Kitabı oku: «The Atlantic Monthly, Volume 06, No. 35, September, 1860», sayfa 12
I do not intend by this to intimate that you, reader, bold and courageous person that I know you to be, would not dare to go through a graveyard at night. By no means. I only predicate the existence within you of this ridiculous, foolish superstition, and maintain that you would do so under all circumstances with peculiar feelings which you did not possess before you entered it and which you will not possess as soon as you have left it, and under certain circumstances with a trembling of the nerves and a palpitation of the heart, and that the occasion might occur when you would be still more strongly and strangely affected. To illustrate the latter case I have an anecdote à-propos.
A college class-mate, (Poor B–! the shadows of the Pyramids now fall upon his early grave!) a young man easily agitated, to be sure, and possibly timid, on his way home, late one autumn night, from the house of a relative in the country, was hurrying past a dismal old burying-yard in the midst of a gloomy wood, when he was suddenly startled by a strange noise a short distance from the road. Turning his head, alarmed, in the direction whence it proceeded, he was horror-struck at seeing through the darkness a white object on the ground, struggling as if in the grasp of some terrible monster. Instantly the blood froze in his veins; he stood petrified,—the howlings of the wind, clanking of chains, and groans of agony, filling his ears,—with his eyes fixed in terror upon the white shape rolling and plunging and writhing among the tombs. Attempting to run, his feet refused to move, and he swooned and fell senseless in the road. A party of travellers, happening shortly to pass, stumbled over his body. Raising him upon his feet, they succeeded by vigorous shakes in restoring him to a state of consciousness.
While explaining to them the cause of his fright, the noise was renewed. The men, although somewhat alarmed, clubbed their individual courage, climbed the wall, and found—nearly in the centre of the graveyard—an old white horse thrown down by his fetters and struggling violently to regain his feet.
B– assured me, the explanation of the spectacle instinctively occurring to his mind at the moment as indubitable was that some reprobate had just been buried there, and that the Devil, coming for his body, was engaged in binding his unwilling limbs, preparatory to carrying him away!
The reader may smile at the weakness and folly displayed in this case, but the assertion may nevertheless be safely ventured, that there is not one person in a hundred who would not under the same circumstances have been greatly disturbed, or would have invented a much less frightfully absurd solution of the phenomenon than poor B–'s.
I think the singular feelings associated with graveyard darkness, which the wisest and bravest of men find slumbering beneath all their courage and philosophy, would be found upon investigation to proceed principally from two sources,—a constitutional inclination to religious superstition, and an acquired educational belief in the reality of the dreams and fancies of poets, mingled, of course, with some natural cowardice.
The dryest and hardest men have more poetry in them than they or we begin to suspect. Indeed, if we could take our individual or collective culture to pieces and award to each separate influence its due and just share of results, I should not be surprised at finding that the poet had done more in the way of fashioning our education than the scientist or any other teacher. Milton, to give but a single example, with his speculations concerning the Fall,—its effects upon humanity, the brute creation, and physical nature,—and his imaginary conflicts between the hostile armies of heaven, and his celestial and Satanic personifications, has had so much influence in Anglo-Saxon culture, that nine-tenths of the people believe, without knowing it, as firmly in "Paradise Lost" as in the text of the Bible. The Governor of Texas, citing in his proclamation a familiar passage in Shakspeare as emanating from the inspired pen of the Psalmist, is not to so great extent an example of ignorance as an illustration of the lofty peerage instinctively assigned the great dramatist in the ordinary associations of our thoughts. This faith in the visionary world of poets is instilled into us (and it is for this reason that Rousseau, in his masterly work on education, the "Émile," reprobates the custom as promotive of superstition) in early infancy by our parents and nurses with their stories of nymphs, fairies, elves, dwarfs, giants, witches, hobgoblins, and the like fabulous beings, and, as soon as we are able to read, by the tales of genii, sorcerers, demons, ghouls, enchanted caves and castles, and monsters and monstrosities of every name. The exceedingly impressible and poetical nature of children (for all children are poets and talk poetry as soon as they can lisp) appropriates and absorbs with intense relish these fanciful myths, and for years they believe more firmly in their truth than in the realities of the actual world. And I more than suspect that this child-credulity rather slumbers in the grown man, smothered beneath superimposed skepticisms and cognitions, than is ever eradicated from his mind, and thus, upon the shock of an emergency disturbing him suddenly to the foundation, is ready to burst up through the crevices of his shattered practical experience and appear on the surface of his judgment and understanding.
