Kitabı oku: «Blackwood's Edinburgh Magazine, Volume 57, No. 353, March 1845», sayfa 3

I point so often to the feelings, the ideas, or the ceremonies of religion, because there never yet was profound grief nor profound philosophy which did not inosculate at many points with profound religion. But I request the reader to understand, that of all things I was not, and could not have been, a child trained to talk of religion, least of all to talk of it controversially or polemically. Dreadful is the picture, which in books we sometimes find, of children discussing the doctrines of Christianity, and even teaching their seniors the boundaries and distinctions between doctrine and doctrine. And it has often struck me with amazement, that the two things which God made most beautiful among his works, viz. infancy and pure religion, should, by the folly of man, (in yoking them together on erroneous principles,) neutralize each other's beauty, or even form a combination positively hateful The religion becomes nonsense, and the child becomes a hypocrite. The religion is transfigured into cant, and the innocent child into a dissembling liar.¹²

God, be assured, takes care for the religion of children wheresoever his Christianity exists. Wheresoever there is a national church established, to which a child sees his friends resorting; wheresoever he beholds all whom he honours periodically prostrate before those illimitable heavens which fill to overflowing his young adoring heart; wheresoever he sees the sleep of death falling at intervals upon men and women whom he knows, depth as confounding to the plummet of his mind as those heavens ascend beyond his power to pursue —there take you no thought for the religion of a child, any more than for the lilies how they shall be arrayed, or for the ravens how they shall feed their young.

God speaks to children also in dreams, and by the oracles that lurk in darkness. But in solitude, above all things, when made vocal by the truths and services of a national church, God holds "communion undisturbed" with children. Solitude, though silent as light, is, like light, the mightiest of agencies; for solitude is essential to man. All men come into this world alone– all leave it alone. Even a little child has a dread, whispering consciousness, that if he should be summoned to travel into God's presence, no gentle nurse will be allowed to lead him by the hand, nor mother to carry him in her arms, nor little sister to share his trepidations. King and priest, warrior and maiden, philosopher and child, all must walk those mighty galleries alone. The solitude, therefore, which in this world appals or fascinates a child's heart, is but the echo of a far deeper solitude through which already he has passed, and of another solitude deeper still, through which he has to pass: reflex of one solitude – prefiguration of another.

Oh, burthen of solitude, that cleavest to man through every stage of his being – in his birth, which has been – in his life, which is– in his death, which shall be – mighty and essential solitude! that wast, and art, and art to be; – thou broodest, like the spirit of God moving upon the surface of the deeps, over every heart that sleeps in the nurseries of Christendom. Like the vast laboratory of the air, which, seeming to be nothing, or less than the shadow of a shade, hides within itself the principles of all things, solitude for a child is the Agrippa's mirror of the unseen universe. Deep is the solitude in life of millions upon millions who, with hearts welling forth love, have none to love them. Deep is the solitude of those who, with secret griefs, have none to pity them. Deep is the solitude of those who, fighting with doubts or darkness, have none to counsel them. But deeper than the deepest of these solitudes is that which broods over childhood, bringing before it at intervals the final solitude which watches for it, and is waiting for it within the gates of death. Reader, I tell you a truth, and hereafter I will convince you of this truth, that for a Grecian child solitude was nothing, but for a Christian child it has become the power of God and the mystery of God. Oh, mighty and essential solitude, that wast, and art, and art to be – thou, kindling under the torch of Christian revelations, art now transfigured for ever, and hast passed from a blank negation into a secret hieroglyphic from God, shadowing in the hearts of infancy the very dimmest of his truths!

