Kitabı oku: «The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 545, May 5, 1832», sayfa 6
THE GATHERER
Toast of a Scotch Peer.—Lord K—, dining at Provost S—'s, and being the only peer present, one of the company gave a toast, "The Duke of Buccleugh." So the peerage went round till it came to Lord K—, who said he would give them a peer, which, although not toasted, was of more use than the whole. His lordship gave "The Pier of Leith."—Chambers's Edin. Jour.
Caroline, Queen of George II. amused herself by reading Butler's Analogy of Religion to Human Nature; a book which Hoadley, Bishop of Winchester, said always gave him the head-ache, if he only looked into it.
After George II. had ceased to visit the theatres, Macklin's farce of Love A-la-mode having been acted with much applause, he sent for the manuscript, and had it read over to him by a sedate old Hanoverian gentleman, who being but little acquainted with English, spent eleven weeks in puzzling out the author's meaning!
Ships.—During the early part of the last century, as has been remarked, almost all the towns of England were on the water (in the navy.) Of the few persons who have been so highly esteemed as to have their names given to men of war, are Dr. Franklin and Joan of Arc, who were thus honoured by the French. In the English navy, the ships the Royal George have been singularly unfortunate. The Great Harry also was burnt in the reign of Queen Mary.
Personal Ornament.—The city of Kano, the great emporium of the kingdom of Houssa, in Africa, is celebrated for the art of dyeing cotton cloth, which is afterwards beaten with wooden mallets until it acquires a japan gloss. The women dye their hair with indigo, and also their hands, feet, legs, and eyebrows. Their legs and arms thus painted, look as if covered with dark blue gloves and boots. Both men and women colour their teeth a blood-red, which is esteemed a great ornament. T. GILL.
A "Manager."—Colley Cibber gives the following spirited description of a famous theatrical manager in his day; "That he was as sly a tyrant as ever was at the head of a theatre, for he gave the actors more liberty, and fewer day's pay than any of his predecessors; he would laugh with them over a bottle, and trick them in their bargains; he kept them poor, that they might not be able to rebel; and sometimes merry, that they might not think of it"
Newton's Weather Wisdom.—Sir Isaac Newton was once riding over Salisbury Plain, when a boy, keeping sheep, called to him—"Sir, you had better make haste on, or you will get a wet jacket." Newton looking round and observing neither clouds nor speck on the horizon, jogged on, taking very little notice of the rustic's information. He had made but a few miles, when a storm suddenly arising, wetted him to the skin. Surprised at the circumstance, and determined, if possible, to ascertain how an ignorant boy had attained a precision and knowledge in the weather, of which the wisest philosophers would be proud, he rode back, wet as he was. "My lad," said Newton, "I'll give thee a guinea if thou wilt tell me how thou canst foretell the weather so truly." "Will ye, sir? I will then," said the boy, scratching his head, and holding out his hand for the guinea. "Now, sir," having received the money, and pointing to his sheep, "when you see that black ram turn his tail towards the wind, 'tis a sure sign of rain within an hour." "What," exclaimed the philosopher, "must I, in order to foretell the weather, stay here, and watch which way that black ram turns his tail?" "Yes, sir," replied the boy. Off rode Newton, quite satisfied with his discovery, but not much inclined to avail himself of it, or to recommend it to others.W.G.C.
Primitive Lamp.—The inhabitants of the Landes, in the south of France, being cut off from the rest of the world, have it not in their power, except when once or twice a year they travel to the nearest towns with their wool, to purchase candles; and as they have no notion how these can be made, they substitute in their place a lamp fed with the turpentine extracted from the fir-trees. The whole process is simple and primitive. To obtain the turpentine, they cut a hole in the tree, and fasten a dish in it to catch the sap as it oozes through, and as soon as the dish is filled, they put a wick of cotton into the midst of the liquor, and burn it as we do a lamp.W.G.C.
Turning the Back.—In this and all countries of Europe, to turn the back upon persons of rank or in authority, is considered highly improper; a striking instance of which may be seen in the mode in which messengers from the Lords retreat along the floor of the House of Commons. In the interior of Africa it is quite otherwise. There the court assemble round the sovereign invariably with their backs to him.T. GILL.
A gentleman having frequently reproved his servant, an Irish girl, for boiling eggs too hard, requested her in future, to boil them only three minutes by the clock. "Sure, sir," replied the girl, "how shall I do that, for your honour knows the clock is always a quarter of an hour too fast."W.G.C.
Unhappy Fate of Camoens.—Camoens the celebrated Portuguese poet, was shipwrecked at the mouth of the river Meco, on the coast of Camboja, and lost his whole property; but through the assistance of his black servant, he saved his life and his poems, which he bore through the waves in one hand,5 whilst he swam ashore with the other: his black servant begged in the streets of Lisbon for the support of his master, who died in 1579. It is said that his death was accelerated by the anguish with which he foresaw the ruin impending over his country. In one of his letters (says his biographer) he uses these remarkable expressions: "I am ending the course of my life; the world will witness how I have loved my country. I have returned not only to die in her bosom, but to die with her." He was buried as obscurely as he had closed his life, in St. Anne's Church, and the following epitaph was inscribed over his grave:—
"Here lies Lewis de Camoens,
Prince of the Poets of his time.
He lived poor and miserable, and died
such, Anno Domini, 1579."
P.T.W.
The Philosopher's Stone.—Sir Kenelm Digby was relating to King James that he had seen the true Philosopher's Stone, in the possession of a hermit in Italy; and when the king was very curious to understand what sort of a stone it was, and Sir Kenelm being much puzzled in describing it, Sir Francis Bacon, who was present, interposed, and said, "Perhaps it was a whetstone."
N.B. There is an old proverbial expression, in which an excitement to a lie was called a whetstone.
P.T.W.
Printed and Published by J. LIMBIRD, 143, Strand. (near Somerset House,) London; sold by ERNAEST FLEISCHER, 626, New Market, Leipsic; G.G. BENNIS, 55, Rue Neuve, St. Augustin, Paris; and by all Newsmen and Booksellers.
End of the Project Gutenberg EBook of The Mirror of Literature, Amusement,
and Instruction, by Various
*** END OF THIS PROJECT GUTENBERG EBOOK THE MIRROR OF LITERATURE ***
***** This file should be named 11543-h.htm or 11543-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.net/1/1/5/4/11543/
Produced by Jonathan Ingram, David King, and the Online Distributed
Proofreading Team
Updated editions will replace the previous one–the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away–you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
– You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
– You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
– You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
– You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable