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Kitabı oku: «Ray Bradbury Stories Volume 1», sayfa 9
There Will Come Soft Rains
In the living room the voice-clock sang, Tick-tock, seven o’clock, time to get up, time to get up, seven o’clock! as if it were afraid that nobody would. The morning house lay empty. The clock ticked on, repeating and repeating its sounds into the emptiness. Seven-nine, breakfast time, seven-nine!
In the kitchen the breakfast stove gave a hissing sigh and ejected from its warm interior eight pieces of perfectly browned toast, eight eggs sunny-side up, sixteen slices of bacon, two coffees, and two cool glasses of milk.
‘Today is August 4, 2026,’ said a second voice from the kitchen ceiling, ‘in the city of Allendale, California.’ It repeated the date three times for memory’s sake. ‘Today is Mr Featherstone’s birthday. Today is the anniversary of Tilita’s marriage. Insurance is payable, as are the water, gas, and light bills.’
Somewhere in the walls, relays clicked, memory tapes glided under electric eyes.
Eight-one, tick-tock, eight-one o’clock, off to school, off to work, run, run, eight-one! But no doors slammed, no carpets took the soft tread of rubber heels. It was raining outside. The weather box on the front door sang quietly: ‘Rain, rain, go away; rubbers, raincoats for today …’ And the rain tapped on the empty house, echoing.
Outside, the garage chimed and lifted its door to reveal the waiting car. After a long wait the door swung down again.
At eight-thirty the eggs were shriveled and the toast was like stone. An aluminum wedge scraped them into the sink, where hot water whirled them down a metal throat which digested and flushed them away to the distant sea. The dirty dishes were dropped into a hot washer and emerged twinkling dry.
Nine-fifteen, sang the clock, time to clean.
Out of warrens in the wall, tiny robot mice darted. The rooms were acrawl with the small cleaning animals, all rubber and metal. They thudded against chairs, whirling their mustached runners, kneading the rug nap, sucking gently at hidden dust. Then, like mysterious invaders, they popped into their burrows. Their pink electric eyes faded. The house was clean.
Ten o’clock. The sun came out from behind the rain. The house stood alone in a city of rubble and ashes. This was the one house left standing. At night the ruined city gave off a radioactive glow which could be seen for miles.
Ten-fifteen. The garden sprinklers whirled up in golden founts, filling the soft morning air with scatterings of brightness. The water pelted windowpanes, running down the charred west side where the house had been burned evenly free of its white paint. The entire west face of the house was black, save for five places. Here the silhouette in paint of a man mowing a lawn. Here, as in a photograph, a woman bent to pick flowers. Still farther over, their images burned on wood in one titanic instant, a small boy, hands flung into the air; higher up, the image of a thrown ball, and opposite him a girl, hands raised to catch a ball which never came down.
The five spots of paint – the man, the woman, the children, the ball – remained. The rest was a thin charcoaled layer.
The gentle sprinkler rain filled the garden with falling light.
Until this day, how well the house had kept its peace. How carefully it had inquired, ‘Who goes there? What’s the password?’ and, getting no answer from lonely foxes and whining cats, it had shut up its windows and drawn shades in an old-maidenly preoccupation with self-protection which bordered on a mechanical paranoia.
It quivered at each sound, the house did. If a sparrow brushed a window, the shade snapped up. The bird, startled, flew off! No, not even a bird must touch the house!
The house was an altar with ten thousand attendants, big, small, servicing, attending, in choirs. But the gods had gone away, and the ritual of the religion continued senselessly, uselessly.
Twelve noon.
A dog whined, shivering, on the front porch.
The front door recognized the dog voice and opened. The dog, once huge and fleshy, but now gone to bone and covered with sores, moved in and through the house, tracking mud. Behind it whirred angry mice, angry at having to pick up mud, angry at inconvenience.
For not a leaf fragment blew under the door but what the wall panels flipped open and the copper scrap rats flashed swiftly out. The offending dust, hair, or paper, seized in miniature steel jaws, was raced back to the burrows. There, down tubes which fed into the cellar, it was dropped into the sighing vent of an incinerator which sat like evil Baal in a dark corner.
The dog ran upstairs, hysterically yelping to each door, at last realizing, as the house realized, that only silence was here.
It sniffed the air and scratched the kitchen door. Behind the door, the stove was making pancakes which filled the house with a rich baked odor and the scent of maple syrup.
