Kitabı oku: «King of the North Wind: The Life of Henry II in Five Acts»
COPYRIGHT
William Collins
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This eBook first published in Great Britain by William Collins in 2018
Copyright © Claudia Gold 2018
Maps and family trees by Martin Brown
Cover design by Jack Smyth
Claudia Gold asserts the moral right to be identified as the author of this work
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Source ISBN: 9780007554782
Ebook Edition © July 2018 ISBN: 9780007554799
Version: 2018-06-25
DEDICATION
For Phil, Asher and Jake
CONTENTS
Cover
Title Page
Copyright
Dedication
Maps
Family Trees
Cast of Characters
Prologue
Act I – The Bargain
Act II – Triumph
Act III – Pariah
Act IV – Rebellion
Act V – Nemesis
Epilogue
Timeline
Notes
Bibliography
Acknowledgements
List of Illustrations
Picture Section
Index
Also by Claudia Gold
About the Author
About the Publisher
MAPS
FAMILY TREES
CAST OF CHARACTERS
Henry FitzEmpress: King Henry II of England, eldest son of Geoffrey of Anjou and Matilda of England.
Family
Henry I: Henry’s maternal grandfather; king of England and duke of Normandy.
Matilda: Henry’s mother; the widowed empress of Germany, married by her father to her second husband, Geoffrey count of Anjou.
Geoffrey of Anjou: Henry’s father; husband of the much older Matilda. From the age of fourteen, Count of Anjou, a principality in northern France.
Geoffrey FitzEmpress: Henry’s younger brother, who rebels against Henry as soon as he is able.
William FitzEmpress: Henry’s youngest brother; he remains staunchly loyal.
Fulk of Anjou: Henry’s paternal grandfather; leaves Anjou to marry Queen Melisende of Jerusalem. Through this second marriage, becomes king of the Latin Kingdom.
Eleanor of Aquitaine: Henry’s wife, previously married to Louis VII of France; duchess of Aquitaine, the largest and wealthiest province in France, in her own right. She is about eleven years older than Henry.
William of Poitiers: Henry and Eleanor’s eldest son, who dies aged three.
Henri the Young King: Henry and Eleanor’s second son; charming, frivolous, the family ‘golden boy’. Crowned alongside his father in 1170, but given no authority.
Richard: Henry and Eleanor’s third son, destined to rule in Aquitaine.
Geoffrey: Henry and Eleanor’s fourth son; duke of Brittany.
John: Henry and Eleanor’s fifth son and last child, later known as ‘Lackland’; Henry’s favourite legitimate son.
Matilda of Saxony: Henry and Eleanor’s eldest daughter; married to Henry the Lion, duke of Saxony. Her beauty inspires the troubadour poet Bertran de Born to write scandalous verse about her.
Young Eleanor: Henry and Eleanor’s second daughter; married to Alfonso VIII of Castile.
Joanna: Henry and Eleanor’s youngest daughter; married to King William ‘the good’ of Sicily. Later, she is touted as a possible bride for Saladin’s younger brother.
Robert, earl of Gloucester: Eldest illegitimate son of Henry I, one of the greatest magnates in England, and Henry’s uncle. Robert fought for Henry’s rights to rule alongside his half-sister, Matilda.
Reginald, earl of Cornwall: Another illegitimate son of Henry I. Unwavering in his support for his nephew.
Geoffrey Plantagenet: Henry’s eldest illegitimate son; probably his favourite and best-liked child.
Matilda, prioress of Barking Abbey: Henry’s illegitimate daughter, born before his marriage to Eleanor.
William Longsword, earl of Salisbury: Another of Henry’s illegitimate children, born in the 1160s.
Morgan, provost of Beverly, and bishop-elect of Durham: Possibly Henry’s youngest illegitimate child, born in the mid-1170s.
Baldwin, ‘the leper king’: Henry’s first cousin, king of Jerusalem. He rules a kingdom riven with byzantine factionalism.
Marie: Eleanor’s eldest daughter by Louis, married to the count of Champagne.
Alix: Eleanor’s second daughter by Louis. She is married to the count of Blois.
Margaret of France: Louis’ eldest daughter by his second wife, Constance of Castile. Margaret is married to Henri, Henry and Eleanor’s eldest surviving son.
