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Kitabı oku: «Harper's New Monthly Magazine, Volume 1, No. 4, September, 1850», sayfa 10

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HABITS OF THE AFRICAN LION

The night of the 19th was to me rather a memorable one, as being the first on which I had the satisfaction of hearing the deep-toned thunder of the lion’s roar. Although there was no one near to inform me by what beast the haughty and impressive sounds which echoed through the wilderness were produced, I had little difficulty in divining. There was no mistake about it; and on hearing it I at once knew, as well as if accustomed to the sound from my infancy; that the appalling roar which was uttered within half a mile of me was no other than that of the mighty and terrible king of beasts. Although the dignified and truly monarchical appearance of the lion has long rendered him famous among his fellow quadrupeds, and his appearance and habits have oftener been described by abler pens than mine, nevertheless I consider that a few remarks, resulting from my own personal experience, formed by a tolerable long acquaintance with him, both by day and by night, may not prove uninteresting to the reader. There is something so noble and imposing in the presence of the lion, when seen walking with dignified self-possession, free and undaunted, on his native soil, that no description can convey an adequate idea of his striking appearance. The lion is exquisitely formed by nature for the predatory habits which he is destined to pursue. Combining in comparatively small compass the qualities of power and agility, he is enabled, by means of the tremendous machinery with which nature has gifted him, easily to overcome and destroy almost every beast of the forest, however superior to him in weight and stature.

Though considerably under four feet in height, he has little difficulty in dashing to the ground and overcoming the lofty and apparently powerful giraffe, whose head towers above the trees of the forest, and whose skin is nearly an inch in thickness. The lion is the constant attendant of the vast herds of buffaloes which frequent the interminable forests of the interior; and a full-grown one, so long as his teeth are unbroken, generally proves a match for an old bull buffalo, which in size and strength greatly surpasses the most powerful breed of English cattle: the lion also preys on all the larger varieties of the antelopes, and on both varieties of the gnoo. The zebra, which is met with in large herds throughout the interior, is also a favorite object of his pursuit.

Lions do not refuse, as has been asserted, to feast upon the venison that they have not killed themselves. I have repeatedly discovered lions of all ages which had taken possession of, and were feasting upon, the carcasses of various game quadrupeds which had fallen before my rifle. The lion is very generally diffused throughout the secluded parts of Southern Africa. He is, however, nowhere met with in great abundance, it being very rare to find more than three, or even two, families of lions frequenting the same district and drinking at the same fountain. When a greater number were met with, I remarked that it was owing to long-protracted droughts, which, by drying nearly all the fountains, had compelled the game of various districts to crowd the remaining springs, and the lions, according to their custom, followed in the wake. It is a common thing to come upon a full-grown lion and lioness associating with three or four large young ones nearly full-grown; at other times, full-grown males will be found associating and hunting together in a happy state of friendship: two, three, and four full-grown male lions may thus be discovered consorting together.

The male lion is adorned with a long, rank, shaggy mane, which in some instances, almost sweeps the ground. The color of these manes varies, some being very dark, and others of a golden yellow. This appearance has given rise to a prevailing opinion among the boers that there are two distinct varieties of lions, which they distinguish by the respective names of “Schwart fore life” and “Chiel fore life:” this idea, however, is erroneous. The color of the lion’s mane is generally influenced by his age. He attains his mane in the third year of his existence. I have remarked that at first it is of a yellowish color; in the prime of life it is blackest, and when he has numbered many years, but still is in the full enjoyment of his power, it assumes a yellowish-gray, pepper-and-salt sort of color. These old fellows are cunning and dangerous, and most to be dreaded. The females are utterly destitute of a mane, being covered with a short, thick, glossy coat of tawny hair. The manes and coats of lions frequenting open-lying districts utterly destitute of trees, such as the borders of the great Kalahari desert, are more rank and handsome than those inhabiting forest districts.

