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ARRIVAL CASES

The appearance of a person before their actual arrival. Frequently the arriving phantom appears in the same clothing the individual is wearing at the same time. The individual is usually not aware of appearing in a distant location until told about it.

Arrival cases were collected and studied by the founders of the Society for Psychical Research in the early twentieth century. They collected their evidence in their exhaustive survey Phantasms of the Living (1918).

Arrivals have been claimed to eat, sleep and seem so real that anyone could believe it was a double (doppelgänger) of the real person. The most likely explanation of arrival cases is that the individual somehow projects a double, which is perceived as real, perhaps as an out-of-body projection (bilocation) or as a psychic projection of intent or desire to be in that different place. Others think that arrival cases are a quirk of time duplicating itself.

In the Highlands of Scotland, the term for arrival cases is ‘spirits of the living’. In Norway, the arrival case phenomenon is called vardøger, which means ‘forerunner’.

One unusual vardøger case occurred in Oslo and concerned Erikson Gorique, an American importer. For years, Gorique had wanted to go to Norway but was forced to keep postponing the trip. In July 1955 he was finally able to go. On his arrival in Oslo, Gorique asked where he might stay. Much to his astonishment, when he arrived at the recommended hotel he was greeted by name by the hotel clerk. The clerk told him it was nice to see him again. When Gorique protested that he had never before travelled to Norway or been at the hotel, the puzzled clerk insisted that he could not mistake Gorique’s unusual name and American appearance. He said Gorique stayed at the hotel several months earlier and had made reservations to return that month.

Gorique was even more surprised when he visited a wholesale dealer, who also greeted him like an old friend, saying it was terrific to have him back to conclude previous business. Gorique told the dealer that he hadn’t been there before, whereupon the dealer nodded knowingly and explained the vardøger phenomenon: ‘It is not uncommon in Norway,’ he said.

ART, PSYCHIC

Also known as automatic painting, psychic art occurs when individuals who often have little or no artistic training suddenly feel overcome by a desire to draw or paint in distinctive, professional styles. They feel guided by a spirit and may actually feel an invisible hand pushing theirs.

A psychic artist can produce amazing likenesses of deceased relatives of an enquirer, people unknown to the artist. Such an artist may also draw or paint spirit guides, angels, animals or figures who are subsequently discovered to be connected to the enquirer in some way.

In addition to artists who create images of guides and people in spirit, there are others who unconsciously collaborate on pieces of original artwork. Some psychic artists claim contact with great masters who have taught them a special skill or who use them as a vehicle to add new collections to works they produced while still alive. Some psychic art is also sacred art. Many shamanic or healing traditions from around the world have used sacred art in ceremonies of healing and as a bridge between the physical and non-physical worlds. The Navajo people, who reside in the Southwestern region of the USA, have passed down the practices of hand painting from generation to generation. Tibetan monks, too, conduct healing ceremonies that involve the creation and destruction of detailed sand paintings.

One of the most famous psychic art cases is the Thompson-Gifford case, which occurred early in the twentieth century. In 1905 an engraver from New York, Frederic Thompson, was seized with the urge to draw and paint in the style of the recently dead artist Robert Gifford. Thompson had met Gifford when he was alive but was not well acquainted with him. When Thompson painted he felt he was Gifford, and he often heard Gifford’s voice urging him to sketch. Thompson produced many works that reminded buyers of Gifford’s style and sold at good prices.

See also Automatic writing; Automatism.

ARUNDEL CASTLE

This magnificent castle in the heart of West Sussex has been the home of the Dukes of Norfolk since 1580. It was severely damaged by fire in the seventeenth century but has now been restored to its former glory. Not only is Arundel Castle the home of countless priceless works of art, but it also is thought to house several ghosts.

The ghost of a young woman dressed in white has been seen wandering round Hiorne’s Tower, particularly on moonlit nights. According to legend, she threw herself off the tower because of a tragic love affair. A ghost has also been encountered in the library and has become known as the ‘Blue Man’. He has been seen on several occasions searching through books, and is thought to date back to the time of King Charles II (1660–1685).

A kitchen boy of 200 years ago or so is said to have been so badly treated that he died young. His ghost has been seen furiously polishing pots and pans. Another ghost is that of a small white bird, which reputedly flutters around the windows of the castle. It is said to signify the imminent death of someone connected to the castle and was reported to have appeared just before the death of the Duke of Norfolk in 1917.

