But it was necessary for him to go. Even Hall was no longer optimistic. His letters provided only the barest shreds of hope. Times were hard and there was every reason to believe they would be worse. The World's Fair year promised to be what it speedily became—one of the hardest financial periods this country has ever seen. Chicago could hardly have selected a more profitless time for her great exposition. Clemens wrote urging Hall to sell out all, or a portion, of the business—to do anything, indeed, that would avoid the necessity of further liability and increased dread. Every payment that could be spared from the sales of his manuscript was left in Hall's hands, and such moneys as still came to Mrs. Clemens from her Elmira interests were flung into the general fund. The latter were no longer large, for Langdon & Co. were suffering heavily in the general depression, barely hoping to weather the financial storm.

It is interesting to note that age and misfortune and illness had a tempering influence on Mark Twain's nature. Instead of becoming harsh and severe and bitter, he had become more gentle, more kindly. He wrote often to Hall, always considerately, even tenderly. Once, when something in Hall's letter suggested that he had perhaps been severe, he wrote:

Mrs. Clemens is deeply distressed, for she thinks I have been blaming you or finding fault with you about something. But most assuredly that cannot be. I tell her that although I am prone to write hasty and regrettable things to other people I am not a bit likely to write such things to you. I can't believe I have done anything so ungrateful. If I have, pile coals of fire upon my head for I deserve it. You have done magnificently with the business, & we must raise the money somehow to enable you to reap a reward for all that labor.

He was fond of Hall. He realized how honest and resolute and industrious he had been. In another letter he wrote him that it was wonderful he had been able to "keep the ship afloat in the storm that has seen fleets and fleets go down"; and he added: "Mrs. Clemens says I must tell you not to send us any money for a month or two, so that you may be afforded what little relief is in our power."

The type-setter situation seemed to promise something. In fact, the machine once more had become the principal hope of financial salvation. The new company seemed really to begetting ahead in spite of the money stringency, and was said to have fifty machines well under way: About the middle of March Clemens packed up two of his shorter manuscripts which he had written at odd times and forwarded them to Hall, in the hope that they would be disposed of and the money waiting him on his arrival; and a week later, March 22, 1893, he sailed from Genoa on the Kaiser Wilhelm II, a fine, new boat. One of the manuscripts was 'The Californian's Tale' and the other was 'Adam's Diary'.—[It seems curious that neither of these tales should have found welcome with the magazines. "The Californian's Tale" was published in the Liber Scriptorum, an Authors' Club book, edited by Arthur Stedman. The 'Diary' was disposed of to the Niagara Book, a souvenir of Niagara Falls, which contained sketches by Howells, Clemens, and others. Harper's Magazine republished both these stories in later years—the Diary especially with great success.]

Some joke was likely to be played on Mark Twain during these ocean journeys, and for this particular voyage an original one was planned. They knew how he would fume and swear if he should be discovered with dutiable goods and held up in the Custom House, and they planned for this effect. A few days before arriving in New York one passenger after another came to him, each with a box of expensive cigars, and some pleasant speech expressing friendship and appreciation and a hope that they would be remembered in absence, etc., until he had perhaps ten or a dozen very choice boxes of smoking material. He took them all with gratitude and innocence. He had never declared any dutiable baggage, entering New York alone, and it never occurred to him that he would need to do so now. His trunk and bags were full; he had the cigars made into a nice package, to be carried handily, and on his arrival at the North German Lloyd docks stood waiting among his things for the formality of Customs examination, his friends assembled for the explosion.

They had not calculated well; the Custom-House official came along presently with the usual "Open your baggage, please," then suddenly recognizing the owner of it he said:

"Oh, Mr. Clemens, excuse me. We have orders to extend to you the courtesies of the port. No examination of your effects is necessary."

