Kitabı oku: «The Woman Who Met Her Match: The laugh out loud romantic comedy you need to read in 2018»


Copyright
Published by Avon an imprint of
HarperCollinsPublishers Ltd
1 London Bridge Street,
London, SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by HarperCollins Publishers 2017
This ebook edition 2017
Copyright © Fiona Gibson 2017
Cover design © Emma Rogers 2017
Fiona Gibson asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008157029
Ebook Edition © Feburary 2016 ISBN: 9780008157036
Version 2018-05-10
Dedication
For Maggie Dun
My first ever (and best ever) boss xxx
Table of Contents
Cover
Title Page
Copyright
Dedication
Prologue
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Acknowledgements
Keep Reading …
About the Author
By the same author:
About the Publisher
Prologue
The Summer of 1986
‘It’ll be good for you,’ Mum announced. ‘You’ll improve your French; see a whole different side of life. You don’t want to be stuck in boring old Yorkshire all summer, do you?’
She was applying her make-up at her dressing table mirror: two coats of spidery black mascara, frosted peach lips and a flash of apricot blusher across each cheek. She closed her small, tight mouth and swivelled round on the stool to face me. ‘You might even meet a nice French boy. Oh, I hope so, Lorrie! Just think – your first boyfriend. That’s what’s meant to happen on a French exchange!’ She turned back to her mirror, brushing on bronzer until her face took on a shimmery metallic hue.
At sixteen years old, I knew that people only said it’ll be good for you when it was something you didn’t want to do. And this was a prime example.
I didn’t want a French boyfriend. I had never been out with anyone in Yorkshire – no one had even shown any interest in kissing me – and I doubted that my arrival in a foreign country would suddenly heighten my allure. I didn’t even want to go to France, especially not to a stranger’s house. My French was pretty limited. I was fairly confident I could buy a cauliflower or report the presence of cockroaches in my hotel room but as for living in a French family’s flat for an entire month? I was fully prepared for no one to understand a single word I said. Although I had tried to convince Mum that I’d learn just as much by studying my textbooks at home, she wouldn’t listen. Once she had made up her mind, that was that; firm arrangements were made, my terrible passport picture taken in a photo booth with my hair scraped back so I looked like a potato, and travel tickets booked. Clearly, there was no point in arguing.
There were many other reasons why the thought of going to France scared me:
• I was to fly there, despite having never been on an aeroplane before. In fact, I had never been on any mode of transport where a talk on safety procedures was required.
• French girls were thin and sexy – and I was neither of those things.
• French people kissed on both cheeks just to say hello, i.e. much potential for humiliation. It was all about sex. Everything was. Even their nouns were either masculine or feminine.
In fact, I knew from occasional glimpses of French films that everyone was always snogging the face off each other. So what would I do while all that was going on? I would take photos of churches and force myself to buy things in shops. Bonjour! Un chou-fleur s’il vous plaît, Madame. Merci, au revoir! I would trot back to my penpal’s flat with my cauliflower in a basket and sit and write postcards home.
In my own bedroom, which smelt of the tinned meat pie Mum had heated up earlier, I dropped a selection of cheap biros into my suitcase, wishing I was at least travelling with someone. However, despite Mum’s insistence on using the term ‘French exchange’ – implying a load of British kids all singing excitedly on a coach – it was just me, being packed off to a stranger’s place, alone.
It had all started when we were allocated penpals through school and I’d ended up with a terse-sounding Valérie Rousseau. Our correspondence so far had been rather basic (‘What is your favourite sport?’ ‘Le ping pong,’ I lied, not actually having one). Next thing I knew, Mum was on the phone to Valérie’s mother, wafting her cigarette and putting on her Penelope Keith voice with the odd French word flung in: ‘Merci, Mrs Rousseau. Lorrie is très excited to come and visit chez vous!’ And that was that; the trip was arranged. ‘Well, she sounded very nice,’ Mum announced. ‘Not that she speaks much English, but you’ll be fine.’
I should also point out that my destination wasn’t Paris. It wasn’t even the CÔte d’Azur, which I’d at least heard of. I was travelling alone to somewhere called The Massif Central, which sounded like an ugly office block with an enormous road system around it. For all we knew, Valérie’s parents could have been alcoholics or child molesters – but this was the eighties and no one really worried back then.
I zipped up my suitcase and studied the instructions Mum had hammered out on her manual typewriter:
1 1. Overnight coach to London Victoria Station.
2 2. Tube (Victoria Line, light blue, then Piccadilly Line, bit darker) to Heathrow Airport. Check which terminal on your ticket – I think there’s a few?
3 3. Get on plane. If you need anything, ask an air hostess. I’m sure they’re very nice.
4 4. Arrive at Charles de Gaulle airport. Don’t leave your small bag on the plane and remember to pick up your suitcase from luggage collection thing!
5 5. Train to Gare du Nord.