ASH MANOR GHOST

Psychical researcher Nandor Fodor solved the mystery of the Ash Manor ghost in 1930s England. The case was one of his most famous and helped to establish his theory of the psychological underpinning of some hauntings. He recorded the case in detail in his book The Haunted Mind (1959).

Mr and Mrs Keel (a pseudonym assigned by Fodor) moved into Ash Manor House in Sussex, England, with their 16-year-old daughter and servants on 24 June 1934. They were aware that parts of the house dated back to the thirteenth century and that it had a reputation for being haunted. It wasn’t long before the daughter and servants reported strange noises coming from the attic, and Mr and Mrs Keel heard strange bangs on their bedroom doors.

The Keels suspected something supernatural was afoot, and on 23 November Mr Keel woke to see ‘a little oldish man, dressed in a green smock, very muddy breeches and gaiters, a slouch hat on his head and a handkerchief around his neck’. Keel tried to grab the man, thinking him a servant, but was astonished to see his hand go right through him. Keel ran to his wife, who also saw the man and tried to strike him, but her fist went through him too. The strange noises continued, and the green man, as the Keels called him, continued to appear. Once the phantom raised his head, and Mrs Keel could see that his neck had been cut all the way around. She concluded that he must have been murdered and that perhaps his skeleton was hidden in the house.

The manifestations were so frightening that the servants quit their jobs. The Keels were advised to get help in exorcizing the ghost by advertising in a newspaper. Several individuals tried to do the job but did not succeed.

In July 1936 Fodor was invited to investigate the case by a writer who was including the Ash Manor ghost in his book about hauntings. Fodor arrived and saw that the Keels were fearful of any harm being done to their reputations by the publicity. He stayed in the house for several nights, but no manifestations occurred.

At that time the medium Eileen Garrett was living in England, and Fodor asked her to visit Ash Manor. Garrett arrived on 25 July and immediately received the clairvoyant impression of a man who had been half brother to Edward IV or V and had started a rebellion. He had been tortured and left crippled as a result. That evening Garrett entered the haunted house and went into a trance, and her control, Uvani, spoke. Uvani explained that ghosts often manifest when an atmosphere of unhappiness enables a spirit to draw energy and revive its suffering. ‘Haven’t you discovered that these things only happen to you when you are in a bad emotional state, physically or mentally disturbed?’ Uvani asked. The control went on to say that in the fifteenth century a jail had existed near the house, where many unhappy souls had lost their lives. Anyone living in the house who was ‘nervously depleted’ would give out energy that would attract a ghost, who would use that energy to build himself up, like a ‘picture on the stage’.

Uvani permitted the ghost to possess Garrett, and the Keels said that her features looked like those of the green man. Speaking through Garrett, the ghost announced, in a medieval English accent, that he was called Charles Edward. He claimed to have been robbed of his lands by the Earl of Huntingdon and betrayed by a friend called Buckingham. He asked the witnesses to help him wreak revenge upon his enemies. Fodor informed the ghost that he was dead and begged him to give up his quest and join the spirits of his loved ones. The ghost reluctantly agreed to do so, and Garrett returned to normal consciousness.

The hauntings, however, did not stop, and Fodor conducted another session with Garrett, this time without the Keels present. The ghost once again appeared and pleaded for help in getting vengeance. Uvani announced that the Keels had used this ‘poor, unhappy creature’ in order to embarrass each other and that they did not want the ghost to leave. The control also said that if the unhappiness in the house persisted, it would become truly haunted.

Fodor at last felt that he was close to solving the case. Mrs Keel confessed to him that her husband was homosexual and that a great deal of tension existed between them. Fodor suggested that the ghost provided a distraction that prevented that tension from breaking out into the open.

When the Keels admitted they were hanging on to the ghost, the ghost departed. A scholarly investigation of the statements made by Charles Edward deemed they were not authentic, and Fodor, in analysing the case, considered the ghost to be an invention of Mr Keel’s subconscious mind, which Garrett had tapped into.

However, some of the haunting phenomena at Ash Manor could not be explained, for example, the independent sightings by servants and other witnesses. Fodor concluded that ‘it may be that those who put themselves in an unguarded psychological position, in a place filled with historical memories and traditions, do, on rare occasions, come into contact with a force or an intelligence other than their own.’