In addition, then, to an instinctive tendency to religious superstition, (of which I shall here say nothing,) to the fairy mythology of the nursery, and the phantom machinery invented by poets to clothe with the semblance of reality their dreams and fancies, can be traced in a great measure the existence in the mind of the credulity which renders the fear in question possible, opening an introduction for it into the heart excited by inexplicable phenomena or circumstanced where such phenomena might, according to our superstitious beliefs, easily occur.
Without entering into an analysis of the fear itself, beyond the remark that any extraordinary sight or sound not immediately explicable by the eye or ear to the understanding (as a steamboat to the Indians or a comet to our ancestors) is a legitimate cause of the emotion, as well as the possibility of the occurrence of such sights and sounds, for believing which we have seen man prepared, first by natural superstitious inclination, and secondly by a peculiar education,—I will only further add, for the purpose of a brief introduction to an anecdote I wish to relate, that there is another fountain of knowledge, from which we drink at a later period than childhood, as well as then, whose waters are strongly impregnated with this superstitious, fear-provoking credulity: I mean the stories of ghosts which have been seen and heard in all ages and countries, revealing important secrets, pointing out the places where murder has been committed or treasure concealed, foretelling deaths and calamities, and forewarning men of impending dangers. Hundreds of books familiar to all have been written upon this subject and form an extensive department of our literature, especially of our older literature.
The philosopher attempts to account for such phenomena by referring them to optical illusions or a disordered condition of the brain, making them subjective semblances instead of objective realities. But one is continually being puzzled and perplexed with evidence contradicting this hypothesis, which, upon any other subject a priori credible to the reason and judgment, would be received as satisfactory and decisive without a moment's hesitation. In truth, with all the light which science is able to shed upon it, and all the resolute shutting of the eyes at points which no elucidating theory is available to explain, there are facts in this department of supernaturalism which stagger the unbelief of the stoutest skeptic.
It is constantly urged, among other objections to the credibility of supernatural apparitions, that the names of the witnesses have singularly and suspiciously disappeared,—that you find them, upon investigation, substantiated thus: A very worthy gentleman told another very worthy gentleman, who told a very intelligent lady, who told somebody else, who told the individual who finally communicated the incident to the world. There are, however, as just intimated, instances in which such ambiguity is altogether wanting. Among these is one so well authenticated by well-known witnesses of undoubted veracity, that, having never before been published, I venture to relate it here.
My informant was Professor Tholuck, of Halle University, the most eminent living theologian in Germany, and the principal ecclesiarch of the Prussian Church. He prefaced the account by assuring me that it was received from the lips of De Wette himself, immediately after the occurrence,—that De Wette was an intimate personal friend, a plain, practical man, of remarkably clear and vigorous intellect, with no more poetry and imagination in his nature than just sufficient to keep him alive,—in a word, that he would rely upon his coolness of judgment and accuracy of observation, under any possible combination of circumstances, as confidently as upon those of any man in the world.
