Kitabı oku: «Say Nothing: A True Story Of Murder and Memory In Northern Ireland»

2

Albert’s Daughters

When Dolours Price was a little girl, her favoured saints were martyrs. Dolours had one very Catholic aunt on her father’s side who would say, ‘For God and Ireland.’ For the rest of the family, Ireland came first. Growing up in West Belfast in the 1950s, she dutifully went to church every day. But she noticed that her parents didn’t. One day, when she was about fourteen, she announced, ‘I’m not going back to Mass.’

‘You have to go,’ her mother, Chrissie, said.

‘I don’t, and I’m not going,’ Dolours said.

‘You have to go,’ Chrissie repeated.

‘Look,’ Dolours said. ‘I’ll go out the door, I’ll stand at the corner for half an hour and say to you, “I’ve been to Mass.” But I won’t have been to Mass.’

She was headstrong, even as a child, so that was the end of that. The Prices lived in a small, semi-detached council house on a tidy, sloping street in Andersonstown called Slievegallion Drive. Her father, Albert, was an upholsterer; he made the chairs that occupied the cramped front room. But where another clan might adorn the mantelpiece with happy photos from family holidays, the Prices displayed, with great pride, snapshots taken in prisons. Albert and Chrissie Price shared a fierce commitment to the cause of Irish republicanism: the belief that for hundreds of years the British had been an occupying force on the island of Ireland – and that the Irish had a duty to expel them by any means necessary.

When Dolours was little, she would sit on Albert’s lap and he would tell her stories about joining the Irish Republican Army when he was still a boy, in the 1930s, and about how he had gone off to England as a teenager to carry out a bombing raid. With cardboard in his shoes because he couldn’t afford to patch the soles, he had dared to challenge the mighty British Empire.

A small man with wire-framed glasses and fingertips stained yellow by tobacco, Albert told violent tales about the fabled valour of long-dead patriots. Dolours had two other siblings, Damian and Clare, but she was closest to her younger sister, Marian. Before bedtime, their father liked to regale them with the story of the time he escaped from a jail in the city of Derry, along with twenty other prisoners, after digging a tunnel that led right out of the facility. One inmate played the bagpipes to cover the sound of the escape.

In confiding tones, Albert would lecture Dolours and her siblings about the safest method for mixing improvised explosives, with a wooden bowl and wooden utensils – never metal! – because ‘a single spark and you were gone’. He liked to reminisce about beloved comrades whom the British had hanged, and Dolours grew up thinking that this was the most natural thing in the world: that every child had parents who had friends who’d been hanged. Her father’s stories were so rousing that she shivered sometimes when she listened to them, her whole body tingling with goose bumps.

Everyone in the family, more or less, had been to prison. Chrissie’s mother, Granny Dolan, had been a member of the IRA Women’s Council, the Cumann na mBan, and had once served three months in Armagh jail for attempting to relieve a police officer from the Royal Ulster Constabulary of his service weapon. Chrissie had also served in the Cumann and done a stretch in Armagh, along with three of her sisters, after they were arrested for wearing a ‘banned emblem’: little paper flowers of orange, white and green, known as Easter lilies.

In the Price family – as in Northern Ireland in general – people had a tendency to talk about calamities from the bygone past as though they had happened just last week. As a consequence, it could be difficult to pinpoint where the story of the ancient quarrel between Britain and Ireland first began. Really, it was hard to imagine Ireland before what the Prices referred to simply as ‘the cause’. It almost didn’t matter where you started the story: it was always there. It pre-dated the distinction between Protestant and Catholic; it was older than the Protestant Church. You could go back nearly a thousand years, in fact, to the Norman raiders of the twelfth century, who crossed the Irish Sea on ships, in search of new lands to conquer. Or to Henry VIII and the Tudor rulers of the sixteenth century, who asserted England’s total subjugation of Ireland. Or to the Protestant emigrants from Scotland and the North of England who filtered into Ireland over the course of the seventeenth century and established a plantation system in which the Gaelic-speaking natives became tenants and vassals on land that had previously been their own.

