Kitabı oku: «The Atlantic Monthly, Volume 08, No. 46, August, 1861», sayfa 2

Pines are remarkably social in their habit, and cover immense tracts in high latitudes, extending southward, on this continent, as far as the very boundary of the tropics, where they are found side by side with the Dwarf Palm of Florida. But in the region of the true Palms the Pine is wanting. It is worthy of remark, however, that in the fossil vegetation of the Eocene world these two vegetable tribes are found associated. This fact, it seems to me, should be attributed to the mixing of the mountain Pines with the Palms of the sea-level, during that revulsion of Nature by which they were hurled into the same chaotic heap. We are not obliged to infer from their contiguity in these geological remains, that the two species ever flourished together in the same region.

Pine woods possess attractions of a peculiar kind: all lovers of Nature are enraptured with them, and there is a grandeur about them which is felt at once, when we enter them. Their dark verdure, their deep shade, their lofty height, and their branches which are ever mysteriously murmuring, as they are swayed by the wind, render them singularly solemn and sublime. This expression is increased by the hollow reverberating interior of the wood, caused by its clearness and freedom from underbrush. The ground beneath is covered by a matting of fallen leaves, making a smooth brown carpet, that renders a walk within its precincts as comfortable as in a garden. The foliage of the Pine is so hard and durable that in summer we always find the last autumn's crop lying upon the ground in a state of perfect soundness, and under it that of the preceding year only partially decayed. The foliage of two summers, therefore, lies upon the surface, checking the growth of humble vegetation, and permitting only certain species of plants to flourish with vigor.

Mushrooms of various forms and sizes spring out of these decayed leaves, often rivalling the flowers in elegance. Monotropas, uniting some of the habits of the Fungi with the botanical characters of the flowering plants, flourish side by side with the snowy Cypripedium and the singular Coral-Weed. The evergreen Dewberry, a delicate species of Rubus, trails its glossy leaves over the turfs, and mingles its beaded fruit with the scarlet berries of the Mitchella. The Pyrola, named by the Indians Pipsissewa, and regarded by them as a specific for consumption, suspends its pale purple flowers in beautiful umbels, as if to invite the feeble invalid to accept its proffered remedies. Variety, indeed, may be found in these deep shades; but it exists without that profusion which in more favored situations often benumbs our susceptibility to the charms of Nature.

The edging of a Pine wood depends on the character of the soil. The Pitch-Pine, that delights in sandy plains, is embroidered at the North by White Birches; and if a road be cut through a wood of this kind, these graceful trees immediately spring up in abundance by the wayside. If a pond occurs in the middle of a Pine wood, its margin is covered first with low bushes, such as the Andromeda, the Myrica, and the sweet-scented Azalea, then Alders and Willows rise between them and the forest. On the side of the pond that is bounded by high gravelly banks, the margin will be covered by Poplars and Birches. The White Pine, the most noble and the most beautiful tree of the whole coniferous tribe, predominates in the New-England forest; though some wide tracts are covered with the more homely Pitch-Pines, which are the trees that scent the atmosphere on damp still days with their delightful terebinthine odors. The woods in the vicinity of Concord, N.H., on the banks of the Merrimack, known by the poetic appellation of "The Dark Plains", are of this description. In still higher latitudes the dark, majestic Firs become the prevailing timber, and are regarded as typical of sub-arctic regions, where they are accompanied, as if to form a striking and cheerful contrast with their melancholy grandeur, by groups of graceful Birches, and lively, tremulous Poplars.

The Pine-Barrens of the Southern States are celebrated as healthful retreats for the inhabitants of seaport towns, whither they resort in summer for security from the prevailing fevers. They are of a mixed character, consisting of the Northern Pitch-Pine, the Broom-Pine, and the Cypress, intermixed with Red Maples, Sweet Gums, and other deciduous trees. The Pines, however, are the dominant growth: but here they do not grow so compactly as in colder regions, standing widely apart, with a frequent intervening growth of Willows and shrubbery. The sparseness of these woods may be in part attributed to the practice of tapping the trees for their turpentine, which has caused them for a century past to be gradually thinned by consequent decay. Their tall, gaunt forms and almost branchless trunks show that they obtained their principal growth in a dense wood.