Dr. De Wette, the famous German Biblical critic, returning home one evening between nine and ten o'clock, was surprised, upon arriving opposite the house in which he resided, to see a bright light burning in his study. In fact, he was rather more than surprised; for he distinctly remembered to have extinguished the candles when he went out, an hour or two previously, locked the door, and put the key in his pocket, which, upon feeling for it, was still there. Pausing a moment to wonder by what means and for what purpose any one could have entered the room, he perceived the shadow of a person apparently occupied about something in a remote corner. Supposing it to be a burglar employed in rifling his trunk, he was upon the point of alarming the police, when the man advanced to the window, into full view, as if for the purpose of looking out into the street. It was De Wette himself!—the scholar, author, professor,—his height, size, figure, stoop,—his head, his face, his features, eyes, mouth, nose, chin, every one,—skullcap, study-gown, neck-tie, all, everything: there was no mistaking him, no deception whatever: there stood Dr. De Wette in his own library, and he out in the street:—why, he must be somebody else! The Doctor instinctively grasped his body with his hands, and tried himself with the psychological tests of self-consciousness and identity, doubtful, if he could believe his senses and black were not white, that he longer existed his former self, and stood, perplexed, bewildered, and confounded, gazing at his other likeness looking out of the window. Upon the person's retiring from the window, which occurred in a few moments, De Wette resolved not to dispute the possession of his study with the other Doctor before morning, and ringing at the door of a house opposite, where an acquaintance resided, he asked permission to remain over night.
The chamber occupied by him commanded a full view of the interior of his library, and from the window he could see his other self engaged in study and meditation, now walking up and down the room, immersed in thought, now sitting down at the desk to write, now rising to search for a volume among the book-shelves, and imitating in all respects the peculiar habits of the great Doctor engaged at work and busy with cogitations. At length, when the cathedral clock had finished striking through first four and then eleven strokes, as German clocks are wont to do an hour before twelve, De Wette Number Two manifested signs of retiring to rest,—took out his watch, the identical large gold one the other Doctor in the other chamber felt sure was at that moment safe in his waistcoat-pocket, and wound it up, removed a portion of his clothing, came to the window, closed the curtains, and in a few moments the light disappeared. De Wette Number One, waiting a little time until convinced that Number Two had disposed himself to sleep, retired also his-self to bed, wondering very much what all this could mean.
Rising the next morning, he crossed the street, and passed up-stairs to his library. The door was fastened; he applied the key, opened it, and entered. No one was there; everything appeared in precisely the same condition in which he had left it the evening before,—his pen lying upon the paper as he had dropped it on going out, the candles on the table and the mantel-piece evidently not having been lighted, the window-curtains drawn aside as he had left them; in fine, there was not a single trace of any person's having been in the room. "Had he been insane the night before? He must have been. He was growing old; something was the matter with his eyes or brain; anyhow, he had been deceived, and it was very foolish of him to have remained away all night." Endeavoring to satisfy his mind with some such reflections as these, he remembered he had not yet examined his bed-room. Almost ashamed to make the search, now convinced it was all an hallucination of the senses, he crossed the narrow passageway and opened the door. He was thunderstruck. The ceiling, a lofty, massive brick arch, had fallen during the night, filling the room with rubbish and crushing his bed into atoms. De Wette the Apparition had saved the life of the great German scholar.
Tholuck, who was walking with me in the fields near Halle when relating the anecdote, added, upon concluding, "I do not pretend to account for the phenomenon; no knowledge, scientific or metaphysical, in my possession, is adequate to explain it; but I have no more doubt it actually, positively, literally did occur, than I have of the existence of the sun im Himmel da."
CULTURE
The word of ambition at the present day is Culture. Whilst all the world is in pursuit of power, and of wealth as a means of power, culture corrects the theory of success. A man is the prisoner of his power. A topical memory makes him an almanac; a talent for debate, a disputant; skill to get money makes him a miser, that is, a beggar. Culture reduces these inflammations by invoking the aid of other powers against the dominant talent, and by appealing to the rank of powers. It watches success. For performance Nature has no mercy, and sacrifices the performer to get it done,—makes a dropsy or a tympany of him. If she wants a thumb, she makes one at the cost of arms and legs, and any excess of power in one part is usually paid for at once by some defect in a contiguous part.
Our efficiency depends so much on our concentration, that Nature usually, in the instances where a marked man is sent into the world, overloads him with bias, sacrificing his symmetry to his working power. It is said, no man can write but one book; and if a man have a defect, it is apt to leave its impression on all his performances. If she create a policeman like Fouché, he is made up of suspicions and of plots to circumvent them. "The air," said Fouché, "is full of poniards." The physician Sanctorius spent his life in a pair of scales, weighing his food. Lord Coke valued Chaucer highly, because the Canon Yeman's Tale illustrates the Statute Hen. V. Chap. 4, against Alchemy. I saw a man who believed the principal mischiefs in the English state were derived from the devotion to musical concerts. A freemason, not long since, set out to explain to this country, that the principal cause of the success of General Washington was the aid he derived from the freemasons.