6 6. Go to jail. Go directly to jail! Do not pass go! Do not collect £200!
7 7. Not really, haha. Just change onto Metro (like tube but French) and proceed to Gare d’Austerlitz.
8 8. Train to Châteauroux. Valérie’s Mum (Jeanne) will meet you there (you should have phoned her in Paris to say what train. Number is in your purse in case you lose these instructions. DO NOT FORGET TO PHONE!).
9 9. Have fun!
I studied the sheet of A4 for the billionth time, prickling with annoyance at the Monopoly reference – as if this were the time for jokes! – and then went to find Mum. She was still in her bedroom, scooshing hairspray all over her coppery curls.
‘Well, I’m all packed,’ I announced.
She beamed at me. ‘Good girl. Exciting, isn’t it?’
I folded up her instructions into a neat little square. ‘I’m a bit nervous actually.’
‘What on earth is there to be nervous about?’
‘Just … stuff.’
‘What stuff?’
‘Mum, I hardly speak any French!’
‘You must do. You’re studying it at school, aren’t you?’
‘Yes, but that’s school French, not proper French like people speak in France …’
Mum tapped at her hair as if to ensure it was sufficiently crispy. ‘Don’t be so defeatist. You must’ve picked up a bit of vocabulary over the years. Now come on, Lorrie – we need to get going. Your coach leaves at ten and you don’t want to miss it, do you?’
What would French teenagers make of me, Lorrie Foster, I wondered, with my jeans from the market and chubby little chipmunk face? I still hadn’t believed that Mum would really send me off to a foreign country on my own. Now the moment was here, I wished I’d packed earlier – and more carefully – as she had been urging me to do, instead of being in denial and leaving it until the very last minute. But it was too late now to try and dress Frenchly. It was too late for anything because I was dragging my suitcase downstairs whilst trying to shake off the feeling that Mum simply wanted me out of the way for a month so she could have boyfriends over, or whatever it was she planned to get up to. My parents had divorced six years earlier. With her make-up and hair freshly done, she was clearly planning a night out after she’d shovelled me onto the overnight coach to London.
‘I wish I’d had the opportunities you have,’ she announced as she drove me, rather speedily, to the bus station. What, the opportunity for a trip she didn’t want to go on? I sat in gloomy silence and stared out of the passenger window until she pulled up in the car park. Then, with a powdery cheek held briefly against mine, she bade me goodbye and warned me against the perils of drinking during the day. ‘They love their wine, Lorrie, with all meals – even breakfast. Try to fit in with their ways but don’t embarrass yourself, will you?’ I promised I wouldn’t, and as I climbed onto the coach, I turned to give her another wave. She had already gone.
On the journey to London, I pressed myself against the coach’s greasy window as the man beside me slurped noisily from a can of beer. Clutching Mum’s typed sheet of paper, as if it were instructions for saving a life, I braved the short but turbulent flight. Whilst I had no need for the waxed paper sick bag I found in the seat-back pouch, I was still relieved to know it was there. As reminded by Mum, I dragged my case off the luggage carousel and made my way across Paris, becoming tearful only when I found myself unable to operate a French public telephone. With my ropey vocabulary and lots of miming, I managed to explain my predicament to an elderly lady who obligingly helped me to call Valérie’s mum. From there I sped south, the train hurtling between endless rolling fields and towns with all kinds of exotic accents sprinkled like confetti over the letters, until finally I was greeted with two cheek kisses by Jeanne – who had a reassuring plump face – and Valérie, with her stern gaze and long black centre-parted hair, who looked as undelighted by my arrival as I was.
They lived in a sparsely furnished apartment above a bakery: Valérie, her kindly but permanently harassed mother (no dad was mentioned and I didn’t like to ask), plus a mysterious older brother, Antoine, whom I had yet to meet. He was away camping with friends, I was told: le camping. Hey, I was picking up this French malarkey! In fact, I soon discovered I could cobble entire, rather wobbly sentences together – simply because, reasonably enough, no one spoke much English in a sleepy village in the middle of nowhere. Valérie certainly didn’t – or at least, she didn’t seem willing to make much effort. I gathered that, as in my situation, her mum had been the one who had been keen for me to visit: ‘I’m happy Valérie has English friend,’ she explained falteringly, while her daughter glared at me over the rim of her mug of chocolat chaud.
By the end of week one, my French was severely put to the test with the arrival of my period. Having left it so late to pack, I had forgotten to bring sanitary towels. I’d spotted a box of Lil-Lets on Valérie’s dressing table. However, as I feared tampons – and Valérie – I decided instead to approach her mother: ‘Er, je suis beaucoup désolé, mais j’ai mon …’ No, no, period would surely be feminine. ‘Ma, er …’ Menstrual cycle? My bicyclette menstruelle? I stared as she slung three horse – horse! – steaks into a frying pan. ‘Er, avez-vous une serviette, s’il vous plaît?’ I blustered, sweating profusely now.