It was the evening of Monday, April 3d, when he landed in New York and went to the Hotel Glenham. In his notes he tells of having a two-hour talk with Howells on the following night. They had not seen each other for two years, and their correspondence had been broken off. It was a happy, even if somewhat sad, reunion, for they were no longer young, and when they called the roll of friends there were many vacancies. They had reached an age where some one they loved died every year. Writing to Mrs. Crane, Clemens speaks of the ghosts of memory; then he says:

I dreamed I was born & grew up & was a pilot on the Mississippi & a miner & a journalist in Nevada & a pilgrim in the Quaker City & had a wife & children & went to live in a villa at Florence—& this dream goes on & on & sometimes seems so real that I almost believe it is real. I wonder if it is? But there is no way to tell, for if one applies tests they would be part of the dream, too, & so would simply aid the deceit. I wish I knew whether it is a dream or real.

He was made handsomely welcome in New York. His note-book says:

Wednesday. Dined with Mary Mapes Dodge, Howells, Rudyard Kipling & wife, Clarke,—[ William Fayal Clarke, now editor of St. Nicholas Magazine.]—Jamie Dodge & wife.

Thursday, 6th. Dined with Andrew Carnegie, Prof. Goldwin Smith, John Cameron, Mr. Glenn. Creation of league for absorbing Canada into our Union. Carnegie also wants to add Great Britain & Ireland.

It was on this occasion that Carnegie made his celebrated maxim about the basket and the eggs. Clemens was suggesting that Carnegie take an interest in the typesetter, and quoted the old adage that one should not put all of his eggs into one basket. Carnegie regarded him through half-closed lids, as was his custom, and answered:

"That's a mistake; put all your eggs into one basket—and watch that basket."

He had not come to America merely for entertainment. He was at the New York office of the type-setter company, acquiring there what seemed to be good news, for he was assured that his interests were being taken care of, and that within a year at most his royalty returns would place him far beyond the fear of want. He forwarded this good news to Italy, where it was sorely needed, for Mrs. Clemens found her courage not easy to sustain in his absence. That he had made his letter glowing enough, we may gather from her answer.

It does not seem credible that we are really again to have money to spend. I think I will jump around and spend money just for fun, and give a little away, if we really get some. What should we do and how should we feel if we had no bright prospects before us, and yet how many people are situated in that way?

He decided to make another trip to Chicago to verify, with his own eyes, the manufacturing reports, and to see Paige, who would appear to have become more elusive than ever as to contracts, written and implied. He took Hall with him, and wrote Orion to meet him at the Great Northern Hotel. This would give him a chance to see Orion and would give Orion a chance to see the great Fair. He was in Chicago eleven days, and in bed with a heavy cold almost the whole of that time. Paige came to see him at his rooms, and, as always, was rich in prospects and promises; full of protestations that, whatever came, when the tide of millions rolled in, they would share and share alike. The note-book says:

Paige shed even more tears than usual. What a talker he is! He could persuade a fish to come out and take a walk with him. When he is present I always believe him; I can't help it.

Clemens returned to New York as soon as he was able to travel. Going down in the elevator a man stepped in from one of the floors swearing violently. Clemens, leaning over to Hall, with his hand to his mouth, and in a whisper audible to every one, said:

"Bishop of Chicago."

The man, with a quick glance, recognized his fellow-passenger and subsided.

On May 13th Clemens took the Kaiser Wilhelm II. for Genoa. He had accomplished little, but he was in better spirits as to the machine. If only the strain of his publishing business had slackened even for a moment! Night and day it was always with him. Hall presently wrote that the condition of the money-market was "something beyond description. You cannot get money on anything short of government bonds." The Mount Morris Bank would no longer handle their paper. The Clemens household resorted to economies hitherto undreamed of. Mrs. Clemens wrote to her sister that she really did not see sometimes where their next money would come from. She reported that her husband got up in the night and walked the floor in his distress.

