The look she shot across the table was one of bright determination. He thought he had never seen her so sharp and so focused before. ‘I’m in real trouble,’ she said bluntly. ‘All we own is the house, all that’s coming in is my advances. I was counting on a good sum from Penshurst Press and now you tell me all they want to pay is £20,000. It’s a hard world we live in, isn’t it? If they won’t pay me to write good books, then I’ll just have to write bad.’
‘Can you bear to do it?’ he asked quietly.
Isobel gave him a glance and he realised, for the first time in their long association, that this was a passionate woman. Her frumpy clothes and her faded prettiness had hidden from him that this was a woman capable of deep feelings. She was a woman who had dedicated her life to being in love with her husband. ‘I’d do anything for him,’ she said simply. ‘Writing a bad book is the least of it.’
Isobel was silent on her return from London. When Philip asked if she was well she said that she was a little tired, that she had a headache.
‘Were you drinking at lunchtime?’ he asked disapprovingly.
‘Only a glass of wine.’
He raised an eyebrow. ‘That Troy always tires you out,’ he said. ‘Why didn’t you just post the manuscript to him? What d’you have to see him for?’
‘He’s amusing,’ she said. ‘I like him.’
‘I suppose he’s a change from me.’
‘It’s not that, darling. I just like to deliver the finished manuscript. It’s a bit of a lift, that’s all.’
‘I’d have thought you had enough to do without becoming a courier service as well,’ he said grudgingly.
‘I do have,’ she said. ‘I’m going to start a new novel at once. I got the idea over lunch.’
‘What will it be about?’
‘Something about the notion of personal responsibility and whether people can genuinely reform,’ she said vaguely.
He gave her an encouraging smile. ‘That sounds a bit like The Dream and the Doing,’ he said, citing one of her earlier books. ‘I always liked that one. I liked the way the heroine had to make a choice not between which man she married, but actually between two contrasting moral systems. It was a very thoughtful book.’
‘Yes, I think it’ll be very like that,’ she said. ‘Are you coming up to bed?’
‘I’ll have a nightcap before I come up.’
Isobel paused. ‘Oh, come up before I fall asleep.’
He smiled. ‘Of course,’ he said evasively.
Since his illness, his desire for Isobel had almost completely disappeared. He refused absolutely to discuss this either with Isobel or with his doctor, and if Isobel insisted that they go to bed at the same time, or if she tried to kiss and caress him in the morning, he would gently but firmly push her away. It seemed to be another of the many things that had melted away from Isobel’s life, like her looks, her youth, her sense of joy, and now – her ability to make money from her fine writing. She did not complain. When Philip had first become ill she had gone down on her knees to pray. She had made an agonised bargain with the god of her imagination, that if He would spare Philip’s life she would never ask for anything ever again.
When they were finally told, after years of tests, that Philip would become progressively weaker for the rest of his life, but would not die in the near future, she thought that God had taken advantage of her trust. God had cheated on the deal. Philip would not die, but the man she had loved and married was gone forever.
Isobel felt that it was not in her power to withdraw her offer to God. She had promised that if Philip lived then she would never ask for anything again and she intended to keep that promise. She would never make any demands of Philip, she would never ask God for extravagant luck or wonderful opportunities. She thought that what lay before her was a life of duty which would be illuminated with the joy of self-sacrifice. Isobel thought that she might create a life which was itself a thing of beauty – a life in which a talented and devoted couple turned their energies and abilities into making some happiness together despite illness, despite fear of death. She thought that she and Philip might be somehow ennobled by the terrible bad luck that they had suffered. She had thought that she might show him how much she loved him in constant, loving, willing self-sacrifice.
Instead, what she actually experienced was a slog. But she knew that lots of women were forced to slog. Some had disagreeable husbands, or arduous jobs, or difficult children. Isobel’s witty, charming husband had become a self-pitying invalid. Isobel’s love for him had been transformed from the erotic to the maternal. Isobel’s sense of herself as an attractive woman had been destroyed by night after night of the most tactful but unrelenting sexual rejection.
She thought that it should make no difference. She was still determined to keep her side of the bargain with God. She had promised never to ask for anything ever again, and she was holding to her side of the deal.
‘All right,’ she said, smiling, making it clear that she would embarrass neither of them by making a sexual advance to him. ‘You come to bed when you like, darling. Anyway, I expect I’ll be asleep.’