The first time I entered one of these Pine-Barrens was some years since, in the month of June, when vegetation was in its prime, before the summer droughts had seared the green herbage, and when the flowering trees and shrubs were in all their glory. During my botanical rambles in the wood, I was struck with the multitude of beautiful flowers in its shady retreats,—seeming the more numerous to me, as I had previously confined my researches to Northern woods. The Phlox grew here in all its native grace and delicacy, where it had never known the fostering hand of Art. Crimson Rhexias, called by the inhabitants Deer-Weed, were distributed among the grassy knolls, like clusters of Picotees. Variegated Passion-Flowers were conspicuous on the bare white sand that checkered the ground, displaying their emblematic forms on their low repent vines, and reminding the wanderer in these almost trackless solitudes of that Faith which was founded on humility and crowned with martyrdom. Here, too, the Spiderwort of our gardens, in a meeker form of beauty and with a paler radiance, luxuriated under the protection of the wood. Already I observed the predominance of luxuriant vines, indicating our nearness to the tropic, wreathed gayly over the tall and branchless trunks of the trees: some, like the Bignonia, in a full blaze of crimson; others, like the Climbing Fern, draping the trees in continual verdure.

These Pines constitute a great part of the timber of the flat country between the mountains and the coast, and render a journey through that region singularly monotonous and gloomy. In the low grounds, a considerable proportion of the wood consists of the Southern Cypress, a graceful and magnificent tree, whose appearance would be very lively and cheerful, were it not for the abundance of long trailing "moss" (usnea) that hangs, like funereal drapery, from its branches, and darkens the whole forest. This parasitic appendant wreathes the woods sometimes almost in darkness, especially in those immense tracts on the borders of the Mexican Gulf that consist entirely of Cypress. There it has been poetically styled the "Garlands of Death," as significant of the fevers that prevail wherever it is abundant.

It is remarkable that the two extremes of climate are distinguished by the predominance of evergreens in their vegetation. Thus, the acicular-leaved trees, consisting of Pines and their congeners, mark the cold-temperate and sub-arctic zones, in north latitude,—while Myrtles, Magnolias, and other broad-leaved evergreens, mark the equatorial and tropical regions. The deciduous trees belong properly to the temperate zones, and constitute, indeed, the most interesting of all arborescent vegetation.

With regard to the age of forests, it may be affirmed that there are some undoubtedly in existence which are coeval with the earliest history of nations; but no individual trees are of such antiquity. Like nations, the assemblage may be perpetual, while the members that compose it are constantly perishing, and leaving their places to be supplied by others of more recent origin. Probably the earth does not contain forests in which any tree exceeds a thousand years of age, though the oldest forest extant may be as ancient as the Chinese Empire; for the oldest trees are not found in dense assemblages, but are probably such as have grown singly in isolated situations. As soon as a tree in a forest begins to feel the infirmities of age, its place is usurped by some young and more vigorous neighbor, and it is gradually deprived of subsistence in this unequal contest. The tempests and tornadoes, it may be added, which occasionally sweep over a country, commonly make the oldest and tallest trees their victims; for events seem to follow the same course in a forest as in human society. The most vigorous growers at any period continue to flourish a certain length of time at the expense of others; but when they have risen above the common level, they become marks for destruction,—they fall before certain inimical forces that do not reach their more humble companions.