The dog frothed at the mouth, lying at the door, sniffing, its eyes turned to fire. It ran wildly in circles, biting at its tail, spun in a frenzy, and died. It lay in the parlor for an hour.
Two o’clock, sang a voice.
Delicately sensing decay at last, the regiments of mice hummed out as softly as blown gray leaves in an electrical wind.
Two-fifteen.
The dog was gone.
In the cellar, the incinerator glowed suddenly and a whirl of sparks leaped up the chimney.
Two thirty-five.
Bridge tables sprouted from patio walls. Playing cards fluttered onto pads in a shower of pips. Martinis manifested on an oaken bench with egg-salad sandwiches. Music played.
But the tables were silent and the cards untouched.
At four o’clock the tables folded like great butterflies back through the paneled walls.
Four-thirty.
The nursery walls glowed.
Animals took shape: yellow giraffes, blue lions, pink antelopes, lilac panthers cavorting in crystal substance. The walls were glass. They looked out upon color and fantasy. Hidden films clocked through well-oiled sprockets, and the walls lived. The nursery floor was woven to resemble a crisp, cereal meadow. Over this ran aluminum roaches and iron crickets, and in the hot still air butterflies of delicate red tissue wavered among the sharp aromas of animal spoors! There was the sound like a great matted yellow hive of bees within a dark bellows, the lazy bumble of a purring lion. And there was the patter of okapi feet and the murmur of a fresh jungle rain, like other hoofs, falling upon the summer-starched grass. Now the walls dissolved into distances of parched weed, mile on mile, and warm endless sky. The animals drew away into thorn brakes and water holes.
It was the children’s hour.
Five o’clock. The bath filled with clear hot water.
Six, seven, eight o’clock. The dinner dishes manipulated like magic tricks, and in the study a click. In the metal stand opposite the hearth where a fire now blazed up warmly, a cigar popped out, half an inch of soft gray ash on it, smoking, waiting.
Nine o’clock. The beds warmed their hidden circuits, for nights were cool here.
Nine-five. A voice spoke from the study ceiling:
‘Mrs McClellan, which poem would you like this evening?’
The house was silent.
The voice said at last, ‘Since you express no preference, I shall select a poem at random.’ Quiet music rose to back the voice. ‘Sara Teasdale. As I recall, your favorite …
There will come soft rains and the smell of the ground,And swallows circling with their shimmering sound;
And frogs in the pools singing at night,And wild plum trees in tremulous white;
Robins will wear their feathery fire,Whistling their whims on a low fence-wire;
And not one will know of the war,not one Will care at last when it is done.
Not one would mind, neither bird nor tree,If mankind perished utterly:
And Spring herself, when she woke at dawnWould scarcely know that we were gone.
The fire burned on the stone hearth and the cigar fell away into a mound of quiet ash on its tray. The empty chairs faced each other between the silent walls, and the music played.
At ten o’clock the house began to die.
The wind blew. A falling tree bough crashed through the kitchen window. Cleaning solvent, bottled, shattered over the stove. The room was ablaze in an instant!
‘Fire!’ screamed a voice. The house lights flashed, water pumps shot water from the ceilings. But the solvent spread on the linoleum, licking, eating, under the kitchen door, while the voices took it up in chorus: ‘Fire, fire, fire!’
The house tried to save itself. Doors sprang tightly shut, but the windows were broken by the heat and the wind blew and sucked upon the fire.
The house gave ground as the fire in ten billion angry sparks moved with flaming ease from room to room and then up the stairs. While scurrying water rats squeaked from the walls, pistoled their water, and ran for more. And the wall sprays let down showers of mechanical rain.
But too late. Somewhere, sighing, a pump shrugged to a stop. The quenching rain ceased. The reserve water supply which had filled baths and washed dishes for many quiet days was gone.
The fire crackled up the stairs. It fed upon Picassos and Matisses in the upper halls, like delicacies, baking off the oily flesh, tenderly crisping the canvases into black shavings.
Now the fire lay in beds, stood in windows, changed the colors of drapes!
And then, reinforcements.
From attic trapdoors, blind robot faces peered down with faucet mouths gushing green chemical.
The fire backed off, as even an elephant must at the sight of a dead snake. Now there were twenty snakes whipping over the floor, killing the fire with a clear cold venom of green froth.
But the fire was clever. It had sent flame outside the house, up through the attic to the pumps there. An explosion! The attic brain which directed the pumps was shattered into bronze shrapnel on the beams.