She did indeed fall asleep almost at once but she woke in the light of the summer morning at five. Outside the window she could hear the birds starting to sing and the insistent coo of the wood pigeon, nesting in the oak tree beside the house. For a moment she lay beside Philip, enjoying the warmth of the bed and the gleam of the early-morning sunlight on the ceiling. She turned and looked at him. Peacefully asleep, he looked younger and happier. His blond forelock fell attractively across his regular features, his dark eyelashes were as innocent as a sleeping child’s on the smooth skin of his cheeks. Isobel was filled with a sense of tenderness for him. More than anything else in the world she wanted to provide for him, to care for him as if he were her child. She wanted to earn enough money so that he could always go to the housekeeping jar to take whatever cash he wanted, without asking, without having to give thanks. She wanted to provide for him abundantly, generously, as if her love and wealth could compensate for the awful unjust bad luck of his illness.
Isobel crept out from the warmth of the bed and put her dressing gown around her shoulders, and slid her feet into her sensible fleecy slippers. She left the bedroom quietly, went downstairs to the kitchen and made herself a pot of strong Darjeeling tea and then carried her china cup through to her study.
The word processor came alive with a deep, reassuring chime. She watched the screen gleam into life, and then created a new document. The blank page was before her, the little line of the cursor waiting to move, to tick its way into life. She laid her fingers on the keyboard, like a pianist waiting for the signal to play, for the indrawn breath, for that powerful moment of initiation.
‘Devil’s Disciple,’ she typed. ‘Chapter One.’
Isobel wrote for three hours until she heard Philip stirring in the bedroom above her study. She shut down the file on the word processor and paused for a moment. Philip very rarely came into her study and read her work in progress, but he might do so, there had never been any suggestion that Isobel’s work was private. Now, for the first time in her life, she did not want him to read what she had written. She had a very strong sense that she did not want him to know that she was writing a form of literature that they both despised. Also, she did not want him to know that she was spending hours every day letting her imagination roam over erotic and perverse possibilities. Philip would find the scenes of the heroine tied on the altar immensely offensive. Their love-making had always been gentle, respectful of each other, sometimes even spiritual. The notion of his wife writing soft pornography would have disgusted Philip. Isobel did not want him to know that she could even think of such things.
She closed the file and considered what name she should give it to ensure that Philip would not read it. She leaned forward and typed in the name: ‘letters to the bank’. Philip never concerned himself with money now. Since he had taken early retirement from Paxon Pharmaceuticals he had handed over to her all the control of their finances. They held a joint bank account into which Isobel’s royalty cheques and advances were paid, and it was her task to draw out what was needed and to make sure that the housekeeping money jar on the kitchen worktop was filled once a week with whatever cash he might want. When they went out together, Philip paid with his credit card; he liked to be seen paying in a restaurant. If he wanted new clothes or magazines, books, or CDs, he used his credit card and then Isobel paid the bills when the monthly statement arrived. If he wanted a tenner in his pocket when he walked down to the pub, he simply took it.
It seemed to Isobel absolutely fair that she should support him so completely. When he had been well he had bought the house she had liked, he had paid for the food and wine that they ate and drank. Now that she was earning and he was not, she saw no reason why they still should not equally share. Her only difficulty arose when she realised that she was failing to earn the money they needed.
Philip was not an extravagant man. He seldom went out without her, he preferred to wear old clothes. The greatest expense in his life was his occasional visits to exotic and overpriced alternative therapists in case one of them might, one day, have some kind of cure. Isobel learned to dread those visits because they were so costly both in money and in emotion when Philip soared into hope and then dropped into despair.
‘I wouldn’t mind them being so pricey if they worked,’ she had said to him once as she wrote a cheque for £800 for an Amazonian rainforest herb.
‘They have to be expensive,’ he had replied, with a flash of his old worldliness, taking the cheque she held out to him. ‘That’s what makes you trust them, of course.’
She heard him coming slowly down the stairs. She could tell by the heaviness of his pace that today was a bad day. She went swiftly into the kitchen to put the kettle on to boil and the bread in the toaster so that he should be greeted with breakfast.
‘Good morning,’ she said brightly as he came into the room.
‘Good morning,’ he said quietly, and sat at the table and waited for her to serve him.
She put toast in the rack, and the butter and marmalade before him, and then the small box which contained the dietary supplements for breakfast – an array of vitamins, minerals and oils. He started taking the pills with dour determination and Isobel felt the usual pang of tenderness.
