Kitabı oku: «New York Times Current History: The European War, Vol 1, No. 1», sayfa 11
A German Letter to G. Bernard Shaw
By Herbert Eulenberg
The following letter from the noted German playwright Eulenberg, whose plays of a decided modern tendency have been presented extensively in Germany and in Vienna, was made public by the German Press Bureau of New York in October, 1914.
Bernard Shaw: You have addressed us Germans several times of late without receiving a reply from us. The reason for this was probably the momentary bitterness against your country of our people's intellectual representatives. Indeed, our best scholars and artists, Ernst Haeckel at 81 years, leading the rest, stripped themselves during these past weeks of all the honors which England had apportioned them. Permit me as one who had the opportunity to do much for the propagation of your dramatic works, especially of your finest drama, "Candida," in Western Germany and in Holland, to present as quiet and as moderate a retort as is possible.
Your appeal to intellectual Germany we reciprocate with a question to intellectual England. It is as follows: How is it possible for you to witness your country's present unheard of policy (so opposed to culture) without rising as one man against it? Do you believe that we thinking Germans would ever, without saying or doing anything, observe an alliance of our Government, whose goal was the strengthening of imperialism and the subjugation and destruction of a cultured power, such as France or England? Never! Among your people only a very small number of brave scholars protested against this criminal alliance of your Government at the beginning of the war. You others, you poets, painters, and musicians of present-day England were silent and permitted Sir Edward Grey to continue to sin against a people related to you by blood and intellect. You raised your voice a little, Bernard Shaw! But what did you propose to us: "Refrain from your militarism, my dear Germans, and become again the congenial, complacent poets and thinkers, the people of Goethe and Beethoven, whom no one hated! Then we will surely help you against the bad Russians!"
Is not this proposal a bit too naïve for you, Bernard Shaw? We are situated in the midst of Russians and Frenchmen, who have formed an open alliance against us for more than twenty years. Our neighbors in the East denounce nothing more than us, and our neighbors in the West denounce us and plan against us, who have for nearly half a century evinced nothing but friendliness toward them. When such enemies surround us, does not your friendly counsel, Bernard Shaw, seem as if you said to us: "Just let yourself be massacred, Germans! Afterward your British cousins will vouchsafe you their protection."
Germany Not Isolated.
Do you think that we would carry on our militarism and our expensive drilling if we lived on an island as you do? We would not think of it. We would speedily dispatch a blood-thirsty butcher, like your Lord Kitchener, from our island to our most unhealthy colony. We could not even reconcile our worthy Dr. Karl Peters, who had dealt a little unscrupulously with a few negro women, with our conceptions of culture, and had to pass him over to you! But the thought shall not come to me or to us, as it does to your Prime Ministers, to pose as angels of light, a fact about which you have yourself told your compatriots the bitter truth to our great joy. We admit having injured Belgium's neutrality, but we have only done it because of dire necessity, because we could not otherwise reach France and take up the fight against two sides forced upon us. Belgium's independence and freedom, which is suddenly of the utmost importance to your King and your Ministers, we have not touched. Even after the expeditious capture of Liége we asked Belgium for the second time: "Let us pass quickly through your country. We will make good every damage, and will not take away a square foot of your country! Do destroyers of liberty and Huns and vandals, or whatever other defamatory names your English papers now heap upon us, who at the time of Beethoven and Schopenhauer formed the Areopagus of culture, conduct themselves in such a way? Does not one of your living spirits in England cry aloud at the reprehensible alliance which your Government has made over your heads with Russia and Japan? On the most shameful day in English history, on the day when Mongolian Japan gave the German people her ultimatum at the instigation of your politicians, on this, I repeat it, most shameful day in the entire English history, I believed that the great dead in Westminster Abbey would rise from their graves horrified at the shameful deed which their grandsons and great-grandsons imposed upon old England.
The Land of Shakespeare.
We Germans venerated the old England almost as a fatherland. We have recognized, understood, and studied Shakespeare, whom you, Bernard Shaw, so dislike, more than any other people, even more than the English nation itself. Lord Byron received more benefits from Goethe alone than from all of England put together. Newton, Darwin, and Adam Smith found in Germany their best supporters and interpreters. The dramatic writers of latter-day England, most worthy of mention, from Oscar Wilde to you, Galsworthy and Knoblauch, are recognized by us and their plays performed numberless times. We have always endeavored to understand the English character. "Nowhere did we feel so much at home as in Germany," all your compatriots will tell you who have been guests here.
