Kitabı oku: «The O’Hara Affair»
The O’Hara Affair
Kate Thompson

In loving memory of my belle-mère, Hazel
Table of Contents
Cover Page
Title Page
Dedication
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Epilogue
Points for Discussion on The O’Hara Affair
Acknowledgement
About the Author
By the same author:
Praise
Copyright
About the Publisher
Chapter One
Fleur O’Farrell felt foolish. She was standing in front of the wardrobe in her bedroom, regarding her reflection in the mirror. Fleur normally took real pride in her appearance – but this afternoon she was wearing a floral print skirt over flouncy petticoats, a cherry-red cummerbund, and a low-cut blouse. Her feet were bare, a silk shawl was slung around her shoulders, and great gilt hoops dangled from her earlobes. The crowning glory was the wig – an Esmeralda-style confection of synthetic black curls. She looked like a chorus member from a second-rate production of Carmen.
Her friend, Río Kinsella, had talked her in to playing the fortune-teller at the annual Lissamore village festival. Río usually took on the role herself, but this summer she was up to her tonsils in work, and had not a moment to spare. So Río had furnished Fleur with the gypsy costume, as well as a crystal ball, a chenille tablecloth and a manual called Six Lessons in Crystal Gazing. The flyleaf told Fleur that these words of wisdom had been published in 1928.
Turning away from the mirror, Fleur reached for the dog-eared booklet. The cover featured a bug-eyed gal transfixed by a crystal ball, and the blurb went: ‘Are you lacking in selfconfidence, unemployed or discouraged? Are you prepared for the future, or blindly groping in the darkness? Do you wish for health, happiness and success?’
Evidently not a lot had changed in the world since 1928. People were still asking the same questions, and still entertaining the same hopes and ambitions. Nowadays, however, instead of using crystal gazing as a means of self-help, people were unrolling yoga mats and sticking Hopi candles in their ears to assist them in their navel gazing. Much the same thing, Fleur supposed. Plus ça change, plus c’est la même chose…
A blast of hip hop drew her to the open window. A youth was lazily patrolling the main street of the village, posing behind the steering wheel of his soft-top and checking out the talent. Being high season, there was a lot on display. Girls decked out in Roxy, Miss Sixty, and Diesel promenaded the pavements and lounged against the sea wall, hooked up to their iPods, gossiping on their phones or browsing on their BlackBerries. Beautiful girls with gym-toned figures and sprayed-on tans and GHD hair, sporting must-have designer eyewear and designer bags to match. High-maintenance girls, whose daddies footed the department-store bills and whose mummies stole their style. Girls who did not know what the word ‘recession’ meant.
Lissamore was not usually host to such quantities of de luxe jeunesse dorée. The village was, rather, a playground for their parents, a place where those jaded denizens of Dublin 4 came to unwind for a month in the summer and a week at Christmas. Once the yearned-for eighteenth birthdays arrived, the princelings and princesses tended to migrate to hipper locations in Europe or America.
But this summer, because a major motion picture was being made in the countryside surrounding Lissamore, the village had become a must-visit zone. Wannabe film stars had descended in their droves after an article in a national newspaper had mentioned that extras were being recruited for The O’Hara Affair – a movie based on the back story of Gerard O’Hara, father to Scarlett of Gone with the Wind. An additional allure was the fact that the movie starred Shane Byrne, a local hero and Ireland’s answer to Johnny Depp.
The film was good news for the village during such a time of blanket economic gloom. Locals who had been made redundant since the collapse of the construction industry were being employed as carpenters and sparks and painters, hitherto jobless youngsters had been taken on as runners, and an ailing catering company had been given a new lease of life. Fleur’s shop had been honoured with several visits by the film’s leading lady, Río had charmed herself into being offered a gig as a set-dresser, and even Fleur’s lover, Corban, was involved – albeit it at a remove. He was an executive producer on The O’Hara Affair, and, while his artistic contribution to the film was negligible, his money talked. Because he had part financed the production, he, too, was due a credit.
‘Did he text back yet?’ It was a girl’s voice – a typical princess, to judge by the accent.
‘No,’ came the morose reply.
Craning her neck a little, Fleur looked down to see two girls sitting on the windowsill of her shop, Fleurissima, below. The girl with the D4 drawl she recognized – she had been in and out of the shop half a dozen times in the past fortnight, helping herself to pricey little wisps of silk and tulle paid for by Daddy’s gold Amex.
‘Did you put a question mark at the end of your last message?’
‘Yes.’
‘Shit. That means you can’t text him again, Emily. Like, the ball’s in his court now.’
‘I know. I should never have put the stupid question mark. He’s ignoring me, the bastard.’
‘How many Xs did you put?’
‘Three. But two of them were lower case.’
‘Ow. Three’s a bit heavy. I’d only put two lower case ones next time.’
‘If there is a next time. There was a comment from that Australian girl on his Facebook this morning.’
‘Uh-oh…’
Fleur felt like leaning out of the window and calling down: ‘Just pick up the phone and talk to him!’ But she knew that the rules laid down by mobile phone etiquette meant that picking up a phone was not an option. Fleur couldn’t understand how kids nowadays coped with the uncertainty, the insecurity, the emotional turbulence generated by the text messaging phenomenon. It must be a kind of enforced purgatory, sending texts toing and froing through the ether – like playing ping-pong in slow motion.
But Fleur was as in thrall to her phone as the girls on the street below, she realized, because when her text alert sounded she automatically reached for her nifty little Nokia. Accessing the message, she saw that it was from her niece, Daisy. The text read: Hey, Flirty! On my way now with cake & wine XXX
Because Fleur’s middle initial was T for Thérèse, Daisy had come up with the nickname ‘Flirty’ for her. Fleur loved it: it sounded so much more youthful and fun than ‘Aunt Fleur’, which was what her nephew called her.
Cake & wine sounds good, she texted back, adding
for good measure.