‘Bad night?’ she asked.
He made a grimace. ‘Nothing special.’
She poured the tea and sat beside him with her cup.
‘And what are you going to do today?’ she asked encouragingly.
Philip gave her a look which warned her that he was not in the mood to be jollied out of his unhappiness. ‘I’ll do my exercises, and then I’ll read the newspaper, and then I’ll start the crossword, and then I’ll have lunch, and then I’ll go for my walk, and then I’ll have tea, and then I’ll have a rest, and then I’ll watch the news, and then I’ll have dinner, and then I’ll watch television, and then I’ll go to bed,’ he said in a rapid drone. ‘Amazing programme, isn’t it?’
‘We could go to the cinema,’ she suggested. ‘Or the theatre. Why don’t you ring up and see what’s on? Wasn’t there something you liked the sound of the other day?’
He brightened. ‘I suppose we could. If we went to a matinée we could go on for dinner after.’
Isobel mentally lost another afternoon’s writing. ‘Lovely,’ she said. ‘Could we go to that Italian restaurant that was so nice?’
‘Italian!’ he exclaimed. ‘We’re going to the White Lodge if we can get in.’
Isobel dismissed the little pang of dread as she mentally doubled the likely bill for the cost of the whole evening. ‘Lovely,’ she said enthusiastically.
The house at the end of the drive loomed up as Charity walked nervously towards it. Her little heels tapped on the paving slabs as she walked up to the imposing door. There was a thick, rusting bell pull to the right of the massive wooden doors. Charity leaned forward and gave it a gentle tug.
Isobel hesitated. It seemed to her that there was a good deal too much landscape and furniture in this paragraph. Her usual novels concerned themselves with the inner psychology of her characters and she generally had only the mistiest idea of the rooms they inhabited or the clothes they wore. Her usual style was too sparse to allow much room for description of material things. Besides, Isobel was not interested in material things. She was far more interested in what people thought than the chairs they were sitting on as they thought.
There was a ring at the front door bell. Isobel pressed ‘save’ on the computer and waited, listening, to see if someone answered the door. From the kitchen she could hear Mrs M. chatting with Philip as she cleared the table. There was another ring at the door bell. It was clear that although there were three people in the house, and two of them were doing virtually nothing, no-one was going to answer the door. Isobel sighed and went to see who it was.
There was courier with a large box. ‘Sign here,’ he said.
Isobel signed where he indicated and took the box into her study. The sender was Troy Cartwright. Isobel took a pair of scissors and cut the plastic tape. Inside the box were half a dozen violent-coloured novels. They had titles like Crazed, The Man Eater, Stormy Weather and Diamonds. Isobel unpacked them and laid them in a circle around her as she kneeled on the floor. The note from Troy read:
just a little light reading to give you a sense of the genre. Can’t wait to see what you’ll do. Hope it’s going well. Do call me if you want some moral support. You’re such a star – Troy.
A footstep in the hall made Isobel jump and gather the books into a pile. She threw the note over the topmost one, which showed a garish photograph of a woman embracing a python, as Philip put his head around the door.
‘I thought I heard the bell.’
‘It was a delivery. Some books for me. For review.’
He hardly glanced at the pile. ‘Can we have an early lunch?’
‘Yes,’ she said. ‘And have you rung the cinema?’
‘Give me a chance,’ he said. ‘I’m going to do it now.’
‘All right,’ she said and smiled at him until the door closed.
As soon as he was gone Isobel took the glossy dust jackets off the books and crammed them in the wastepaper bin. Underneath the garish pictures the books looked perfectly respectable, though overweight compared with Isobel’s library of slim volumes. She scattered them round the bookshelves and wrapped one – The Man Eater – in the dust jacket of The Country Diary of an Edwardian Lady, and left it beside her desk to read later.
She turned back to the screen.
The door swung open, on the threshold was a man. He had a dark mop of long black hair, dark eyes set deep under heavy eyebrows, a strong characterful face, a firm chin marked with a dimple. Charity stepped back for only a moment, fearful and yet attracted at the same time.
Isobel paused, she found she was grinning in simple delight at the unfolding of the story.
He took her cheap raincoat from her thin shoulders
Isobel hesitated. ‘Cheap’ as well as ‘thin’? She shrugged. She had a reckless sense of pleasure that she had never felt when writing before. ‘What does it matter? If it’s got to be two hundred thousand words it could be a cheap, light raincoat. No-one is going to care one way or another …
‘No-one is going to care about the writing one way or another,’ she repeated.