MRS POOLE'S "ENGLISHWOMAN IN EGYPT." ¹³

An "Englishwoman in Egypt," thanks to the Mediterranean steamers and the overland route to India, is no longer so unusual or astounding a spectacle as it would appear to have been five-and-twenty years ago, when that dilettante traveller, Monsieur le Comte de Forbin, made a precipitate retreat from Thebes in consequence of the shock sustained by his nerves, from encountering among the ruins "une femme-de-chambre Anglaise, en petit spencer couleur de rose," in the person of the Countess of Belmore's lady's-maid; though the Quarterly Reviewers, who in those days had no mercy for a French misstatement, even in the colour of a soubrette's dress, triumphantly declared the offending garment to have been "a pale-blue pelisse;" and proceeded to demolish the hapless Count accordingly – (Quarterly Review, Vol. xxiii. p. 92.) Since the period of this rencontre, the ill-omened blue eyes,¹⁴ as well as blue pelisses, of our countrywomen, have been seen with sufficient frequency on the banks of the Nile to render the one, it is to be hoped, no longer an object of alarm to the natives, nor the latter to errant members of the Institute: but a narrative of the impressions produced on a cultivated female mind by a residence among the modern inhabitants of the land of the pyramids, was still a desideratum. The "Notes" (published in 1840 in the Asiatic Journal) of the late lamented Emma Roberts, than whom no one would have been better qualified to fill up the void, though replete with interest and information, are merely those of a traveller hastening through the country on her way to India; and, except the fugitive sketches of Mrs Dawson Damer, we cannot call to mind a single one among all the lady-tourists, with whose tours and voyages the press has lately teemed, who has touched on this hitherto unbroken ground. In such a dearth of information, we may deem ourselves doubly fortunate in finding the task undertaken by a lady possessing such peculiar advantages as must have been enjoyed by the sister of the well-known Orientalist, to whose pen we are indebted for perhaps the most comprehensive and accurate account ever published of the habits and manners of any nation, and under whose immediate superintendence, as we are informed, the work before us was prepared.

The title of the "Englishwoman in Cairo," would perhaps have more appropriately designated the character of Mrs Poole's volumes than that which she has adopted; since her opportunities of personal observation, after her arrival in the capital from Alexandria, were bounded by the environs of the city, her excursions from which do not appear to have extended further than the pyramids. A considerable portion of the first volume is occupied by an abstract of Egyptian history from the time of the Arab conquest, an account of the foundation of Cairo, an agricultural and general calendar for each month of the year, and various matters connected with the physical features, statistics, &c., of the country. These dissertations form a sort of supplement to the work of her brother, from whose MS. notes they are avowedly taken; being introduced (as Mrs Poole, with much naïveté, confesses) "in the hope of obtaining a more favourable reception for her letters, for the sake of the more solid matter with which they are interspersed;" but though they certainly convey much valuable additional information to the readers of the "Modern Egyptians," they are scarcely "germane to the matter," as interpolations in the work of a lady. The authoress can very well afford to rest her claim to popularity on her own merits; and we prefer to follow her, in her own peculiar sphere, into those mysterious recesses of an Oriental establishment, whither no male footstep can ever penetrate. Mrs Poole is probably the first English lady who has been admitted, not merely as a passing visitor, but as a privileged friend, into the hareems of those of the highest rank in the Egyptian capital. We find her threading the narrow and crowded thoroughfares of Cairo, borne aloft on the "high ass,"¹⁵ (the usual mode of conveyance for morning calls;) and are introduced to the wives and daughters of the viceroy, and even (in the hareem of Habeeb Effendi) to ladies of the imperial house of Othman, in the ease and disinvoltura of their domestic circles, amid that atmosphere of dolce far niente and graceful etiquette, in which the hours of an Oriental princess appear to be habitually passed. With the exception of Lady Mary Wortley Montague's piquant sketches of the Turkish hareems and their inmates, and the singular narrative of her personal experience of life in an Indian zenana, by Mrs Meer Hassan Ali,¹⁶ we know no female writer who has enjoyed such opportunities for the delineation of the scenes of domestic privacy of the East, and who has so well availed herself of them, as the sister of Mansoor Effendi, in the pages before us.