The fire rushed back into every closet and felt of the clothes hung there.
The house shuddered, oak bone on bone, its bared skeleton cringing from the heat, its wire, its nerves revealed as if a surgeon had torn the skin off to let the red veins and capillaries quiver in the scalded air. Help, help! Fire! Run, run! Heat snapped mirrors like the first brittle winter ice. And the voices wailed, Fire, fire, run, run, like a tragic nursery rhyme, a dozen voices, high, low, like children dying in a forest, alone, alone. And the voices fading as the wires popped their sheathings like hot chestnuts. One, two, three, four, five voices died.
In the nursery the jungle burned. Blue lions roared, purple giraffes bounded off. The panthers ran in circles, changing color, and ten million animals, running before the fire, vanished off toward a distant steaming river …
Ten more voices died. In the last instant under the fire avalanche, other choruses, oblivious, could be heard announcing the time, playing music, cutting the lawn by remote-control mower, or setting an umbrella frantically out and in, the slamming and opening front door, a thousand things happening, like a clock shop when each clock strikes the hour insanely before or after the other, a scene of maniac confusion, yet unity; singing, screaming, a few last cleaning mice darting bravely out to carry the horrid ashes away! And one voice, with sublime disregard for the situation, read poetry aloud in the fiery study, until all the film spools burned, until all the wires withered and the circuits cracked.
The fire burst the house and let it slam flat down, puffing out skirts of spark and smoke.
In the kitchen, an instant before the rain of fire and timber, the stove could be seen making breakfasts at a psychopathic rate, ten dozen eggs, six loaves of toast, twenty dozen bacon strips, which, eaten by fire, started the stove working again, hysterically hissing!
The crash. The attic smashing into kitchen and parlor. The parlor into cellar, cellar into sub-cellar. Deep freeze, armchair, film tapes, circuits, beds, and all like skeletons thrown in a cluttered mound deep under.
Smoke and silence. A great quantity of smoke.
Dawn showed faintly in the east. Among the ruins, one wall stood alone. Within the wall, a last voice said, over and over again and again, even as the sun rose to shine upon the heaped rubble and steam:
‘Today is August 5, 2026, today is August 5, 2026, today is …’
Mars Is Heaven
The ship came down from space. It came from the stars and the black velocities, and the shining movements, and the silent gulfs of space. It was a new ship: it had fire in its body and men in its metal cells, and it moved with a clean silence, fiery and warm. In it were seventeen men, including a captain. The crowd at the Ohio field had shouted and waved their hands up into the sunlight, and the rocket had bloomed out great flowers of heat and color and run away into space on the third voyage to Mars!
Now it was decelerating with metal efficiency in the upper Martian atmospheres. It was still a thing of beauty and strength. It had moved in the midnight waters of space like a pale sea leviathan; it had passed the ancient Moon and thrown itself onward into one nothingness following another. The men within it had been battered, thrown about, sickened, made well again, each in his turn. One man had died, but now the remaining sixteen, with their eyes clear in their heads and their faces pressed to the thick glass ports, watched Mars swing up under them.
‘Mars!’ cried Navigator Lustig.
‘Good old Mars!’ said Samuel Hinkston, archaeologist.
‘Well,’ said Captain John Black.
The rocket landed on a lawn of green grass. Outside, upon this lawn, stood an iron deer. Further up on the green stood a tall brown Victorian house, quiet in the sunlight, all covered with scrolls and rococo, its windows made of blue and pink and yellow and green colored glass. Upon the porch were hairy geraniums and an old swing which was hooked into the porch ceiling and which now swung back and forth, back and forth, in a little breeze. At the summit of the house was a cupola with diamond leaded-glass windows and a dunce-cap roof! Through the front window you could see a piece of music titled ‘Beautiful Ohio’ sitting on the music rest.
Around the rocket in four directions spread the little town, green and motionless in the Martian spring. There were white houses and red brick ones, and tall elm trees blowing in the wind, and tall maples and horse chestnuts. And church steeples with golden bells silent in them.
The rocket men looked out and saw this. Then they looked at one another and then they looked out again. They held to each other’s elbows, suddenly unable to breathe, it seemed. Their faces grew pale.
‘I’ll be damned,’ whispered Lustig, rubbing his face with his numb fingers. ‘I’ll be damned.’
‘It just can’t be,’ said Samuel Hinkston.
‘Lord,’ said Captain John Black.