Cake and wine did sound good. Especially wine. It had been busy in the shop today: Fleur’s jaw was aching from all the smiling she’d been doing, and her feet were killing her. Her boutique specialized in non-mainstream labels sourced from all over Europe: from evening chic to skinny jeans, from beachwear to accessories, all Fleur’s stock was hand-picked and exclusive to her – and none of it was cheap. From October, when the tourist trade dropped off and the summer residences were boarded up, Fleur hibernated, opening the shop only at weekends. After today, when two overdue deliveries had arrived at the same time, Fleur was looking forward to hibernating already. She reached up a hand to pull off her gypsy wig, then decided against it. It would give Daisy something to laugh at, and she loved to hear her niece laugh.
Tossing her shawl on the bed, Fleur negotiated the spiral staircase that led down to her living area. Since the demise of her little dog Babette, Fleur had taken the brave step of redecorating. She had painted the walls in Farrow & Ball Wimborne White, had the floorboards sanded and lime washed, and her furniture reupholstered in pale damask. Cobwebby lace was draped around the windows, a pair of alabaster angels stood sentinel on either side of the fireplace, and a chandelier scintillated overhead. All eight of her dining chairs were overlaid with nubbly linen slip covers, and her chaise longue was piled with tasselled white cushions. Fleur’s room was all white for a reason. She had sworn that she would never get another dog, because the pain she felt when Babette had died had been so unendurable she never wanted to go through anything like it again. And what better way to resist the allure of that puppy in the pet shop window or the sad eyes of a rescue dog in an ISPCA ad than by creating a pristine environment – one that would not welcome muddy paws or moulting hairs.
The only splashes of colour in the living space were courtesy of the artwork on the walls – much of which was by Río. Most of Río’s paintings were seascapes in vibrant oils, but the one that stood out was a portrait that had been painted some twenty years earlier. It depicted Fleur sitting back in her chair at the end of her long dining table, a glass of Bordeaux in front of her, a Gauloise between elegant fingers (she had stopped smoking two years later, and still missed it sometimes). Her hair was twisted into a loose chignon, and she was toying idly with a tendril that had escaped. Her attention was focused on someone to her right, someone with whom she was clearly rather coquettishly engaged. In truth, the painting depicted Fleur in full-on flirtatious mode, one eyebrow raised like a circumflex, mouth in a provocative pout, eyes agleam with intention. Fleur loved it.
Moving into the kitchen – where the aroma of last night’s ragout still lingered – Fleur set a tray with plates, napkins, glasses and a wine cooler. She was just about to carry it through to the deck, when the door bell rang. ‘Come on up, Daisy-Belle,’ she purred into the intercom. ‘I’m on the deck.’
Fleur’s deck overlooked the Lissamore marina, and was perfect for spying on the comings and goings of boats and boatmen. Corban had a pleasure craft berthed there, but so far this summer he’d had few opportunities to use it, as he’d been stuck in Dublin on business. When Río had asked Fleur to describe her lover, Fleur had laughingly called him her very own Mr Big.
Corban was the latest in a fairly long line of amours: Fleur was most certainly not the marrying kind. She’d tried it once when, aged nineteen, she had fallen in love with a beautiful Irish boy who was studying at the Sorbonne in Paris. Fleur remembered that epoch only dimly, as one might remember scenes from an art house movie viewed long ago through rose-tinted glasses: picnic lunches by the Seine, reading the poems of Emily Dickinson and Sylvia Plath in translation; strolls through the narrow winding streets of the Latin Quarter; rough wine and rougher cigarettes in cheap café bars; stolen hours in his bed when the concierge was napping; visit after visit to museums and galleries, and hour after hour of gazing into each other’s eyes, slack with desire and limp with adoration. And when Tom asked her to come with him to Ireland, she had said – breathless as Molly Bloom – ‘Yes, yes! I will, yes!’
They had married in the registry office in Dublin, and for a year she was pleased to receive letters as Mrs Thomas O’Farrell. Thereafter, following her separation and subsequent divorce, she trashed any correspondence addressed to ‘Mrs Thomas’, ‘Mrs Tom’ or ‘Mrs T. O’Farrell’. She would never be ‘Mrs Tom, Dick or Harry’ for any man. She was Fleur – Fleur Thérèse Odette O’Farrell (she’d retained the ‘O’Farrell’ because no one in Ireland could pronounce her real surname, which was de Saint-Euverte). And Tom? Tom had gone off to Canada with a Mountie. She hadn’t seen him since.
‘Hello! What in God’s name are you wearing?’ Fleur turned to see Daisy framed in the French windows, regarding her with a curious expression.
‘It’s my outfit for the village festival. Ta-ra!’ Fleur held her skirts out and attempted a Flamenco-style twirl. ‘I am the fortune-teller. What do you think? Smoking, ain’t it?’
‘Mystic Meg, eat your heart out,’ replied Daisy, strolling across to the table and dumping a carrier bag on it. ‘Let me take a photograph.’ Holding up her iPhone, she adopted the exaggerated stance of a pro photographer, and segued into the usual clichéd directive: Lovely! Chin a little higher! Drop your shoulder!
Click, click, click went Daisy’s camera, while Fleur twirled some more and hummed a little Bizet, and then Daisy slid her phone back into her bag and kissed her aunt on both cheeks. ‘How did you get roped into being the fortune-teller?’ she asked. ‘I thought that was normally Río’s gig.’
‘I’ll tell you later. I want to hear all your news first. Sit down and give me the wine and the cake.’ Daisy took a bottle of wine and a cake-box from the carrier bag, and Fleur reached for the corkscrew. ‘Have you seen sense and ditched that bad boy?’ she asked, stripping foil from the neck of the bottle.
‘Yes. You’ll be glad to know the bad boy’s ancient history, Flirty. But I’ve got some even better news.’
‘Oh? What’s that?’
‘Guess.’
‘You have landed a new contract?’
‘No.’
‘You’ve been asked to be a judge on Ireland’s Next Top Model?’
‘Yes, I have actually. But that’s not the good news.’
‘You have a photo-shoot with Testino.’
‘In my dreams.’
Fleur poured wine into the glasses and handed one to Daisy. ‘A Vogue cover?’
‘Get real!’
‘OK. I give up,’ said Fleur.
‘That’s it! That’s exactly what I’ve done!’