‘Une serviette?’ Jeanne frowned.
I nodded and smiled. ‘Oui, s’il vous plaît.’
‘Mais il y’a une sur ton lit …’
‘Non, non, c’est, uh …’ Try as I might, I couldn’t scrabble together the vocabulary to explain that I didn’t mean that kind of towel.
‘Tu as besoin d’une autre?’ Jeanne asked.
(Almost fainting with relief). ‘Oui!’
She flipped the sizzling meat and took herself off to the airing cupboard, returning with a bath towel with an anchor embroidered on it: ‘Voilà.’
I thanked her warmly and slipped out of the flat, managing to find what seemed to be the sole shop in the village that stocked des serviettes hygiéniques.
In a weird way, this incident boosted my confidence. Faced with having to fashion my own sanitary towels out of the virtually non-absorbent loo paper favoured by the Rousseau family – or the belligerent corgi who lived across the road – I had used my initiative and managed to avert disaster. Now, I felt determined to get to know the languid girls who hung around Valérie’s apartment. Still too shy to join in properly, I remained on the fringes, trying to follow their conversations whilst affecting a bored – rather than panic-stricken – expression. When they were debating what exactly a British pop star might be singing about, I tentatively suggested that I might be able to help by writing out the lyrics. Valérie shrugged and said okay, if I wanted to – and so it began.
While Valérie still seemed to regard me as a particularly unpleasant smell, her friends seemed thrilled by this new service. Soon, I was filling my days by stressfully putting back the needle on Tears for Fears and Duran Duran singles while a clutch of honey-limbed girls fidgeted impatiently on the edge of Valérie’s bed.
Culture Club. Paul Young. The Commodores. Phil Collins (a low point). I realised I could get away with a bit of guesswork – thus completing my lyric sheets faster – and no one would cotton on. In fact, by the end of my second week in France, whilst not exactly popular, I was verging on being accepted by the teenage population of the village.
Perhaps regarding me as a sort of project, Valérie’s best friend Nicole had taken it upon herself to teach me how to apply make-up. Not a frosting of gaudiness, as favoured by my mother, but something altogether more subtle and incredibly flattering. So those gorgeous French girls did wear make-up after all. They just applied it properly, with a light hand. Under Nicole’s stern eye, I learnt that a smudge of pinkish rouge and biscuit-coloured eye shadow, plus a little lip gloss, had a remarkably enhancing effect.
With her baby blue eyes and a fondness for a white vest and no bra, Nicole was breathtakingly beautiful. I watched with rapt attention as she demonstrated how to curl lashes, and gushed thanks when she allowed me to use her make-up. I loved the smell, the packaging, the enticing shade names: Bleu nuit. Bois de rose. She gave me a couple of products she no longer used, and I topped up from the meagre selection at the village pharmacy. Life felt brighter. I took to ‘putting on my face’ and offering to run errands for Jeanne, feeling proud of being able to ask for things and trot back to the flat with everything on the list.
And then …
Antoine returned from le camping: a vision of messy blond hair, a smattering of stubble (manly!) and caramel limbs in battered old khaki shorts and a sun-bleached Depeche Mode T-shirt. Long, sweeping lashes grazed his chocolatey eyes. He smelt of grass and coconut. ‘Hi,’ he said with a smile, dumping a rucksack on the living room rug and kissing my cheeks (ooh!).
I’d been focusing hard on Duran Duran’s ‘A View to a Kill’ but from that moment on, a fortnight into my trip, lyric services ground to a halt. Now, there were far more interesting things to keep me occupied. I’d never known a boy to show much interest in me before, but Antoine seemed to want to know everything about me. Or rather, he wanted to discuss the novels he’d read in English which, to my mind, marked him out as a genius (I had difficulty enough interpreting texts in my own language). His obvious eye-pleasing qualities aside, it was a relief to be able to communicate in my own language instead of forever worrying about using a wrong word.
Appalled by how much time I’d spent holed up in the gloomy apartment, Antoine appointed himself as my tour guide, and we soon became inseparable. Valérie seemed faintly relieved that I had been taken off her hands, and by now I could pick up enough from her conversations with her friends to know they were having a giggle about her brother and me. I didn’t care. Those timely make-up lessons had boosted my fragile confidence, and the village, which had so far failed to make much of an impression on me, suddenly blossomed into the most beautiful place I’d ever seen. Antoine and I sat on the riverbank, chatting whilst dipping our bare toes into the cool water. We lay in a field, looking up at the turquoise sky whilst feasting on bread and cheese. I could hardly believe that such ordinary things could be so delicious.