There was a call from the chemist. ‘Sir, the atmosphere is thin for breathing. But there’s enough oxygen. It’s safe.’
‘Then we’ll go out,’ said Lustig.
‘Hold on,’ said Captain John Black. ‘How do we know what this is?’
‘It’s a small town with thin but breathable air in it, sir.’
‘And it’s a small town the like of Earth towns,’ said Hinkston, the archaeologist. ‘Incredible. It can’t be, but it is.’
Captain John Black looked at him idly. ‘Do you think that the civilizations of two planets can progress at the same rate and evolve in the same way, Hinkston?’
‘I wouldn’t have thought so, sir.’
Captain Black stood by the port. ‘Look out there. The geraniums. A specialized plant. That specific variety has only been known on Earth for fifty years. Think of the thousands of years it takes to evolve plants. Then tell me if it is logical that the Martians should have: one, leaded-glass windows; two, cupolas; three, porch swings; four, an instrument that looks like a piano and probably is a piano; and five, if you look closely through this telescopic lens here, is it logical that a Martian composer would have published a piece of music titled, strangely enough, ‘Beautiful Ohio? All of which means that we have an Ohio River on Mars!’
‘Captain Williams, of course!’ cried Hinkston.
‘What?’
‘Captain Williams and his crew of three men! Or Nathaniel York and his partner. That would explain it!’
‘That would explain absolutely nothing. As far as we’ve been able to figure, the York expedition exploded the day it reached Mars, killing York and his partner. As for Williams and his three men, their ship exploded the second day after their arrival. At least the pulsations from their radios ceased at that time, so we figure that if the men were alive after that they’d have contacted us. And anyway, the York expedition was only a year ago, while Captain Williams and his men landed here some time during last August. Theorizing that they are still alive, could they, even with the help of a brilliant Martian race, have built such a town as this and aged it in so short a time? Look at that town out there; why, it’s been standing here for the last seventy years. Look at the wood on the porch newel; look at the trees, a century old, all of them! No, this isn’t York’s work or Williams’. It’s something else. I don’t like it. And I’m not leaving the ship until I know what it is.’
‘For that matter,’ said Lustig, nodding, ‘Williams and his men, as well as York, landed on the opposite side of Mars. We were very careful to land on this side.’
‘An excellent point. Just in case a hostile local tribe of Martians killed off York and Williams, we have instructions to land in a further region, to forestall a recurrence of such a disaster. So here we are, as far as we know, in a land that Williams and York never saw.’
‘Damn it,’ said Hinkston, ‘I want to get out into this town, sir, with your permission. It may be there are similar thought patterns, civilization graphs on every planet in our sun system. We may be on the threshold of the greatest psychological and metaphysical discovery of our age!’
‘I’m willing to wait a moment,’ said Captain John Black.
‘It may be, sir, that we’re looking upon a phenomenon that, for the first time, would absolutely prove the existence of God, sir.’
‘There are many people who are of good faith without such proof, Mr Hinkston.’
‘I’m one myself, sir. But certainly a town like this could not occur without divine intervention. The detail. It fills me with such feelings that I don’t know whether to laugh or cry.’
‘Do neither, then, until we know what we’re up against.’
‘Up against?’ Lustig broke in. ‘Against nothing, Captain. It’s a good, quiet green town, a lot like the old-fashioned one I was born in. I like the looks of it.’
‘When were you born, Lustig?’
‘Nineteen fifty, sir.’
‘And you, Hinkston?’
‘Nineteen fifty-five, sir. Grinnell, Iowa. And this looks like home to me.’
‘Hinkston, Lustig, I could be either of your fathers. I’m just eighty years old. Born in 1920 in Illinois, and through the grace of God and a science that, in the last fifty years, knows how to make some old men young again, here I am on Mars, not any more tired than the rest of you, but infinitely more suspicious. This town out here looks very peaceful and cool, and so much like Green Bluff, Illinois, that it frightens me. It’s too much like Green Bluff.’ He turned to the radioman. ‘Radio Earth. Tell them we’ve landed. That’s all. Tell them we’ll radio a full report tomorrow.’
‘Yes, sir.’
Captain Black looked out the rocket port with his face that should have been the face of a man eighty but seemed like the face of a man in his fortieth year. ‘Tell you what we’ll do, Lustig; you and I and Hinkston’ll look the town over. The other men’ll stay aboard. If anything happens they can get the hell out. A loss of three men’s better than a whole ship. If something bad happens, our crew can warn the next rocket. That’s Captain Wilder’s rocket, I think, due to be ready to take off next Christmas. If there’s something hostile about Mars we certainly want the next rocket to be well armed.’
