Kitabı oku: «Pete Townshend: Who I Am»

2 IT’S A BOY!

I have just been born, war is over, but not completely.

‘It’s a boy!’ someone shouts from the footlights. But my father keeps on playing.

I am a war baby though I have never known war, born into a family of musicians on 19 May 1945, two weeks after VE Day and four months before VJ Day bring the Second World War to an end. Yet war and its syncopated echoes – the klaxons and saxophones, the big bands and bomb shelters, V2s and violins, clarinets and Messerschmitts, mood-indigo lullabies and satin-doll serenades, the wails, strafes, sirens, booms and blasts – carouse, waltz and unsettle me while I am still in my mother’s womb.

Two memories linger for ever like dreams that, once remembered, are never forgotten.

I am two years old, riding on the top deck of an old tram that Mum and I have boarded at the top of Acton Hill in West London. The tram trundles past my future: the electrical shop where Dad’s first record will go on sale in 1955; the police station where I’ll go to retrieve my stolen bike; the hardware store that mesmerises me with its thousands of perfectly labelled drawers; the Odeon where I will attend riotous Saturday movie matinées with my pals; St Mary’s Church where years from now I sing Anglican hymns in the choir and watch hundreds of people take communion, but never do so myself; the White Hart pub where I first get properly drunk in 1962 after playing a regular weekly gig with a school rock band called The Detours, that will one day evolve into The Who.

I am a little older now, my second birthday three months past. It’s the summer of 1947 and I’m on a beach in bright sunshine. I’m still too young to run around, but I sit up on the blanket enjoying the smells and sounds: sea air, sand, a light wind, waves murmuring against the shore. My parents ride up like Arabs on horseback, spraying sand everywhere, wave happily, and then ride off again. They are young, glamorous, beautiful, and their disappearance is like the challenge of an elusive grail.

Dad’s father, Horace Townshend (known as Horry), was prematurely bald at thirty, but still striking with his aquiline profile and thick-rimmed glasses. Horry, a semi-professional musician/composer, wrote songs and performed in summer entertainments at seasides, parks and music halls during the 1920s. A trained flautist, he could read and write music, but he liked the easy life and never made much money.

Horry met Grandma Dorothy in 1908. They worked together as entertainers and married two years later, when Dot was eight months pregnant with their first child, Jack. As an infant, Uncle Jack remembered his parents busking on Brighton Pier while little Jack watched nearby. A grand lady walked up, admired their efforts and threw a shilling into their hat. ‘For which good cause are you collecting?’ she asked.

‘For ourselves,’ Dot said.

Dot was striking and elegant. A singer and dancer who could read music, she performed at concert parties, sometimes alongside her husband, and later contributed to Horry’s songwriting. She was cheerful and positive, though rather vain and a bit of a snob. Between performances Horry and Dot conceived my father, Clifford Blandford Townshend, who was born in 1917, a companion for his older brother Jack.

Mum’s parents, Denny and Maurice, lived in Paddington during Mum’s early childhood. Though obsessive about cleanliness, Denny was not a careful guardian. Mum remembers hanging out the upstairs window with her baby brother, Maurice, Jr, waving at her father driving past on his milk float. The little boy nearly slipped out.

Granddad Maurice was a sweet man who was cruelly jilted when Denny – after eleven years of marriage – abruptly ran off with a wealthy man, who kept her as his mistress. On that day Mum came home from school to an empty house. Denny had taken all the furniture except for a bed, leaving only a note with no address. It took Maurice several years to track the wayward woman down, but they were never reconciled.

Maurice and the two children moved in with his mother, Ellen. Mum, just ten, contributed to running the house, and fell directly under her Irish grandmother’s influence. Mum was ashamed of the mother who had abandoned her, but proud of her grandmother Ellen, who taught her to modulate her speaking voice to round out the Irish in it. Mum became adept at mimicking various accents, and showed an early aptitude for music.

Eventually, as a teenager, Mum moved in with her maternal Aunt Rose in North London. I remember Rose as an extraordinary woman, self-assured, intelligent, well read; she was a lesbian, living quietly but openly with her partner.