The sun beamed down on us as Antoine took my hand on a walk through the forest. We were on our way to visit his friend Jacques, whose family kept goats and made cheese from their milk. As we picnicked in their untended garden, Antoine kissed me properly for the first time. It was like an electric current shooting through me. For days, we had just been friends hanging out, and now we were lying in each other’s arms, snogging fervently in the long grass while his friend – thank you, Jacques! – wandered off to help his father with the goats. No one had kissed me that way, ever. It felt as if my hormones, which had been lying dormant like a pan of cold soup, had been turned up to a rapid boil.
When Antoine took me deeper in the woods, I was a little nervous; he was eighteen, he’d have kissed hundreds of girls not to mention having done it – of course he had, you could just tell. But I felt safe with him. We kept stopping to kiss some more, and he whispered that he couldn’t believe I didn’t have a boyfriend back home. I could have floated then, like dandelion fluff. I still couldn’t believe that a boy like Antoine wanted to be with me in this way, when I suspected all of Valérie’s friends fancied him.
We reached a lake, deserted and glittering with a wooded island in the middle, and stripped off to our underwear and swam. Me, Lorrie Foster from Yorkshire with a body the colour of rice pudding, swimming in my bra and knickers with a boy! ‘You’re so beautiful,’ Antoine said afterwards, gallantly offering his T-shirt for me to dry myself. He praised my skin (‘like cream’), my eyes (‘dark, mysterious’) and even my mouth (‘so pretty, like a flower’). If he even noticed my chubby thighs or wobbly bottom, he didn’t seem to view them as faults – and soon, neither did I. It was as if I was seeing myself differently, like the way you adjust the settings on a TV. Finally, I was seeing myself in full brightness.
My cheeks glowed and my badly highlighted hair seemed to acquire a new sheen that had never been apparent under drab Yorkshire skies. Every cell in my body seemed to shimmer from all the kissing we were doing. Because, of course, following that afternoon at the lake, we spent every possible moment in each other’s arms, swiftly graduating onto the kind of ‘petting’ the sign at the swimming baths warned you not to do. Oh, we petted all right, but there was no pressure to ‘go all the way’ (as it was quaintly known back home), even when we were alone in the apartment, because the unspoken message seemed to say: this is perfect.
Every night, as I drifted off to sleep on the pull-out bed in Valérie’s room, I could still feel Antoine’s kisses hovering on my lips. I was madly in love, changed forever. The ‘View to a Kill’ lyrics remained untranscribed.
My last day in France loomed like a darkening cloud. We could hardly bear to talk about it. ‘You’ll come back,’ Antoine kept saying, as if to reassure himself as much as me. ‘Or I could visit you. I need to find a job anyway – anything’ll do. I’ll save up and come to Yorkshire!’ Try as I might, I couldn’t picture him in our chintzy living room back home, being fussed over by Mum.
On the day I was leaving, we all squished into Jeanne’s tiny car and drove to the railway station, where she and Valérie hung back awkwardly as Antoine and I hugged goodbye. I love you, he mouthed as the train pulled away. On the plane, I was crying so much the lady in the next seat gave me her embroidered hankie and said I could keep it.
Back home, I’d expected Mum to notice a difference in me immediately – to comment on my new, more sophisticated appearance and demeanour. I was certain she’d say something about the understated make-up I’d started to wear. However, she seemed more eager to tell me about Sue down the road who’d been coughing up bile, and how we’d have to cut back for the rest of the summer due to the exorbitant cost of my trip (I didn’t notice any cutting back where Mum’s make-up purchases were concerned). Only when I told her about Antoine did she sit up and take notice. ‘He can come here for a holiday!’ she enthused, and I wondered if it might actually be possible.
We wrote to each other, declaring our love, and then from a couple of letters a week, his airmailed missives dwindled to perhaps one a fortnight, then monthly, followed by a gaping void, during which I felt hollow and tried to tell myself the postmen must be on strike. However, the rest of our mail – the endless bills and Freeman’s catalogues – seemed to be arriving without any problem. Maybe the French postmen were striking?
They weren’t, of course. Antoine’s life was simply continuing without me; I had faded to him, like a newsagent’s neglected window display. The occasional letter read more like an exercise in rudimentary English: We played good at football on Saturday. Our apartment is painted outside. How is the weather in Yorkshire?
Even at sixteen, I knew that asking about the weather suggested he was no longer obsessed with my creamy skin or mysterious eyes. Valérie had stopped writing too – my visit had been the death knoll to our ‘friendship’ – apart from to dash off a hasty note, informing me that Antoine was now ‘madly in love’ with Nicole, my make-up tutor. Tears rolled down my cheeks as I stared at her last flippant sentence (‘I just thought you should know!’). Well, of course he’d end up with her; she was stunning. Yet I’d believed him when he’d said he loved me, and convinced myself that he was oblivious to the charms of his sister’s friends. I could almost hear Valérie’s cruel laughter as I screwed up her letter and threw it into my bin.
As autumn slid into a cold, wet winter, another letter arrived from France. ‘Ooh, is it from that boy at long last?’ Mum cooed, as I charged upstairs to my room to read it in private.