It was the opinion of Humboldt, that, if any tract of wooded country deserves to be considered a part of the great "primeval forest", it is "that boundless district which, in the torrid zone of South America, connects the river-basins of the Amazon and the Orinoco." This tract, unequalled in extent by any other forest in the world, occupies an area of more than a thousand miles square. In this vast chaos of teeming vegetation, trees of the largest dimensions are connected by an undergrowth of vines and shrubbery which is almost impenetrable. Immense rivers and their tributaries intersect the forest in all directions, and constitute the only avenues of commercial intercourse. This impervious thicket is like a huge wall, separating near neighbors, rendering them, as it were, inhabitants of distant regions, and obliging them to make long and circuitous river journeys before they can hold communication.

Here the leaves of the trees are always green, and flowers appear in constant succession; but the surface of the ground is without herbage, for the darkness of the wood is fatal to all humble vegetation. The small plants are mostly parasites, thousands inserting their roots into the bark of trees and garlanding them with beauty. Those that take root in the ground show but few leaves or flowers, until they have clambered upwards, through the underwood, into the light of heaven. Almost the only relief afforded the sight, in this vast solitude, comes from the rivers and other collections of water, over whose expanse the eye revels with the delight we feel on emerging from the gloom of a cavern. Every object seems to be struggling to get outside of this chaotic growth, where it can obtain the genial influence of the sun: for near the surface of the ground are perpetual shade and hideous entanglement.

In this primeval forest we must not expect to realize any of our poetical ideas of the primitive residence of the first human family. Here are no Arcadian scenes of peace and rural felicity. On all sides we behold an undying competition for light and life, among both plants and animals. We are reminded here of life in a crowded city, where the excessive abundance of supplies for human wants imported from the surrounding country causes a still greater superfluity of population, and produces a struggle for a livelihood more severe than in a rural district of gravel and boulders. The oases of this great wilderness are those places in which there is an absence of the general fertility: barrenness in such circumstances is a relief,—because it allows both freedom and repose.

This wood is the nursery of all descriptions of monsters, living chiefly in trees. On their branches and in their tangled recesses, adorned with all sorts of foliage and flowers, creatures the most terrible and the most loathsome are seen crowding and crouching in close proximity to the most beautiful forms of living things. They fill the air with their discordant utterances, and allow no permanent silence or tranquillity. Hours of periodical stillness and repose, occurring mostly at noonday, and affecting one with a sensation of awful grandeur, by contrast with the preceding disturbances, are followed, especially in the night, by a tumultuous roar from the legions of contending animals.

 
"A universal hubbub wild
Of stunning sounds and voices all confused,
Borne through the hollow dark, assaults the ear
With loudest vehemence."
 

Even the notes of insects are a deafening crash, like the rattling of machinery in a cotton-mill. Except in the hush of noonday, the notes of singing-birds are drowned amidst the howling of monkeys, the whining of sapajous, the roar of the jaguar, and the dismal hooting of thousands of wild animals that riot in these awful solitudes. The sight of the fairest flowers and the most beautiful insects and birds only renders one more keenly sensitive to the frightful discords that startle and the perils that surround him.

Similar contrasts are observed in the vegetation of this region, where the giant trees of the forest are chained in the embraces of vines that contend with them for existence and finally strangle them. Trees and other plants are crowded together so promiscuously, that Nature seems to be striving to collect into one space every possible variety of species. Trees of the most poisonous and deadly qualities grow side by side with the Bread-Fruit, the Cocoa-Nut, and the beneficent Cinchona. Here are the poison and its antidote,—the monster tree and its miniature epiphyte,—the plant that astonishes by its magnitude, and the one that delights us by its minuteness. Here, if anywhere on the face of the earth, may we form some conception of the state of our planet during the Eocene period, before the world had come under the dominion of the human race.

