Kitabı oku: «Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845», sayfa 7
As I pressed on to the noble building where the trial was to take place—one of the stateliest examples of architectural grace and dignity in a city distinguished for the beauty of its public buildings—it was impossible to avoid being struck with the general look of popular restlessness. The precaution of government had called in a large military force to protect the general tranquillity, and the patrols of cavalry and the frequent passing of troops to their posts, created a perpetual movement in the streets. The populace gathered in groups, which, rapidly dissolving at the approach of the soldiery, as rapidly assembled again, when they had passed by; street minstrels of the most humble description were plying their trade with a remorseless exertion of lungs; I heard the names of the Parliamentary leaders and the government frequently transpiring in those rough specimens of the popular taste; and from the alternate roars of fierce laughter and bursts of wild indignation which arose from the groups, it was evident that "men and measures" were not spared. The aspect of the multitude in the vicinity of the Law Courts was still more disturbed. Rebellion has a physiognomy of its own, and I had by this time learned to read it with tolerable fidelity to nature. It always struck me as of a wholly different character from that of the vice or the violence of the people. It wears a thoughtful air; the lips seem to have a secret enclosed, the eye is lowering, the step unsteady, the man exhibits a consciousness of danger from the glance or tread of every passer-by. His visage is sullen, stern, and meditative—I can scarcely allow this conception to be a work of fancy, for I have never been deceived in my readings of that most expressive of all betrayers of the inner man. And on this day, I could have predicted the preparation for some general and reckless rising against government, on the first opportunity when it should be found slumbering on its post: and my prediction would have been true.
The court was crowded, and it was with no small difficulty that I was enabled to reach the seat beside the judge, which had been provided for me. The arraignment and preparatory routine of the trial gave time for the court to subside into order; and the address of the principal law-officer for the prosecution, though exciting the deepest anxiety, was listened to in the most respectful silence. The case was strong, and was ably dealt with by the attorney-general. The evidence was clear and complete, and the hope of an acquittal seemed to be gradually abandoned in the expressive gloom of the spectators. The prisoner at the bar, too, seemed more dejected than I had presumed from his former intrepidity; and the few glances which I could suffer myself to give to a being in his calamitous condition, showed me a frequent writhing of the lip, a clenching of the teeth, and a nervous contraction of the features, which looked like despair. At length the counsel for the defence rose. It was the first instance of my seeing the memorable Curran engaged in his profession. I had met him from time to time in general society, and felt the delight which all experienced in his unfailing spirits and brilliant pleasantry. I had hitherto enjoyed him as the wit. I was now to be dazzled, delighted, and overwhelmed by him as the orator.
Curran was the last man to be judged of by appearances. Nature had been singularly unkind to his exterior, as if the more to astonish us by the powers of the man within. His figure was undersized, his visage brown, hard, and peasantlike, his gesture was a gesticulation, and his voice was alternately feeble and shrill. His whole effect was to be derived from means, with which that little meagre frame and sharp treble had nothing to do. But he had a singularly vivid eye. It was of the deepest black, and such was the intensity of its expression in his more impassioned moments, that it was scarcely an exaggeration to say that it shot fire. Still, a stranger would have regarded him chiefly as a humorist, from the glances of sly sarcasm, and even of open ridicule which he cast round the court during the pleadings of some of his "learned brethren." But, in that court his true faculties were known; and the moment of his rising, careless as was his attitude, and listless the look which he gave as he turned from his brief to the jury, was the signal for universal silence, and the fixing of every eye upon the great pleader.
He began by sweeping away the heap of useless facts and forensic prolixities with which his predecessors had encumbered the case; and nothing could be more admirable than the dexterity with which he seized on the most casual circumstances tending to clear the character of the accused. But it was when he arrived at higher topics that he displayed his genius.