But the chapter in this saga that loomed largest in the house on Slievegallion Drive was the Easter Rising of 1916, in which a clutch of Irish revolutionaries seized the post office in Dublin and declared the establishment of a free and independent Irish Republic. Dolours grew up hearing legends about the dashing heroes of the rising, and about the sensitive poet who was one of the leaders of the rebellion, Patrick Pearse. ‘In every generation, the Irish people have asserted their right to national freedom,’ Pearse declared on the post office steps.

Pearse was an inveterate romantic who was deeply attracted to the ideal of blood sacrifice. Even as a child, he had fantasies of pledging his life for something, and he came to believe that bloodshed was a ‘cleansing’ thing. Pearse praised the Christlike deaths of previous Irish martyrs and wrote, a few years before the rising, that ‘the old heart of the earth needed to be warmed with the red wine of the battlefield’.

He got his wish. After a brief moment of glory, the rebellion was mercilessly quashed by British authorities in Dublin, and Pearse was court-martialled and executed by a firing squad, along with fourteen of his comrades. After the Irish War of Independence led to the partition of Ireland, in 1921, the island was split in two: in the South, twenty-six counties achieved a measure of independence as the Irish Free State, while in the North, a remaining six counties continued to be ruled by Great Britain. Like other staunch republicans, the Price family did not refer to the place where they happened to reside as ‘Northern Ireland’. Instead it was ‘the North of Ireland’. In the fraught local vernacular, even proper nouns could be political.

A cult of martyrdom can be a dangerous thing, and in Northern Ireland, rituals of commemoration were strictly regulated, under the Flags and Emblems Act. The fear of Irish nationalism was so pronounced that you could go to jail in the North just for displaying the tricolour flag of the Republic. As a girl, Dolours donned her best white frock for Easter Sunday, a basket full of eggs under her arm and, pinned to her chest, an Easter lily, to commemorate the botched rebellion. It was an intoxicating ritual for a child, like joining a league of secret outlaws. She learned to cover the lily with her hand when she saw a policeman coming.

She was under no illusions, however, about the personal toll that devotion to the cause could exact. Albert Price never met his first child, an older daughter who died in infancy while he was behind bars. Dolours had an aunt, Bridie, one of Chrissie’s sisters, who had taken part in the struggle in her youth. On one occasion in 1938, Bridie had been helping to move a cache of explosives when it suddenly detonated. The blast shredded both of Bridie’s hands to the wrist, disfiguring her face and blinding her permanently. She was twenty-seven when it happened.

Against the projections of her doctors, Aunt Bridie survived. But because she was so incapacitated, she would require care for the rest of her life. With no hands or eyes, she couldn’t change her clothes or blow her nose or do much else for herself without assistance. Bridie often stayed for stretches in the house on Slievegallion Drive. If the Price family felt pity for her, it was secondary to a sense of admiration for her willingness to offer up everything for an ideal. Bridie came home from the hospital to a tiny house with an outside toilet, no social worker, no pension – just a life of blindness. Yet she never expressed any regret for having made such a sacrifice in the name of a united Ireland.

When Dolours and Marian were little, Chrissie would send them upstairs with instructions to ‘talk to your Aunt Bridie’. The woman would be stationed in a bedroom, alone in the gloom. Dolours liked to tiptoe as she ascended the stairs, but Bridie’s hearing was extra sharp, so she always heard you coming. She was a chain-smoker, and from the age of eight or nine, Dolours was given the job of lighting Bridie’s cigarettes, gently inserting them between her lips. Dolours hated this responsibility. She found it revolting. She would stare at her aunt, scrutinising her face more closely than you might with someone who could see you doing it, taking in the full horror of what had happened to her. Dolours was a loquacious kid, with a child’s manner of blurting out whatever came into her head. Sometimes she would ask Bridie, ‘Do you not wish you’d just died?’