One of the most striking things connected with the lion is his voice, which is extremely grand and peculiarly striking. It consists at times of a low, deep moaning, repeated five or six times, ending in faintly audible sighs; at other times he startles the forest with loud, deep-toned, solemn roars, repeated five or six times in quick succession, each increasing in loudness to the third or fourth, when his voice dies away in five or six low, muffled sounds, very much resembling distant thunder. At times, and not unfrequently, a troop may be heard roaring in concert, one assuming the lead, and two, three, or four more regularly taking up their parts, like persons singing a catch. Like our Scottish stags at the rutting season, they roar loudest in cold, frosty nights; but on no occasions are their voices to be heard in such perfection, or so intensely powerful, as when two or three strange troops of lions approach a fountain to drink at the same time. When this occurs, every member of each troop sounds a bold roar of defiance at the opposite parties; and when one roars, all roar together, and each seems to vie with his comrades in the intensity and power of his voice.

The power and grandeur of these nocturnal forest concerts is inconceivably striking and pleasing to the hunter’s ear. The effect, I may remark, is greatly enhanced when the hearer happens to be situated in the depths of the forest, at the dead hour of midnight, unaccompanied by any attendant, and ensconced within twenty yards of the fountain which the surrounding troops of lions are approaching. Such has been my situation many scores of times; and though I am allowed to have a tolerable good taste for music, I consider the catches with which I was then regaled as the sweetest and most natural I ever heard.

As a general rule, lions roar during the night; their sighing moans commencing as the shades of evening envelop the forest, and continuing at intervals throughout the night. In distant and secluded regions, however, I have constantly heard them roaring loudly as late as nine and ten o’clock on a bright sunny morning. In hazy and rainy weather they are to be heard at every hour in the day, but their roar is subdued. It often happens that when two strange male lions meet at a fountain, a terrific combat ensues, which not unfrequently ends in the death of one of them. The habits of the lion are strictly nocturnal; during the day he lies concealed beneath the shade of some low, bushy tree or wide-spreading bush, either in the level forest or on the mountain side. He is also partial to lofty reeds, or fields of long, rank, yellow grass, such as occur in low-lying vleys. From these haunts he sallies forth when the sun goes down, and commences his nightly prowl. When he is successful in his beat and has secured his prey, he does not roar much that night, only uttering occasionally a few low moans; that is, provided no intruders approach him, otherwise the case would be very different.

Lions are ever most active, daring, and presuming in dark and stormy nights, and consequently, on such occasions, the traveler ought more particularly to be on his guard. I remarked a fact connected with the lions’ hour of drinking peculiar to themselves: they seemed unwilling to visit the fountains with good moonlight. Thus, when the moon rose early, the lions deferred their hour of watering until late in the morning; and when the moon rose late, they drank at a very early hour in the night. By this acute system many a grisly lion saved his bacon, and is now luxuriating in the forests of South Africa, which had otherwise fallen by the barrels of my “Westley Richards.” Owing to the tawny color of the coat with which nature has robed him, he is perfectly invisible in the dark; and although I have often heard them loudly lapping the water under my very nose, not twenty yards from me. I could not possibly make out so much as the outline of their forms. When a thirsty lion comes to water, he stretches out his massive arms, lies down on his breast to drink, and makes a loud lapping noise in drinking not to be mistaken. He continues lapping up the water for a long while, and four or five times during the proceeding he pauses for half a minute as if to take breath. One thing conspicuous about them is their eyes, which, in a dark night, glow like two balls of fire. The female is more fierce and active than the male, as a general rule. Lionesses which have never had young are much more dangerous than those which have. At no time is the lion so much to be dreaded as when his partner has got small young ones. At that season he knows no fear, and, in the coolest and most intrepid manner, he will face a thousand men. A remarkable instance of this kind came under my own observation, which confirmed the reports I had before heard from the natives. One day, when out elephant-hunting in the territory of the “Baseleka,” accompanied by two hundred and fifty men, I was astonished suddenly to behold a majestic lion slowly and steadily advancing toward us with a dignified step and undaunted bearing, the most noble and imposing that can be conceived. Lashing his tail from side to side, and growling haughtily, his terribly expressive eye resolutely fixed upon us, and displaying a show of ivory well calculated to inspire terror among the timid “Bechuanas,” he approached. A headlong flight of the two hundred and fifty men was the immediate result; and, in the confusion of the moment, four couples of my dogs, which they had been leading, were allowed to escape in their couples. These instantly faced the lion, who, finding that by his bold bearing he had succeeded in putting his enemies to flight, now became solicitous for the safety of his little family, with which the lioness was retreating in the background. Facing about, he followed after them with a haughty and independent step, growling fiercely at the dogs which trotted along on either side of him. Three troops of elephants having been discovered a few minutes previous to this, upon which I was marching for the attack, I, with the most heartfelt reluctance, reserved my fire. On running down the hill side to endeavor to recall my dogs, I observed, for the first time, the retreating lioness with four cubs. About twenty minutes afterward two noble elephants repaid my forbearance.