In "gratitude" for this our merchants were persecuted for years by your merchants, because of a wild hatred for Germans, which, by the way, had a most disagreeable effect upon the races of other colors. In "gratitude," with but few exceptions which we will not forget, we are now abused and belittled by your press before all of Europe and America as if we were assassins, vagabonds, enemies of culture and murderers, far worse than the Russians. As thanks for that you have entered upon a war against us, for which even Sir Edward Grey could not at first give a good reason until the injury of Belgium neutrality luckily came to his assistance.
Our people are, therefore, now rightly embittered against England because through your groundless participation you have made more difficult the war against Russia and France, for which one alone, the Czar of Russia, bears the blame. But despite this great bitterness they would never approve the demolition of your country and your nation, because of their respect for your great past and your share in the development of culture in Europe. You, however, joined an alliance as a third great power, whose only purpose is our dissolution and destruction. Merely for reasons of justice and of moral courage a Pitt, a Burke, a Disraeli would have withdrawn their participation in such an alliance, which—Oh, heroic deed—falls upon the Germans by threes, no, by fours or fives. Your present-day statesmen, wholly unworthy of representing a people with your past and your inheritance, incite the Mongolians and blacks against us, your brother nation. They steal and permit our small and insufficiently protected colonies to be stolen and no not care a jot for all considerations of Europeans' culture and morals.
An Unnatural Russian Alliance.
England, once the home and the refuge for all free spirits from the days of the Inquisition, from Rousseau until Freiligrath and Karl Marx, England has allied herself with Russia—the prison and the horror of all friends of liberty! Hear ye, hear ye illustrious dead, who lived and struggled for the freedom and the greatest possible joy of mankind, and shake in your tombs with disgust and with horror! But you living ones, and you, Bernard Shaw, the foremost of all English artists, do everything in your power to break this terrible alliance and make it powerless for England. Much more lies in the balance for her than is understood by your present nearsighted politicians, who have in mind only the momentary advantages. The destruction of the German power is not the only thing in question here; no, it concerns a great part of civilized Europe in regard to the suspension of their hard-won political liberty; and England, the people of the Magna Charta, the first free Constitution, can never be a party to that. That is why we call to you, Bernard Shaw, in the name of Europe, and ask you for your voice in the struggle.
It is a splendid thing that this serious time has also aroused the poets, the thinkers and artists as political and diplomatic advisers, and we should not let ourselves be crowded out of this profession, for which, thanks to our minds, we are not less fitted than the high-brow Lords and Counts. Men of our guild from Thucydides and Herodotus to Petrarch and Rubens, and our Humboldt and your Beaconsfield have ever shown themselves to be good intermediaries and peace advocates. And that, believe me, Bernard Shaw, is of more importance to our people, as well as to our Kaiser, who for over twenty-five years has avoided war like a poison, than all other bloody laurels. Here's to a decent, honorable and "eternal" peace.
HERBERT EULENBERG.
British Authors Defend England's War
One of the most interesting documents brought forth about the war was issued Sept. 17 in London. It was signed by fifty-three of the leading British writers. Herewith are presented the text of their defense of England and their autograph signatures in facsimile.
The undersigned writers, comprising among them men of the most divergent political and social views, some of them having been for years ardent champions of good-will toward Germany, and many of them extreme advocates of peace, are nevertheless agreed that Great Britain could not without dishonor have refused to take part in the present war. No one can read the full diplomatic correspondence published in the "White Paper" without seeing that the British representatives were throughout laboring whole-heartedly to preserve the peace of Europe, and that their conciliatory efforts were cordially received by both France and Russia.
When these efforts failed Great Britain had still no direct quarrel with any power. She was eventually compelled to take up arms because, together with France, Germany, and Austria, she had solemnly pledged herself to maintain the neutrality of Belgium. As soon as danger to that neutrality arose she questioned both France and Germany as to their intentions. France immediately renewed her pledge not to violate Belgian neutrality; Germany refused to answer, and soon made all answer needless by her actions. Without even the pretense of a grievance against Belgium she made war on the weak and unoffending country she had undertaken to protect, and has since carried out her invasion with a calculated and ingenious ferocity which has raised questions other and no less grave than that of the willful disregard of treaties.
When Belgium in her dire need appealed to Great Britain to carry out her pledge, that country's course was clear. She had either to break faith, letting the sanctity of treaties and the rights of small nations count for nothing before the threat of naked force, or she had to fight. She did not hesitate, and we trust she will not lay down arms till Belgium's integrity is restored and her wrongs redressed.