‘What are you talking about?’
‘I’ve given up modelling.’
Fleur set her glass down. ‘I am guessing this isn’t a joke.’
‘No joke. This is real, I promise.’
‘But why, Daisy?’
‘I’ve fallen out of love with it. It’s that simple. I’m going to Africa to do voluntary work.’
Fleur took a sip of wine, and gave her niece a look of assessment. It was clear from Daisy’s expression that she was resolute. Daisy was a Capricorn, and once a Capricorn decides upon a course of action, Fleur knew, there was no turning back.
‘Well. Good for you. Was it a tough decision?’
Daisy shook her head. ‘No. My agent asked if I needed twenty-four hours to think about it, and I said “Yes…” and then “No!” practically simultaneously. I really didn’t need to think twice. I’ve been miserable in this job for a long time.’
‘You’ve only been modelling for two years,’ Fleur pointed out.
‘Well, I’ve been miserable for a whole year of those two, and that’s a long time to be miserable. I was never cut out to be a model.’
‘You are a brave girl.’
‘No, I’m not. I’m just doing what I’ve always wanted to do, and that’s make a difference. You’ve no idea what it’s like to be surrounded by size zero girlies moaning about putting on half a kilo when there are people all over the world starving.’ ‘Won’t you miss your celebrity status, beauty?’
‘Nope. I’d rather be famous for having a real talent like singing or writing or painting. Being famous for being a model is just embarrassing.’ Daisy cut two slabs of choc olate sponge and plonked them on to plates. ‘Ha! Bye bye, stupid diet. Bring on the calories.’
‘What made you decide on Africa?’ asked Fleur.
‘A friend who’s over there told me I had to come out. She’s recruited a whole bunch of people via Facebook.’
‘How resourceful!’
‘Yep. I’ve been in touch with everyone else who’s going, and they’re all really sound. Facebook’s brilliant for networking. Have you joined up yet, Flirty?’
‘I keep meaning to, but I’ve been so busy lately. Perhaps I will get around to it in the winter, when things have calmed down.’
‘Things will be hotting up for me this winter. I’ll be working in a township in Kwazulu-Natal, building a school.’ ‘Actually physically building?’
‘Yeah. My mate says that she’s completely knackered at the end of every day, but that she’s never felt better in her life.’
‘Well. I am full of admiration – and not a little jealous. I would have loved to have had an opportunity to do something like that when I was your age. When are you off?’
‘Next week.’
‘No! So soon?’
‘Someone dropped out, so I got in like Flynn. If I hadn’t got a place on this trip, I’d be waiting another six months.’
‘Well, bon voyage!’ Fleur raised her glass in a toast. ‘Here’s to Africa!’
‘And here’s to you, Mystic Meg!’ Daisy took a sip of wine, then gave Fleur a look of appraisal. ‘One question. How are you going to do it?’
‘The fortune-telling?’
‘Yeah.’
‘Río lent me a crystal ball.’
Daisy raised a cynical eyebrow. ‘A crystal ball? Does it work?’
‘But of course! I looked into it earlier and it told me that at half-past seven this evening I would be drinking Sancerre and feasting on gâteaux with my niece. And presto! How uncanny is that? It is now seven-thirty and that is exactly what I’m doing.’
‘So presumably you’re just going to gaze into the ball and come out with mumbo-jumbo stuff about travelling over water and meeting tall dark strangers?’
‘I guess so. I haven’t really thought about it. Río gave me an instruction manual, but it’s pretty useless.’
‘How does Río usually do it?’
‘She improvises – she’s brilliant at it. She has such in-tuitive flair.’
‘I hate to say this, Flirty, but you’re not very good at improvising.’
Fleur shrugged. ‘I’ll just have to try. Río says she raised nearly four hundred euros last year, and Corban has agreed to double the sum I take in. And all the money raised is going to the Hospice Foundation.’
‘But if word gets out that you’re rubbish, no one will want to know.’
Fleur looked put out. ‘It’s only five euros a go, Daisy. And it’s for charity.’
‘Flirty – if you’re not worth it, people are going to spend their five euros on the tombola instead. If you want to double your money, you’re going to have to dream up some way of impressing the punters.’
‘But I can’t be expected to read people’s fortunes, Daisy! That is madness!’
‘Of course it’s madness. But…’ Daisy narrowed her eyes and gave Fleur the benefit of her best sphinx-like smile ‘…but I’m having quite a good idea. Where’s your crystal ball?’
‘Upstairs.’
‘Show me.’
‘OK.’ Fleur got to her feet and eased into a stretch. ‘Ow. I’ll get out of this costume while I’m up there. If I don’t take off the cummerbund I’ll have no room for your cake.’
‘Why did you lace it so tight?’
‘Vanity, of course, chérie.’
Upstairs, Fleur doffed her fancy dress and got into lounging pyjamas. On reflection, she decided she was glad that Daisy had decided to quit her modelling career. She knew that her elder brother, François, was uncomfortable with the notion of his daughter being caught up in such a superficial milieu. Being the father of an only daughter, François was a staunch protector of his pride and joy, and had reared her quite strictly, as is the manner of French fathers. Fleur remembered how François had been sent by her own father to rescue her when she had run off to Dublin. The ironic thing was that her brother, too, had fallen in love with Ireland – more specifically, with a Galway girl – and both siblings had stayed, building businesses on the west coast. Fleur had her boutique in Lissamore, and François had his – a fishing tackle shop – in nearby Galway. Fleur was glad she had family so close: although she and her brother were chalk and cheese (François was into hunting, shooting and fishing in a big way), she was mad about her beautiful niece, whom she treated as her surrogate daughter.
Her phone alerted her to a message: Daisy had forwarded the picture she had taken earlier. Ooh la la – it was quite fun! Her gypsy skirts were all a-twirl around her thighs, the cinched-in waist enhanced her curves, and she was smiling directly to camera. She’d forward it to Corban, for a joke. She composed the caption: Gypsy Rose Lee will tell your fortune for a modest remuneration, then pressed Send. By the time she’d got back downstairs with the crystal ball and Six Lessons in Crystal Gazing, Daisy was checking something out on her iPhone.