Among Indian Nimrods, a certain class of royal tigers is dignified with the appellation of “man-eaters.” These are tigers which, having once tasted human flesh, show a predilection for the same, and such characters are very naturally famed and dreaded among the natives. Elderly gentlemen of similar tastes and habits are occasionally met with among the lions in the interior of South Africa, and the danger of such neighbors may be easily imagined. I account for lions first acquiring this taste in the following manner: the Bechuana tribes of the far interior do not bury their dead, but unceremoniously carry them forth, and leave them lying exposed in the forest or on the plain, a prey to the lion and hyæna, or the jackal and vulture; and I can readily imagine that a lion, having thus once tasted human flesh, would have little hesitation, when opportunity presented itself, of springing upon and carrying off the unwary traveler or “Bechuana” inhabiting his country. Be this as it may, man-eaters occur; and on my fourth hunting expedition, a horrible tragedy was acted one dark night in my little lonely camp by one of these formidable characters, which deprived me, in the far wilderness, of my most valuable servant. In winding up these few observations on the lion, which I trust will not have been tiresome to the reader, I may remark that lion-hunting, under any circumstances, is decidedly a dangerous pursuit. It may nevertheless be followed, to a certain extent, with comparative safety by those who have naturally a turn for that sort of thing. A recklessness of death, perfect coolness and self-possession, an acquaintance with the disposition and manners of lions, and a tolerable knowledge of the use of the rifle, are indispensable to him who would shine in the overpoweringly exciting pastime of hunting this justly-celebrated king of beasts.

[From Dickens’s Household Words.]

THE OLD CHURCH-YARD TREE

A PROSE POEM

There is an old yew tree which stands by the wall in a dark quiet corner of the church-yard.

And a child was at play beneath its wide-spreading branches, one fine day in the early spring. He had his lap full of flowers, which the fields and lanes had supplied him with, and he was humming a tune to himself as he wove them into garlands.

And a little girl at play among the tombstones crept near to listen; but the boy was so intent upon his garland, that he did not hear the gentle footsteps as they trod softly over the fresh green grass. When his work was finished, and all the flowers that were in his lap were woven together in one long wreath, he started, up to measure its length upon the ground, and then he saw the little girl, as she stood with her eyes fixed upon him. He did not move or speak, but thought to himself that she looked very beautiful as she stood there with her flaxen ringlets hanging down upon her neck. The little girl was so startled by his sudden movement, that she let fall all the flowers she had collected in her apron, and ran away as fast as she could. But the boy was older and taller than she, and soon caught her, and coaxed her to come back and play with him, and help him to make more garlands; and from that time they saw each other nearly every day, and became great friends.

Twenty years passed away. Again, he was seated beneath the old yew tree in the church-yard.

It was summer now; bright, beautiful summer, with the birds singing, and the flowers covering the ground, and scenting the air with their perfume.

But he was not alone now, nor did the little girl steal near on tiptoe, fearful of being heard. She was seated by his side, and his arm was round her, and she looked up into his face, and smiled as she whispered: “The first evening of our lives we were ever together was passed here: we will spend the first evening of our wedded life in the same quiet, happy place.” And he drew her closer to him as she spoke.

The summer is gone; and the autumn; and twenty more summers and autumns have passed away since that evening, in the old church-yard.

A young man, on a bright moonlight night, comes reeling through the little white gate, and stumbling over the graves. He shouts and he sings, and is presently followed by others like unto himself, or worse. So, they all laugh at the dark solemn head of the yew tree, and throw stones up at the place where the moon has silvered the boughs.

Those same boughs are again silvered by the moon, and they droop over his mother’s grave. There is a little stone which bears this inscription:

“HER HEART BRAKE IN SILENCE.”

But the silence of the church-yard is now broken by a voice – not of the youth – nor a voice of laughter and ribaldry.

“My son! dost thou see this grave? and dost thou read the record in anguish, whereof may come repentance?”

“Of what should I repent?” answers the son; “and why should my young ambition for fame relax in its strength because my mother was old and weak?”