She flung back her head and laughed. It was as if the great taboo of her life had suddenly been rendered harmless.
‘How’s it going?’ Troy telephoned Isobel after six weeks of silence. He had been careful not to ask before, frankly doubting that she could manage such a revolution in style.
‘It’s fantastic,’ she said.
Troy blinked. In all their long relationship she had never before described a book as ‘fantastic’. ‘Really?’
‘It’s such a complete holiday from how I usually work,’ she said. He could hear something in her voice which was different, something playful, lighter, younger. ‘It’s as if nothing matters. Not the grammar, not the choice of words, not the style. Nothing matters but the narrative, the flow of the narrative. And that’s the easiest thing to do.’
‘That’s your talent,’ he said loyally.
‘Well, I do think I might be rather good at it,’ she said. ‘And I’ve been thinking about who I am.’
‘Who you are?’
‘My persona.’
‘Oh yes. So who are you?’
‘I think I’m Genevieve de Vere.’
‘My God.’
‘D’you like it?’
He giggled. ‘I adore it. The only thing is, that it sounds like a pen name. If we want no-one to know that it is a pen name we need something a little more ordinary.’
‘Griselda de Vere?’
‘Griselda Vere?’
Oh, all right. But it seems a bit prosaic. Tell you what, let’s call her Zelda, like Scott Fitzgerald’s wife.’
‘Fantastic,’ he said. ‘Not too romantic. Leave the romance for the novel.’
‘I do. It is romantic,’ she said enthusiastically. ‘The hero has a dimple in his chin.’
Troy let out a squawk of laughter. ‘I bet he hasn’t even got an M A!’
‘I don’t mention his academic qualifications,’ Isobel said with dignity. ‘But he does have something extraordinary in the sex department.’
‘What?’ Troy asked, utterly fascinated.
‘That’s the difficulty,’ she said, lowering her voice to a whisper and glancing at the closed study door. ‘I’m not entirely sure. I want him to have something remarkable about his genitalia.’
Troy had a sense of an Isobel Latimer that no-one had ever seen before. He kept his voice very level, he did not want to frighten away this new side of her. He thought she might prove to be delightful. ‘Oh, any reason why?’
‘It’s clearly a feature of the genre. In those books you sent me, a number of the heroes have – remarkable attributes. They’re generally very well endowed, but they also have some kind of gimmick.’
‘What about a couple of rings?’ Troy asked. ‘Like an earring, a hooped earring. Only inserted …’ He broke off. ‘Inserted not in the ear.’
‘In the genitalia?’ she demanded.
‘In the foreskin, I believe.’
There was a stunned silence.
‘So I’m told,’ Troy added hastily.
‘And who does this? Do you do it to yourself?’
‘Oh no! You go to a body-piercing studio.’
‘A studio?’
‘Not like an artist’s studio. Like a beauty salon.’
‘And why would a man do this?’
Troy hesitated. He had known Isobel for six years but he had never had a conversation like this with her before. He had a sense of exquisite discomfort. ‘Partly it’s fashion,’ he said cautiously. ‘And some people take pleasure from the experience of inserting the ring. I’m told that it enhances sexual pleasure once it is, er, fully operational.’
He was afraid that he had shocked her, perhaps even offended her.
‘D’you know anyone who has done this? Would he show me?’
Troy could not repress the giggle. ‘I know one guy who’s very proud of it. He would probably show you. But – ’
‘I’ll come up tomorrow,’ she said. ‘Let’s have lunch. I’ll buy him lunch. Tell him that Zelda Vere would like to meet him.’
Zelda Vere turned out to look and dress exactly like Isobel Latimer, except that she wore her hair down around her shoulders and had dark glasses hiding her eyes.
‘Would you have recognised me?’ she asked Troy hopefully.
‘Instantly,’ he said. ‘As would all of literary London. You’re going to have to transform if we’re really going to do this.’
‘I thought wearing my hair down – ’
‘Zelda Vere would have big hair,’ he said certainly. ‘I mean huge bouffant blonde hair. And loads of makeup, and ostentatious jewellery, and a suit in acid green with enormous gold buttons.’
Isobel blinked. ‘I don’t know if I can do it,’ she said. ‘And I don’t have anything at all like that in my wardrobe.’