Dear Lorrie,
I hope you are well.
Valérie learns karate but broke shoulder.
Quite busy next few weeks.
Antoine
And that was the last I ever heard from the beautiful boy from the Massif Central.
Chapter One
30 Years Later
He’s done that thing.
That thing of using a really old photo on his dating profile. How long ago was it taken? Ten years? Fifteen? This could be a fun guessing game. As if I wouldn’t notice that his hair isn’t in fact a lush chestnut brown as it appears in his picture but actually silver.
‘Lorrie? Hi!’
‘Ralph, hi!’ Force a smile. Don’t look shocked. Don’t stare at the hair.
‘Lovely to meet you.’
‘You too …’
‘Shall we go in then?’ he asks brightly.
‘Yes, of course!’
As the two of us stride into the Nutmeg Gallery, I try to reconcile the fact that the man I’ve had lodged in my head – with whom I’ve been corresponding via email all week – isn’t the eerily youthful-looking Ralph I’d expected to meet. Dressed in a crisp white shirt, new-looking jeans and a blue cotton jacket, he is a perfectly presentable man of forty-eight. He has striking blue eyes, his teeth are notably good – shiny and white, probably flossed – and he’s in pretty decent shape, suggesting that he does a bit of light jogging and goes easy on the booze. So why dig out a picture from something like 2002? When someone does that – and it contravenes the trade descriptions act really – it doesn’t matter how attractive they are, because it’s all you can think about.
And you feel sort of duped.
It was Ralph’s suggestion to meet here, outside the gallery tucked away by a pretty stretch of the canal in Islington. Ideal, I thought. The art bit would feel pleasingly grown-up. I know I shouldn’t still regard galleries in that way, being forty-six myself. I mean, I am mother to two teenagers, for goodness’ sake. I shouldn’t need to do certain things – like look at art – in order to feel like a bona fide adult. Then, after we’d sped through the gallery, we could get to the part I was really looking forward to: a chat in the cafe he’d mentioned, with tables overlooking the canal. ‘Amazing home baking,’ he’d said.
I’d had a good feeling about today, and not just due to the cake element. Ralph had been chatty and interesting in his emails: a solicitor – again, pleasingly grown-up – with hints of poshness and a warm, likeable face. After a couple of dud dates with other men I’d allowed myself a glimmer of hope. But now, well, he’s just not what I expected.
‘I didn’t even know this place existed,’ I tell him as we wander into the first gallery room.
‘Oh, I’ve been here a few times. It’s a charming little place.’
As we study the paintings – at least, I pretend to study them – a sense of awkwardness settles over us.
‘So, how’s it been so far?’ I ask lightly. ‘The whole, um, online thing, I mean?’ An older couple are perusing the artworks, and my voice sounds terribly amplified in here. Perhaps it wasn’t such a great choice of venue after all.
‘Oh, I’ve just started really,’ Ralph says. ‘In fact, you’re the first person I’ve met.’
‘Really? Well, I’m flattered.’ Silly thing to say, I know. He probably just hasn’t got around to meeting anyone else yet.
‘What d’you think of these?’ He indicates a row of small paintings, all in similar beigey hues. They are close-ups of various body parts – a forearm, a thigh, a rather septic-looking finger – each bearing a plaster.
‘Not crazy about them,’ I admit. ‘It’s all a bit medical, isn’t it?’
Ralph chuckles. ‘Yes, it is a bit. The permanent collection’s much better – let’s go take a look.’
We stroll through to an airier room filled with bright, splashy abstracts which are far more pleasing with their cheery colours. Ralph makes straight for a still life depicting a wobbly yolk-yellow circle on a sky blue background.
‘That’s quite striking, isn’t it?’ I remark.
He nods. ‘Yes, it was always Belinda’s favourite.’
‘Belinda?’ I give him a quizzical look.
‘My wife,’ he explains.
‘Oh, right.’ This floors me even more than the hair colour shock. From our email chats, I learnt that Ralph enjoys reading thrillers, cooking Asian food and jaunts to the south coast: reassuringly unremarkable stuff. One cat, no kids – ‘Just didn’t happen for me’. However, although a couple of relationships have been mentioned, no wife has popped up in our communications. I study the painting, wondering how I’m supposed to respond. Really? Well, I can see she has excellent taste … Or, How about showing me more paintings Belinda loves?
Now I can barely concentrate on the art at all as a terrible thought hits me. He said wife, not ex-wife. Surely, if they were separated or divorced, he’d refer to her as his ex. I mentally scroll back to the email where Ralph mentioned his situation, relationship-wise: ‘I’ve been on my own for just over a year …’ Not single, but on his own. Plus, the painting was Belinda’s favourite; past tense. Which can only mean one thing: Belinda is dead.