‘My idea is inspired, Flirty. Have a look at this.’
‘What is it?’
‘It’s my Facebook profile.’
‘Wow. You have so many friends,’ said Fleur, looking over Daisy’s shoulder. ‘But what has this to do with your inspired idea?’
‘Aha! Behold.’
Aiming the cursor at ‘Status’ on the top of her profile page, Daisy typed in, ‘Anyone in the Coolnamara region this weekend? Check out the fortune-teller at the festival in Lissamore. She rocks!’
Fleur gave her niece a sceptical look. ‘Daisy – that’s just inviting disaster!’
‘No, it’s not. Because this is what you are going to do. Watch this.’
Daisy clicked on a name, and another profile appeared on the screen. The person in question was a pretty girl called Sofia. As Daisy scrolled down, Fleur learned that Sofia’s birthday was on the second of October: she was a Libra. Her relationship status was single, she was interested in men. A click told Fleur that Sofia’s favourite movies included Mamma Mia and Disney’s Beauty and the Beast, her favourite book was The Boy in the Striped Pyjamas, she had a brown belt in karate, and she made excellent pasta because her mother was Italian. Her photo album included shots of herself standing against a variety of landmarks: the Sydney Opera House, the Eiffel Tower, the Colosseum. Remarks that had been posted on her wall read: ‘See you when you get back from Coolnamara – Club M, Friday week?’ ‘Hmm…I hear you met a cutie in Paris!’ ‘You saw Cheryl Cole in Top Shop? Awesome!’
‘This is most illuminating, my dear,’ said Fleur. ‘But why should you want to share with me the information that one of your friends met a cutie in Paris and has a brown belt in karate?’
‘I know for a fact that she’s in Lissamore this weekend.’
‘So?’
‘So, picture this. She’s messing about on Facebook. She learns that there’s a shit-hot fortune-teller at the festival, and decides to investigate. Put yourself in her shoes.’
‘What do you mean?’
‘Pretend you’re Sofia.’
Fleur gave Daisy a bemused look, then shrugged and said: ‘OK. I’m Sofia.’
‘Welcome, Sofia!’ said Daisy, doing a kind of salaam and adopting a mysterious expression. Gazing into the crystal ball that Fleur had set on the table, she added in a dodgy Eastern European accent: ‘I think you might be a Libra, Sofia, yes? Hmm. What else can I tell you about yourself? I see – I think I see you in a suit of trousers – white trousers, with bare feet. You are dancing – no, no! You are kicking! I guess perhaps you might have a talent for karate, Sofia? And there is more – you have travelled, travelled far and wide. I see many foreign countries in the crystal – Sydney, Paris, Rome…And what is this? You are in a club, now, and this time you are dancing. But dancing in the future. Next Friday, perhaps? Next Friday I think you are going dancing with a friend, to a place called the – could it be Club N?’
‘No,’ said Fleur with a smile, as the penny dropped. ‘It’s Club M.’
‘There!’ Daisy flopped back in her seat with a triumphant smile. ‘You see! It’s ingenious! Word spreads like lightning through the Facebook community, and anybody who’s spending the bank holiday weekend in Coolnamara will come flocking to see – what’s your fortune-teller name?’
‘Haven’t an idea.’
‘Tsk-tsk. How about Tiresia?’
‘From Thérèse?’
‘No. Tiresias was a famous soothsayer in ancient Greece.’
Fleur sighed in admiration. ‘My niece has brains as well as beauty!’
‘Sounds good, doesn’t it? The famous Madame Tiresia, who knows all!’
‘Daisy – how exactly do you propose that I do this?’
‘Simple! You check out profiles on your iPhone, which you will have cunningly concealed under the table.’
‘But I don’t do Facebook.’
‘Aha! But you log on as me – popular minor celebrity and model, Daisy de Saint-Euverte. You saw how many friends I have. And those friends have friends, and I have influence. Sometimes being a C-lister can be useful.’
‘You’ve clearly had too much wine. This can’t possibly work.’
‘Don’t be so negative, Flirty!’ Daisy reached for Six Lessons in Crystal Gazing and started leafing through it. ‘Just think of all the moolah you can raise for the Hospice Foundation.’
‘But we have got to anticipate the worst. Lots and lots of things could go wrong. What if Mister Norman No-Friends from Nenagh enters the booth. What do I say to him?’
‘You tell Norman that there is no hope of telling his fortune because…because he doesn’t have one!’
‘I couldn’t say that! Poor Norman will think he’s going to die.’
‘Um. OK. Tell him you can’t see his aura. Listen to this: “It is quite possible for the gazer to be able to see things in the crystal at one time and not at another. In fact, many of the best crystal gazers have lost the power for weeks together. This being so, you should not be discouraged if such images fail to appear at your command.” There’s your disclaimer. Print it out and display it by the entrance to your booth.’ Daisy checked out the cover of the booklet. ‘It’s by Dr R A Mayne. There you go! Your spiritual mentor has impressive credentials.’
‘But that book was published in 1928.’
‘Your punters don’t need to know that. Come on – let’s have another go. This time you can tell my fortune. My name is…Jana.’ Daisy’s fingers twinkled over her iPhone, then she handed it to Fleur.
‘Jana!’ said Fleur, peering at the display as if she were reading Ancient Egyptian. ‘Um, welcome.’
‘Pretend to be gazing into the ball,’ instructed Daisy.
‘I can’t look at the ball and Jana’s profile at the same time!’
‘Then we’ll get you a veil. Try this.’ Daisy unwound the chiffon scarf she was wearing and dropped it over her aunt’s head. ‘Perfect! Go again.’
‘Jana,’ repeated Fleur. ‘I think you might be a Pisces, yes? I see – um – a book with the title The Time Traveler’s Wife and I see Meryl Streep wearing dungarees – holy moly, is Mamma Mia everyone’s favourite film on Facebook?’
‘Tut-tut! You’re stepping out of character, Madame Tiresia. Here, have some more wine.’
‘Thank you, Jana. Now – where were we? I see you singing – singing in front of Simon Cowell. Perhaps you have auditioned for the X Factor?’