"Nunc in ovilia, mox in reluctantes dracones." It was when, from developing the ignorance and contradictions of the informer by whom the charge of conspiracy was sustained, he rushed to the attack on the general system of the Irish government, that I saw him in full vigour. He denounced it as the source of all the tumults which had of late years shaken the "isle from its propriety." "Here was the fount," said he, "from which flowed the waters of bitterness, not the less bitter that I can trace its wanderings through centuries of national desolation, through fields of blood, through the graves of generations." After giving the most daring outline of what he termed the evils of the local sovereignty of Ireland, he surprised me into sudden acquiescence and involuntary admiration, by a panegyric on the principles of British government in the more favoured island—on "the majestic supremacy of the law, extending over all things, sustaining all things, administering life and health and purity to all; a moral atmosphere, and though invisible, like the physical, yet irresistible in its strength, penetrating through the whole national existence, and carrying on undisturbed and perpetual, in the day and night of empire, all the great processes of national animation and prosperity." Then, suddenly darting away from this lofty and solemn view, he indulged in some wild story of native humour, which convulsed the whole audience with laughter. Yet, before the burst had subsided, he touched another string of that harp which so magically responded to the master's hand. He described the long career of calamity through which an individual born with a glowing heart, brilliant faculties, and an aspiring spirit, must struggle, in a country filled with the pride of independence, and yet for ages in the condition of a province. Some part of his pathos in this sketch was probably borrowed from his own early difficulties; and I heard, poured out with the touching vehemence of painful reality, probably the very meditations which had preyed upon the heart of the student in his chamber, or darkened his melancholy walks in the cloisters of the Temple. But he suddenly started on a new train of thought; and reprobated with the loftiest rebuke, that state of the law which, while it required two witnesses for the proof of treason in England, was content with one in Ireland. This he branded with every name of indignant vituperation, frequently adopted, according to his habit, from the most familiar conceptions; yet, by their familiarity, striking the mind with astonishing force. He called it "playing at pushpin with the lives of men"—"the reading-made-easy of judicial murder"—"the 'rule of three' of forensic assassination;—given, a villain, multiplied by a false oath, the product, an execution!" He now revelled in the boldest extravagances of imagery and language, expressions which, written, might resemble the burlesque of a public jester, or the wildness of a disturbed mind, but which were followed by the audience, whom he had heated up to the point of passion, with all but acclamation. Still he revelled on. His contrasts and comparisons continued to roll out upon each other. Some noble, some grotesque, but all effective. After one dazzling excursion into the native history, in which he contrasted the aboriginal hospitality and rude magnificence of the old Irish chieftain, the Tir-Owen or O'Nial, with the chilling halls of the modern absentee; he suddenly changed his tone, and wandered away into a round of fantastic, and almost frolicsome pleasantries, which shook even the gravity of the bench. Then, suddenly checking himself, and drawing his hand across his brow to wipe away a tear—for even the hard-headed lawyer was not always on his guard against the feeling of the moment—he upbraided himself, and the bystanders, for the weakness of being attracted by any lighter conception, while the calamities of Ireland were demanding all their sympathies. And even this he did in his characteristic manner. "Alas!" said he, in a voice which seemed sinking with a sense of misfortune, "why do I jest? and why do you smile? Or, are we for ever to be the victims of our national propensity, to be led away by trivialties? We tickle ourselves with straws, when we should be arming for the great contests of national minds. We are ready to be amused with the twang of the Jew's harp, when we should be yearning for the blast of the trumpet. You remind me, and I remind myself, of the scene at one of our country-wakes. It is the true portrait of our fruitless mixture of levity and sorrow. We come to mourn, and we are turned to merriment by the first jest. We sit under the roof of death, yet we are as ready to laugh as ever. The corpse of Ireland is before our eyes: we fling a few flowers over its shroud, and then we eat, drink, and are merry. Must it be for ever pronounced—that we are a frivolous and fickle race—that the Irishman remains a voluntary beggar, with all the bounties of nature round him; unknown to fame, with genius flashing from his eyes; humiliated, with all the armoury of law and liberty open to his hands; and laughing, laughing on, when the only echo is from the chambers of the grave?"