I throw Ralph a quick glance as he finally tears himself away from the yellow circle painting and moves on. Is this why he suggested meeting at the Nutmeg Gallery – because Belinda loved it here? It makes sense, too – the vintage profile photo, I mean. He’s still so deranged with grief, he couldn’t get it together to find a more recent one – or perhaps she was in all of them, hugging him. God, how tragic. This is probably the first date he’s been on since she died.
As we drift into the next room, I run through possible ways of broaching the subject sensitively: So, erm, if you don’t mind me asking, what happened with Belinda? Is Belinda still, er … ‘around’? Neither sounds quite right.
Ralph starts to stroll around, hands clasped behind his back as he gazes thoughtfully at the artworks. It’s not paintings in here, but a collection of grubby old baskets with bits of frayed rope attached, dotted around on the parquet floor. On closer inspection, because I’m trying to appear suitably fascinated – and not like some heathen who only likes paintings of thatched cottages or kittens – each of the baskets has a small item inside. Nothing precious or beautiful, but the kind of stuff you might have crammed in the cupboard under the sink: rubber gloves, a bottle of Cif, a pair of rusty Brillo pads sitting snugly together as if they might start mating.
Although I know I should be open-minded, just as I’m trying to be open-minded about Ralph, I’m starting to think we should wrap up the art bit now and head to the cafe. That unmentionable thing – Belinda, his dead wife – hovers between us, but right now, with the elderly couple still lurking close by, isn’t the right moment to bring it up.
‘Interesting, isn’t it?’ Ralph remarks.
‘Oh, er … yes, very.’ Be positive. It was his idea to come here and the poor man’s bereaved. ‘What d’you think it’s all about?’ I ask.
My stomach growls as he gazes around. I was too intent on getting ready – black and white spotty dress, patent heels, full face of make-up and a ruddy blow-dry – to think about lunch and now it’s gone 3 p.m.
‘Well,’ he says, ‘I think it could be interpreted in lots of ways.’ He pushes back his neatly cropped hair. ‘I don’t want to sound pretentious. You know how people can be about art …’
‘Oh, yes,’ I say, warming to Ralph a little now, but wary of over-warming to him out of pity. ‘It’s all cleaning stuff, isn’t it, trapped in baskets? So I think it’s about that terrible hemmed-in feeling you have when you’ve got the kitchen nice and shiny and then everyone storms in and messes it all up and you think, Christ, it’s like Groundhog Day – bloody endless.’ I smile, feeling pleased with myself.
‘Oh, I don’t think it’s quite that.’ He chuckles patronisingly.
I sense my cheeks reddening. ‘No, well, I was joking. To be honest, this kind of art isn’t really my—’
‘I think,’ Ralph interrupts, ‘what we’re seeing here is a comment on the permanence of the enclosed objects, juxtaposed with the impermanence of the lobster pots—’
‘Oh, is that what they are?’ I glance at a galvanised bucket in the corner with a mop propped beside it. Are they part of the art as well, or did the cleaner just dump them there?
‘Well, yes, what did you think they were?’
Rustic storage solutions? Quirky hats? As I’m not a fisherman I had no idea … ‘Um, I knew they were something nautical,’ I fib, not that it matters, as Ralph doesn’t appear to have heard me.
‘… And as you’d expect, they show distinct signs of weathering due to the erosive effects of the sea. And what the artist is alluding to here is …’ I phase out, ceasing to listen for a few moments. ‘… Then again,’ he chunters on, ‘it could be more about the concept of cleanliness, of sterility in a world literally milling with germs and bacteria …’ He stops and blinks at me. ‘Do you think?’
‘Yes, that could be it,’ I remark, wandering towards the small white card on the wall, hoping that’ll settle things once and for all. But all it says is:
I AM NOT A CRUSTACEAN by Thomas Trotter, 1991
Lobster pots and household objects
Which tells us nothing more, apart from the fact that the artist was born in the nineties, suggesting that he has never acquainted himself with a Brillo pad in any kind of useful way.
Now, close to the exit, Ralph is surveying a small pile of brownish tweed fabric lying on a wooden plinth. ‘Another Thomas Trotter piece,’ he observes. ‘Hmmm … what’s this one saying?’
I look at it dispassionately. It’s saying: What were you thinking, not even finding out if he’s a widower or not? And now, because you pity the man, you’re frittering away your precious Sunday afternoon with someone who insists on throwing around fancy words, which would be fine, maybe, in other circumstances. But who says ‘juxtaposed’ on a first date? Actually, I fancy going straight home and juxtaposing my arse with the sofa, thank you very much …
In fact, if it wasn’t for my kids, I wouldn’t be here at all. They’re the ones who forced me to join datemylovelymum.com in the first place. ‘Me and Cam were talking, Mum,’ ventured Amy, my fifteen-year-old, fixing her wavy dark hair into a no-nonsense ponytail. ‘We just thought you should … get out more. Do stuff. Enjoy yourself.’