Like me, Dad was a teenage rebel. Before the war he and his best friend were members of Oswald Mosley’s fascist Blackshirts. He was ashamed of this later, of course, but forgave himself – they were young, and the uniforms were glamorous. Instead of staying with Prokofiev’s clarinet studies, through which he’d brilliantly stormed for two hours every morning, Dad at sixteen chose to play at bottle parties, an English variant on the speakeasy. The musicianship required of him at these gigs demanded little of his skill. Throughout his life he was over-qualified, technically, for the music he played.

Within a few years Dad was performing around London with Billy Wiltshire and his Piccadilly Band, playing music for dancing or lounging at bars – ‘bar-stooling’, as it was known. In the interval between two world wars, sophistication, glamour and light-heartedness obscured an underlying fear of extinction. The big issues were hidden in clouds of cigarette smoke and innovative popular music. Sex was, as ever, the ingredient that would calm the anxious heart. Yet in the music of my father’s era, sexual energy was implied rather than displayed, hidden behind the cultivated elegance of men and women in evening dress.

War and music brought my parents together. Dad enlisted in the RAF in 1940 and played saxophone and clarinet in small bands to entertain his colleagues as part of his duties. By 1945 he was playing in the RAF Dance Orchestra, one of the largest in any of the services. Recruited from enlisted men who had been members of well-known bands and directed by Sergeant Leslie Douglas, it has been described as the greatest dance orchestra Britain ever produced. It was, in its own way, revolutionary. Its secret weapon was Swing, still not generally acceptable to society at large, but the common people loved it. Dad had secured the job because Vera Lynn’s husband, saxophonist Harry Lewis, although in the RAF, was afraid of flying and didn’t want to fly to Germany. And in fact when the motorcycle messenger shouted out the news of my birth from the footlights, Dad was away in Germany, playing saxophone for the troops.

Mum falsified her age to enlist in 1941. A gifted singer, she became a vocalist in Dad’s band. A concert programme for 18 June 1944 at Colston Hall, Bristol, lists her singing ‘Star Eyes’, ‘All My Life’ (a duet with the handsome Sergeant Douglas) and ‘Do I Worry’. Dad is featured as the soloist on ‘Clarinet Rhapsody’ and ‘Hot and Anxious’. According to a sleeve note, the RAF Dance Orchestra directed the ear of the public. ‘From slush to music with a beat, the rhythm had flexibility, the soloist more room for expression.’

When the war ended the band chose to go by its popular name: the Squadronaires.

According to Mum, the early years of her marriage were lonely. ‘I never saw Dad. He was never there. And when he was, he was over the road in the bloody White Lion or up at the Granville.’ Cheerful, good-looking and quick to buy a round at the bar, Dad was popular in the local pubs, where his musical success made him a bit of a celebrity.

Mum’s loneliness may help explain why she was so angry with my father for being absent at my birth. Mum, who had been living with Dad’s parents, showed her resentment by moving out. She knew a Jewish couple, Sammy and Leah Sharp, musicians from Australia, who lived with their son in one big room, and Mum and I moved in with them. Leah took me over. I don’t remember her, but Mum described her as ‘one of these people who loved to do all the bathing and pram-pushing and all that lark’. Mum, less interested in ‘all that lark’ – and still working as a singer – was grateful for the help.

In 1946 my parents reconciled, and the three of us moved to a house in Whitehall Gardens, Acton. Our next-door neighbours included the great blind jazz pianist George Shearing and the cartoonist Alex Graham, whose studio, with its adjustable draughting board, huge sheets of paper, inks and complicated pens, fascinated me, and planted the seeds that later inspired me to go to art college.

We shared our house with the Cass family, who lived upstairs and, like many of my parents’ closest friends, were Jewish. I remember noisy, joyous Passovers with a lot of Gefilte fish, chopped liver and the aroma of slow-roasting brisket. Each family had three rooms, a kitchen and a bathroom, but no inside toilet. Ours was in the back yard, and our toilet paper was a few squares of newspaper hung on a nail. Between the cold and the spiders, my trips there never lasted long.

I slept in the dining room. My parents seemed to have little sense of the need to provide me with a place of my own, where I could leave my toys or drawings out without feeling I was encroaching on adult territory. I had no sense of privacy, or even any awareness that I deserved it.