Some forty minutes later, Fleur had told half-a-dozen more fortunes, and was really beginning to have fun.
‘Not bad for a Facebook virgin,’ remarked Daisy, upending the wine bottle. ‘You’ll get hooked, Flirty, mark my words. Now, let’s do one more. This time I’m going to be Paris Hilton.’ ‘Paris Hilton is one of your Facebook friends?’
‘No, she’s not. But we all know everything there is to know about Paris. You should have no problem uncovering her secrets.’
‘Welcome!’ enthused Fleur, waving her hands over the crystal ball. But just as she was deliberating over questions for Paris, the phone in the kitchen sounded. Reaching for her wineglass, she excused herself and shimmied inside to pick up. It was Corban.
‘Hello, chéri!’ she crooned into the mouthpiece. When Fleur had a little too much to drink, or when she was enraged – which was seldom – her French accent became marginally more pronounced.
‘I just got your message,’ he told her, ‘and I have to say, you look pretty damned hot as Gypsy Rose Lee. But you made a mistake.’
‘I did?’
‘Yeah. Gypsy Rose Lee was a burlesque artist, not a fortune-teller.’
‘Oops.’
‘And she was a very sexy lady. The original Dita Von Teese.’
‘What are you getting at, Mister O’Hara?’ Fleur started toying with a strand of hair. She couldn’t help flirting with Corban, even on the telephone.
‘You know I said I’d double your take, Fleur? I’m prepared to quadruple it. On one condition.’
‘Name it.’
‘When I call in to you on Friday evening, I want to see you wearing those gypsy threads.’
Fleur’s mouth curved in a provocative smile. ‘So that you can take them off?’
‘No. So that you can take them off. While I watch.’
Fleur’s smile grew even more provocative. She pretended to buy time while taking a sip from her wineglass. Then she laughed out loud. ‘Done deal,’ she said.
Chapter Two
Dervla Vaughan (née Kinsella) stepped through the front door of her new home and set her bags down on the hall floor. The sun filtering through the mosaic glass of the fanlight cast a jewel-like pattern onto the stone flags, and when she slipped off her sandals the patch of spangled sunlight warmed the soles of her feet. The air was redolent of fresh paint, with here and there a trace of linseed oil. If you added base notes of baking bread, then bottled it, the scent could rival any room candle dreamed up by Jo Malone. It was perfectly quiet in the house: the only sound that of birdsong, and the distant baaing of sheep from the fields beyond the garden.
Her dream house! Moving into the centre of the hall, Dervla executed a slow turn, taking in each and every one of the three hundred and sixty delectable degrees that surrounded her. Off the hallway, to left and to right were two spacious, high-ceilinged reception rooms. In her mind’s eye they were washed in soothing shades of buttery yellow and eau-de-nil, furnished with understated antiques and carpeted in faded Aubusson; but right now the rooms were works in progress, with tools of the decorator’s trade heaped in a corner and undercoat spattered on dust sheets.
Her eyes followed the graceful line of the cantilevered staircase. On the floor above her, bedrooms and bathrooms had unparalleled views over the countryside, with sea shimmering and mountains slumbering on the horizon. The views were as yet unframed by curtains, but Dervla had improvised with yards of unbleached muslin in the master bedroom, to soften the magisterial appearance of the high casements. More muslin was draped from the tester over the king-sized bed, each side of which was flanked by a pale rug: not the Aubusson carpets of Dervla’s fantasy, but pretty in their own way. A chest at the foot of the bed contained bed linen, but aside from that, and the cushions piled on the window seat, the room was unfurnished.
Only one room in the house had been finished – finished to pretty high spec, at that. Christian – Dervla’s husband of less than a year – had surprised her one day by taking her hand and leading her up the staircase that accessed the turret room at the very top of the house. Unlocking the door, he’d thrown it open to reveal a dedicated office space with units to house computer, printer and scanner. There was an ergonomic chair cushioned in leather, and shelves just waiting to be filled with books and stationery. ‘This is where you’ll finish that book!’ he’d announced. ‘What do you think? Isn’t this a dream space for a writer?’
It was a dream space for a writer – her very own ivory tower. The only snag was that Dervla wasn’t a writer: she was – like thousands of other professionals recently made redundant – an aspiring writer. Having been a successful auctioneer in a former life and in a former economy, Dervla had been commissioned to write a beginner’s guide to selling property. She knew she had lucked out: other estate agents had sunk without trace since recession had struck. But even though she had a publishing deal and a deadline to work to, Dervla felt like a complete fraud every time she sat down in front of her keyboard and opened the file entitled How to Sell Your House – What Every First-Timer Needs to Know. Her contract specified eighty thousand words, and as the deadline inched closer, Dervla was feeling less and less confident that she’d be able to deliver.
It wasn’t entirely her fault – for the past few months she’d been inundated with the kind of stress that might floor a less resilient individual. Closing down her business, putting her Galway penthouse on the rental market and moving into the Old Rectory had all taken its toll on her energy, and she’d had little spare time in which to get any writing done. But now that she had a room of her own – a room with a view and an ergonomic chair, to boot – perhaps inspiration would come to her.
Crossing back to the front door where she’d dumped her bags, Dervla picked up her computer case, then made for the staircase that curved up to the first floor. A narrower spiral staircase took her to the turret room. Switching on her computer, she strolled over to one of the three double-glazed windows while she waited for the screen to shimmer into life.
When they’d bought the Old Rectory, the turret had been windowless – blocked up since the introduction of the window tax in the eighteenth century. Dervla and Christian had gleefully reinstated windows to east, west and south, thereby ensuring that the room was filled with light. From this vantage point the steeple of the little church on the outskirts of Lissamore village was just discernible, and you could hear the bells chime, too, when the wind was coming from the right direction. Sheep baaing! Birdsong! Church bells chiming! The kind of pastorale that accompanied Thomas Hardy adaptations on television, now made up the soundtrack to her life.