Alice of France: Margaret’s sister; betrothed to Henry’s son, Richard. Possibly Henry’s mistress.
Friends
Adelard of Bath: One of Henry’s four teachers, he brought knowledge of Arabic mathematics to England.
William of Conches: Another of Henry’s teachers, and one of Europe’s most celebrated scholars.
William Marshal: ‘The greatest knight in the world’, who served Henry and his family for over fifty years.
Rosamund Clifford: Henry’s favourite mistress, ‘the love of his life’.
Richard de Lucy: Henry’s co-justiciar and one of his great magnates.
Robert, earl of Leicester: Henry’s other co-justiciar; an enormously powerful nobleman.
Ranulf de Glanville: Justiciar in the latter part of Henry’s reign; possible author of On the Laws and Customs of England, which details the reforms under Henry’s reign that would become the foundations of English Common Law.
Richard FitzNigel: Henry’s treasurer and author of the influential Dialogue Concerning the Exchequer.
Brian Fitz Count: Illegitimate son of the duke of Normandy, and one of Matilda’s closest allies. They were possibly lovers.
Foes
King Stephen: Matilda’s first cousin and mortal enemy. He stole the throne from her.
Matilda of Boulogne: Stephen’s queen, a warrior for his cause.
Eustace: Stephen’s eldest son and heir, who tries to murder Henry.
William: Stephen’s second son; plots to murder Henry, although in secret.
Louis VII of France: Eleanor’s first husband and Henry’s overlord for his lands in France.
Bernard of Clairvaux: King Louis’ closest advisor. Loathes Henry and his Angevin family, believing them to be descended from the Devil.
Thomas Becket: Henry’s chancellor, and then archbishop of Canterbury.
Philip of France: A machiavellian boy-king, and Henry’s nemesis.
Fairweathers
Philip, count of Flanders: Henry’s first cousin, oscillates between fighting Henry and being his ally.
Bishop Henry of Blois: Henry’s cousin, the bishop of Winchester; notorious for changing sides during the civil war, Henry never quite trusts him.
Count Raymond V of Toulouse: Henry’s slippery adversary in the south, he vacillates in pledging his allegiance to Louis, and to Henry. Nevertheless, it is Raymond who warns Henry of impending disaster.
William the Lion: King of Scotland, and Henry’s cousin.
Frederick Barbarossa (Red Beard): The Holy Roman Emperor. Barbarossa’s life mirrors Henry’s in many ways.
Pope Alexander III: Pope during the Becket crisis, but living in France, Alexander is torn between his host Louis, and Henry, who has pledged to support him against an antipope.
Hugh Bigod: One of Henry’s most powerful lords, Hugh virtually controls East Anglia.
Chroniclers
Orderic Vitalis: An Anglo-Norman historian, Benedictine monk and author of the Ecclesiastical History.
Robert of Torigni: The librarian of Bec monastery in Normandy, abbot of Mont Saint-Michel. Henry’s friend and the godfather of young Eleanor.
Roger of Howden: Court clerk, diplomat and itinerant justice, who spent many years in Henry’s company.
William of Newburgh: Historian and Augustinian canon; one of the most balanced writers of Henry’s reign.
Jordan Fantosme: Court clerk, historian, and author of an epic Anglo-Norman poem, chronicling Henry’s war in the 1170s.
William FitzStephen: One of the biographers of Thomas Becket.
Walter Map: Court clerk and author of Courtiers’ Trifles.
Gerald of Wales: A luminous and fanciful writer, who hated Henry in part because he believed he deserved a bishopric, which Henry failed to grant him.
Gervase of Canterbury: Historian, and monk of Canterbury Cathedral.
Ralph Diceto: Dean of St Paul’s, and historian.
Henry of Huntingdon: Historian and author of the Historia Anglorum.
John of Salisbury: One of the greatest writers of his age; a fierce defender of Thomas Becket.
Ralph Niger: A partisan of Thomas Becket; like Gerald of Wales, he detested Henry.