But if Nature in this region has manifested an exuberance of animal and vegetable life, thereby rendering her bounties almost unavailable to man, there are other parts in which she seems to have provided for his particular benefit. In these favored regions, we find the Banana, the Cocoa, and the Date Palm, and other special gifts of Providence to the inhabitants of the equator. Palms are generally found only in small groups and plantations, but there are certain species of this family which are associated in extensive woods, and constitute, in some respects, one of the most charming descriptions of forest-scenery. The Dwarf Palms of the sub-tropical regions are chiefly assembled in masses, of which the Palmetto of Florida and the Chaemerops of the South of Europe are conspicuous examples. The true Palms are likewise sometimes associated in forests, though not generally of a social habit. In one of the most celebrated of these, at the mouth of the Orinoco, composed chiefly of the Mauritian Palms, the wild Guaranos have established a national existence. Like monkeys, they live almost wholly in trees, having their habitations supported either by wooden pillars or by a matting suspended from tree to tree. In the wet season, when the ground is inundated, the inhabitants travel about their village in canoes.

The beauty of a grove of Palms has been a favorite theme of travellers. Humboldt, who saw Nature with the eye of a painter and the feelings of a poet, amidst all the dry details of science, regards them as the most beautiful of vegetable productions. It has always seemed to me, however, that travellers in general have been led to exaggerate the charms of Nature in the tropics, by observing the remarkable beauty of a few individual objects. Their susceptibility to be affected by the scenes presented to their view is likewise exalted by the confinement of their voyage; they are enraptured with the novelty of everything about them, by the voluptuousness of the climate and the abundance of delicious fruits, and always afterwards recur to the scenes of their tropical visit with an excited imagination.

In countries near the equator, many plants which are herbs in our latitude assume arborescent forms. Such are the Tree-Grasses, which form impenetrable forests, equalling some of the Fir woods of the North in extent, if not in beauty and grandeur. In this part of the world we know the Ferns only as a low herbaceous tribe of plants, consisting of mere fronds rising out of the ground. We admire them for their beautifully compounded leaves, and their colors of red, orange, and russet that variegate our meadows in June, their garlands of verdure upon the rocky hills in winter, and the profusion of their frondage in the shady glens in summer. But in certain parts of the equatorial zone the Ferns put off the humble guise in which they appear at the North. They no longer associate with the lowly Violet, allowing themselves to be crowded by the Hellebore and overtopped by the Meadow Rue; but they rear their branches aloft and assume the dignity and stature of trees. Man, who looks down upon them in our own latitude, and tramples them under his feet, looks in that region far above his head, and beholds their magnificent fronds spread out like a great tent between him and the heavens.

Tree-Ferns, though confined principally to the equatorial zone, are unable to endure the heat of the plains. They occupy an elevation that affords them the continual temperature of spring, three thousand feet above the sea,—the region of the lowest stratum of clouds,—where they receive the benefit of their moisture before it descends to the earth in showers. Humboldt ranks them with the noblest forms of tropical vegetation,—less lofty than the Palms, but surpassing them in beauty of foliage. The arborescent Ferns and Grasses are true specimens of those plants, of simple organic structure, which are found in the fossil remains of the early geological periods, and are the only plants now extant which may be considered the representatives of that epoch, when the saurians and the mastodons held dominion over the earth, and before the Angel of Light had descended from heaven to make preparation for a higher race of beings.

* * * * *

MISS LUCINDA

But that Solomon is out of fashion I should quote him, here and now, to the effect that there is a time for all things; but Solomon is obsolete, and never, no, never, will I dare to quote a dead language, "for raisons I have," as the exiles of Erin say. Yet, in spite of Solomon and Horace, I may express my own less concise opinion, that even in hard times, and dull times, and war times, there is yet a little time to laugh, a brief hour to smile and love and pity, just as through this dreary easterly storm, bringing clouds and rain, sobbing against casement and door with the inarticulate wail of tempests, there comes now and then the soft shine of a sun behind it all, a fleeting glitter, an evanescent aspect of what has been.