Taking her aunt’s stumpy wrists into her own small hands, Dolours stroked the waxen skin. They reminded her, she liked to say, of ‘a pussycat’s paws’. Bridie wore dark glasses, and Dolours once watched a tear descend from behind the glass and creep down her withered cheek. And Dolours wondered: How can you cry if you have no eyes?

On the cold, clear morning of 1 January 1969, a band of student protesters assembled outside City Hall in Donegall Square, in the centre of Belfast. Their plan was to walk from Belfast to the walled city of Derry, some seventy miles away, a march that would take them several days. They were protesting systemic discrimination against Catholics in Northern Ireland. Partition had created a perverse situation in which two religious communities, which for centuries had felt a degree of tension, each came to feel like an embattled minority: Protestants, who formed a majority of the population in Northern Ireland but a minority on the island as a whole, feared being subsumed by Catholic Ireland; Catholics, who represented a majority on the island but a minority in Northern Ireland, felt that they were discriminated against in the six counties.

Northern Ireland was home to a million Protestants and half a million Catholics, and it was true that the Catholics faced extraordinary discrimination: often excluded from good jobs and housing, they were also denied the kind of political power that might enable them to better their conditions. Northern Ireland had its own devolved political system, based at Stormont, on the outskirts of Belfast. For half a century, no Catholic had ever held executive office.

Excluded from the shipbuilding industry and other attractive professions, Catholics often simply left, emigrating to England or America or Australia, in search of work they couldn’t find at home. The Catholic birth rate in Northern Ireland was approximately double the Protestant birth rate – yet during the three decades prior to the march on Derry, the Catholic population had remained virtually static, because so many people had no choice but to leave.

Perceiving, in Northern Ireland, a caste system akin to the racial discrimination in the United States, the young marchers had chosen to model themselves explicitly on the American civil rights movement. They had studied the 1965 march by Dr Martin Luther King and other civil rights leaders from Selma to Montgomery, Alabama. As they trudged out of Belfast, bundled in duffel coats, daisy-chained arm in arm, they held placards that read, CIVIL RIGHTS MARCH, and sang ‘We Shall Overcome’.

Dolours and Marian Price

One of the marchers was Dolours Price, who had joined the protest along with her sister Marian. At eighteen, Dolours was younger than most of the other marchers, many of whom were at university. She had grown up to be an arrestingly beautiful young woman, with dark-red hair, flashing blue-green eyes and pale lashes. Marian was a few years younger, but the sisters were inseparable. Around Andersonstown, everyone knew them as ‘Albert’s daughters’. They were so close, and so often together, that they could seem like twins. They called each other ‘Dotes’ and ‘Mar’, and had grown up sharing not just a bedroom but a bed. Dolours had a big, assertive personality and a sly irreverence, and the sisters plodded through the march absorbed in a stream of lively chatter, their angular Belfast accents bevelled, slightly, by their education at St Dominic’s, a rigorous Catholic high school for girls in West Belfast; their repartee punctuated by peals of laughter.

Dolours would later describe her own childhood as an ‘indoctrination’. But she was always fiercely independent-minded, and she was never much good at keeping her convictions to herself. As a teenager, she had started to question some of the dogma upon which she had been raised. It was the 1960s, and the nuns at St Dominic’s could do only so much to keep the cultural tides that were roiling the world at bay. Dolours liked rock ’n’ roll. Like a lot of young people in Belfast, she was also inspired by Che Guevara, the photogenic Argentine revolutionary who fought alongside Fidel Castro. That Che was shot dead by the Bolivian military (his hands severed, like Aunt Bridie’s, as proof of death) could only help to situate him in her menagerie of revolutionary heroes.