“Is this indeed our son?” says the father, bending in agony over the grave of his beloved.

“I can well believe I am not;” exclaimeth the youth. “It is well that you have brought me here to say so. Our natures are unlike; our courses must be opposite. Your way lieth here – mine yonder!”

So the son left the father kneeling by the grave.

Again a few years are passed. It is winter, with a roaring wind and a thick gray fog. The graves in the church-yard are covered with snow, and there are great icicles in the church-porch. The wind now carries a swathe of snow along the tops of the graves, as though the “sheeted dead” were at some melancholy play; and hark! the icicles fall with a crash and jingle, like a solemn mockery of the echo of the unseemly mirth of one who is now coming to his final rest.

There are two graves near the old yew tree; and the grass has overgrown them. A third is close by; and the dark earth at each side has just been thrown up. The bearers come; with a heavy pace they move along; the coffin heaveth up and down, as they step over the intervening graves.

Grief and old age had seized upon the father, and worn out his life; and premature decay soon seized upon the son, and gnawed away his vain ambition, and his useless strength, till he prayed to be borne, not the way yonder that was most opposite to his father and his mother, but even the same way they had gone – the way which leads to the Old Church-yard Tree.

THE ENGLISH PEASANT

BY HOWITT

The English peasant is generally reckoned a very simple, monotonous animal; and most people, when they have called him a clown, or a country-hob, think they have described him. If you see a picture of him, he is a long, silly-looking fellow, in a straw hat, a white slop, and a pair of ankle-boots, with a bill in his hand – just as the London artist sees him in the juxta-metropolitan districts; and that is the English peasant. They who have gone farther into England, however, than Surrey, Kent, or Middlesex, have seen the English peasant in some different costume, under a good many different aspects; and they who will take the trouble to recollect what they have heard of him, will find him a rather multifarious creature. He is, in truth, a very Protean personage. What is he, in fact? A day-laborer, a woodman, a plowman, a wagoner, a collier, a worker in railroad and canal making, a gamekeeper, a poacher, an incendiary, a charcoal-burner, a keeper of village ale-houses, and Tom-and-Jerrys; a tramp, a pauper, pacing sullenly in the court-yard of a parish-union, or working in his frieze jacket on some parish-farm; a boatman, a road-side stone-breaker, a quarryman, a journeyman bricklayer, or his clerk; a shepherd, a drover, a rat-catcher, a mole-catcher, and a hundred other things; in any one of which, he is as different from the sheepish, straw-hatted, and ankle-booted, bill-holding fellow of the print-shop windows, as a cockney is from a Newcastle keelman.

In the matter of costume only, every different district presents him in a different shape. In the counties round London, eastward and westward, through Berkshire, Hampshire, Wiltshire, etc., he is the white-slopped man of the London prints, with a longish, rosy-cheeked face, and a stupid, quiet manner. In Hertfordshire, Bedfordshire, and in that direction, he sports his olive-green slop, and his wide-awake, larking hat, bit-o’-blood, or whatever else the hatters call those round-crowned, turned-up-brimmed felts of eighteen-pence or two shillings cost, which have of late years so wonderfully taken the fancy of the country-chaps. In the Midland counties, especially Leicestershire, Derby, Nottingham, Warwick, and Staffordshire, he dons a blue-slop, called the Newark frock, which is finely gathered in a square piece of puckerment on the back and breast, on the shoulders and at the wrists; is adorned also, in those parts, with flourishes of white thread, and as invariably has a little white heart stitched in at the bottom of the slit at the neck. A man would not think himself a man, if he had not one of those slops, which are the first things that he sees at a market or a fair, hung aloft at the end of the slop-vender’s stall, on a crossed pole, and waving about like a scarecrow in the wind.

Under this he generally wears a coarse blue jacket, a red or yellow shag waistcoat, stout blue worsted stockings, tall laced ankle-boots, and corduroy breeches or trowsers. A red handkerchief round his neck is his delight, with two good long ends dangling in front. In many other parts of the country, he wears no slop at all, but a corduroy or fustian jacket, with capacious pockets, and buttons of giant size.