But if I apologize for a story that is nowise tragic, nor fitted to "the fashion of these times," possibly somebody will say at its end that I should also have apologized for its subject, since it is as easy for an author to treat his readers to high themes as vulgar ones, and velvet can be thrown into a portrait as cheaply as calico; but of this apology I wash my hands. I believe nothing in place or circumstance makes romance. I have the same quick sympathy for Biddy's sorrows with Patrick that I have for the Empress of France and her august, but rather grim lord and master. I think words are often no harder to bear than "a blue bating," and I have a reverence for poor old maids as great as for the nine Muses. Commonplace people are only commonplace from character, and no position affects that. So forgive me once more, patient reader, if I offer to you no tragedy in high life, no sentimental history of fashion and wealth, but only a little story about a woman who could not be a heroine.

Miss Lucinda Jane Ann Manners was a lady of unknown age, who lived in a place I call Dalton, in a State of these Disuniting States, which I do not mention for good cause. I have already had so many unconscious personalities visited on my devoted head that but for lucidity I should never mention persons or places, inconvenient as it would be. However, Miss Lucinda did live, and lived by the aid of "means," which, in the vernacular, is money. Not a great deal, it is true,—five thousand dollars at lawful interest, and a little wooden house, do not imply many luxuries even to a single-woman; and it is also true that a little fine sewing taken in helped Miss Manners to provide herself with a few small indulgences otherwise beyond her reach. She had one or two idiosyncrasies, as they are politely called, that were her delight. Plenty of dish-towels were necessary to her peace of mind; without five pair of scissors she could not be happy; and Tricopherous was essential to her well-being: indeed, she often said she would rather give up coffee than Tricopherous, for her hair was black and wiry and curly, and caps she abhorred, so that of a winter's day her head presented the most irrelevant and volatile aspect, each particular hair taking a twist on its own responsibility, and improvising a wild halo about her unsaintly face, unless subdued into propriety by the aforesaid fluid.

I said Miss Lucinda's face was unsaintly,—I mean unlike ancient saints as depicted by contemporary artists: modern and private saints are after another fashion. I met one yesterday, whose green eyes, great nose, thick lips, and sallow wrinkles, under a bonnet of fifteen years' standing, further clothed upon by a scant merino cloak and cat-skin tippet, would have cut a sorry figure in the gallery of the Vatican or the Louvre, and put the tranquil Madonna of San Sisto into a state of stunning antithesis; but if Saint Agnes or Saint Catharine was half as good as my saint, I am glad of it!

No, there was nothing sublime and dolorous about Miss Manners; her face was round, cheery, and slightly puckered, with two little black eyes sparking and shining under dark brows, a nose she unblushingly called pug, and a big mouth with eminently white and regular teeth, which she said were such a comfort, for they never ached, and never would to the end of time. Add to this physiognomy a small and rather spare figure, dressed in the cleanest of calicoes, always made in one style, and rigidly scorning hoops,—without a symptom of a collar, in whose place (or it may be over which) she wore a white cambric handkerchief, knotted about her throat, and the two ends brought into subjection by means of a little angular-headed gold pin, her sole ornament, and a relic of her old father's days of widowhood, when buttons were precarious tenures. So much for her aspect. Her character was even more quaint.

She was the daughter of a clergyman, one of the old school, the last whose breeches and knee-buckles adorned the profession, who never "outlived his usefulness," nor lost his godly simplicity. Parson Manners held rule over an obscure and quiet village in the wilds of Vermont, where hard-handed farmers wrestled with rocks and forests for their daily bread, and looked forward to heaven as a land of green pastures and still waters, where agriculture should be a pastime, and winter impossible. Heavy freshets from the mountains that swelled their rushing brooks into annual torrents, and snow-drifts that covered five-rail fences a foot above the posts and blocked up the turnpike-road for weeks, caused this congregation fully to appreciate Parson Manners's favorite hymns,—

 
"There is a land of pure delight,"
 

and

 
"On Jordan's stormy banks I stand."
 

Indeed, one irreverent, but "pretty smart feller," who lived on the top of a hill known as Drift Hill, where certain adventurous farmers dwelt for the sake of its smooth sheep-pastures, was heard to say, after a mighty sermon by Parson Manners about the seven-times heated furnaces of judgment reserved for the wicked, that "Parson hadn't better try to skeer Drift-Hillers with a hot place; 't wouldn't more 'n jest warm 'em through down there, arter a real snappin' winter."