He wrote again to Hall, urging him to sell and get rid of the debts and responsibilities at whatever sacrifice:

I am terribly tired of business. I am by nature and disposition unfit for it, & I want to get out of it. I am standing on the Mount Morris volcano with help from the machine a long, long way off—& doubtless a long way further off than the Connecticut company imagine.

Get me out of business!

He knew something of the delays of completing a typesetting machine, and he had little faith in any near relief from that source. He wrote again go Hall, urging him to sell some of his type-setter royalties. They should be worth something now since the manufacturing company was actually in operation; but with the terrible state of the money-market there was no sale for anything. Clemens attempted to work, but put in most of his time footing up on the margin of his manuscript the amount of his indebtedness, the expenses of his household, and the possibilities of his income. It was weary, hard, nerve-racking employment. About the muddle of June they closed Viviani. Susy Clemens went to Paris to cultivate her voice, a rare soprano, with a view to preparing for the operatic stage. Clemens took Mrs. Clemens, with little Jean, to Germany for the baths. Clara, who had graduated from Mrs. Willard's school in Berlin, joined them in Munich, and somewhat later Susy also joined them, for Madame Marchesi, the great master of voice-culture, had told her that she must acquire physique to carry that voice of hers before she would undertake to teach her.

In spite of his disturbed state of mind Clemens must have completed some literary work during this period, for we find first mention, in a letter to Hall, of his immortal defense of Harriet Shelley, a piece of writing all the more marvelous when we consider the conditions of its performance. Characteristically, in the same letter, he suddenly develops a plan for a new enterprise—this time for a magazine which Arthur Stedman or his father will edit, and the Webster company will publish as soon as their present burdens are unloaded. But we hear no more of this project.

But by August he was half beside himself with anxiety. On the 6th he wrote Hall:

Here we never see a newspaper, but even if we did I could not come anywhere near appreciating or correctly estimating the tempest you have been buffeting your way through—only the man who is in it can do that—but I have tried not to burden you thoughtlessly or wantonly. I have been overwrought & unsettled in mind by apprehensions, & that is a thing that is not helpable when one is in a strange land & sees his resources melt down to a two months' supply & can't see any sure daylight beyond. The bloody machine offers but a doubtful outlook—& will still offer nothing much better for a long time to come; for when the "three weeks" are up, there will be three months' tinkering to follow, I guess. That is unquestionably the boss machine of the world, but is the toughest one on prophets when it is in an incomplete state that has ever seen the light.

And three days later:

Great Scott, but it's a long year—for you & me! I never knew the almanac to drag so. At least not since I was finishing that other machine.

I watch for your letters hungrily—just as I used to watch for the telegram saying the machine's finished—but when "next week certainly" suddenly swelled into "three weeks sure" I recognized the old familiar tune I used to hear so much. W–don't know what sick-heartedness is—but he is in a way to find out.

And finally, on the 4th:

I am very glad indeed if you and Mr. Langdon are able to see any daylight ahead. To me none is visible. I strongly advise that every penny that comes in shall be applied to paying off debts. I may be in error about this, but it seems to me that we have no other course open. We can pay a part of the debts owing to outsiders —none to Clemenses. In very prosperous times we might regard our stock & copyrights as assets sufficient, with the money owing to us, to square up & quit even, but I suppose we may not hope for such luck in the present condition of things.

What I am mainly hoping for is to save my book royalties. If they come into danger I hope you will cable me so that I can come over & try to save them, for if they go I am a beggar.

I would sail to-day if I had anybody to take charge of my family & help them through the difficult journeys commanded by the doctors.

A few days later he could stand it no longer, and on August 29 (1893) sailed, the second time that year, for New York.