ASPORT

The opposite of apport, asport refers to psychic phenomena involving the disappearance or transportation of objects, supposedly accomplished with the help of the spirits of the dead. During the height of spiritualism in the late nineteenth and early twentieth centuries, apports produced at séances would often become asports and mysteriously vanish from one room to be found in another room. Sometimes, though, asported valuables would vanish altogether and remain forever with the spirits, causing sceptics to question the integrity of the mediums.

Although trickery is undeniable, there are also reported cases of asports that appear genuine. Sai Baba of India, famous for his apports of holy ash, food, precious jewels and other items, has also been said to dematerialize apports if the recipients do not like them and change them into something else.

ASTRAL BODY

Various esoteric traditions talk about the many bodies – the different levels of consciousness and existence – that each person has. Some people think of these different aspects as ‘subtle bodies’ or selves that exist in a parallel plane but are all part of a larger consciousness. This theory suggests that the body itself does not contain these aspects. Rather, this larger consciousness contains the body, as well as other levels of existence, and you can learn to create a closer connection to any of these aspects within yourself.

A commonly recognized ‘extra’ self is the astral body, also known as an energy body. The word ‘astral’ is derived from the Greek for ‘star’. The astral body can also be called a double or doppelgänger, because it is a duplicate of the physical body. Theosophists refer to it as the ‘etheric’ or ‘spiritual double’ containing the soul and made from the vibrations that make up the physical body.

The astral body exists on the astral plane, also known as the astral realm, astral world or astral sphere, and in metaphysical terminology the astral plane is contiguous in space, if not in time, with the material world. The astral realm is the one that the spiritual part or astral body enters during periods of sleep, under the action of anaesthetics or drugs, by accident when a person is unconscious, or immediately after death. The astral realm is not normally visible to ordinary sight, yet it is regarded as the proper dwelling of people’s higher spiritual bodies.

According to shamans and Theosophists the astral body or second self resembles the physical body but is made up of a subtle field of shining and flexible light that encases the body, visible only by a psychically sensitive person. It is thought that when you are sleeping the astral body can separate from the physical body, which results in flying dreams and the experience of disorientation experienced if you wake suddenly and the astral body hasn’t had time to line up with the physical one. Driven by emotions, passions and desires, the astral body is believed to be a bridge between the physical brain and a higher level of mind.

ASTRAL DOORWAYS

Symbols and pictures that are used to help individuals in astral projection reach the astral plane. Tarot cards can be used as astral doorways but the definitive doorways, used by psychics and magicians for hundreds of years, are the Tattwas of the Eastern esoteric tradition. The five primary tattwa symbols are simple coloured shapes – a yellow square (earth), blue circle (air), red triangle (fire), silver crescent (moon) and black oblong (ether) – and each one can be used as a focal point to trigger astral projection and give access to a specific part of the astral plane.

ASTRAL PLANE

According to occultists the astral plane is an alternate and non-physical dimension of reality that can be visited during astral projection or out-of-body experiences. The word ‘astral’, from the Greek word meaning ‘star’, originally described the heavens of the Greek gods, but as time passed the concept expanded to refer to a spirit world inhabited by etheric entities, disembodied spirits and higher beings.

The astral world is believed to be invisible to the ordinary eye because it vibrates at a higher rate than the energy that comprises the material world. However, occultists believe that it can be perceived through astral projection and clairvoyance and it is a world just as real as ours. It has scenery, inhabitants, countries and seas and is subject to the laws of nature and constant change just as the physical world is.

Modern psychologists argue that accounts of trips to a strange and alien dimension spring from the imagination, but according to occult theory the astral plane is undeniably real. It is an intermediate and invisible level of reality between the physical plane and the divine realms where communication with higher beings can be established and where the individuals thought forms take on a reality.

ASTRAL PROJECTION/ASTRAL TRAVEL

The astral body is believed to be capable of a very special type of travel. While leaving the physical body at rest, it can get up, walk around and look at its physical body, explore its surroundings and journey to new places. What makes this experience unique is that you are fully conscious and in control throughout the experience.

This process of consciously leaving the body and travelling free of physical constraints is often referred to as astral projection or astral travel. Although the terms are often used interchangeably, experts define astral projection as becoming aware that your consciousness is separate from your physical body. For instance, people describe floating above themselves and viewing their bodies during astral projection. With astral travel an individual uses this conscious awareness to experience a sense of flying to new, non-physical or physical realms.