But, worse than the harping on one string, Nature has secured individualism by giving the private person a high conceit of his weight in the system. The pest of society is egotists. There are dull and bright, sacred and profane, coarse and fine egotists. 'Tis a disease that, like influenza, falls on all constitutions. In the distemper known to physicians as chorea, the patient sometimes turns round and continues to spin slowly on one spot. Is egotism a metaphysical varioloid of this malady? The man runs round a ring formed by his own talent, falls into an admiration of it, and loses relation to the world. It is a tendency in all minds. One of its annoying forms is a craving for sympathy. The sufferers parade their miseries, tear the lint from their bruises, reveal their indictable crimes, that you may pity them. They like sickness, because physical pain will extort some show of interest from the bystanders; as we have seen children, who, finding themselves of no account when grown people come in, will cough till they choke, to draw attention.
This distemper is the scourge of talent,—of artists, inventors, and philosophers. Eminent spiritualists shall have an incapacity of putting their act or word aloof from them, and seeing it bravely for the nothing it is. Beware of the man who says, "I am on the eve of a revelation!" It is speedily punished, inasmuch as this habit invites men to humor it, and, by treating the patient tenderly, to shut him up in a narrower selfism, and exclude him from the great world of God's cheerful fallible men and women. Let us rather be insulted, whilst we are insultable. Religious literature has eminent examples; and if we run over our private list of poets, critics, philanthropists, and philosophers, we shall find them infected with this dropsy and elephantiasis, which we ought to have tapped.
This goitre of egotism is so frequent among notable persons, that we must infer some strong necessity in Nature which it subserves,—such as we see in the sexual attraction. The preservation of the species was a point of such necessity, that Nature has secured it at all hazards by immensely overloading the passion, at the risk of perpetual crime and disorder. So egotism has its root in the cardinal necessity by which each individual persists to be what he is.
This individuality is not only not inconsistent with culture, but is the basis of it. Every valuable nature is there in its own right; and the student we speak to must have a mother-wit invincible by his culture, which uses all books, arts, facilities, and elegancies of intercourse, but is never subdued and lost in them. He only is a well-made man who has a good determination. And the end of culture is, not to destroy this,—God forbid!—but to train away all impediment and mixture, and leave nothing but pure power. Our student must have a style and determination, and be a master in his own specialty. But, having this, he must put it behind him. He must have a catholicity, a power to see with a free and disengaged look every object. Yet is this private interest and self so overcharged, that, if a man seeks a companion who can look at objects for their own sake, and without affection or self-reference, he will find the fewest who will give him that satisfaction; whilst most men are afflicted with a coldness, an incuriosity, as soon as any object does not connect with their self-love. Though they talk of the object before them, they are thinking of themselves, and their vanity is laying little traps for your admiration.
But after a man has discovered that there are limits to the interest which his private history has for mankind, he still converses with his family, or a few companions,—perhaps with half a dozen personalities that are famous in his neighborhood. In Boston, the question of life is the names of some eight or ten men. Have you seen Mr. Allston, Doctor Channing, Mr. Adams, Mr. Webster, Mr. Greenough? Have you heard Everett, Garrison, Father Taylor, Theodore Parker? Have you talked with Messieurs Turbinewheel, Summitlevel, and Lacofrupees? Then you may as well die. In New York, the question is of some other eight, or ten, or twenty. Have you seen a few lawyers, merchants, and brokers,—two or three scholars, two or three capitalists, two or three editors of newspapers? New York is a sucked orange. All conversation is at an end, when we have discharged ourselves of a dozen personalities, domestic or imported, which make up our American existence. Nor do we expect anybody to be other than a faint copy of these heroes.