Christ, they were worried about me. Didn’t they think I was managing, holding down my full-time job in the beauty hall of a department store, whilst keeping things ticking along at home? I wasn’t keen on the implication that I was anything less than a vision of contentment.
Cameron, who’s seventeen, pitched in. ‘We just thought you should, er, try one of those dating things …’
‘Like Tinder?’ I spluttered.
‘No! God no. Tinder’s for our age. There’s others – ones for older people. It’s what single women your age do. They have no way of meeting people any other way.’
‘But I meet people all day,’ I exclaimed. ‘It’s my job—’
‘Yeah, we know about that,’ he conceded. ‘It’s called traffic stopping …’
‘But actually,’ Amy cut in, smirking, ‘it’s taking innocent people hostage and forcing them to sit on your stool so you can plaster them in foundation.’
‘Yes.’ I nodded. ‘I tie them up and gag them. I never told you that part.’
Cam tossed his choppily cut brown hair back from his handsome, angular face. ‘Stop changing the subject. We’re not talking about customers at a make-up counter. We mean, you know …’ He winced slightly. ‘Meeting a man.’
‘Oh.’
‘And we’ve already written your profile,’ Amy added, her dark eyes glinting with amusement.
‘What? All this plotting and scheming’s been going on behind my back?’
‘Yeah, it was fun,’ she said, grinning. ‘Stu helped us.’ So my oldest friend – currently our lodger – was in on this too? The traitor!
Cam fetched his laptop to show me their ‘work’:
Our mum is a lovely outgoing and attractive person who would like to meet someone special. She is kind, sociable and loves a laugh with her friends. She is incredibly thoughtful and has brought us up all by herself for the past seven years. In all that time she has been single, not because there is anything wrong with her but because she has always put us first. But we are older now and both feel it’s time for her to get out there, meet someone special and enjoy life to the full.
Mum is called Lorrie – short for Lorraine – and is forty-six (but looks younger). Why not meet her and find out how lovely she is?
Please get in touch,
Cam and Amy
Oh my God. It wasn’t perfect, I decided as I blotted my sudden hot tears on a tea towel. It certainly wasn’t what I would have written myself. But, like a child’s lumpen rock cake lovingly transported home from school, you have to give it a try.
Slowly, the idea started to grow on me. Not in a ‘finding a life partner’ way – I’d had that in David, my children’s father and lost him seven years ago – but the odd date now and again, just to liven things up. So I agreed to go with the profile my kids had so sweetly created, and see what happened. Perhaps I’d find a ‘companion’, like wealthy Victorian ladies used to have?
First of all I met the curiously named Beppie, a plummy ‘lifestyle consultant’ – whatever that meant – who charmingly remarked, ‘If you’re not looking for anything serious we might be able to have a bit of fun.’ As if he might deign to sleep with me when there wasn’t much on the telly. No thank you.
Marco, my date before Ralph, had perhaps three teeth in the whole of his head due to extensive oral decay, judging by the remaining examples (in his profile picture he’d had his mouth firmly closed). Was I being too fussy, hoping for something at least approaching a full set? Probably.
Yes, I get lonely, but for someone to hang out with there’s always Stu, who’s funny and kind and does possess teeth, and who I have known since we were school friends growing up in our beleaguered West Yorkshire town. We snogged just the once, under the stairs at a party in 1987 (my futile attempt to get Antoine Rousseau out of my head), and never mentioned it again. The unspoken message was that we knew each other too well as friends for anything else to happen, and the kiss had been a drunken accident. By our early twenties, when we drifted to London at around the same time, I’d almost forgotten it had ever happened.
I glance at Ralph now as he prowls around the gallery, reading all the little cards on the wall. Will this be a case of third time lucky with my online dates? I’m trying to remain positive.
He turns to me and indicates the bundle of brown fabric. ‘Ooh, it’s called “jacket for two”. The idea is, we both get in it and wear it together.’ He beams eagerly as I step back.
‘But surely we’re not supposed to touch it?’
Ralph shakes his head. ‘No, it’s an interactive piece. Look, it says over there on the wall, “Please wear me with a friend …”’
But we’re not friends! ‘Oh, no, I don’t think so …’
He holds up the grubby-looking garment. ‘Look, it’s enormous.’
‘It really is,’ I agree.
‘I think even we could fit into it!’ What, me with my ample chest and sizeable backside? He’s really not helping himself. ‘Must have been specially made,’ he adds.
‘Yes. Wow.’ I can smell coffee wafting through from the cafe. I’m starving now, to the point of light-headedness. Perhaps this, coupled with my pity for Ralph, is why I find myself standing there like some inert shop mannequin while he drapes half the jacket around me. It smells like an ancient sofa in a tawdry B&B as he feeds one of my arms into a sleeve whilst shimmying into the other half himself.
He buttons up the jacket with impressive speed. We are now both trapped in it, our bodies pressed awkwardly together. I can feel the thumping of Ralph’s heart as he grins at me. ‘We’re a living sculpture!’