Mum gave up singing and later regretted it, but she always worked. She helped run the Squadronaires from their office in Piccadilly Circus, and often took me on the tour bus, where I basked in the easygoing attitude of the band and looked after the empty beer bottles. Our road trips always ended at a small seaside hotel, a holiday camp or an ornate theatre full of secret stairways and underground corridors.

Charlie, who managed the road crew, was the butt of numerous practical jokes, but the Squadronaires clearly loved him. The impact of Mum and Dad’s daily influence on me waned a little in the presence of the band, which was like a travelling boys’ club. Mum was the singing doll in residence, and Dad’s musicianship gave him a special status among his peers. Dad always worked for at least an hour on scales and arpeggios, and his morning practice seemed magical in its complexity. In rock today we use simpler language: he was fast.

***

The holiday camp was a peculiarly British institution – a working-class destination for a summer week of revelry that often included entertainment in the form of a band like the Squadronaires. The one-family-per-hut layout of the camps didn’t seem ideally suited to illicit sexual liaisons. But if, instead of a family in one of these huts, you imagine a small group of young men in one, and young women in another, you begin to understand the possibilities.

There was an egalitarian feeling about holiday camps, but I always felt a little superior to the ordinary folk rotating through. After all, I was with the band, and I was there for the whole summer, sometimes as long as sixteen weeks. From behind the stage curtain I discovered the magic of capturing the campers’ attention. I grew up with a feel for what entertains people, and saw the price this sometimes demanded. As a stunt to amuse the camping plebs, each afternoon at two o’clock Dad was pushed from the highest board into the swimming pool below, fully dressed in his band uniform. Emerging from the water still playing his old clarinet, he pretended to be sad, defeated. As a child I felt this rather too deeply. My shining Dad is humiliated, I used to think, so you camping plebs can get a laugh.

I learned to set myself apart from those ordinary folk, the customers who indirectly paid for our keep. To this day when I go to a concert in which I’m not performing I always feel a little lost. And I always think of my dad.

In September 1949, aged four, I attended Silverdale Nursery in Birch Grove, Acton, which probably appealed to Mum because she thought I looked cute in the school uniform, a red blazer and hat. Mum herself was naturally glamorous, and when clothes rationing ended after the war Mum outfitted herself like a Hollywood film star. Her in-laws disapproved. Why was she spending Dad’s hard-earned money on clothes and sending me to private school when she should have been pushing a pram?

I was happy, though. Whitehall Gardens was one of a series of streets overrun with little boys my own age. Our gang was led by my best friend who we all called Jimpy, after a character with a similar quiff in a popular Daily Mirror cartoon. Like all kids, we played football, cricket, hide-and-seek and cowboys and Indians – our favourite game. War games were limited to toy soldiers or model vehicles: the real thing was still too raw a memory.

Our fantasies were inspired by films we saw on Saturday matinées: Roy Rogers, Hopalong Cassidy, Flash Gordon, The Three Stooges, Charlie Chaplin, Laurel and Hardy, Looney Tunes, Disney cartoons and the rest. Laurel and Hardy were the funniest people on the planet. Chaplin seemed out of date to me, but then practically all the films we saw had been made before the war.

Once we got out of the house we could do pretty much what we liked. We sneaked under fences, onto railway sidings, scrumped apples from trees in people’s gardens, threw stones at ducks, opened any garage door left unlocked (cars were a great curiosity), and followed the milkman and his horse-drawn cart all the way to Gunnersbury Park, a round trip of about ten miles.

Jimpy and I both had tricycles, and one day, still only four, we both rode mine to the park to attempt a new downhill duo speed record on the steep path in front of the manor house. I stood on the back axle and Jimpy steered. The bike became uncontrollable at high velocity so we could only go straight ahead – crashing right into a raised brick planter at the foot of the hill. We ended up with our faces in the soil, shocked and bloody. The bike was so badly bent we couldn’t ride it back home. My nosebleed lasted two days.

***

In 1950, when I turned five, I didn’t go to the local free state junior school with my pals. Mum, still thinking I looked cute in uniform, sent me to the private Beacon House School, two-thirds of a mile from our home. I knew none of the children there, remember no one I met there and hated almost every minute of it.