That is his every-day, work-a-day style; but see him on a Sunday, or a holiday – see him turn out to church, wake, or fair – there’s a beau for you! If he has not his best slop on, which has never yet been defiled by touch of labor, he is conspicuous in his blue, brown, or olive-green coat, and waistcoat of glaring color – scarlet, or blue, or green striped – but it must be showy; and a pair of trowsers, generally blue, with a width nearly as ample as a sailor’s, and not only guiltless of the foppery of being strapped down, but if he find the road rather dirty, or the grass dewy, they are turned up three or four inches at the bottom, so as to show the lining. On those days, he has a hat of modern shape, that has very lately cost him four-and-sixpence; and if he fancy himself rather handsome, or stands well with the women, he cocks it a little on one side, and wears it with a knowing air. He wears the collar of his coarse shirt up on a holiday, and his flaming handkerchief round his neck puts forth dangling ends of an extra length, like streamers. The most troublesome business of a full-dress day is to know what to do with his hands. He is dreadfully at a loss where to put them. On other days, they have plenty of occupation with their familiar implements, but to-day they are miserably sensible of a vacuum; and, except he be very old, he wears no gloves. They are sometimes diving into his trowser-pockets, sometimes into his waistcoat-pocket, and at others into his coat-pockets behind, turning his laps out like a couple of tails.

The great remedy for this inconvenience is a stick, or a switch; and in the corner of his cottage, between the clock-case and the wall, you commonly see a stick of a description that indicates its owner. It is an ash-plant, with a face cut on its knob; or a thick hazel, which a woodbine has grown tightly round, and raised on it a spiral, serpentine swelling; or it is a switch, that is famous for cutting off the heads of thistles, docks, and nettles, as he goes along.

The women, in their paraphernalia, generally bear a nearer resemblance to their sisters of the town; the village dressmaker undertaking to put them into the very newest fashion which has reached that part of the country; and truly, were it not for the genuine country manner in which their clothes are thrown on, they might pass very well, too, at the market.

But the old men and old women, they are of the ancient world, truly. There they go, tottering and stooping along to church! It is now their longest journey. The old man leans heavily on his stout stick. His thin white hair covers his shoulders; his coat, with large steel buttons, and square-cut collar, has an antique air; his breeches are of leather, and worn bright with age, standing up at the knees, like the lids of tankards; and his loose shoes have large steel buckles. By his side, comes on his old dame, with her little, old-fashioned black bonnet; her gown, of a large flowery pattern, pulled up through the pocket-hole, showing a well-quilted petticoat, black stockings, high-heeled shoes, and large buckles also. She has on a black mode cloak, edged with old-fashioned lace, carefully darned; or if winter, her warm red cloak, with a narrow edging of fur down the front. You see, in fancy, the oaken chest in which that drapery has been kept for the last half century; and you wonder who is to wear it next. Not their children – for the fashions of this world are changed; they must be cut down into primitive raiment for the grandchildren.

But who says the English peasant is dull and unvaried in his character? To be sure, he has not the wild wit, the voluble tongue, the reckless fondness for laughing, dancing, carousing, and shillalying of the Irish peasant; nor the grave, plodding habits and intelligence of the Scotch one. He may be said, in his own phraseology, to be “betwixt and between.” He has wit enough when it is wanted; he can be merry enough when there is occasion; he is ready for a row when his blood is well up; and he will take to his book, if you will give him a schoolmaster. What is he, indeed, but the rough block of English character? Hew him out of the quarry of ignorance; dig him out of the slough of everlasting labor; chisel him, and polish him; and he will come out whatever you please. What is the stuff of which your armies have been chiefly made, but this English peasant? Who won your Cressys, your Agincourts, your Quebecs, your Indies, East and West, and your Waterloos, but the English peasant, trimmed and trained into the game-cock of war? How many of them have been carried off to man your fleets, to win your Camperdowns and Trafalgars? and when they came ashore again, were no longer the simple, slouching Simons of the village; but jolly tars, with rolling gait, quid in mouth, glazed hats, with crowns of one inch high, and brims of five wide, and with as much glib slang, and glib money to treat the girls with, as any Jack of them all.