In this out-of-the-way nook was Lucinda Jane Ann born and bred. Her mother was like her in many things,—just such a cheery, round-faced little body, but with no more mind than found ample scope for itself in superintending the affairs of house and farm, and vigorously "seeing to" her husband and child. So, while Mrs. Manners baked, and washed, and ironed, and sewed, and knit, and set the sweetest example of quiet goodness and industry to all her flock, without knowing she could set an example, or be followed as one, the Parson amused himself, between sermons of powerful doctrine and parochial duties of a more human interest, with educating Lucinda, whose intellect was more like his own than her mother's. A strange training it was for a young girl,—mathematics, metaphysics, Latin, theology of the driest sort; and after an utter failure at Greek and Hebrew, though she had toiled patiently through seven books of the "Aeneid," Parson Manners mildly sniffed at the inferiority of the female mind, and betook himself to teaching her French, which she learned rapidly, and spoke with a pure American accent, perhaps as pleasing to a Parisian ear as the hiss of Piedmont or the gutturals of Switzerland. Moreover, the minister had been brought up, himself, in the most scrupulous refinement of manner; his mother was a widow, the last of an "old family," and her dainty, delicate observances were inbred, as it were, in her only son. This sort of elegance is perhaps the most delicate test of training and descent, and all these things Lucinda was taught from the grateful recollection of a son who never forgot his mother, through all the solitary labors and studies of a long life. So it came to pass, that, after her mother died, Lucinda grew more and more like her father, and, as she became a woman, these rare refinements separated her more and more from those about her, and made her necessarily solitary. As for marriage, the possibility of such a thing never crossed her mind; there was not a man in the parish who did not offend her sense of propriety and shock her taste, whenever she met one; and though her warm, kind heart made her a blessing to the poor and sick, her mother was yet bitterly regretted at quiltings and tea-drinkings, where she had been so "sociable-like."

It is rather unfortunate for such a position as Lucinda's, that, as Deacon Stowell one day remarked to her father, "Natur' will be Natur' as much on Drift Hill as down to Bosting"; and when she began to feel that "strong necessity of loving" that sooner or later assails every woman's heart, there was nothing for it to overflow on, when her father had taken his share. Now Lucinda loved the Parson most devoutly. Ever since the time when she could just remember watching through the dusk his white stockings, as they glimmered across the road to evening-meeting, and looked like a supernatural pair of legs taking a walk on their own responsibility, twilight concealing the black breeches and coat from mortal view, Lucinda had regarded her father with a certain pleasing awe. His long abstractions, his profound knowledge, his grave, benign manners, and the thousand daily refinements of speech and act that seemed to put him far above the sphere of his pastorate,—all these things inspired as much reverence as affection; and when she wished with all her heart and soul she had a sister or a brother to tend and kiss and pet, it never once occurred to her that any of those tender familiarities could be expended on her father: she would as soon have thought of caressing any of the goodly angels whose stout legs, flowing curls, and impossible draperies sprawled among the pictures in the big Bible, and who excited her wonder as much by their garments as their turkey-wings and brandishing arms. So she betook herself to pets, and growing up to the old-maidenhood of thirty-five before her father fell asleep, was by that time the centre of a little world of her own,—hens, chickens, squirrels, cats, dogs, lambs, and sundry transient guests of stranger kind; so that, when she left her old home, and removed to the little house in Dalton that had been left her by her mother's aunt, and had found her small property safely invested by means of an old friend of her father's, Miss Manners made one more journey to Vermont to bring in safety to their future dwelling a cat and three kittens, an old blind crow, a yellow dog of the true cur breed, and a rooster with three hens, "real creepers," as she often said, "none of your long-legged, screaming creatures."