The treaty with Belgium made our duty clear, but many of us feel that, even if Belgium had not been involved, it would have been impossible for Great Britain to stand aside while France was dragged into war and destroyed. To permit the ruin of France would be a crime against liberty and civilization. Even those of us who question the wisdom of a policy of Continental ententes or alliances refuse to see France struck down by a foul blow dealt in violation of a treaty.
We observe that various German apologists, official and semi-official, admit that their country had been false to its pledged word, and dwell almost with pride on the "frightfulness" of the examples by which it has sought to spread terror in Belgium, but they excuse all these proceedings by a strange and novel plea. German culture and civilization are so superior to those of other nations that all steps taken to assert them are more than justified, and the destiny of Germany to be the dominating force in Europe and the world is so manifest that ordinary rules of morality do not hold in her case, but actions are good or bad simply as they help or hinder the accomplishment of that destiny.
These views, inculcated upon the present generation of Germans by many celebrated historians and teachers, seem to us both dangerous and insane. Many of us have dear friends in Germany, many of us regard German culture with the highest respect and gratitude; but we cannot admit that any nation has the right by brute force to impose its culture upon other nations, nor that the iron military bureaucracy of Prussia represents a higher form of human society than the free Constitutions of Western Europe.
Whatever the world destiny of Germany may be, we in Great Britain are ourselves conscious of a destiny and a duty. That destiny and duty, alike for us and for all the English-speaking race, call upon us to uphold the rule of common justice between civilized peoples, to defend the rights of small nations, and to maintain the free and law-abiding ideals of Western Europe against the rule of "Blood and Iron" and the domination of the whole Continent by a military caste.
For these reasons and others the undersigned feel bound to support the cause of the Allies with all their strength, with a full conviction of its righteousness, and with a deep sense of its vital import to the future of the world.
WHO'S WHO AMONG THE SIGNERS
WILLIAM ARCHER, dramatic critic and editor of Ibsen's works, author of "Life of Macready," "Real Conversations," "The Great Analysis," and (with Granville Barker) "A National Theatre."
H. GRANVILLE BARKER, actor, dramatist, and manager, shares with his wife management of the Kingsway Theatre, London; author of "The Voysey Inheritance," and (with Laurence Housman) "Prunella."
SIR JAMES MATTHEW BARRIE, creator of "Sentimental Tommy" and "Peter Pan," famous for his sympathetic studies of Scotch life and his fantastic comedies.
HILAIRE BELLOC, best known as a writer on history, politics, and economics; a recognized authority on the French Revolution.
ARNOLD BENNETT, author of many popular realistic studies of English provincial life, including "Clayhanger" and "Hilda Lessways."
ARTHUR CHRISTOPHER BENSON, chiefly known for "From a College Window," "Beside Still Waters," and other volumes of essays.
EDWARD FREDERIC BENSON, brother of the preceding, author of many novels of modern life, including "Dodo."
VERY REV. MONSIGNOR ROBERT HUGH BENSON, the youngest of the three famous Benson brothers. Besides numerous devotional and theological works, Monsignor Benson has written several widely appreciated historical novels.
LAWRENCE BINYON, author of many lyrics and poetic dramas, Assistant Keeper in the British Museum, in charge of Oriental Prints and Drawings.
ANDREW CECIL BRADLEY, critic, sometime Professor of Poetry at Oxford University, author of a standard work on Shakespeare.
ROBERT BRIDGES, Poet-Laureate. Prominent as a physician before his poetry brought him the high honor he now enjoys.
HALL CAINE, one of the most popular of contemporary novelists.
R.C. CARTON, dramatist, author of "Lord and Lady Algy" and "A White Elephant."
CHARLES HADDON CHAMBERS, dramatist, author of "John a Dreams," part author of "The Fatal Card."
GILBERT K. CHESTERTON, essayist, novelist, poet; defender of orthodox thought by unorthodox methods.
HUBERT HENRY DAVIES, dramatist, author of "The Mollusc" and "A Single Man."
SIR ARTHUR CONAN DOYLE, creator of "Sherlock Holmes."
HERBERT ALBERT LAURENS FISHER, Vice Chancellor of Sheffield University, author of "The Mediaeval Empire," "Napoleon Bonaparte," and other historical works.