‘So are we. We’ve got a regular arsenal with us.’
‘Tell the men to stand by the guns then. Come on, Lustig, Hinkston.’
The three men walked together down through the levels of the ship.
It was a beautiful spring day. A robin sat on a blossoming apple tree and sang continuously. Showers of petal snow sifted down when the wind touched the green branches, and the blossom scent drifted upon the air. Somewhere in the town someone was playing the piano and the music came and went, came and went, softly, drowsily. The song was ‘Beautiful Dreamer.’ Somewhere else a phonograph, scratchy and faded, was hissing out a record of ‘Roamin’ in the Gloamin’,’ sung by Harry Lauder.
The three men stood outside the ship. They sucked and gasped at the thin, thin air and moved slowly so as not to tire themselves.
Now the phonograph record being played was:
Oh, give me a June night
The moonlight and you …
Lustig began to tremble. Samuel Hinkston did likewise.
The sky was serene and quiet, and somewhere a stream of water ran through the cool caverns and tree shadings of a ravine. Somewhere a horse and wagon trotted and rolled by, bumping.
‘Sir,’ said Samuel Hinkston, ‘it must be, it has to be, that rocket travel to Mars began in the years before the First World War!’
‘No.’
‘How else can you explain these houses, the iron deer, the pianos, the music?’ Hinkston took the captain’s elbow persuasively and looked into the captain’s face. ‘Say that there were people in the year 1905 who hated war and got together with some scientists in secret and built a rocket and came out here to Mars—’
‘No, no, Hinkston.’
‘Why not? The world was a different world in 1905: they could have kept it a secret much more easily.’
‘But a complex thing like a rocket, no, you couldn’t keep it secret.’
‘And they came up here to live, and naturally the houses they built were similar to Earth houses because they brought the culture with them.’
‘And they’ve lived here all these years?’ said the captain.
‘In peace and quiet, yes. Maybe they made a few trips, enough to bring enough people here for one small town, and then stopped for fear of being discovered. That’s why this town seems so old-fashioned. I don’t see a thing, myself, older than the year 1927, do you? Or maybe, sir, rocket travel is older than we think. Perhaps it started in some part of the world centuries ago and was kept secret by the small number of men who came to Mars with only occasional visits to Earth over the centuries.’
‘You make it sound almost reasonable.’
‘It has to be. We’ve the proof here before us; all we have to do is find some people and verify it.’
Their boots were deadened of all sound in the thick green grass. It smelled from a fresh mowing. In spite of himself, Captain John Black felt a great peace come over him. It had been thirty years since he had been in a small town, and the buzzing of spring bees on the air lulled and quieted him, and the fresh look of things was a balm to the soul.
They set foot upon the porch. Hollow echoes sounded from under the boards as they walked to the screen door. Inside they could see a bead curtain hung across the hall entry, and a crystal chandelier and a Maxfield Parrish painting framed on one wall over a comfortable Morris chair. The house smelled old, and of the attic, and infinitely comfortable. You could hear the tinkle of ice in a lemonade pitcher. In a distant kitchen, because of the heat of the day, someone was preparing a cold lunch. Someone was humming under her breath, high and sweet.
Captain John Black rang the bell.
Footsteps, dainty and thin, came along the hall, and a kind-faced lady of some forty years, dressed in the sort of dress you might expect in the year 1909, peered out at them.
‘Can I help you?’ she asked.
‘Beg your pardon,’ said Captain Black uncertainly. ‘But we’re looking for – that is, could you help us—’ He stopped. She looked out at him with dark, wondering eyes.
‘If you’re selling something—’ she began.
‘No, wait!’ he cried. ‘What town is this?’
She looked him up and down. ‘What do you mean, what town is it? How could you be in a town and not know the name?’
The captain looked as if he wanted to go sit under a shady apple tree. ‘We’re strangers here. We want to know how this town got here and how you got here.’
‘Are you census takers?’
‘No.’
‘Everyone knows,’ she said, ‘this town was built in 1868. Is this a game?’
‘No, not a game!’ cried the captain. ‘We’re from Earth.’
‘Out of the ground, do you mean?’ she wondered.