The narrative opens with the landing of the authoress and her companions at Alexandria in July 1842; but that city, with its double harbour, its quays crowded with a motley assemblage of every nation and language in Europe and the Levant, and the monuments of antiquity in its environs, has been too often described to present too much opportunity for novelty of remark. Passing over, therefore, the details given of these well-known objects, we find the party, after a rapid passage along the Mahmoodiyeh canal in an iron track-boat, drawn by four horses, and a vexatious delay of two days at the junction of the canal and the river, (during which the want of musquitto-curtains gave them an ample foretaste of the quantity and quality of the insect plagues of Egypt,) fairly embarked on the broad stream of the Nile. The voyage to Cairo was performed in a kanjeh, or passage-boat of the kind usual on the river – a long, narrow craft, with two masts, bearing large triangular sails; and Mrs Poole, in common with most travellers arriving for the first time in the East, was greatly impressed by the simple devotion with which the Reyyis (or Arab captain) and his crew commended themselves, on setting sail, to the protection of Providence, by reciting altogether, in a low voice, the short prayer of the Fathah, or opening chapter of the Koran. "The sight of the Muslim engaged in his devotions is, I think, most interesting; the attitudes are particularly striking and impressive; and the solemn demeanour of the worshipper, who, even in the busy market-place, appears wholly abstracted from the world, is very remarkable. The practice of praying in a public place is so general in the East, and attracts so little notice from Muslims, that we must not regard it as the result of hypocrisy or ostentation."

As the kanjeh lay to at night to avoid danger from sand-banks, the travellers were three days in reaching Cairo; and found little to interest them in the contemplation of the banks of the Nile, which at this season are destitute of the brilliant verdure which clothes them for some time after the inundation. On arriving at Boulak, the authoress for the first time shrouded herself in the cumbrous folds of a Turkish riding-dress, "an overwhelming covering of black silk, extending, in my idea, in every direction;" and mounted on a donkey, she followed her janissary guide through the dilapidated suburb, "and at length we fairly entered Cairo… The first impression on entering this celebrated city is, that it has the appearance of having been deserted for perhaps a century, and suddenly re-peopled by persons, unable, from poverty or some other cause, to repair it, and clear away its antiquated cobwebs… I wrote to you that the streets of Alexandria were narrow; they are wide compared to those of Cairo. The meshreebeyehs, or projecting windows, facing each other above the ground floor, literally touch in some instances, and in many, the opposite windows are within reach… After passing through several of the streets, into which it appeared as though the dwellings had turned out nearly all their inhabitants, we arrived at an agreeable house in the midst of gardens, in which we are to take up our temporary residence."

The plan of these gardens, however, intersected by parallel walks, with gutters on each side to convey water into the intermediate squares, was so much at variance with Mrs Poole's English notions of horticulture, that she was almost tempted to conclude, "that a garden in Egypt was not worth cultivation – so much for national prejudice!" As it was indispensable for the health of the children that their residence should be fixed in the outskirts of the city, some delay was experienced in finding a permanent abode; but at the end of a month they considered themselves fortunate in engaging a house "infinitely beyond the usual run," in the most healthy and cheerful quarter, for which the rent demanded by the landlady, (who bore the picturesque name of Lalah-Zar, or Bed of Tulips,) was only L.12 per annum. The arrangement of the apartments was nearly as described by Mr Lane in his account of the private houses in Cairo – (Modern Egyptians, i. p. 11:) on the ground-floor a court, open to the sky, round which were the rooms appropriated to the male inhabitants, while a gallery, running round the first floor, conducted to the hareem, consisting of two principal apartments, and "three small marble paved rooms, forming en suite an antechamber, a reclining chamber, and a bath. Above are four rooms, the principal one opening to a delightful terrace, considerably above most of the surrounding houses, and on this we enjoy our breakfast and supper under the clearest sky in the world." But scarcely had the establishment been removed into this new residence, when it became evident that something was not right. The two maid-servants, Amineh and Zeyneb, disappeared one after the other without giving warning – strange noises were heard, which were at first ascribed to the wedding rejoicings of a neighbour, but an explanation was at last elicited from the doorkeeper. The house was haunted by an 'Efreet, (ghost or evil spirit,) in consequence of the murder of a poor tradesman and two slave girls by the previous owner, who had bequeathed it to Lalah-Zar, with reversion (perhaps in hope of expiating his crimes) to a mosque. One of the victims had perished in the bath, and like Praed's¹⁷ Abbess of St Ursula, who