The orator dropped his head on his clasped hands as he spoke the words; and there was an universal silence for a while. It was interrupted by a groan of agony from the prisoner. All eyes were instantly turned to the dock, and the spectacle there was startling. He seemed writhing under intolerable torture. His hands clung eagerly to the front of the dock, as if to sustain him; his lips were as colourless clay, but his features and forehead were of the most feverish crimson. At first the general impression was, that he had been overcome by a sense of his perilous state; but it was soon evident that his pangs were more physical than moral. Curran now flung his brief upon the table, and hurried to his side. A few words passed between them, inaudible to the court; but they had the unexpected effect of apparently restoring the sufferer to complete tranquillity. He again stood erect; his brow, and it was a noble one, resumed its marble smoothness; his features grew calm, and his whole aspect returned to the stern and moveless melancholy of an antique statue.
The advocate went back to his place, and commenced a singularly dexterous attempt to avert the sentence, by an appeal to the national feelings. "If," said he, "my client had been charged with any of those crimes which effect their object by individual injury, I should disdain to offer a defence, which could be accomplished only by confounding the principles of right and wrong. But here is an instance in which the noblest mind might err, in which the highest sagacity might be perplexed, in which the most self-denying virtue might discover nothing but a voluntary sacrifice." The problem before his client was "the proudest that had ever occupied the mind of ancient or modern times. It was, by what means a patriot might raise his country to the highest possible elevation. What are the essentials for such a purpose? Intrepidity, independence of heart, the steadiest perseverance, the manliest fortitude; all the great qualities of the head and the heart. Those are the tributes which he must bring to the altar of his country. But the priest must be prepared himself to be the sacrifice. Is it the hands of his countrymen that are to bind him to the horns of the altar?"
A sense of this hazardous line of observations, however, soon struck the keen understanding of the great pleader; and he admitted in all its fulness the necessity of respecting public tranquillity, of relinquishing doubtful projects of good, and of studying the prosperity of a nation, rather through the "microscope of experience" than by "vague, though splendid, telescopic glances" at times and things beyond our power. "The man," said he, "who discovers the cause of blight in an ear of corn, is a greater benefactor to the world than the man who discovers a new fixed star." From the glow on his countenance, and the sudden brightness of his eye, I could see that he was about to throw himself loose on some new current of rich and rapid illustration, when he was suddenly stopped by a shriek from the dock; the prisoner had fallen with his head over its front, and seemed gasping in the last pangs. The drops of torture stood thick on his brow, his eye was glazed, and his lips continued to quiver, without the power of utterance. The advocate approached him; the dying man caught him by the hand; and, as if the touch had restored his faculties at the instant, said, with a faint smile, and in a low tone, yet so clear as to be audible to the whole assembly, in the words of Pierre—"We have deceived the senate!" In the utterance he fell back and died. To escape the ignominy of the scaffold, the unhappy man, before he came into court, had swallowed poison!
I speak of Curran, only as I see him through the lapse of years. Time has had no other effect on my recollection, than raising my estimate of his genius. I admit, too, that in judging of an extraordinary man, time may exalt the image as well as confuse the likeness. The haze of years may magnify all the nobler outlines, while it conceals all that would enfeeble their dignity. To me, his eloquence now resembles those midsummer night dreams, in which all is contrast, and all is magical. Shapes, diminutive and grotesque for a moment, and then suddenly expanding into majesty and beauty; solitudes startling the eye with hopeless dreariness, and at a glance converted into the luxury of landscape, and filled with bowers of perpetual spring. The power of his contrasts still haunts me; Aladdin's palace, starting from the sands, was not more sudden, fantastic, or glittering. Where all seemed barren, and where a thousand other minds would have traversed the waste a thousand times, and left it as wild and unpeopled as ever; no sooner had he spoken the spell, than up sprang the brilliant fabric of fancy, the field was bright with fairy pomp, and the air was filled with genii on the wing.
Next morning, I was on my road to London.