Chimes of another kind were coming from her bag. On honeymoon in Mexico, Dervla had fallen in love with the sound of the wind chimes on the veranda where she and Christian had slept. She’d made a recording to use as her phone tone, and every time her phone rang now, she picked it up with a pang of nostalgia.
Her sister’s name was lit up on the display.
‘Hey, Dervla,’ said Río, breezily. ‘Have you moved in yet?’
‘Yes. I’m in my turret.’
‘Wow! Like a princess in a fairy tale. Any sign of your prince?’
‘He’s on his way from the airport.’
‘With the wicked stepmother?’
‘She’s not my stepmother, Río. She’s my mother-in-law.’
‘Mother-in-law! The scariest words in the world.’
‘According to Fleur, the French call them belles-mères – beautiful mothers.’
Over the phone, Dervla heard her sister suppress a snort. ‘What are you going to call her? I mean, call her to her face? “Daphne”, or “Mrs Vaughan”?’
‘According to the carer it depends on what kind of a mood she’s in. If she’s in a snit she insists on being called Mrs Vaughan, but when she’s in good form she doesn’t mind Daphne.’
‘You could always call her Daffy.’
‘That would be very politically incorrect, Río.’
Dervla moved to the window that overlooked the stable yard. It had been spread with golden gravel, and terracotta planters had been arranged around the water feature – a raised pond complete with underlighting. A gleaming new thatch roofed the outbuildings that had been converted into a cottage-style dwelling for her mother-in-law, and – to complete the rustic look – shutters painted duck-egg blue flanked a half-door crafted by a local carpenter. The exterior was deceptive: inside, the cottage had been modernized, and now boasted a state-of-the-art kitchen, a big, comfortable sitting room with an HD plasma screen and a tropical fish tank, and underfloor heating. There was also adjoining accommodation for Mrs Vaughan’s carer, Nemia.
‘Are you all set for her arrival?’ Río asked.
‘Yep. There’s a shepherd’s pie ready to go, and a bottle of vintage Moët in the fridge.’
‘Posh!’
‘One of the pluses of being married to a wine importer. We got a case from Christian’s partner as a wedding present.’
‘Is Mrs Vaughan senior allowed a drink?’
‘What do you mean?’
‘Well, I don’t imagine a person with her complaint would have much tolerance for alcohol.’
‘Oh. I see what you mean. Yikes. I never thought of that.’
Christian’s eighty-four-year-old mother suffered from dementia. Because she had been born and reared near Lissamore, it was Christian’s wish that she should spend her final days in the place she still called home. She and her carer had left London earlier that day on what was to be Daphne’s final journey to her native Coolnamara.
‘You could always just pour her a glass of fizzy water and pass it off as champagne,’ suggested Río.
‘I don’t think she’s that confused.’
‘When did you last talk to her?’
‘A couple of days ago. She hadn’t a clue who I was, of course, but Christian thought it was a good idea to give her a gentle reminder of my voice from time to time, to get her used to it.’
‘Does she even know who he is?’
‘He claims she does. But then, he constantly refers to himself as “Christian, your son”, when he talks to her on the phone.’
‘Jesus. It’s a bitch of a disease, isn’t it?’
‘Yes. It is.’ Dervla realized that she didn’t want to talk about her mother-in-law any more. She sat down at her desk and started to doodle squares on a Post-It pad. The shapes evolved into a house like one a child might draw, with four windows and a door. ‘So what’s new, Río?’
‘I’m bored.’
‘You’re on the set of a blockbuster movie surrounded by Hollywood luminaries and you’re bored?’
‘Well, I guess I’m more pissed off than bored. One of the actors complained today that his snuffbox was too gay, and that horrible little child star has a million riders written into her contract.’
‘There’s a child star in the movie?’
‘Well, she’s twenty-something, but she behaves like a child. Her name is Nasty – short for Anastasia – Harris.’
‘Oh – I’ve heard about her. Didn’t she get married recently, to some film star old enough to be her daddy?’
‘Yeah. She married Jay David.’
‘Of course! Hollywood royalty.’
‘And she’s living up to it. She’s every bit her sugar daddy’s little princess.’
‘Have you met him?’
‘No. He can’t take time off his schedule to visit Ireland. Rumour has it he’ll be flying in on his Gulfstream for the wrap party, though.’
‘Is she any good as an actress?’
‘According to her husband – who is, of course, completely non-partisan – Nasty is the new Julia Roberts. Her talent will blaze forth into the world like a supernova. And boy, does she believe it. The problem with princesses like her is that the more their demands are met, the more outrageous they become.’
‘Like J. Lo insisting on her coffee being stirred counterclockwise?’
‘You got it. Nasty insists on having rose petals scattered in the loo bowl—’
‘No!’
‘Yes. And the bed sheets in her trailer – Egyptian cotton, of course – have to be changed every day. And this morning she decided that her character should have a parasol, even though parasols were unheard of in nineteenth-century Coolnamara.’
‘Shouldn’t that be wardrobe’s problem? I thought your job was strictly set-dressing?’
‘The line between the two gets blurred, sometimes. I spotted a lovely découpage screen in the transport van this morning, by the way. I thought I’d nab it for you as a housewarming present when we’re wrapped.’
‘You’re not going to steal it?’
‘No – I’ll get it at cost. And it’s genuine Victorian, not repro.’
‘Thanks. That’s sweet of you.’
‘Hang on two seconds, Dervla.’ There came the mumbling of a man’s voice in the background, and Río said: ‘No, no, you great lummox – not you, Dervla – a dudeen is a clay pipe. Yeah – and be careful – they break easily.’
A Victorian screen would look great in the drawing room, Dervla decided, as she doodled a chimney on to her house. They could set it in front of the door of a winter’s evening to stop draughts – although of course, with double-glazed windows and underfloor heating and a blazing turf fire, there wouldn’t be any draughts. Scribbling a plume of smoke puffing from her chimneypot, Dervla pictured herself and her husband sitting on either side of the fireplace reading their books in companionable silence, Christian’s trusty Dalmatian at his feet. She’d definitely start reading Dickens – preferably in leather-bound editions. Or maybe she’d take up knitting? Knitting had a certain cachet: all the actresses on The O’Hara Affair were busy with five-ply Guernsey wool and number twelve needles, according to Río.