CLXXXV
AN INTRODUCTION TO H. H. ROGERS

Clemens took a room at The Players—"a cheap room," he wrote, "at $1.50 per day." It was now the end of September, the beginning of a long half-year, during which Mark Twain's fortunes were at a lower ebb than ever before; lower, even, than during those mining days among the bleak Esmeralda hills. Then he had no one but him self and was young. Now, at fifty-eight, he had precious lives dependent upon him, and he was weighed down with a vast burden of debt. The liabilities of Charles L. Webster & Co. were fully two hundred thousand dollars. Something like sixty thousand dollars of this was money supplied by Mrs. Clemens, but the vast remaining sum was due to banks, to printers, to binders, and to dealers in various publishing materials. Somehow it must be paid. As for their assets, they looked ample enough on paper, but in reality, at a time like this, they were problematical. In fact, their value was very doubtful indeed. What he was to do Clemens did not know. He could not even send cheerful reports to Europe. There was no longer anything to promise concerning the type-setter. The fifty machines which the company had started to build had dwindled to ten machines; there was a prospect that the ten would dwindle to one, and that one a reconstruction of the original Hartford product, which had cost so much money and so many weary years. Clemens spent a good part of his days at The Players, reading or trying to write or seeking to divert his mind in the company of the congenial souls there, waiting for-he knew not what.

Yet at this very moment a factor was coming into his life, a human element, a man to whom in his old age Mark Twain owed more than to any other of his myriad of friends. One night, when he was with Dr. Clarence C. Rice at the Murray Hill Hotel, Rice said:

"Clemens, I want you to know my friend, Mr. H. H. Rogers. He is an admirer of your books."

Clemens turned and was looking into the handsome, clean-cut features of the great financier, whose name was hardly so familiar then as it became at a later period, but whose power was already widely known and felt among his kind.

"Mr. Clemens," said Mr. Rogers, "I was one of your early admirers. I heard you lecture a long time ago on the Sandwich Islands. I was interested in the subject in those days, and I heard that Mark Twain was a man who had been there. I didn't suppose I'd have any difficulty getting a seat, but I did; the house was jammed. When I came away I realized that Mark Twain was a great man, and I have read everything of yours since that I could get hold of."

They sat down at a table, and Clemens told some of his amusing stories. Rogers was in a perpetual gale of laughter. When at last he rose to go the author and the financier were as old friends. Mr. Rogers urged him to visit him at his home. He must introduce him to Mrs. Rogers, he said, who was also his warm admirer. It was only a little while after this that Dr. Rice said to the millionaire:

"Mr. Rogers, I wish you would look into Clemens's finances a little: I am afraid they are a good deal confused."

This would be near the end of September, 1893. On October 18 Clemens wrote home concerning a possible combination of Webster & Co. with John Brisben Walker, of the 'Cosmopolitan', and added:

I have got the best and wisest man of the whole Standard Oil group-a multi-millionaire—a good deal interested in looking into the type- setter. He has been searching into that thing for three weeks and yesterday he said to me:

"I find the machine to be all you represent it. I have here exhaustive reports from my own experts, and I know every detail of its capacity, its immense construction, its cost, its history, and all about its inventor's character. I know that the New York company and the Chicago company are both stupid, and that they are unbusinesslike people, destitute of money and in a hopeless boggle."

Then he told me the scheme he had planned and said:

"If I can arrange with these people on this basis—it will take several weeks to find out—I will see to it that they get the money they need. In the mean time you 'stop walking the floor'."

Of course, with this encouragement, Clemens was in the clouds again. Furthermore, Rogers had suggested to his son-in-law, William Evarts Benjamin, also a subscription publisher, that he buy from the Webster company The Library of American Literature for fifty thousand dollars, a sum which provided for the more insistent creditors. There was hope that the worst was over. Clemens did in reality give up walking the floor, and for the time, at least, found happier diversions. He must not return to Europe as yet, for the type-setter matter was still far from conclusion. On the 11th of November he was gorgeously entertained by the Lotos Club in its new building. Introducing him, President Frank Lawrence said:

"What name is there in literature that can be likened to his? Perhaps some of the distinguished gentlemen about this table can tell us, but I know of none. Himself his only parallel, it seems to me. He is all our own—a ripe and perfect product of the American soil."