LEBRUN'S LAWSUIT
In France, even before the Revolution, less regard was paid to the decisions of a court of law, than to public opinion. That tyrant of our modern days had already seized the throne, and his legitimate authority and divine right were never doubted by the most anti-monarchical of the sons of liberty. The only check on the insolence of the noblesse, and the only compensation for the venality of the judges, was found in a recourse to the printer. A marquis was made to imitate the manners of a gentleman by fear of an epigram; a defeated party in a lawsuit consoled himself by satirizing the court; and from Voltaire down to Palissot, all the people who could write, and could borrow ink and paper, had pen in hand, ready to appeal from prejudiced juries, overbearing nobles, or even lettres de cachet and the Bastile itself, to the reading, talking, gossiping, laughing, quick-witted, cold-hearted citizens of Paris. The consequence was that the whole city was overrun with pamphlets. Ministers of state, marshals, and princes of the blood, were as busy as any Grub-street garretteer. Literary squabbles employed the lifetime of all the literary men—and some of them, indeed, are only known by their squibs and lampoons on their more popular brethren. But so great at last seems to have been the rage for calling in the public, that it was not even expelled from the consulting chambers of counsel learned in the law. If a case came before an advocate that gave any scope for his talents as a pamphleteer, his opinion immediately took the shape of a little historiette, and in a few days was in print. The attorney was no less literary in getting up his brief; and innumerable were the sage labours of avocats and procureurs which rushed into type before the trial was over, and did duty, very much to the reader's satisfaction, as a tale of fashionable life. In fact, a very amusing collection might be made, of the memorials of counsel which appeared in Paris about the middle of last century. The writings, for instance, which secured the fame of witty Beaumarchais among the gossips of the capital, were not the Barber of Seville, or his comedies, but the briefs which he composed in his lawsuit with the Goezmans and the Sieur Bertrand. All the laughers were on his side; and though he was beat in the trial, his triumph was complete; for it was not in the nature of Parisian public opinion to believe a man guilty who was so prodigal of bon-mots; or that the opposite party had right or justice on their side, whose pleadings were as uninteresting as a sermon. But Beaumarchais was not the only author who owed his notoriety to his legal proceedings. One of the great lyric poets of France, who is placed by his countrymen upon the same level as Pindar—Denis Leonchard Lebrun—was the town-talk for several years, during his action against his wife for the restitution of conjugal rights. And as his Mémoire, or pleading, gives a view of French life at the period, (1774,) of a grade in society omitted in the Mémoires and Souvenirs of dukes and princesses, we propose to give some account of it, and also of the hero of the process, whose strange eventful history was not drawn to a close till 1807. He was born in 1729, in the house of the Prince de Conti, in whose service his father was. His talents soon recommended him to the notice of the prince; and, before he was thirty, he had established his reputation as a poet of the first order by an ode on the earthquake at Lisbon. Acknowledged as a man of genius, and feared as a man of wit—for his epigrams were even more celebrated than his lyrics—and placed in easy circumstances by the kindness of his master, who bestowed on him the title and salary of his "Secrétaire des Commandemens," nothing seemed wanting to his felicity but a wife to share his glory; and, accordingly, in the year 1760, he married. If we believe his own account, he was the happiest of Benedicts for fourteen years; but all of a sudden, without warning, without reason, and (though she was a poetess) without even rhyme, his household gods were broken, and all his happiness engulfed. It was a second edition of the Lisbon earthquake. The opposite party denied the fourteen years' felicity, and talked wonderful things about cuffs and kicks bestowed on the spouse—and maledictions of more force than elegance; but both sides agree that the matter came to a crisis when a certain Sieur Grimod—a sort of Cicisbeo—Platonic of course—was requested to leave the house, and discontinue his visits to Madame Lebrun. This simple proceeding let loose all the winds of heaven; poor Lebrun was pounced upon by the whole female sex. Even his old mother turned against him; even his sister, a sour vestal of thirty-seven, sided with her injured sister-in-law; and what had the wretched poet to say for himself? He suspected nothing improper—a good easy man—he adored his "Fanny"—he wanted her to come back—but that horrid fellow Grimod!—he would not have Grimod within his door. So Fanny would not go within it either; and off to the avocat rushed Lebrun, to force her to come back by legal process; and off went Madame, accompanied of course by the Sieur Grimod, to her avocat, to resist the demand; and then followed paper upon paper—love, regrets, promisings, courtings, on one side; hatred, defiance, and foul names, ad libitum, on the other. And, finally, the whole case was put into a Mémoire, with the help of Monsieur Hardoin de la Regnerie, avocat; and every tea-table—but there was no tea in those days—every card-table in Paris was as well able to decide the cause as the Parliament itself.