Life is very narrow. Bring any club or company of intelligent men together again after ten years, and if the presence of some penetrating and calming genius could dispose them to frankness, what a confusion of insanities would come up! The "causes" to which we have sacrificed, Tariff or Democracy, Whiggism or Abolition, Temperance or Socialism, would show like roots of bitterness and dragons of wrath: and our talents are as mischievous as if each had been seized upon by some bird of prey, which had whisked him away from fortune, from truth, from the dear society of the poets, some zeal, some bias, and only when he was now gray and nerveless was it relaxing its claws, and he awaking to sober perceptions.
Culture is the suggestion from certain best thoughts, that a man has a range of affinities, through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses his balance, puts him among his equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.
'Tis not a compliment, but a disparagement, to consult a man only on horses, or on steam, or on theatres, or on eating, or on books, and, whenever he appears, considerately to turn the conversation to the bantling he is known to fondle. In the Norse heaven of our forefathers, Thor's house had five hundred and forty floors: and Man's house has five hundred and forty floors. His excellence is facility of adaptation, and of transition through many related points to wide contrasts and extremes. Culture kills his exaggeration, his conceit of his village or his city. We must leave our pets at home when we go into the street, and meet men on broad grounds of good meaning and good sense. No performance is worth loss of geniality. 'Tis a cruel price we pay for certain fancy goods called fine arts and philosophy. In the Norse legend, Allfadir did not get a drink of Mimir's spring, (the fountain of wisdom,) until he left his eye in pledge. And here is a pedant that cannot unfold his wrinkles, nor conceal his wrath at interruption by the best, if their conversation do not fit his impertinency,—here is he to afflict us with his personalities. 'Tis incident to scholars, that each of them fancies he is pointedly odious in his community. Draw him out of this limbo of irritability. Cleanse with healthy blood his parchment skin. You restore to him his eyes which he left in pledge at Mimir's spring. If you are the victim of your doing, who cares what you do? We can spare your opera, your gazetteer, your chemic analysis, your history, your syllogisms. Your man of genius pays dear for his distinction. His head runs up into a spire, and, instead of a healthy man, merry and wise, he is some mad dominie. Nature is reckless of the individual. When she has points to carry, she carries them. To wade in marshes and sea-margins is the destiny of certain birds; and they are so accurately made for this, that they are imprisoned in those places. Each animal out of its habitat would starve. To the physician, each man, each woman, is an amplification of one organ. A soldier, a locksmith, a bank-clerk, and a dancer could not exchange functions. And thus we are victims of adaptation.
The antidotes against this organic egotism are—the range and variety of attractions, as gained by acquaintance with the world, with men of merit, with classes of society, with travel, with eminent persons, and with the high resources of philosophy, art, and religion: books, travel, society, solitude.
The hardiest skeptic, who has seen a horse broken, a pointer trained, or who has visited a menagerie, or the exhibition of the Industrious Fleas, will not deny the validity of education. "A boy," says Plato, "is the most vicious of all wild beasts"; and, in the same spirit, the old English poet Gascoigne says, "A boy is better unborn than untaught." The city breeds one kind of speech and manners; the back-country a different style; the sea another; the army a fourth. We know that an army which can be confided in may be formed by discipline,—that by systematic discipline all men may be made heroes. Marshal Lannes said to a French officer, "Know, Colonel, that none but a poltroon will boast that he never was afraid." A great part of courage is the courage of having done the thing before. And, in all human action, those faculties will be strong which are used. Robert Owen said, "Give me a tiger, and I will educate him." 'Tis inhuman to want faith in the power of education, since to meliorate is the law of Nature; and men are valued precisely as they exert onward or meliorating force. On the other hand, poltroonery is the acknowledging an inferiority to be incurable.
Incapacity of melioration is the only mortal distemper. There are people who can never understand a trope, or any second or expanded sense given to your words, or any humor,—but remain literalists, after hearing the music and poetry and rhetoric and wit of seventy or eighty years. They are past the help of surgeon or clergy. But even these can understand pitchforks and the cry of "Fire!"—and I have noticed in some of this class a marked dislike of earthquakes.