But even as tensions sharpened between Catholics and Protestants in Northern Ireland, Dolours had come to believe that the armed struggle her parents championed might be an outdated solution, a relic of the past. Albert Price was an emphatic conversationalist, a lively talker who would wrap his arm around your shoulder, tending his ever-present cigarette with the other hand, and regale you with history, anecdote and charm until he had brought you around to his way of seeing things. But Dolours was an unabashed debater. ‘Hey, look at the IRA,’ she would say to her father. ‘You tried that and you lost!’

It was true that the history of the IRA was in some ways a history of failure: just as Patrick Pearse had said, every generation staged a revolt of one sort or another, but by the late 1960s, the IRA was largely dormant. Old men would still get together for weekend training camps south of the border in the Republic, doing target practice with antique guns left over from earlier campaigns. But nobody took them very seriously as a fighting force. The island was still divided. Conditions had not improved for Catholics. ‘You failed,’ Dolours told her father, adding, ‘There is another way.’

Dolours had started attending meetings of a new political group, People’s Democracy, in a hall on the campus of Queen’s University. Like Che Guevara, and many of her fellow marchers, Dolours subscribed to some version of socialism. The whole sectarian schism between Protestants and Catholics was a poisonous distraction, she had come to believe: working-class Protestants may have enjoyed some advantages, but they, too, often struggled with unemployment. The Protestants who lived in grotty houses along Belfast’s Shankill Road didn’t have indoor toilets either. If only they could be made to see that life would be better in a united – and socialist – Ireland, the discord that had dogged the two communities for centuries might finally dissipate.

One of the leaders of the march was a raffish, articulate young socialist from Derry named Eamonn McCann, whom Dolours met and became fast friends with on the walk. McCann urged his fellow protesters not to demonise the Protestant working people. ‘They are not our enemies in any sense,’ McCann insisted. ‘They are not exploiters dressed in thirty-guinea suits. They are the dupes of the system, the victims of the landed and industrialist unionists. They are the men in overalls.’ These people are actually on our side, McCann was saying. They just don’t know it yet.

Ireland is a small island, less than two hundred miles across at its widest point. You can drive from one coast to the other in an afternoon. But from the moment the marchers departed Donegall Square, they had been harried by counterprotesters: Protestant ‘unionists’, who were ardent in their loyalty to the British crown. Their leader was a stout, jug-eared forty-four-year-old man named Ronald Bunting, a former high school maths teacher who had been an officer in the British Army and was known by his followers as the Major. Though he had once held more progressive views, Bunting fell under the sway of the ardently anti-Catholic minister Ian Paisley after Paisley tended to Bunting’s dying mother. Bunting was an Orangeman, a member of the Protestant fraternal organisation that had long defined itself in opposition to the Catholic population. He and his supporters jostled and jeered the marchers, attempting to snatch their protest banners, while raising a flag of their own – the Union Jack. At one point, a journalist asked Bunting whether it might not have been better just to leave the marchers be and ignore them.

‘You can’t ignore the devil, brother,’ Bunting said.

Bunting may have been a bigot, but some of his anxieties were widely shared. ‘The basic fear of Protestants in Northern Ireland is that they will be outbred by Roman Catholics,’ Terence O’Neill, the prime minister of Britain’s devolved government in Northern Ireland, said that year. Nor did it seem entirely clear, in the event that Protestants were eventually outnumbered in such a fashion, that London would come to their rescue. Many people on the English ‘mainland’ seemed only faintly aware of this restive province off the coast of Scotland; others would be happy to let Northern Ireland go. After all, Britain had been shedding colonies for decades. One English journalist writing at the time described the unionists in Northern Ireland as ‘a society more British than the British about whom the British care not at all’. To ‘loyalists’ – as especially zealous unionists were known – this created a tendency to see oneself as the ultimate defender of a national identity that was in danger of extinction. In the words of Rudyard Kipling, in his 1912 poem ‘Ulster’, ‘We know, when all is said,/We perish if we yield.’