‘We’ll start with the suit,’ he said. ‘Come with me.’ He strode out of the office, calling to the assistant: ‘Cancel Freddie for lunch, would you, darling? Say I’ll catch him later.’ And then ran down the steps and summoned a cab.
‘Are we serious about this?’ he asked her as they slammed the cab door. ‘The book’s going to be finished? You really intend to be Zelda Vere?’
‘Are you sure Zelda Vere can earn a quarter of a million?’ she countered.
He thought for a moment. ‘Yes. If the book’s as good as you say.’
She nodded. ‘I’m sure it’s that good.’
‘And you’re sure you want to do it? It’s going to cost us some serious money to get you dressed. Worse than that, it will have to be my serious money. And it’s my reputation on the line when we start approaching publishers. You really want to go through with this?’
‘I have to,’ she said flatly. ‘I can’t provide for Philip any other way.’
He leaned forward. ‘Harrods,’ he said shortly to the driver.
Isobel touched his arm. ‘Did you say your money?’
He gleamed at her. ‘I’m trying to think of it as venture capital.’
‘You are lending me money?’
Troy nodded briskly. ‘Have to,’ he said. ‘You have to be styled and buffed and polished and that’s going to cost serious money. You haven’t got it – not till we sell the book. So I’ll lend it to you.’
She hesitated. ‘What if nobody wants the novel? Or what if they don’t pay that much for it?’
He laughed shortly. ‘Then I shall share your disappointment.’
Isobel didn’t speak for a moment and he saw she was trying to control a rush of tears.
‘You are putting your own money in to help me?’ she confirmed.
He nodded.
To his surprise she gently touched the back of his hand with her fingertip, a gesture as soft as a kiss. ‘Thank you,’ she said quietly. ‘That means a lot to me.’
‘Why?’
‘Because no-one has helped me with anything since Philip became ill. I’ve been completely alone. You make me feel as if this is a shared project.’
Troy nodded. ‘We’re in it together,’ he promised her.
They did not trouble themselves to look for the clothes they needed. Troy said a few words to the chief sales assistant on the designer floor and they were ushered into a room which looked like an ornate sitting room in a private house.
‘A glass of champagne, madam, sir?’ a sales assistant offered.
‘Yes please,’ Troy said calmly, and nodded to Isobel to conceal her awe.
The mirrored doors opened and another assistant came in, pushing a rack of hanging outfits.
‘We’ll also need an appointment for makeup, and hairdressing,’ Troy murmured.
‘Of course, sir,’ she whispered back. ‘And first, the outfits.’
One suit after another was whipped off the rack, stripped from its protective plastic coating and swung like a matador’s cloak before Isobel’s gaze.
‘Try the pink,’ Troy advised. ‘And also the yellow.’
Isobel flinched back from the garish colours. ‘What about the grey?’ she asked.
‘Will madam be colouring her hair?’ the sales assistant asked.
Isobel glanced at Troy.
‘Bright blonde,’ he confirmed.
‘Then the pink will be wonderful,’ she said. ‘A pity not to maintain a high presence. The pink and the yellow both have a very high presence.’
They hung the suit inside the curtained changing room. Isobel went reluctantly inside and the curtain was dropped behind her. A pair of high-heeled gold sandals and a pair of high-heeled pink mules were inserted discretely underneath the curtain. Isobel regarded them with suspicion.
She took off her cream linen dress and flinched slightly at the sight of herself in the mirror. She was wearing a bra and a pair of pants which had been machine-washed so often that they were a creased grey, and a thread of elastic was fraying from the seam. Her hips were rounded, her thighs a little slack, her belly was podgy. Under the uncompromising lights of the fitting room there was no concealing the fact that she was a middle-aged woman who had not taken care of herself.
She shrugged and slipped on the pink jacket. It fitted perfectly. At once the upper half of her body looked tailored, constructed, somehow ordered. The skirt glided up over her hips and she fastened the zip at the waist without difficulty. It looked startlingly slim but it was generously cut. The hem of the skirt skimmed her knee. Isobel had not worn anything shorter than mid-calf length for the last ten years. She stepped into the pink mules. At once her legs looked longer. The pink of the jacket gave a brightness and a colour to her face. She tossed back her hair and tried to imagine herself blonde.
‘Come out,’ Troy begged. ‘Let’s see.’