 
"From evensong to matins,
In gallery and scullery,
And kitchen and refectory,
Still tramp'd it in her pattens,"
 

the angry spirit stalked at night, apparently in heavy clogs like those worn in the bath, knocking at the doors, and uttering unearthly sounds, which allowed no sleep to the inmates. In vain had poor Lalah-Zar endeavoured to appease this unwelcome intruder, which had driven tenant after tenant from the house, by distributing bread to the poor at the tomb of the late owner; the annoyance continued undiminished – pieces of charcoal were left at the doors, equivalent to the imprecation, "May your faces be blackened!" and no female servant would remain in the house, it being universally believed that the touch of an 'Efreet renders a woman a demoniac. The Ramadan (during which it is held that all 'Efreets are chained up,) brought a temporary respite; and they flattered themselves that they had succeeded in barring out the intruder; but with the conclusion of the fast the disturbances were resumed with increased violence. At length a new doorkeeper, worn out with want of sleep, obtained permission to fire at the phantom, which he said he saw every night in the gallery, alleging that 'Efreets were always destroyed by the discharge of fire-arms. At midnight the house was startled by the report of a pistol, which it afterwards appeared had been loaded, contrary to orders, with a brace of bullets: the voice of the doorkeeper was heard crying, "There he lies, the accursed;" and sounds and cries were heard, which convinced them all that somebody had been shot. "It passed me in the gallery," said the doorkeeper, "when I thus addressed it, 'Shall we quit this house, or will you do so?' 'You shall quit it,' he answered; and he threw dust into my right eye: this proved it was a devil. It stopped in that corner, and I observed it attentively. It was tall, and perfectly white. Before it moved again I discharged the pistol, and the accursed was struck down before me, and here are the remains." So saying, he picked up a small burnt mass, resembling more the sole of a shoe than any thing else, but perforated by fire in several places, and literally burnt to a cinder. This he asserted (agreeably with a popular opinion) was always the relic when a devil was destroyed.

The mystery remained unexplained, though we fear that most sober Franks (in spite of the corroboration afforded to the doorkeeper's theory by the high authority of the Thousand and One Nights¹⁸) will be tempted to share Mrs Poole's scepticism as to the remains of a devil assuming the shape of the calcined sole of an old shoe: but after an interval of peace, they were eventually compelled, by a renewal of the attack, to abandon the haunted house – and those who succeeded them fared even worse. Six families were driven out in as many weeks – their windows broken, and their china demolished by invisible hands, not only by night, but in broad day – "and now," says Mrs Poole, "I have done with this subject. I have said much upon it; but I must be held excusable, as ''tis passing strange.'"

The annoyance of this spectral warfare, which continued many months, had not prevented Mrs Poole (in spite of the desagrémens of flies, "black thick-legged spiders," and handmaidens, "who scarcely ever wash themselves except when they go to the bath, which is once in about ten days or a fortnight") from becoming gradually at home in her Egyptian residence, and tolerably familiarized with the language and manners of the country. She had even adopted the native manner of eating; and had habituated herself to wear the Turkish dress with such ease, as to witness unsuspected the splendid procession of the Mahmal,¹⁹ or emblem of royalty, which precedes the march of the pilgrim caravan to Mekka – an occasion on which the boys of Cairo enjoy a kind of saturnalia, and are privileged to maltreat any Christian or Jew who may be detected near the route. Under the guidance of an elderly Muslim friend of her brother, she had also entered the principal mosques of Cairo, including that of the Hasaneyn (the grandsons of the prophet, Hasan and Hoseyn) and the Zamé-el-Azhar, the two most sacred edifices of Cairo. But the Azhar (splendid mosque) is not only the cathedral mosque of the Egyptian capital, but the principal, and perhaps in the present day the only Moslem university. In the riwaks, or apartments appropriated to students from different countries, chiefly poor scholars supported by the funds of the mosque, "after passing successively among natives of different divisions of Egypt, we find ourselves in the company of people of Mekkeh and El-Medeeneh; then in the midst of Syrians; in another minute among Muslims of Central Africa; next among Magharbeh, (or natives of Northern Africa west of Egypt;) then with European and Asiatic Turks; and quitting these, we are introduced to Persians, and Muslims of India; we may almost fancy ourselves transported through their respective countries. No sight in Cairo interested me more than the interior of the Azhar; and the many and great obstacles which present themselves when a Christian, and more especially a Christian lady, desires to obtain admission into this celebrated mosque, make me proud of having enjoyed the privilege of walking leisurely through its extensive porticoes, and observing its heterogeneous students engaged in listening to the lectures of their professors."