The school occupied a single-family house, and assembly was held in a small back room into which we marched each morning singing ‘Onward Christian Soldiers’ like a bunch of brainwashed Chinese Communists. After an inedible lunch we were expected to nap at our desks for fifteen minutes. If we moved a muscle we were scolded; further fidgeting could lead to ruler slaps, or worse. I was caned several times, and whacked with the teacher’s rubber-soled slipper.

On one occasion I was so hurt and humiliated that I complained to my parents. They spoke to the headmistress at the school, who responded by singling me out for especially cruel treatment. Now I wasn’t even allowed to go to the toilet during the day, and I sometimes helplessly soiled myself on the long walk home from school. Afraid of even worse retribution from the school, I didn’t say another word about it to my parents. I went to Jimpy’s and received the sympathy – and fresh underpants – that I couldn’t find at home.

Around this time Mum started taking me to ballet lessons. I walked into a room and saw twenty toe-twinkling girls in tutus, giggling at me. I was one of only a few boys in the group. One day, after I misbehaved, the teacher pulled down my tights, bent me over a bathtub and spanked me while the girls gathered excitedly around the bathroom door.

Perhaps perversely, I enjoyed ballet classes. I am almost a dancer today because of them. Although even now, in my sixties, I am prone to slouching like an adolescent – indeed a photograph of me as a young man is used in a book about the Alexander Technique as an example of ‘post-adolescent collapse’ – I can move well on my feet, and a lot of my stagecraft is rooted in what I learned in those first few ballet classes. But Dad voiced his uneasiness at Mum taking me, so she stopped.

Towards the end of the Squadronaires’ summer touring season, the band’s busiest period, Mum got a phone call from Rosie Bradley, a good friend of my grandmother Denny’s brother, my Great Uncle Tom. She lived in Birchington, on the corner opposite Denny’s bungalow, and had been passing increasingly troubling news of Denny on to Mum.

During the summer of 1951 Denny was acting in a bizarre way and Rosie couldn’t tell how much of it was due to menopause. Mr Buss, Denny’s wealthy lover, had responded by sending money. Rosie thought Mum should go down and see to her. Rosie described a recent delivery Denny had received, prompting her to call over the road, ‘Rosie, Rosie! Come and have a look at this!’ In the boxes were four evening dresses and two fur coats, yet Denny was still walking around the streets in a dressing gown in the middle of the night. Rosie described Mum’s mother’s behaviour as ‘quite bonkers’.

After contacting my parents, Rosie persuaded Mr Buss to rent a two-bedroom flat for Denny above a stationer’s shop in Station Road, Westgate. Still, Mum worried. ‘Cliff,’ she said to Dad, ‘I think she’s going batty. Do you think perhaps Pete could go down there? He could go to that little school, St Saviours. That might sort it all out.’ And this, strange as it may seem, is how I got sent to live with my grandmother in Westgate, and descended into the darkest part of my life.

Denny’s domestic notions were downright Victorian. She ordered her own day, and mine, with military precision. We woke up before six and had breakfast, toast for her and cornflakes and tea for me – unless I’d done something wrong; her favourite punishment was denying me food. She granted me affection only when I was silent, perfectly behaved, utterly compliant and freshly washed – which is to say, never. She was a perfect wicked witch, even occasionally threatening me with gypsy curses. What had been in my parents’ minds when they chose to send me to live with her?

When I began at St Saviours at age six I came bottom of the class for reading and writing. By the time I finished I was on the top desk. That, I suppose, was the good part of going to live with Denny. I wrote a letter to Aunt Rose, Denny’s older sister, who returned my letter covered with red spelling and grammatical corrections. I was hurt by this, but Aunt Rose also told Denny that I was too old to be unable to read and write properly, and suggested Denny read me half of a suspenseful book, then stop and give it to me to finish. Denny read me Black Beauty by Anna Sewell, and the ploy worked. Caught up not just in the story but also in the unfamiliar comfort of being read to, I immediately picked up the book and finished it off.