Cowper has drawn a capital picture of the ease and perfection with which the clownish chrysalis may be metamorphosed into the scarlet moth of war. Catch the animal young, and you may turn him into any shape you please. He will learn to wear silk stockings, scarlet plush breeches, collarless coats, with silver buttons; and swing open a gate with a grace, or stand behind my lady’s carriage with his wand, as smoothly impudent as any of the tribe. He will clerk it with a pen behind his ear; or mount a pulpit, as Stephen Duck, the thresher, did, if you will only give him the chance. The fault is not in him, it is in fortune. He has rich fallows in his soul, if any body thought them worth turning. But keep him down, and don’t press him too hard; feed him pretty well, and give him plenty of work; and, like one of his companions, the cart-horse, he will drudge on till the day of his death.

So in the north of England, where they give him a cottage and his food, and keep no more of his species than will just do the work, letting all the rest march off to the Tyne collieries; he is a very patient creature; and if they did not show him books, would not wince at all. So in the fens of Lincolnshire, Cambridgeshire, and Huntingdon, and on many a fat and clayey level of England, where there are no resident gentry, and but here and there a farm-house, you may meet, the English peasant in his most sluggish and benumbed condition. He is then a long-legged, staring creature, considerably “lower than the angels,” who, if you ask him a question, gapes like an Indian frog, which, when its mouth is open, has its head half off; and neither understands your language, nor, if he did, could grasp your ideas. He is there a walking lump, a thing with members, but very little membership with the intellectual world; but with a soul as stagnant as one of his own dykes. All that has been wanted in him has been cultivated, and is there – good sturdy limbs, to plow and sow, reap and mow, and feed bullocks; and even in those operations, his sinews have been half-superseded by machinery. There never was any need of his mind; and, therefore, it never has been minded.

This is the English peasant, where there is nobody to breathe a soul into the clod. But what is he where there are thousands of the wealthy and the wise? What is he round London – the great, the noble, and the enlightened? Pretty much the same, and from pretty much the same causes. Few trouble themselves about him. He feels that he is a mere serf, among the great and free; a mere machine in the hands of the mighty, who use him as such. He sees the sunshine of grandeur, but he does not feel its warmth. He hears that the great folks are wise; but all he knows is, that their wisdom does not trouble itself about his ignorance. He asks, with “The Farmer’s Boy,”

 
Whence comes this change, ungracious, irksome, cold?
Whence this new grandeur that mine eyes behold? —
The widening distance that I daily see?
Has wealth done this? Then wealth’s a foe to me!
Foe to my rights, that leaves a powerful few
The paths of emulation to pursue.
 

Beneath the overwhelming sense of his position, that he belongs to a neglected, despised caste, he is, in the locality alluded to, truly a dull fellow. That the peasant there is not an ass or a sheep, you only know by his standing on end. You hear no strains of country drollery, and no characters of curious or eccentric humor; all is dull, plodding, and lumpish.

But go forth, my masters, to a greater distance from the luminous capital of England; get away into the Midland and more Northern counties, where the pride of greatness is not so palpably before the poor man’s eyes – where the peasantry and villagers are numerous enough to keep one another in countenance; and there you shall find the English peasant a “happier and a wiser man.” Sunday-schools, and village day-schools, give him at least the ability to read the Bible. There, the peasant feels that he is a man; he speaks in a broad dialect, indeed, but he is “a fellow of infinite jest.” Hear him in the hay-field, in the corn-field, at the harvest-supper, or by the village ale-house fire, if he be not very refined, he is, nevertheless, a very independent fellow. Look at the man indeed! None of your long, lanky fellows, with a sleepy visage; but a sturdy, square-built chap, propped on a pair of legs, that have self-will, and the spirit of Hampden in them, as plain as the ribs of the gray-worsted stockings that cover them. What thews, what sinews, what a pair of calves! why, they more resemble a couple of full-grown bulls! See to his salutation, as he passes any of his neighbors – hear it. Does he touch his hat, and bow his head, and look down, as the great man goes by in his carriage? No! he leaves that to the cowed bumpkin of the south. He looks his rich-neighbor full in the face, with a fearless, but respectful gaze, and bolts from his manly breast a hearty, “Good day to ye, sir!” To his other neighbor, his equal in worldly matters, he extends his broad hand, and gives him a shake that is felt to the bottom of the heart. “Well, and how are you, John? – and how’s Molly, and all the little ankle-biters? – and how goes the pig on, and the garden – eh?”

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Yaş sınırı:
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Litres'teki yayın tarihi:
28 ekim 2017
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511 s. 3 illüstrasyon
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