A far different locale from the cloisters of the Azhar, into which Mrs Poole was, perhaps, induced to penetrate by the example of Mrs Dawson Damer, was the maristan, or madhouse, perhaps the oldest public establishment of the kind in the world, as it was attached by the Baharite Sultan Kalaoon to the mosque which he founded in 1284. "Our ears were assailed by the most discordant yells as soon as we entered the passage leading to the cells," where the lunatics were chained like wild beasts, the men in one court and the women in another. Each was confined in a separate cell with a small grated window, and with nothing but the bare floor to rest upon – while many, especially of the women, had not an article of clothing – yet they appeared to be sufficiently supplied with food, and mildly treated by their guardians; "and I think this gentleness of manner in the keepers was not assumed for the time, for the lunatics did not appear to fear them." – "I was ill prepared for the sight of such misery, and was leaving the court, when I heard a voice exclaiming in a melancholy tone of supplication, 'Stay, O my mistress; give me five paras for tobacco before you go.' I turned, and the entreaty was repeated by a very nice-looking old woman, who was very grateful when I assured her that she should have what she required; and the woman who was the superintendent gave her the trifle for me." This establishment was then, however, on the point of being broken up, as the patients were to be removed to another hospital, where they would be placed under the care of the pasha's French surgeon-general, Clot Bey.

"The Turkish is the only European language," says Mr Urquhart in his eloquent but fanciful work, the Spirit of the East, "which possesses, in the word harem, a synonyme for home, but it implies a great deal more… To picture a Turkish woman, I would beg the reader, if possible, to fancy to himself a women without vanity or affectation, perfectly simple and natural, and preserving the manners and the type of her childhood in the full blossom and fructification of her passions and her charms." This is indeed the language of an enthusiast, in whose eyes all is light which comes from the East; but the winning grace and gentle courtesy of the Turco-Egyptian ladies of rank, as portrayed in Mrs Poole's interesting sketches of the domestic life of the hareems which she visited, go far to justify the character given of them by their eulogist. For her introduction to these, the exclusive circles of Cairo, as well as for the more than friendly reception which she there met with, Mrs Poole professes herself indebted "to the kindness of Mrs Sieder, the lady of our excellent resident missionary, who has gained the confidence of the most distinguished hareems," aided in no small degree, we have reason to believe, by the general estimation in which her brother was held among his Muslim acquaintance. In this novel species of social intercourse, Mrs Poole showed much tact, wearing the Turkish dress, which is admirably adapted to the climate, in her visits to ladies of the middle class, as well as at home; "but in visiting those who are considered the noble of the land, I resume, under my Eastern riding-costume, my English dress. In the Turkish dress, the manner of my salutation must have been more submissive than I should have liked; while, as an Englishwoman, I am entertained by the most distinguished, not only as an equal, but, generally, as a superior." Thus, at the hareem of Habeeb Effendi, the ex-governor of Cairo, she was received at the door of the first apartment, on dismounting from the "high ass" on which all visits of ceremony must be paid, by the eldest daughter of the house, who herself disencumbered her of her riding-dress – an office left to slaves in families of rank, except in the case of a visitor of high distinction – and was then placed by her on the divan at the right hand of her mother, the first cousin of the late Sultan Mahmood. The second daughter appeared soon after, and Mrs Poole proceeds to describe her dress. "She wore on her head a dark handkerchief twisted round a tarboosh, (red cap,) with a very splendid sprig of diamonds attached to the right side, and extending partly over her forehead. It was composed of very large brilliants, disposed in the form of three lutes in the centre, from each of which a branch extended, forming an oval shape at least five inches in length. High on the left side of her head, she wore a knot or slide of diamonds, through which was drawn a bunch of ringlets, which, from their position, appeared to be artificial; her tarboosh had the usual blue silk tassel, but divided and hanging on either side. Her long vest and trousers were of a dark-flowered India fabric; she wore round her waist a large and rich Cashmere shawl; and her neck was decorated with many strings of very large pearls, confined at intervals with gold beads. She was in one respect strangely disfigured – her eyebrows being painted with kohl, and united by the black pigment in a very broad and unbecoming manner. Many women of all classes here assume this disguise. Some apply the kohl to the eyebrows as well as the eyes, with great delicacy; but this lady had her eyebrows so remarkable, that her other features were deprived of their natural expression and effect."