Lucinda missed her father, and mourned him as constantly and faithfully as ever a daughter could; but her temperament was more cheerful and buoyant than his, and when once she was quietly settled in her little house, her garden and her pets gave her such full occupation that she sometimes blamed herself for not feeling more lonely and unhappy. A little longer life or a little more experience would have taught her better: power to be happy is the last thing to regret. Besides, it would have been hard to be cheerless in that sunny little house, with its queer old furniture of three-legged tables, high-backed chairs, and chintz curtains where red mandarins winked at blue pagodas on a deep-yellow ground, and birds of insane ornithology pecked at insects that never could have been hatched, or perched themselves on blossoms totally unknown to any mortal flora. Old engravings of Bartolozzi, from the stiff elegances of Angelica Kaufman and the mythologies of Reynolds, adorned the shelf; and the carpet in the parlor was of veritable English make, older than Lucinda herself, but as bright in its fading and as firm in its usefulness as she. Up-stairs the tiny chambers were decked with spotless white dimity, and rush-bottomed chairs stood in each window, with a strip of the same old carpet by either bedside; and in the kitchen the blue settle that had stood by the Vermont fireside now defended this lesser hearth from the draught of the door, and held under the seat thereof sundry ironing-sheets, the blanket belonging to them, and good store of ticking and worsted holders. A half-gone set of egg-shell china stood in the parlor-closet,—cups, and teapot, and sugar-bowl, rimmed with brown and gold in a square pattern, and a shield without blazon on the side; the quaint tea-caddy with its stopper stood over against the pursy little cream-pot, and held up in its lumps of sparkling sugar the oddest sugar-tongs, also a family relic;—beside this, six small spoons, three large ones, and a little silver porringer comprised all the "plate" belonging to Miss Manners, so that no fear of burglars haunted her, and but for her pets she would have lived a life of profound and monotonous tranquillity. But this was a vast exception; in her life her pets were the great item now;—her cat had its own chair in the parlor and kitchen; her dog, a rug and a basket never to be meddled with by man or beast; her old crow, its special nest of flannel and cotton, where it feebly croaked as soon as Miss Lucinda began to spread the little table for her meals; and the three kittens had their own playthings and their own saucer as punctiliously as if they had been children. In fact, Miss Manners had a greater share of kindness for beasts than for mankind. A strange compound of learning and unworldliness, of queer simplicity, native penetration, and common sense, she had read enough books to despise human nature as it develops itself in history and theology, and she had not known enough people to love it in its personal development. She had a general idea that all men were liars, and that she must be on her guard against their propensity to cheat and annoy a lonely and helpless woman; for, to tell the truth, in her good father's over-anxiety to defend her from the snares of evil men after his death, his teachings had given her opinion this bias, and he had forgotten to tell her how kindly and how true he had found many of his own parishioners, how few inclined to harm or pain him. So Miss Lucinda made her entrance into life at Dalton, distrustful, but not suspicious; and after a few attempts on the part of the women who were her neighbors to be friendly or intimate, they gave her up as impracticable: not because she was impolite or unkind: they did not themselves know why they failed, though she could have told them; for, old maid as she was, poor and plain and queer, she could not bring herself to associate familiarly with people who put their teaspoons into the sugar-bowl, helped themselves with their own knives and forks, gathered up bits of uneaten butter and returned them to the plate for next time, or replaced on the dish pieces of cake half eaten or cut with the knives they had just introduced into their mouths. Miss Lucinda's code of minor morals would have forbidden her to drink from the same cup with a queen, and have considered a pitchfork as suitable as a knife to eat with, nor would she have offered to a servant the least thing she had touched with her own lips or her own implements of eating; and she was too delicately bred to look on in comfort where such things were practised. Of course these women were not ladies; and though many of them had kind hearts and warm impulses of goodness, yet that did not make up to her for their social misdemeanors, and she drew herself more into her own little shell, and cared more for her garden and her chickens, her cats and her dog, than for all the humanity of Dalton put together.