JOHN GALSWORTHY, a novelist and dramatist who has come into great prominence during the last five years, his plays, "Strife" and "Justice," and his novel, "The Dark Flower," being widely known.
ANSTEY GUTHRIE, (F. ANSTEY,) author of "The Brass Bottle," "The Talking Horse," and other fantastic and humorous tales.
SIR HENRY RIDER HAGGARD, author of many widely read romances, among them being "She."
THOMAS HARDY, generally considered to be the greatest living English novelist.
JANE ELLEN HARRISON, sometime Fellow and Lecturer at Newnham College, Cambridge University; writer of many standard works on classical religion, literature, and life.
ANTHONY HOPE HAWKINS, (ANTHONY HOPE,) author of popular historical romance and sketches of modern society, including "The Prisoner of Zenda."
MAURICE HEWLETT, poet and romantic novelist, author of "Earthworks Out of Tuscany" and other mediaeval tales.
ROBERT HICHENS, novelist, author of "The Garden of Allah," "Bella Donna," and other stories.
JEROME K. JEROME, humorist, famous for "Idle Thoughts of an Idle Fellow" and the "Three Men" series, and for his play "The Passing of the Third Floor Back."
HENRY ARTHUR JONES, dramatist, author of "The Silver King," "The Hypocrites," and other plays.
RUDYARD KIPLING needs no introduction to people who read the English language.
WILLIAM J. LOCKE, author of "The Morals of Marcus," "Septimus," and "The Beloved Vagabond," which have been made into successful plays.
EDWARD VERRAL LUCAS, associate editor of Punch and editor of several popular anthologies, author of "A Wanderer in Holland."
JOHN WILLIAM MACKAIL, Professor of Poetry at Oxford University, author and editor of many volumes dealing with ancient Greek and Roman literature.
JOHN MASEFIELD, known chiefly for his long poems of life among the British poor.
ALFRED EDWARD WOODLEY MASON, writer of romantic novels, of which "The Four Feathers" and "The Turnstile" are perhaps the best known, and of several popular dramas.
GILBERT MURRAY, Regius Professor of Greek at Oxford University since 1908, editor and translator of Greek classics, perhaps the greatest Greek scholar now living.
HENRY NEWBOLT, "laureate of the British Navy," author of "Drake's Drum" and many other songs.
BARRY PAIN, author of "Eliza" and other novels and short stories of adventure, of many well-known parodies and poems.
SIR GILBERT PARKER, of Canadian birth, poet and author of romantic novels, including "The Judgment House," and "The Right of Way."
EDEN PHILLPOTTS, realistic novelist, noted for his exact portraits of the English rustic, author of "Down Dartmoor Way."
SIR ARTHUR WING PINERO, one of the most popular of living dramatists. His plays include "Sweet Lavender" and "The Second Mrs. Tanqueray."
SIR ARTHUR QUILLER-COUCH, Professor of English Literature at Cambridge University, poet, novelist, and writer of short stories.
SIR OWEN SEAMAN, since 1906 editor of Punch, writer of parodies and light verse.
GEORGE R. SIMS, journalist, poet, and author of many popular dramas, including "The Lights of London," "Two Little Vagabonds," and "Harbour Lights."
MAY SINCLAIR, writer of novels dealing with modern moral problems, "The Divine Fire" and "The Combined Maze" being best known.
FLORA ANNIE STEEL, author of "Tales from the Punjab," "On the Face of the Waters," "A Prince of Dreamers," and other novels and short stories, most of which deal with life in India.
ALFRED SUTRO, dramatist, author of "The Walls of Jericho," "The Barrier," and other plays of modern society."
GEORGE MACAULAY TREVELYAN, late Fellow of Trinity College, Cambridge; author of "England Under the Stuarts," and other historical and biographical works.
RT. HON. GEORGE OTTO TREVELYAN, historian, biographer of Macaulay, and author of a four-volume work on the American Revolution.
HUMPHRY WARD, journalist and author, sometime Fellow of Brasenose College, editor of several biographical and historical works.
MARY A. WARD, (Mrs. HUMPHRY WARD,) best known of contemporary women novelists; her first success was "Robert Elsmere."
H.G. WELLS, novelist, author of "Tono Bungay" and "Ann Veronica."
MARGARET L. WOODS, poet; her "Wild Justice" and "The Invader" have placed her in the front rank.
ISRAEL ZANGWILL, novelist, poet, dramatist, interpreter of the modern Jewish spirit.