How the mind disconnects from its everyday type of consciousness and separates from the body remains a mystery. Experts agree that having a relaxed focus, such as in meditation or when you are just about to fall asleep, helps you to reach that state, as concentrating too hard on achieving the experience may interfere with the process.

See also aura, bilocation, out-of-body experiences, lucid dreaming and near-death experiences.

ATHENODORUS, THE HAUNTING OF

The story of Athenodorus may be the first written record of a haunting, and it dates back at least 2,000 years. The story was related by several ancient authors, the historian Tacitus among them, but the version opposite is by the

Getting Started on the Astral Traveller’s path

Like any skill, astral travel takes time and practise, and it is difficult to prove what actually happens, but those experienced in astral travel tell fascinating stories of their experiences. Some travel to secret realms where they meet spirit guides and spend hours researching ancient texts. When they wake up, their clocks show that only a few minutes have passed. In all likelihood most of us won’t be able to accomplish these feats. But here is an exercise that can help you get started on the astral traveller’s path:

 While relaxing, imagine your astral body positioned just in front or above you in the exact position of your physical body.

 Take note of how your astral body looks. Check out the back of your head and body and parts of your body you can’t normally see.

 Allow your consciousness to move into your astral body and look at your surroundings from this new perspective.

 Ponder what you would like to do next and where you would like to go. You may want to visit a place or person who is normally far away, through a process called targeting. This can be done by focusing on the image of the location or the person’s face, then seeing it at the end of a tunnel. Move forward through the tunnel until you arrive at the desired place or the intended person.

 When you are ready to return, think yourself back into your physical body, and move your body until you feel comfortable back in it.

Roman letter writer Pliny the Younger (AD 61–115). In it we see the classic chain-clanking ghost, the restless corpse and even the beckoning finger. The translation is that of William Melmoth (1746), slightly revised.

There was in Athens a house, spacious and open, but with an infamous reputation, as if filled with pestilence. For in the dead of night, a noise like the clashing of iron could be heard. And if one listened carefully, it sounded like the rattling of chains. At first the noise seemed to be at a distance, but then it would approach, nearer, nearer, nearer. Suddenly a phantom would appear, an old man, pale and emaciated, with a long beard, and hair that appeared driven by the wind. The fetters on his feet and hands rattled as he moved them.

Any dwellers in the house passed sleepless nights under the most dismal terrors imaginable. The nights without rest led them to a kind of madness, and as the horrors in their minds increased, onto a path toward death. Even in the daytime – when the phantom did not appear – the memory of the nightmare was so strong that it still passed before their eyes. The terror remained when the cause of it was gone.

Damned as uninhabitable, the house was at last deserted, left to the spectral monster. But in hope that some tenant might be found who was unaware of the malevolence within it, the house was posted for rent or sale. It happened that a philosopher named Athenodorus came to Athens at that time. Reading the posted bill, he discovered the dwelling’s price. The extraordinary cheapness raised his suspicion, yet when he heard the whole story, he was not in the least put off. Indeed, he was eager to take the place. And did so immediately.

As evening drew near, Athenodorus had a couch prepared for him in the front section of the house. He asked for a light and his writing materials, then dismissed his retainers. To keep his mind from being distracted by vain terrors of imaginary noises and apparitions, he directed all his energy toward his writing.

For a time the night was silent. Then came the rattling of chains. Athenodorus neither lifted up his eyes nor laid down his pen. Instead he closed his ears by concentrating on his work. But the noise increased and advanced closer till it seemed to be at the door, and at last in the very chamber. Athenodorus looked round and saw the apparition exactly as it had been described to him. It stood before him, beckoning with one finger.

Athenodorus made a sign with his hand that the visitor should wait a little, and bent over his work. The ghost, however, shook the chains over the philosopher’s head, beckoning as before. Athenodorus now took up his lamp and followed. The ghost moved slowly, as if held back by his chains. Once it reached the courtyard, it suddenly vanished.

Athenodorus, now deserted, carefully marked the spot with a handful of grass and leaves. The next day he asked the magistrate to have the spot dug up. There they found – intertwined with chains – the bones that were all that remained of a body that had long lain in the ground. Carefully, the skeletal relics were collected and given proper burial, at public expense. The tortured ancient was at rest. And the house in Athens was haunted no more.