The Mémoire commences with some general reflections on the advantages possessed by a pretty woman, in all cases of a quarrel with a man. And when, in addition to her prettiness, she has the art to appear ill-used, there is no resisting her attacks. A halo of sympathy gathers round her, while a cloud envelopes the unfortunate antagonist; and people at last think that they are performing an act of pure and disinterested justice, when they kick him into the Seine. Impressed with this disagreeable conviction, (from which we gather that Madame Lebrun was a handsome woman, while the husband was nothing to boast of—at all events compared to the Sieur Grimod,) he hurries on to the facts—and they rather alter the appearance of affairs.
It was in the year 1760, as we have said, that the Sieur Lebrun married the Demoiselle de Surcourt. Interest and ambition had nothing to do with the match. Love was the only fastener of the bond. The Sieur Lebrun and the Demoiselle de Surcourt had been acquainted—had been lovers—for three years. And that passion, born of a sympathy of tastes and sentiments, had grown in mystery—a secret correspondence was its aliment and interpreter—a delicious correspondence—where the Demoiselle de Surcourt knew how to combine the sallies of imagination with the soft outpourings of the soul, or the burning expressions of her love! Pardon the Sieur Lebrun if he transcribes a few passages from her letters; Madame Lebrun, above all, ought to excuse him. It is not betraying her secrets; it is recalling her to herself, and to a sentiment she would never have forsworn, if she had been allowed to follow the dictates of her heart:—
"From my bed, this Tuesday evening.
"If it is flattering to be loved by those we love, it is still more so when the loved object is you, my dear Misis. 'Twould make me vain to think I pleased you really as much as you say I do; but I feel my happiness too truly to give way to pride on account of it. Is it true, then, that you think of me, and prefer my remembrance to the gaieties of society? Ah! why am I not in the room where you remain for my sake? You make me wish more—I wish I could be with you wherever you think of me. You are right in saying our hearts are made for one another; they have the same sentiments, they burn with the same fires. That charming harmony is the work of love; but nature had created a sympathy between them that seems to tell us they were made to love and to be united. Yes, my dear Misis, they must love for ever; but in the mean time will you consent to languish in absence and constraint? I would not remind you of your unhappiness, since you have interdicted me from the subject, if you did not complain yourself; and your complaints make me wretched. They reveal to me your sufferings, and awaken all my affection. Do you think, if I had an opportunity of seeing you, that I would not seize it? Ah! you ought to feel assured of all I would do for you if I had it in my power. But we can't help hoping what we desire so much. Reproach me, therefore, no more; tell me rather again that you are convinced of my affection, and promise to love me all your life. I ought to be sure of it already; but every time you reproach me, I make you repeat the promise by way of expiating your fault. Good-night, my dear Misis; I hope you will think of me in your dreams. Why must I say good-night so far from you?"
Of the same period is the following:—
"From my bed, this Wednesday night.