I don’t remember any other books from my time with Denny. One of my few amusements was playing with the knobs on a chest of drawers, pretending they were the controls of a submarine. I also listened to Children’s Hour on the radio; the ‘Toytown’ adventures with Larry the Lamb and Dennis the Dachshund were pretty good.

Opposite our flat was the bus station. Denny would call out the window and invite the drivers to come up for a cup of tea. Sometimes she’d take tea over to them, or send me. Denny saw nothing unusual about going out into the street in her nightdress under a dressing gown, and I didn’t mind crossing the street in my pyjamas to give a cup of tea to a bus driver, but I was upset when she asked me to go further, to the local newsagent or grocer, where I would come upon grown-ups on their way to work, looking at me oddly.

Denny would get me up at five in the morning and she’d pack various items of food prepared the night before, including sponge cakes in baking tins. We’d march to various prearranged assignations, usually with American Air Force officers. There were brief exchanges, Denny passing over a sandwich or a tin, but what she received in return I don’t know. I remember large flashy cars with half-opened windows. I also vaguely remember a man I had to call ‘uncle’, who was deaf in one ear, staying the night a few times. He had a little Hitler moustache.

The whole affair left me angry and resentful. I’ve spent years of psychotherapy trying to understand it. In 1982 my therapist urged me to try to push through to some clearer level of recall by writing about these morning exchanges. I started to write, and as I began describing a meeting – the Air Force officer winding down his window, Denny leaning in – I suddenly remembered for the first time the back door of the car opening. I began to shake uncontrollably and couldn’t write any more, or remember anything else. My memory just shut down.

Our flat opened onto the first-floor landing, and my room was never locked; the key was kept on the outside. When I was afraid at night I’d run to Denny’s room. If her door was unlocked, she shooed me away; if it was locked, she’d feign sleep and wouldn’t respond. To this day I still wake up terrified, sweating with fear, shaking with rage at the fact that my door to the landing was always kept unlocked at night. I was a tiny child, just six years old, and every night I went to sleep feeling incredibly exposed, alone and unprotected.

In addition to the buses, we also had a view of the train station. I loved to look at the magnificent steam engines, fantasising about sharing the moment with a friend, brother, sister – someone. My last thoughts before sleep often focused on longing for physical affection. Denny didn’t touch me apart from slapping me, brutally scrubbing my body in the bath or ducking my head under the water to wash off the soap. One night, when Denny lost her temper, she held my head under for a long time.

At St Saviours there were a few children from the nearby American air base. One tall, lanky boy came to school wearing a jaunty seersucker suit – still de rigueur in certain parts of the USA. His parents were oblivious to any ridicule this might provoke. That is, until Rosie Bradley’s son Robert and I taunted him to the point of tears while his hapless mother walked him home. The fact that I took part in this bullying shames me to this day.

The school’s fat, balding, insincerely jolly headmaster was Mr Matthews. The window in Mr Matthews’s study faced the playground, and his favourite ritual was to cane children at his desk with an audience of jeering children gathered outside. I ended up at his desk one day, I can’t remember what for. I bent over the desk, facing the window full of eager, greedy faces ready to feed on my pain, but to their great disappointment Mr Matthews let me off.

When Mum paid the occasional visit to Denny and me at Westgate, she gave off an aura of London glamour and of being in a hurry, but also of being unreliable. Meanwhile Denny was running after bus drivers and airmen, and I was miserable. I had lost my beautiful young parents to a life of Spartan discipline with a pathetic woman desperately watching her youth slip away. Denny’s feelings for me seemed vengeful, as did Mum’s abandonment. The deaths or disappearances of the beloved men in my life – my absent father and the recently departed George VI – seemed vengeful too. At the age of seven, love and leadership both felt bankrupt.

During this time Mum became romantically involved with another man. I remember sitting in the back seat of a Volkswagen Beetle, waiting at an intersection on Gunnersbury Avenue. Mum is introducing me to the driver, Dennis Bowman; she says he means a great deal to her – in fact, he’s going to be my new father.

‘I like you better than my other dad,’ I say to Mr Bowman. ‘You’ve got a car.’

The car is light green; the traffic lights change to green and I’m giving Mr Bowman the green light.