PROLOGUE
They would not let Will leave. The play had finished fifteen minutes earlier. But still 3,000 people roared in delight and begged the players and playwright to remain. They took bow after bow to the din of stamping feet. London’s richest – sat in the luxurious gallery – mixed with its poorest, who had paid a penny to stand. Will had made them believe that ‘this cockpit’ held ‘the vasty fields of France’ and of England too.
It was May 1599. William Shakespeare’s History of Henry II was the first play to be staged at the Globe at its new site on the south bank of the river in Elizabeth I’s capital city; it offered fantasy by candlelight under a ceiling painted as the heavens.
Shakespeare felt that his subject could not be bettered. He had breathed life into the legend of England’s most celebrated king – ‘Good’ King Henry II.
He told of a duke who had battled to become a king, ‘Alexander of the West’ and the finest warrior of his age. Henry had forged and held an enormous empire in twelfth-century Europe. England had not had such a king since the days of Arthur. His court was the most cultured in Europe, attracting writers, poets, scholars and mathematicians from across the known world. The king’s justice was everywhere, for everyone. He was a scholar-king, sportsman, politician and soldier, and his influence stretched as far as the holy city of Jerusalem.
This king had all the talents and all the gifts – until his family turned against him.
At first, there were only the traditional frustrations of royal sons, close to power but denied any of their own. But soon their mother joined the cause. Perfidy was in the air.
Before long, Henry’s sons and wife united with the kings of France and Scotland, and all who bore a grudge against him. Henry was threatened on six fronts: surely an impossible challenge to overcome, even for him.
The audience was enthralled by Henry’s rally to his men as they readied to fight at Dol: ‘Once more unto the breach, dear friends, once more.’ The Globe, for a suspended moment, was a battlefield in north-western France.
Henry could not lose this encounter; if he did, his enemies would take his kingdom. But his skill and cool head won the day.
The victory at Dol spurred Henry to fight on. He put aside his grief as he battled for two hard years across England and France, moving with almost superhuman speed between the fronts.
By the end he had vanquished them all; and, as a mark of his greatness, he forgave them – even his wife. He gave her what he had promised when he stole her from her first husband, the king of France: real power.
He even forced his fractious archbishop, Thomas Becket, into submission. Henry and Becket had been fighting for ten years. Now Becket limped out of his self-imposed exile back to Canterbury, bitter and broken, worn out by fasts and penances. Henry gave him the kiss of peace.
Shakespeare’s epilogue completed the hero’s life: Henry died the grand old man of Europe, at peace with his wife and his sons, and his empire intact.
The story was brilliant propaganda for Elizabeth, the fairy queen. She was an absolute monarch, just as Henry had been. Shakespeare had not shied from depicting a complex character: Henry sometimes ruled harshly, but he could also be tender. The playwright had shown the audience Henry the king and Henry the man – imperfect to be sure, but remarkable in person and triumphant over adversity.
***
This is, of course, not what happened.
William Shakespeare, the genius propagandist of the Tudor and nascent Stuart dynasties, never wrote about Henry II. Instead he scattered his fairy dust over the Lancastrian faction in England’s War of the Roses, and the ultimate victors: his masters, the Tudors.
When the Globe theatre was moved across the river, the first play to perform there was most likely Henry V. The words I placed in Henry II’s mouth before his battle at Dol, Shakespeare placed in the mouth of Henry V on the morning of the battle of Agincourt on St Crispin’s Day. Agincourt is one of the most famous battles in English history; Dol is known only to a small band of medieval historians and enthusiasts. And today Henry II, the father of the Plantagenet dynasty that ruled England for 330 years, is largely forgotten.*
Henry was trained for power, but he had to fight for all that he gained. By the mid-1170s he was lord of England, Normandy, Brittany, Anjou, Maine, Touraine and Ireland. The princes of Wales and the kings of Scotland owed allegiance to him. He not only won an empire, but held it all. His lands in France were ten times the size of the French king’s.
Besides his conquests, he began a programme of unprecedented reform that set in place the rule of law across England. He was a patron of the arts, a man of letters and he placed England at the very centre of European culture; he was a prince of the twelfth-century renaissance.
By any measure, this is a man who should be celebrated as one of England’s greatest kings. And yet he is not. History might have judged and remembered Henry differently, had (as one of his biographers speculates1) he died in 1182. It is easy to imagine: a pressing matter of diplomacy that required his presence in Normandy, a sea crossing, a violent storm – and the drowning of the king in the English Channel.