‘No, we came from the third planet, Earth, in a ship. And we’ve landed here on the fourth planet, Mars—’
‘This,’ explained the woman, as if she were addressing a child, ‘is Green Bluff, Illinois, on the continent of America, surrounded by the Atlantic and Pacific oceans, on a place called the world, or, sometimes, the Earth. Go away now. Good-by.’
She trotted down the hall, running her fingers through the beaded curtains.
The three men looked at one another.
‘Let’s knock the screen door in,’ said Lustig.
‘We can’t do that. This is private property. Good God!’
They went to sit down on the porch step.
‘Did it ever strike you, Hinkston, that perhaps we got ourselves somehow, in some way, off track, and by accident came back and landed on Earth?’
‘How could we have done that?’
‘I don’t know, I don’t know. Oh God, let me think.’
Hinkston said, ‘But we checked every mile of the way. Our chronometers said so many miles. We went past the Moon and out into space, and here we are. I’m positive we’re on Mars.’
Lustig said, ‘But suppose, by accident, in space, in time, we got lost in the dimensions and landed on an Earth that is thirty or forty years ago.’
‘Oh, go away, Lustig!’
Lustig went to the door, rang the bell, and called into the cool dim rooms: ‘What year is this?’
‘Nineteen twenty-six, of course,’ said the lady, sitting in a rocking chair, taking a sip of her lemonade.
‘Did you hear that?’ Lustig turned wildly to the others. ‘Nineteen twenty-six! We have gone back in time! This is Earth!’
Lustig sat down, and the three men let the wonder and terror of the thought afflict them. Their hands stirred fitfully on their knees. The captain said, ‘I didn’t ask for a thing like this. It scares the hell out of me. How can a thing like this happen? I wish we’d brought Einstein with us.’
‘Will anyone in this town believe us?’ said Hinkston. ‘Are we playing with something dangerous? Time, I mean. Shouldn’t we just take off and go home?’
‘No. Not until we try another house.’
They walked three houses down to a little white cottage under an oak tree. ‘I like to be as logical as I can be,’ said the captain. ‘And I don’t believe we’ve put our finger on it yet. Suppose, Hinkston, as you originally suggested, that rocket travel occurred years ago? And when the Earth people lived here a number of years they began to get homesick for Earth. First a mild neurosis about it, then a full-fledged psychosis. Then threatened insanity. What would you do as a psychiatrist if faced with such a problem?’
Hinkston thought. ‘Well, I think I’d rearrange the civilization on Mars so it resembled Earth more and more each day. If there was any way of reproducing every plant, every road, and every lake, and even an ocean, I’d do so. Then by some vast crowd hypnosis I’d convince everyone in a town this size that this really was Earth, not Mars at all.’
‘Good enough, Hinkston. I think we’re on the right track now. That woman in that house back there just thinks she’s living on Earth. It protects her sanity. She and all the others in this town are the patients of the greatest experiment in migration and hypnosis you will ever lay eyes on in your life.’
‘That’s it, sir!’ cried Lustig.
‘Right!’ said Hinkston.
‘Well.’ The captain sighed. ‘Now we’ve got somewhere. I feel better. It’s all a bit more logical. That talk about time and going back and forth and traveling through time turns my stomach upside down. But this way—’ The captain smiled. ‘Well, well, it looks as if we’ll be fairly popular here.’
‘Or will we?’ said Lustig. ‘After all, like the Pilgrims, these people came here to escape Earth. Maybe they won’t be too happy to see us. Maybe they’ll try to drive us out or kill us.’
‘We have superior weapons. This next house now. Up we go.’
But they had hardly crossed the lawn when Lustig stopped and looked off across the town, down the quiet, dreaming afternoon street. ‘Sir,’ he said.
‘What is it, Lustig?’
‘Oh, sir, sir, what I see—’ said Lustig, and he began to cry. His fingers came up, twisting and shaking, and his face was all wonder and joy and incredulity. He sounded as if at any moment he might go quite insane with happiness. He looked down the street and began to run, stumbling awkwardly, falling, picking himself up, and running on. ‘Look, look!’
‘Don’t let him get away!’ The captain broke into a run.
Now Lustig was running swiftly, shouting. He turned into a yard halfway down the shady street and leaped up upon the porch of a large green house with an iron rooster on the roof.
He was beating at the door, hollering and crying, when Hinkston and the captain ran up behind him. They were all gasping and wheezing, exhausted from their run in the thin air. ‘Grandma! Grandpa!’ cried Lustig.