‘Sorry about that.’ Río was back on the phone. ‘The feckin’ eejit hadn’t a clue what a dudeen was. Probably thought it meant a hot girl. So. Tell me more of your news. How’s your gaff shaping up?’
‘Well, the bathroom’s nearly finished, and the kitchen.’
‘Utility, too?’
‘Yes. But we’re just glorified campers at the moment. The only real piece of furniture we have is the bed.’
‘Sure, isn’t that all you loved-up pair need?’
Dervla smiled. ‘I have to confess I miss my fix of Corrie.’
‘You mean you don’t have a TV?’
‘No. They delivered the big screen we ordered for Daphne, but forgot ours. Oops. That reminds me –I’d better run down and set up the channels before she arrives. And double oops – I forgot to turn her heating on.’
‘But it’s not cold.’
‘She’s a fragile little old lady, Río. She feels the cold, especially in the evenings.’
‘Be off with you, so. Call me tomorrow and let me know how the welcome committee went, won’t you?’
‘Will do. Bye, Río.’
Dervla put the phone down, added a tail to the spotty dog sitting on the doorstep of her two-dimensional house, then scampered downstairs, the sound of her feet on the bare boards echoing around the empty space.
In the hallway, she retrieved her shoes, and made for the back door. As she crossed the stable yard, the crunching of gravel startled a cat that had been snoozing in a patch of sun. As it skedaddled, Dervla wondered if she should try and encourage it by leaving food out, but then realized that the Old Rectory would be no place for a cat once Kitty the Dalmatian moved in.
In Daphne’s cottage, Dervla’s feet made no sound. Footsteps here were muffled by the pure wool deep-pile carpet that had been laid just days ago. The colour matched the curtains, made to measure in a rose-coloured brocade, which was echoed in the loose covers on sofas and armchairs. Much of Daphne’s furniture had been shipped from her house in London, so that her new surroundings would have a reassuring familiarity to them. The furniture included a very elegant walnut escritoire, a Regency rosewood bookcase, and a nineteenth-century beech day bed; her exquisite collection of japonaiserie was displayed in a bevelled glass case that ran the length of an entire wall. Christian had told her that a pair of porcelain vases dating from the K’ang-hsi period (whenever that was) were worth in the region of 20,000 euros, and Dervla thanked Christ that she would not be responsible for dusting them.
She flicked the main switch that controlled the heat, then wandered through Daphne’s new home to make final checks. The conversion of the old outbuildings had cost Christian a lot of money – more than had been spent so far on the refurbishment of the Old Rectory. But they had looked upon it as an investment. Once the old lady died or had to be moved into proper residential care, the cottage could still generate income as an up-market artist’s retreat. Dervla had already worded the ad that she’d place in such select publications as The Author magazine:
Coolnamara, West of Ireland. Comfortable, well-equipped, single-storey house, sympathetically converted from period mews buildings adjoining eighteenth-century manor. Lissamore village with shops, pubs and seafood restaurant just 10 mins; fabulous beach and mountain walks nearby. Perfectly lovely, undisturbed surroundings: ideal for writer/artist.
Dervla didn’t much like herself for contemplating the death of Christian’s mother, but she was a pragmatist, and – like all estate agents – was unsentimental when property was involved. Naturally, it behoved Christian to take care of Daphne in her declining years, and Dervla respected his decision to bring her home to Coolnamara. While her mother-in-law lived here, Dervla would do all she could to make her welcome and comfortable. She’d spent all weekend getting the place ready, with the help of a local girl, Bronagh. Between them, they had arranged Daphne’s furniture and displayed her paintings and photographs to advantage; they’d filled vases with flowers (Christian had specified that yellow lilies were her favourite on account of the vibrancy of the colour and the headiness of their scent) and made beds and stocked fridge and freezer. Dervla had even unpacked her mother-in-law’s clothes, marvelling at the vintage labels on many of the garments as she’d hung them in the wardrobe: Balenciaga, Givenchy, Lanvin. Daphne Vaughan had been a classy dame. A model, Christian had told her, whose career could have taken her to Paris if she hadn’t decided to get married.
The wedding of Daphne to the honourable Jeremy Vaughan had been recorded in all the society pages as the event of the year 1945. Christian had showed her the cuttings in the scrapbooks that had arrived, along with all his mother’s other effects. They showed the couple on their wedding day, on honeymoon, and at the christening of their first child, Josephine. There were articles on what Daphne had worn to Cheltenham; to the Proms and to Henley, and a picture of them smiling lovingly at each other at the Queen’s garden party. Daphne was described as a model wife and hostess, and doting mother. When Jeremy died – leaving her very comfortably off with a trust fund and investment portfolio – the widow had been inconsolable. The photograph of the funeral – cut from the Daily Telegraph – showed her standing at the graveside swathed in Blackglama fur, holding the hands of her two young children. Christian had been just twelve.
Moving back into the sitting room, Dervla activated the digital box. While waiting for it to boot up, she wandered over to the glass-fronted bookcase. Since Bronagh had unpacked the books, she was curious to inspect Daphne’s library. What might her taste in literature be? Eclectic, by the look of it. On the shelves, volumes of poetry sat next to obscurely-titled novels, many of them French. There were books on gardening, books on history, and books on art and artists. As well as being sophisticated, Christian’s mother was clearly cultured. There were lots of complete works, too, many of which were beautifully bound in leather, and Dervla was delighted to see that a set of Dickens was displayed. Nice! She could realize her dream of sitting by the fire, turning the pages of Little Dorrit or Great Expectations! Reaching for a volume, Dervla realized too late that the ‘book’ was actually a box with a hinged lid. The lid fell open as she slid it off the shelf, and a second volume, bound in vellum, fell to the floor. Dervla stooped to pick it up. It was a diary, and on the cover, in black italics, were the words Daphne Beaufoy Vaughan, 1968.
She wouldn’t open it. She shouldn’t open it. But of course, Dervla couldn’t help herself.