Let us make our education brave and preventive. Politics is an after-work, a poor patching. We are always a little late. The evil is done, the law is passed, and we begin the up-hill agitation for repeal of that of which we ought to have prevented the enacting. We shall one day learn to supersede politics by education. What we call our root-and-branch reforms of slavery, war, gambling, intemperance, is only medicating the symptoms. We must begin higher up,—namely, in Education.
Our arts and tools give to him who can handle them much the same advantage over the novice as if you extended his life ten, fifty, or a hundred years. And I think it the part of good sense to provide every fine soul with such culture, that it shall not, at thirty or forty years, have to say, "This which I might do is made hopeless through my want of weapons."
But it is conceded that much of our training fails of effect,—that all success is hazardous and rare,—that a large part of our cost and pains is thrown away. Nature takes the matter into her own hands, and, though we must not omit any jot of our system, we can seldom be sure that it has availed much, or that as much good would not have accrued from a different system.
Books, as containing the finest records of human wit, must always enter into our notion of culture. The best heads that ever existed, Pericles, Plato, Julius Caesar, Shakspeare, Goethe, Milton, were well-read, universally educated men, and quite too wise to undervalue letters. Their opinion has weight, because they had means of knowing the opposite opinion. We look that a great man should be a good reader, or in proportion to the spontaneous power should be the assimilating power. Good criticism is very rare, and always precious. I am always happy to meet persons who perceive the transcendent superiority of Shakspeare over all other writers. I like people who like Plato. Because this love does not consist with self-conceit.
But books are good only as far as a boy is ready for them. He sometimes gets ready very slowly. You send your child to the schoolmaster; but 'tis the schoolboys who educate him. You send him to the Latin class; but much of his tuition comes on his way to school, from the shop-windows. You like the strict rules and the long terms; and he finds his best leading in a by-way of his own, and refuses any companions but of his choosing. He hates the grammar and Gradus, and loves guns, fishing-rods, horses, and boats. Well, the boy is right; and you are not fit to direct his bringing-up, if your theory leaves out his gymnastic training. Archery, cricket, gun and fishing-rod, horse and boat, are all educators, liberalizers; and so are dancing, dress, and the street-talk; and—provided only the boy has resources, and is of a noble and ingenuous strain—these will not serve him less than the books. He learns chess, whist, dancing, and theatricals. The father observes that another boy has learned algebra and geometry in the same time. But the first boy has acquired much more than these poor games along with them. He is infatuated for weeks with whist and chess; but presently will find out, as you did, that, when he rises from the game too long played, he is vacant and forlorn, and despises himself. Thenceforward it takes place with other things, and has its due weight in his experience. These minor skills and accomplishments—for example, dancing—are tickets of admission to the dress-circle of mankind, and the being master of them enables the youth to judge intelligently of much on which otherwise he would give a pedantic squint. Landor said, "I have suffered more from my bad dancing than from all the misfortunes and miseries of my life put together." Provided always the boy is teachable, (for we are not proposing to make a statue out of punk,) football, cricket, archery, swimming, skating, climbing, fencing, riding, are lessons in the art of power, which it is his main business to learn,—riding specially, of which Lord Herbert of Cherbury said, "A good rider on a good horse is as much above himself and others as the world can make him." Besides, the gun, fishing-rod, boat, and horse constitute, among all who use them, secret freemasonries.
They are as if they belonged to one club.
There is also a negative value in these arts. Their chief use to the youth is, not amusement, but to be known for what they are, and not to remain to him occasions of heartburn. We are full of superstitions. Each class fixes its eyes on the advantages it has not: the refined, on rude strength; the democrat, on birth and breeding. One of the benefits of a college-education is, to show the boy its little avail. I knew a leading man in a leading city, who, having set his heart on an education at the university and missed it, could never quite feel himself the equal of his own brothers who had gone thither. His easy superiority to multitudes of professional men could never quite countervail to him this imaginary defect. Balls, riding, wine-parties, and billiards pass to a poor boy for something fine and romantic, which they are not; and a free admission to them on an equal footing, if it were possible, only once or twice, would be worth ten times its cost, by undeceiving him.