The same graceful kindness which had marked the reception, was continued throughout the interview. After the usual refreshments of sweetmeats and coffee had been handed round by the slaves, the eldest daughter, throwing her arm round the neck of their guest, (the Oriental equivalent for walking arm-in-arm,) conducted her through the various apartments of the house; and was preparing, on her departure, to re-equip her with her riding-dress, when the younger sister remarked, "You took them off: it is for me to put them on." The friendship thus commenced with the amiable family of Habeeb Effendi continued uninterrupted during Mrs Poole's stay in Egypt; and the honours with which she was received were almost embarrassing – the chief lady, on her second visit, even resigning her own seat, and placing herself below her. The ladies of this hareem were particularly well informed. They had heard of the publication of Mrs Dawson Damer's "Tour," all were very curious to know what had been said of them, expressing much gratification on hearing the terms in which she had described them. Of the eldest daughter,²⁰ in particular, Mrs Poole speaks in language of the warmest personal regard: – "I have not met with her equal in Eastern female society, in gentleness, sweetness, and good sense; and, withal, she has decidedly a cultivated mind." She made a copy in colours of the portrait of the present Sultan in Mrs Damer's book, "which will doubtless excite great interest in every visiter; and, unless protected by a glass, it will perhaps, in the course of a few weeks, be kissed entirely away, like a miniature portrait of a Turkish grandee of which I was lately told." The political relations of the Porte with England and Russia frequently became the subject of conversation; and on one occasion, when the concession lately exacted from the Porte, of allowing converts to Islam to return unmolested to their original faith – a concession of all others most galling to the Moslem pride – was brought on the tapis, this lady remarked, "with an earnestness of manner which interested me and my friend extremely – 'It is but the fulfilment of prophecy! When I was a little child, I was taught that in this year great things would commence, which would require three years for their completion!' Surely she drew a beautiful conclusion," adds Mrs Poole, "and under circumstances of painful feelings to one strictly attached to the laws of her religion." But the allusion appears to have been a belief long current in the East, that a mysterious combination was involved in the number 1260, (the year of the Hejra which has just closed,) portending "the beginning of the end" of Islam, if not of the world; and of which this infringement of Moslem supremacy appeared to be the first manifestation.²¹

The advantages of the English costume were strongly evinced on Mrs Poole's presentation, by her friend Mrs Siedler, to the haughty Nezleh Hanum, the widowed daughter of Mohammed Ali, in her apartments at the Kasr-ed-Dubárah, a palace in the midst of Ibrahim Pasha's plantations on the banks of the Nile, which is the usual residence of the ladies of the Pasha's family. Mrs Dawson Damer has drawn a sufficiently unamiable picture of this princess, whose cruelty to her attendants she represents as emulating that displayed in his public character by her late husband, the Defterdar Mohammed Bey.²² But nothing but the patte de velours was seen by the English stranger, who, though Nezleh Hanum was severely indisposed at the time of her visit, was, by her express command, shown into her bedroom, and received "with the sweetest smile imaginable;" while the youngest son of the Pasha, Mohammed Ali Bey, a boy nine years old, sat on a cushion at his sister's feet, conversing with the visitor in French; his mother, and other ladies, sitting on Mrs Poole's left hand. The day happened to be the fourth of the festival of the Great Beiram, when it was customary for those ladies who had the privilege of the entrée, to pay their respects to the princess. But to not one of those who presented themselves at this levee, did Nezleh Hanum deign to address a word in acknowledgment of their salutation, as they silently advanced, with downcast eyes, to kiss her hand or the hem of her robe, and then as silently withdrew, without once raising their eyes to her face. "This etiquette, I an informed, is not only observed during her illness, but at all times: and here I felt peculiarly the advantage of being an Englishwoman; for she kept up with me a lively conversation, and really treated me as an equal." On taking leave, a second cup of sherbet was presented – "This is always intended as a distinguishing mark of honour. Several ladies accompanied us to the door; and the treasurer followed me with an embroidered handkerchief from her highness. Do not think me egotistical, because I describe thus minutely my reception; I consider it important in a description of manners, especially as the receiving and paying visits is the everyday business of an Eastern lady."