Henry did not die in 1182; he lived for another seven years. These were the worst years of his life. They were blighted by his failure to dominate a new French king, Philip Augustus, and renewed fighting with his sons, who would hound him to his death.
Thomas Becket, Henry’s archbishop, did not die in his bed. Henry’s men murdered him in his cathedral church at Canterbury in 1170. The murder was the culmination of six years of bitter quarrels over the precedence of church or state. Just days before, Henry had exploded in anger at Becket’s behaviour. At his Christmas court he shouted, ‘What miserable drones and traitors have I nourished and promoted in my household, who let their lord be treated with such shameful contempt by a low-born clerk!’ Four loyal knights, believing Henry wanted rid of Becket, sped across the sea from Normandy to Canterbury. As they entered the cathedral fully armed, they shouted ‘King’s men, king’s men’, hacked off the top of Becket’s head and left his body awash with blood on the cathedral floor.
It took years for Henry to recover from the propaganda disaster of Becket’s death, and this may be a reason why Shakespeare never wrote about him – if he had tackled the thorny issue of Thomas Becket, it is doubtful that the play would ever have been performed. The Elizabethan and Stuart authorities did not take kindly to religious themes in plays.
Henry ended his days, not in the warm embrace of a loving family and peaceful empire, but unloved and alone, a broken man. Even his adored youngest son John betrayed him. England’s burning light was reduced to no more than a flicker in the shadows.
Tragic heroes, as Aristotle noted, attract us with their blend of light and shade. Like us, they are neither wholly good nor bad. We empathise with them, in part because the consequences of their mistakes seem to us far more severe than they deserve, echoing Lear’s lament, ‘I am a man more sinned against than sinning.’ We are drawn to them because we see the same frailties and the same capacity to err in judgement that we exhibit ourselves. They hold up a mirror to our own imperfections.
Although we may see fragments of ourselves in them, however, they are ultimately not the same as us. The Aristotelian tragic king plays on a grander stage – and his capacity to do good in the world, or inflict harm on others, is far greater and more wide-reaching as a result.
Henry is in many ways the classic tragic hero. And though an emotionally complex man, the cause of his undoing bears resemblance to that beloved of the Greek dramatists: hubris.
This book tells Henry’s true story, and it is a tragedy. It is the story of a great hero whose life traces an arc from ascent, to glory, to defeat, and who is brought down by a tragic flaw in his own character.
Henry II, who forged an empire that matched Charlemagne’s – the Alexander the Great of the Middle Ages. This most talented of English kings, who became the most haunted.
* ‘Plantagenet’ was not used by Henry and his contemporaries as a family name. Henry referred to himself as ‘FitzEmpress’. It was first used as a surname by Richard duke of York in 1460 when, as ‘Richard Plantagenet’, he claimed the throne from his mentally unstable cousin, Henry VI.
Act I
The Bargain
Henry was eighteen when we met, and I was queen of France. He came down from the North to Paris with a mind like Aristotle’s … and a form like mortal sin. We shattered the Commandments on the spot.
James Goldman, The Lion in Winter, 1966
The playwright James Goldman imagines a first meeting between Henry duke of Normandy and Eleanor of Aquitaine, queen of France, replete with deadly desire and magnetic force. Is there any truth to this imagined encounter?
Whether Eleanor, aged twenty-nine, thought that the eighteen-year-old Henry’s mind resembled that of Aristotle – the apotheosis of mid-twelfth-century intellectual aspiration – and was sufficiently aroused to ‘shatter the Commandments’ there and then, we shall never know.
The chronicler Walter Map’s Eleanor is a seductress, casting her ‘unchaste eyes’ – oculos incestos – upon him. ‘Unchaste’ is the kindest interpretation; the word has underlying meanings of impure, immoral, dirty, or even incestuous. Walter accused Eleanor of not only snaring Henry in Paris, but of sleeping with his father, which would have made her marriage to Henry incestuous.*
In truth, we know very little about Eleanor. We do know that she was clever, powerful and possibly beautiful – a ‘woman without compare’. We also know that Eleanor cared deeply for Aquitaine, the vast lands in the south-west of France that had been bequeathed to her by her father.