‘Yes, lovely. Very good. What an amazing, er, concept.’ What the hell am I saying? If Amy told me she’d been cajoled into wearing a stinky jacket with a man, I’d be horrified. As a single parent, I hope I have raised her to have a darn sight more self-respect than I clearly possess. I’m sweating now, my special date pants clinging to my bottom (not that I was expecting to show them but, you know) as I fumble for the buttons.
‘What’s wrong?’ Ralph exclaims as I struggle out of the jacket.
‘Nothing. I’m just a bit hot, that’s all. Think I might be having a flush. Look, Ralph, I’d really like a coffee now if you don’t mind,’ i.e. enough of Thomas-bloody-Trotter and his so-called art!
‘Oh! Yes, of course …’ He pulls his arm from the sleeve and dumps the jacket back on its plinth, trooping rather sulkily beside me as we make our way to the cafe.
As we order lattes, my gaze skims the array of baking on offer. ‘A piece of carrot cake please,’ I tell the girl behind the counter before turning to Ralph. ‘Would you like something?’
‘No, no, you go ahead, though,’ he says.
We install ourselves at a table at the waterside. It’s a picturesque stretch of canal, with a row of brightly painted narrowboats moored on the opposite bank. A mallard duck bobs along on the water, and a young couple stroll hand-in-hand along the towpath.
‘Well, that was interesting,’ I remark.
‘Glad you thought so,’ he says with a smile.
Silence descends, and I focus instead on sampling the carrot cake which, I have to say, is perhaps the best I have ever tasted.
‘I’ve really enjoyed this afternoon,’ Ralph adds.
‘Oh, me too,’ I say through a mouthful of delicately spiced sponge and creamy icing. I swallow it down, soothed now by the delicious cake and the slight breeze, and decide Ralph’s not that bad really. This has become my marker of dating success: he’s not that bad really. I glance at him as he observes the bobbing boats. ‘I hope you don’t mind …’ I venture cautiously, poking at my cake with my fork. ‘I mean, I sort of need to ask you this really, but, of course, I completely understand if you don’t want to talk about it …’
He raises a brow. ‘Yes?’
‘Um, you know the painting with the big yellow sun? The one you said Belinda liked?’
‘Oh, yes, it’s called “Orb”.’ He sips his coffee.
I clear my throat. ‘Look, I hope this isn’t intrusive, but you said, “My wife”. So I’m sort of assuming – well, you know, otherwise you’d have said my ex …’ Hotness spreads up my cheeks. ‘Is she … I mean … what happened to—’
‘Oh, it was all very amicable. We married very young, silly mistake really. In fact, we’re still married—’
‘You’re married?’ I dump my fork on my plate.
‘Well, yes, technically, I suppose …’
‘Which means yes!’
‘No – we’re separated, split up over a year ago. Sorry, I really must stop saying my wife. I realise how confusing that sounds …’
‘No, no, it’s fine. So, where is she now?’
He shrugs. ‘Moved north, to Halifax.’
‘Oh, right!’ I glance towards the canal, wondering whether or not to feel relieved. A narrowboat is chugging by, a man with a white beard at the helm, an elderly woman in jeans and a faded rugby top primping a tub of Michaelmas daisies on the deck. They both wave, and I wave back, then glance down at my cake which, although I’ve made inroads, now seems huge and unwieldy. It’s not that I’m trying to appear feminine and dainty. It’s just, my appetite seems to have withered away. ‘Er, would you like some of this, Ralph? I’m not sure I can manage it all.’
‘Oh, no thanks, I stopped off for a sandwich before we met.’ His mouth flickers into a smile as he adds, ‘You tuck in, Lorrie. I can see you’re a girl who very much enjoys her cake.’
I blink at him. Well, that’s flipping charming, isn’t it? Fatty, is what he means. Porky lady, cramming in the carbs and cheesy topping. ‘I am actually,’ I say with a terseness he doesn’t seem to notice.
‘Well, that’s good,’ he says with a smirk. ‘A healthy appetite, that’s what I like to see in a lady. Not your picking-at-a-lettuce-leaf type!’
‘Okay, thank you, Ralph …’
He leans forward. ‘Oh, I didn’t mean—’
‘No, it’s fine, really.’ That’s it. I have to get out of here. I edge my plate aside and pull my phone from my bag, frowning as if something urgent might have happened at home. ‘Sorry, but I’d better be going …’ I slip my phone back into my bag and get up from my seat.
His face falls. ‘So soon? That’s a pity …’
‘Yes, um, I’ve enjoyed the gallery, it’s been a lovely afternoon but I really must dash …’ Then I’m off, turning briefly to wave goodbye as I leave the cafe by its wooden gate, and striding towards the tube station, feeling leaden inside, and not due to the Nutmeg Gallery’s home baking.
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