"What! you scold me in sober truth! You write me a scrap of a letter—in the coldest, gravest style. Yes—you were sad—I see you were. Do you fancy that the lecture you gave me makes up for my grief at losing you? Ah! if I had not recalled your eyes glowing with love, and all our mutual endearments, I should have been angry with you. How strange that your very recollection pleads your excuse! Whatever may be your fault, you have but to show yourself to be forgiven. But do not presume, upon this confession, to add to your faults. Alas! if ever you deserve a punishment, its bitterness will all belong to me. Fortune befriended us when last we met; but don't you find time pass too quickly when we are together? I have always a thousand things to say to you; it is not, perhaps, the shortness of the time—it is, that the more I say to you the more I wish to say. In the same way, the more kisses I give you, the more I wish to give; all the feelings you inspire are in extremes. How you ought to love me if you wish your tenderness to equal mine! And since it is always on the increase, how cruel that we can never give way to the sentiments we feel, and express them to each other! What pleasure we are deprived of, dear Misis! why are you not beside the couch where I am now writing? Our silence alone would be more eloquent than all our letters. The kisses I would give you would no longer be in dreams, though my happiness would perhaps make me think it one. Adieu! the more I think of it, the more I feel the misery of being separated from you. It is near one o'clock. Are you in bed yet? Think of me!"
This secret correspondence lasted for three years; but, at last, a letter was opened by a servant, and the secret was discovered by the Sieur de la Motte, who passed for the Demoiselle de Surcourt's uncle, and with whom she lived. The Sieur Lebrun had but to whisper marriage, and all would have been arranged. Under other circumstances the word would have been easy—but there was a bar between them: the Demoiselle de Surcourt was of illegitimate birth. Love, however, laughed at the obstruction. The Sieur Lebrun hurried to the house of De la Motte; demanded the hand of the lady he loved; and the Demoiselle de Surcourt became his wife. The marriage contract will prove his disinterestedness. The portion he obtained was small; consisting but of eighteen hundred francs a-year. The Sieur Lebrun, secretary of the domains of the Prince de Conti, with two thousand livres a-year, might have looked higher—at all events he might have bargained for a settlement in his favour; but, so far from that, he made no claim upon her fortune, but settled all he had upon her. Is this the man whom Madame Lebrun accuses of having married her from interested motives?
Alas, sometimes, for the marriages which have been preceded by too violent a love!—illusion gives place to sad reality. The boy and girl love without having learned to know each other; and cease to love when that knowledge comes! But the attachment of the Sieur and Madame Lebrun experienced no revolution of the kind. Fourteen years passed away in uninterrupted union. Though converted into a husband, the Sieur Lebrun did not cease to be Misis; the wedded De Surcourt continued to be "Fanny"—charming names—ingenious disguises—chosen by two lovers to perpetuate the memory of the times of courtship!
More than three hundred letters, written by Madame Lebrun during that time, were in the hands of her husband—irrefragable proofs of their mutual affection; but she has found means to get away the greater part of them; enough, however, remain to make his justification complete. Never was a union more harmonious—a wife more petted and indulged. It seemed that felicity, resting on such foundations, could never be disturbed; but one single moment was sufficient to overturn the work of seventeen years!
The Sieur and Madame Lebrun had been intimate for some years with a certain Sieur Grimod, who held an appointment from the king, and lived as if his office was of great value. The Sieur Lebrun is not astonished that his wife was pleased with the acquaintance, for he prized it very highly himself; but a time came when he thought it better for all parties that it should cease. The Sieur Lebrun believes in his wife's virtue as in his own existence. What! if he had not that belief, would he be here to reclaim her by course of law? But it is not enough for a woman to have the reality of virtue—she must have the appearance also; and every man has a right to be in that respect a Cæsar. Already some indiscretions of Madame Lebrun, which the openness and purity of her mind could alone render excusable—her portrait drawn without her husband's knowledge for the Sieur Grimod—a letter from that individual to the lady, written in a style such as no one would use towards a lady he respected—had begun to inspire the Sieur Lebrun with a certain coolness. The whisperings at last, unjust as they were, no doubt, of a malicious public—the advice of his friends—his own susceptibility, made it imperative on him to come to a rupture, in which Madame Lebrun should have been glad to join. And here is the letter he wrote to the Sieur Grimod:—
This 15th January 1774.