Eleanor had brought Louis and the French crown the incredible riches of Aquitaine. And yet married to Louis, she had enjoyed little autonomy. In the few surviving charters, Eleanor rarely acts alone – only jointly with Louis. There was a brief flurry of activity in the period before they departed on crusade, but after their return, when divorce appeared inevitable, Eleanor was further sidelined.
Henry was attractive, clever and bold. He was a soldier, a diplomat, charismatic, educated and ambitious for power; people flocked to him ‘even though they had scrutinised him a thousand times before’. Through his mother Matilda, he held the possibility of inheriting the English throne, if he could only overthrow his usurper cousin King Stephen. Through his father, he was heir to much of northern France. In August 1151, Henry was a man with a glittering future.
Sources do not tell us if the bargain they struck at that first meeting in Paris was at Eleanor’s or Henry’s instigation. Nor do they reveal the precise terms of the bargain, or even whether they were explicit or implicit. But bargain there must have been.
For what if, in return for the advantages he would gain from their marriage, Henry had promised Eleanor something that Louis never had, and never would have, given her: the chance to rule her own duchy as she chose, under the loose auspices of Henry’s domains?
One thing is for sure: a promise of this potency – a promise made to a woman desperate for the independence that power confers – once given, is best kept.
I
Henry’s story began with a drunken party, a dare, and a shipwreck. It was 1120, thirteen years before his birth, and thirty-one years before he met Eleanor. On a bitterly cold day, 25 November, a large party of the Anglo-Norman elite gathered at the town of Barfleur on the coast of northern France. They were led by Henry’s grandfather, King Henry I of England and Duke of Normandy, and his only legitimate son, the seventeen-year-old William Atheling. The royal pair were on their way back to England from war with Louis VI (the Fat) of France and King Henry’s nephew, William Clito, for control of Normandy. They were in exuberant spirits because they had won.
The party was to sail that night and conditions were perfect. The sky was cloudless, the sea was calm, the moon was in its first quarter but the stars were brilliant.
Prince and king were to travel separately. King Henry had been approached by the owner of a handsome new white ship. His name was Thomas FitzStephen and, during a conversation with the king, Thomas reminded him that it was his father who had carried Henry I’s own father, William the Bastard (or Conqueror), from France to England and conquest in 1066. Now he asked for the honour of taking Prince William Atheling across the Channel in his new ship.
William was impressed. The ship was modern and fast, and he was convinced it would outrun his father’s older and heavier vessel, the Esnecca (the snake, or fast warship).
The ship’s fifty oarsmen were delighted to carry William; the young prince, at their request, ordered the entirety of the town’s wine to be loaded on board.1
Throughout the long winter evening, the 300 or so travellers embarked. They numbered William’s bastard half-siblings Richard, and Matilda countess of Perche, most of his aristocratic friends, and many of their parents. William was in a celebratory mood. Not only had he defeated his enemies; just five months before arriving at Barfleur, he had married Matilda of Anjou at Lisieux to form an alliance with Count Fulk V of Anjou, whose territory bordered Normandy to the south.† His victory was secure. With the alcohol on board, the Norman chronicler Orderic Vitalis tells us, the party began. The oarsmen and many of the passengers quickly became drunk. When the priests arrived to bless the ship before its crossing, they were teased and sent away.2 The mood on the ship was so raucous that some of the passengers got off rather than risk the crossing. Among those who left was William’s first cousin, Stephen, son of the king’s sister Adela, who pleaded diarrhoea rather than travel with the prince. Henry I had created him, a beloved nephew, count of Mortain.
King Henry’s ship departed first. The crossing had to be made at night, in high water, or the boats would not have been able to float. We know that on 25 November 1120 high water was at 10.43 p.m.3 The White Ship left the harbour perhaps an hour later. By now nearly everyone on board, probably including the captain, was drunk. Thomas FitzStephen was persuaded to take a dare from the prince and his friends to out-race King Henry’s ship, despite its head start. He was an experienced sailor who had made the journey from Barfleur to England numerous times. He possibly felt himself to be so familiar with the route that extra speed, despite the jagged rocks that dotted the outskirts of the harbour, would not matter. Perhaps he was so wine-soaked that all caution was disregarded. Or perhaps he was coerced by his drunken master. The White Ship hurtled out of the harbour’s mouth and almost immediately hit a rock, probably the Quilleboeuf Rock or Raz de Barfleur, which knifed through its planks.