The pages of the journal were covered in sprawling, energetic writing – as if the hand of the author could not keep up with the torrent of thoughts splashed over the creamy paper. Dervla’s eyes scanned the script, lighting randomly on a paragraph here, a sentence there. ‘The most far-fetched vow I ever made,’ she read, ‘was when, as a child, I swore that if I ever had children I would love them unreservedly: a promise I have been utterly powerless to keep.’ ‘As well as being non-conformist, I happen to be very proud, and that, of course, makes one aloof.’ ‘We have been married for over two decades now, and still have nothing to say to one another.’ ‘Spent the weekend with L. in the Royal Albion in Brighton. We fought like tigers, as usual.’ ‘Have decided to send C. & J. to boarding school. Children are not conducive to conducting an amour.’ ‘R. presented me with a diamond so paltry I promptly hurled it into the lavatory. Much to my amusement, he retrieved it.’
Dervla sank to her knees on Daphne’s thick-pile carpet. It took her a scant ten minutes of riffling through the journal to learn that Daphne had had a string of lovers; that she despised the wives of those lovers, and that she especially despised her husband. On the last page, she declared that she was going to relate the story of her life so far in the form of a novel.
Oh. Oh God! Was there more? Again, Dervla couldn’t stop herself from reaching for another of the faux volumes. Inside was an identical vellum-bound journal with the owner’s name writ large in her distinctive script. The date was 1969. Systematically, Dervla worked her way through the hollow Collected Works of Charles Dickens. There were thirteen volumes, and each contained a journal. By Dervla’s calculations, the diaries spanned the years 1960 to 1973. The final volume contained a splenetic attack on the literary agents who had repeatedly declined to represent Mrs Vaughan on the basis that her novel appeared, in fact, to be a work of thinly disguised autobiography too slanderous ever to find a publishing house.
Dervla sat motionless on the floor, gazing at script so jagged it looked as if it had been penned by a razor dipped in ink. Did Christian know about these diaries? Did his sister, Josephine? Dervla knew that Christian had attended boarding school from a young age, but he had told her it was the Vaughan family policy: his father had attended Eton, and his grandfather before him. Dervla privately thought it shocking that children be shunted off to boarding school on account of some antediluvian tradition: now that she knew that the real reason was to facilitate his mother’s amours, she found it infinitely more shocking. Her quandary now was: should she tell Christian about the diaries? She thought not. Sleeping dogs were best left to lie, and Dervla knew what power past secrets had to inflict damage.
The sound of wheels on gravel made her turn. Through the window, she could see Christian’s car rounding the corner of the big house into the courtyard. Quickly, Dervla shoved the last journal into its leather-bound casing, noticing ruefully that the title of the volume in question was – ironically – Hard Times. How hard would it be to defer to her mother-in-law, knowing what she now knew?
She watched as the Saab pulled up outside the front door of the cottage. Christian got out, rounded the bonnet and opened the passenger door, leaning in to offer his mother support as she struggled to her feet. Meanwhile, a pretty, almond-eyed girl emerged from the rear and started hefting bags out of the boot.
‘We’re here now, Mum!’ Dervla heard Christian say.
‘Where, exactly, are we?’
‘We’re at your new home.’
‘I’ve never been here before in my life,’ came the autocratic reply.
‘I know that, Mum. It’s your new home.’
Daphne was wearing a navy blue trouser suit with a turquoise silk blouse. A string of pearls was looped around her neck, a Kelly bag dangled from the crook of her right arm, and on her feet were blue canvas pixie boots. She looked around, and as she did, her gaze travelled to the open window in which Dervla stood framed. Mother and daughter-in-law locked eyes, and then: ‘There’s someone in there,’ pronounced Daphne. ‘You said this was my house.’
Dervla moved out into the hall, took a deep breath and shook back her hair. Then she counted to three and opened the door, estate agent’s smile perfectly in place. ‘Hello, all!’ she called brightly. ‘Welcome!’
‘Hello, love,’ said Christian. ‘Come and say hello to Mum, and Nemia!’
Dervla stepped onto the gravel and advanced, willing her smile not to falter as she reached out and took Daphne’s free hand in both her of own. ‘Did you have a good journey, Daphne?’
‘What kind of a stupid question’s that?’ said Daphne, withdrawing her hand.
‘This is Dervla, Mum,’ said Christian. ‘Remember her? She’s my wife.’
‘I’ve never seen her before in my life.’
‘Well, it’s been some time since you met. Let’s go inside, shall we, and have a cup of tea? And if we’re lucky, there might be biccies.’
‘There are biccies,’ said Dervla. ‘Choccie biccies.’
‘Choccie biccies! Yum yum,’ said Christian.
He offered Daphne his arm as they began to move towards the cottage, then looked back at Dervla and gave her a tired smile. Her heart went out to her husband. He didn’t need tea and biccies as much as a huge Scotch. Dervla remembered the champagne that she’d stashed in the fridge, and, as she saw Daphne stumble over the threshold, decided against producing it.
‘Hello. I’m Nemia,’ came a voice from behind her, and Dervla turned.
‘Oh – I am sorry! How rude of me not to have introduced myself. I’m Dervla.’
‘Nice to meet you, Dervla.’
‘Likewise. Hey. Let me help you with those.’
‘Thanks,’ said Nemia. ‘There’s nothing very heavy.’
Dervla swung a carrier bag out of the boot, noticing that it bore the logo of a pharmacy in Galway.
‘Did you have to stop off somewhere on your way here?’
‘Yes. We just needed to stock up on some basics.’
‘How was your journey?’
‘Fairly uneventful. There were no delays, which helped.’ Nemia reached into the boot, and produced another carrier. ‘Oh, crap. There’s a split in this bag. Can I just transfer the breakable stuff to yours?’
‘Sure.’
Nemia delved into the bag, then handed over a couple of distinctive Côté Bastide bottles. Sliding them into her bulky carrier, Dervla was about to observe that Côté Bastide just happened to make her favourite bath oil – but the words never made it out of her mouth. Instead, as she took in the contents of the bag, a single word emerged from between her lips.
‘Nappies?’
Nemia turned to her and smiled. ‘Just in case,’ she said.
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