"There are a thousand circumstances, Sir, which every day make it a man's duty no longer to see the persons who have previously been most highly prized. I experience this myself in declining an acquaintance with you, which in other respects I greatly valued. You know better than any one else how much I lose by this step. Madame Lebrun unites her regrets to mine, and begs me to assure you, and also Madame Grimod, of her affectionate thanks, ('de ses plus tendres remercîmens.') I have the honour to be, with perfect truth, and for the last time," &c.
And the Sieur Grimod immediately replied—
"Your letter, Sir, did indeed surprise Madame Grimod and me, who believed ourselves among the number of your friends, after the many years we have had the honour to know you. We do not know the motives for so sudden a quarrel; if you were pleased with our society, we were no less so with yours. The number of true friends we retain, does not hinder us from regretting those we lose, in you and Madame Lebrun, to whom we beg you will express our regret. We have the honour," &c.
After two such polite epistles, the reader would naturally expect that the Sieur Lebrun and the Sieur Grimod, with their respective wives, would toss their heads at each other when they met in the street, and give the cut direct with the utmost unanimity. But another glance into the Mémoire will soon convince him of his mistake. The Sieur Lebrun may probably look vastly majestic, and pass the Sieur Grimod with a contemptuous jerk; but sorry are we to say that Madame Lebrun joins in no such dignified proceeding. She cuts the magnanimous Lebrun instead; she stirs up against him the wrath and indignation of all his friends and relations; she continues her intimacy with the Sieur Grimod; and, as a finish to her connubial obedience, she goes one morning with three hackney coaches, and carries off every article of furniture the unhappy little man possesses. A pleasant specimen of a wife of the middle class in the year 1774! A duchess could scarcely be more sublime. Now, who was this Sieur Grimod, and what manner of rank was his considered? He had nothing to do with the noblesse; he kept no shop; he had no private fortune; but he was one of the true causers of the French Revolution, the rascally collectors of taxes, the underlings of the atrocious fermiers généraux, who wrung the last farthing from the already oppressed peasant, and made the whole realm of France as sterile, hopeless, and wretched, as a nation must inevitably become, if it is allowed to be the prey of an O'Connell in every parish. His nominal salary was under a hundred a-year; but we shall see the style he lives in, as we get on in the account—his country-houses—his carriages, and even his politenesses to Madame Lebrun; and we shall hear in every one of these luxurious enjoyments the sharpening of the guillotine axe. Madame Lebrun the wife, Madame Lebrun the mother, and Mademoiselle the sister, are all in the same story. The old lady, whose virtuous indignation towers above her sex, has no patience for the insufferable tyrant who won't let his wife see her best friends, ("qui vouloit l'empêcher de voir ses bons amis.") They trump up all manner of stories against him; and even maintain, in their first paper of accusation, that he threshed and kicked his tender-hearted spouse, and put her in bodily fear. But when the magistrate looked at our diminutive friend, and compared his powers of threshing and kicking with the tall majestic figure and full chest of the complainant, he dismissed the charge "avec une sorte d'indignation," as the Sieur Lebrun triumphantly declares; and we think the magistrate was quite justified in so doing. No, no—the Sieur Lebrun was bad enough, as you shall hear in the sequel; but he never had the cruelty, not to mention the courage, to attack so stately a woman as his wife. But, alas! from the magistrate's decision there lay a power of appeal. The three ladies—with the help, no doubt, of the irresistible Sieur Grimod—carried the cause into a higher court. They brought it before the bailliage of the Temple; but the Sieur Lebrun had some misgivings as to the impartiality of the court, and he carried it before the judges at the Châtelet. In this court, Grimod and his party knew they had no chance, suffered the case to go against them by default, and finally appealed to the Grande Chambre. And the Sieur Lebrun did all this to get back a woman that had robbed, and pillaged, and slandered him, and preferred her bon ami the Sieur Grimod, and her bonne amie the Dame Grimod, to her Misis, in spite of his ode on the earthquake at Lisbon, and his being ranked by the Parisian critics as a little above Pindar.