The sailors desperately tried to free the boat, but it suddenly overturned. The night was freezing and the waters dark. From the shore, the clergymen whose traditional blessing the travellers had drunkenly jeered, heard the petrified screams of the foundering passengers. The bishop of Coutances was among the clerical witnesses. All three of his nephews and his brother were on board.
The situation was ghastly for the hundreds of souls perishing in the bitter winter seas, but it was not yet a disaster for the Norman dynasty. William still might have escaped. He was bundled into a lifeboat and swiftly steered away. But the prince had humanity. William was close to his illegitimate half-brothers and sisters, who had been given lands and titles by their father. He evidently loved his half-sister the countess of Perche and his brother Richard. He ordered his tiny vessel to go back and rescue them. As it reached the wreck, it was engulfed by the scores of panicked people who tried to climb aboard. The boat capsized and they too drowned. William Atheling, heir to England and Normandy, was dead.
It seemed there would be three survivors of the tragedy: Berold, a butcher from Rouen; a son of the nobleman Gilbet l’Aigle; and the captain, Thomas FitzStephen. Berold and l’Aigle’s son managed to grab hold of a piece of the wreckage and stay afloat. Thomas fought his way through the freezing waters and asked them for news. When they told him William was dead, unable to face the king, he slipped down into the sea to die. And when l’Aigle’s son could hold on no longer, he too drowned. Only Berold the butcher, kept from freezing in the water by his pelisse and his sheepskin coat, lived to bear witness. In the morning, he was rescued by three fishermen.
No one dared tell the king. The screams of the drowning caught the ears of King Henry and his fellow passengers, but they were bemused by what they had heard. It was not until the following day that the king’s nephew, Theobald, persuaded a young boy to break the news.4 The king collapsed in grief.
Many of the Anglo-Norman nobility were dead too. A generation of aristocrats was obliterated, confounding the lords of England and Normandy who survived. Besides William, the king lost an illegitimate son and daughter, his niece Matilda of Blois, her husband Richard earl of Chester, Richard’s half-brother, and members of his household including his scribe Gisulf, William Bigod, Robert Mauduit, Hugh de Moulins, and Geoffrey Ridel.5 Gilbet l’Aigle lost two sons, both of whom had served in Henry I’s household. Eighteen women were among the dead. For the most part their bodies were never recovered, despite the efforts of the families who hired private divers to claw their remains from the sea.
We know so much about the shipwreck because the chroniclers could not make sense of it; so for centuries they picked over the facts. It was an example of what the historian and chronicler William of Malmesbury called ‘the mutability of human fortunes’.6 So senseless did it seem, that a later historian even speculated that the disaster had been the result of a conspiracy to murder.7
King Henry I grieved bitterly. The tragedy was both personal, and political. He was the fourth son of William the Bastard and had had no expectation of the throne. But he was ruthless and ambitious for power. When his elder brother King William Rufus was shot in the eye with an arrow and killed in the New Forest in 1100 (some believed Henry was behind his death), he raced to secure the treasury at Winchester; he was crowned within three days at Westminster by Maurice, bishop of London, before his other elder brother, Robert, honeymooning in Italy on his way back from crusade, even heard of Rufus’s death. By 1106, Henry I was master of Normandy too; he locked Robert up for nearly thirty years rather than concede power. He successfully battled Robert’s son and his own nephew William Clito for lordship of Normandy, and so ruthless was he in pursuit of supremacy that he even ordered the tips of his granddaughters’ noses be cut off to avoid appearing weak.8
William Atheling’s death negated all his efforts. He had no heir, just numerous bastard children, and one legitimate daughter, Matilda, who was married to the emperor of Germany. Even had she been free to return to England, it is doubtful that the nobility would have accepted her as queen. Although no law barred women from the throne of England, there was little precedent in an age when a ruler was expected to lead troops into battle. Matilda was older than her brother, but when William Atheling was born, no one expected her to rule.