Cautiously she drew the curtain to one side, almost apologetically she stepped out. Troy, glass of champagne in hand, regarded her with sudden, flattering attention.
‘Good God, Isobel,’ he said. ‘You are a knockout.’
She flushed, and teetered slightly on the high heels. ‘It’s so unlike what I usually …’
‘It’s very easy to get set in our ways …’ the sales assistant remarked gently. ‘Very hard to keep up. And it is difficult if madam lives in the country …’
The junior assistant stepped forward with a large tray of earrings and matching necklaces. Isobel was gently guided towards the mirror and the sales assistant scooped up the mass of light brown hair and piled it on Isobel’s head with two deft pins.
‘Just to give you an idea,’ she whispered.
Isobel’s ears were not pierced, but the sales staff put a Perspex band over her head and hung the earrings at ear level. They chose massive chunks of glass which looked like diamonds, and big, bright enameled flowers. They draped the matching necklaces around her neck.
‘Madam has such a long neck, she could wear almost anything,’ the sales lady said, as if genuinely delighted with the discovery. ‘I’m surprised you have not had your ears pierced.’
‘It’s just not my sort of style,’ Isobel said weakly.
A shame not to make the most of that lovely neck,’ the sales lady remarked.
Isobel found she was dropping her shoulders and raising her chin to her own reflection. She had never before considered the length of her neck, but with her hair swept up and the pink shedding a rosy radiance on her skin she did indeed think that she was blessed with a rather special feature which she should exhibit more often.
‘I want to see you in the yellow too,’ Troy said. ‘And perhaps a cocktail dress? Something for parties?’
Isobel disappeared back behind the curtain and tried on the yellow suit. She wore it with a sparkling golden scarf at her neck and looked years younger. The golden sandals were surprisingly comfortable. While she was changing they brought in a rack of cocktail dresses and Isobel swept through a range of blue lamé, pink tulle, black velvet and midnight blue, finally settling on a radiant Lacroix and a modest navy blue Dior which was to be worn with a silver jacket.
‘For added presence,’ the sales assistant advised.
‘And stockings and underwear and shoes,’ Troy commanded. He was on his third glass of champagne and they had brought him some sandwiches to eat while he waited. ‘Just some nice stuff. Two of everything.’
‘A fitting for the underwear?’ the sales assistant whispered.
‘Oh yes,’ Troy said.
They waited only a few moments and then a woman came into the room pushing a trolley of the most exquisite underwear Isobel had ever seen. Everything was embroidered or lace or silky with the sheen of high-tensile satin. There were bodies and teddies and bras and basques and French knickers and thongs and pants.
‘I’ve never seen …’ Isobel gasped.
Troy regarded the trolley with a certain amount of awe. ‘Whatever would suit madam best,’ he said, recovering rapidly.
Isobel vanished behind the curtain with the assistant. Shyly, she took off her bra, miserably conscious of the overstretched elastic and the garment’s air of dingy age. The assistant made no remark but merely whispered: ‘Lean forward please, madam.’
Blushing miserably, Isobel leaned forward and the assistant flung around her a smooth, cool band of silk, fastened it in a moment, and then with deft fingers tightened the straps and tucked Isobel’s breasts this way and that until the bra fitted her like a pair of perfect palms lovingly cupped and holding her firmly.
‘Oh,’ Isobel breathed. ‘So comfortable!’
‘And so flattering,’ the assistant pointed out. Isobel looked in the mirror. Her breasts were inches higher than their usual position, it made her waist, her whole body, look longer, slimmer. The profile flattened her waist, made her hips smoother. The assistant smiled. ‘It makes such a difference,’ she said with simple pride. ‘Now put the jacket back on.’
It fitted a little snugger than before, it looked even better. Isobel drew back the curtain and went out to Troy.
‘Oh yes,’ he said as he saw her. ‘Surprising. It makes a real difference. We’ll take half a dozen of everything,’ he told the assistant.
She smiled. ‘I’ll have them wrapped.’
The sales assistant opened the door for the underwear assistant and remarked, ‘The makeup artiste is ready.’
‘Oh, let her come in,’ Troy said cheerfully.
They ushered Isobel to the mirror and swathed her in a pale pink towel. The makeup girl cleaned her face with a sweet-smelling gritty cream and then wiped it all off with a scented water. ‘Your toner,’ she whispered reverently. ‘And now your moisturiser. You do cleanse, tone and moisturise every day, don’t you, madam?’
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