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Hazel Gaynor
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Copyright

Published by HarperCollinsPublishers Ltd

The News Building

1 London Bridge Street,

London SE1 9GF

www.harpercollins.co.uk

Published in Great Britain by HarperCollinsPublishers 2016

Copyright © Hazel Gaynor 2016

Cover layout design © HarperCollinsPublishers Ltd 2016

Cover photographs © Ilona Wellmann/Trevillion Images (girl); Shutterstock.com (pattern).

Hazel Gaynor asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books

Source ISBN: 9780008162283

Ebook Edition © June 2016 ISBN: 9780008162306

Version: 2016-04-14

Dedication

For my sister, Helen.

With love, and a large G&T.

… men and girls came and went like moths among the whisperings and the champagne and the stars.

– F. Scott Fitzgerald, The Great Gatsby

Table of Contents

Cover

Title Page

Copyright

Dedication

Epigraph

Prologue

ACT I: Hope

Chapter 1: Dolly

Chapter 2: Dolly

Chapter 3: Loretta

Chapter 4: Dolly

Chapter 5: Teddy

Chapter 6: Dolly

Chapter 7: Loretta

Chapter 8: Loretta

Chapter 9: Dolly

Chapter 10: Dolly

Chapter 11: Teddy

Chapter 12: Dolly

Chapter 13: Loretta

Chapter 14: Loretta

Chapter 15: Dolly

Chapter 16: Teddy

Chapter 17: Dolly

Chapter 18: Loretta

Chapter 19: Dolly

Chapter 20: Dolly

ACT II: Love

Chapter 21: Loretta

Chapter 22: Dolly

Chapter 23: Teddy

Chapter 24: Dolly

Chapter 25: Dolly

Chapter 26: Dolly

Chapter 27: Loretta

Chapter 28: Dolly

Chapter 29: Dolly

Chapter 30: Teddy

Chapter 31: Dolly

Chapter 32: Dolly

Chapter 33: Dolly

Chapter 34: Teddy

Chapter 35: Dolly

Chapter 36: Loretta

Chapter 37: Dolly

Chapter 38: Teddy

ACT III: Adventure

Chapter 39: Dolly

Chapter 40: Dolly

Chapter 41: Dolly

Chapter 42: Dolly

Chapter 43: Dolly

Chapter 44: Loretta

Chapter 45: Dolly

Chapter 46: Dolly

Chapter 47: Dolly

Epilogue

Acknowledgements

About the Author

Also by Hazel Gaynor

About the Publisher

Prologue

Lancashire, England

March 1916

In my heart, I always knew he would go; that they would all go, in the end. Now the dreaded day has arrived. Teddy is going to war and there is nothing I can do to prevent it.

Everything is a blur. I don’t remember eating breakfast. I don’t remember laying the fires or doing any of my usual chores. I don’t remember hanging up my apron or putting on my coat and hat. I’m not even sure I closed the door behind me as I set off for the station, but I must have done all these things because somehow I am here, standing on the platform, and he is pressing a bunch of daffodils into my hands. Somehow, he is really leaving.

‘I’ll be back before you know it,’ he says, brushing a tear from my cheek. ‘They won’t know what’s hit them when we arrive. Look at us. Tough as old boots!’ I glance along the platform. The assembled conscripts look like frightened young boys. Not soldiers. Not tough at all. ‘I’ll be back for your birthday and I’ll take you to the village dance, just like last year. You’ll hardly notice I’m gone before I’m back.’

I want to believe him, but we all know the truth. Nobody comes back. The thought breaks my heart and I gasp to catch my breath through my tears.

Mam had warned me not to be getting all maudlin and sobbing on his shoulder. ‘You’re to be strong, Dorothy. Tell him how brave he is and how proud you are. No snivelling and wailing.’ And here I am, doing everything she told me not to. I can’t help it. I don’t want to be proud. I don’t want to tell him how brave he is. I want to sink to my knees and wrap my arms around his ankles so that he can’t go anywhere. Not without me.

‘We’ll be married in the summer and we’ll have little ’uns running around our feet and everything will be back to normal, Dolly. Just you and me and a quiet simple life. Just like we’ve always wanted.’

I nod and press my cheek to the thick fabric of his coat. A quiet simple life. Just like we’ve always wanted. I try to ignore the voice in my head that whispers to me of more than a quiet simple life, the voice that speaks of rowdy adventures waiting far away from here. ‘Head full of nonsense.’ That’s what our Sarah says. She’s probably right. She usually is.

A loud hiss of steam pierces the subdued quiet of the platform, drowning out the muffled sobs. Doors start to slam as the men step into the carriages. Embraces end. Hands are prised agonizingly apart. It is time to let go.

I reach up onto my tiptoes and our lips meet in a last kiss. It isn’t lingering and passionate as I’ve imagined, but rushed and interrupted by my wretched sobs and the urgency of others telling Teddy to hurry along now. We part too soon and he is walking away from me. I can hardly see his face through the blur of my tears.

The shrill blast of the station master’s whistle makes me jump. Mothers and daughters cling to each other. Wives clutch their children to their chests as they bravely wave their daddy good-bye. Great clouds of smoke billow around us and I cover my mouth with my handkerchief as the pistons yawn into life and begin turning on their cranks. The carriages jolt to attention, and he is going.

I start to move, my feet falling in time with the motion of the train, slow at first, and then a brisk walk. All along the platform, women and children reach out, clinging for all they are worth to prolong the very last touch of a coat sleeve, a fingertip, the last flutter of a white handkerchief. And I am jogging and then running, faster and faster, until I can’t keep up and he is gone.

He is gone.

He is gone.

I slow to a walk and stand among the suffocating smoke as my heart cracks into a thousand shards of helpless despair. Everything has changed. Everything will be different now.

I put my hands in my coat pockets, my fingers finding the piece of folded paper in each. I glance at the hastily scribbled note from Teddy in my right hand: Darling Little Thing, Don’t be sad. When the war is over, I’ll come back to you, back to Mawdesley. With you beside me, this is all the world I will ever need. I glance at the page in my left hand, ripped from the morning paper as I lay the fire in Madam’s bedroom. SOCIETY DARLING AND BRAVE NURSE VIRGINIA CLEMENTS REVEALED AS WEST END STAR LORETTA MAY! I look at her beautiful face and elegant clothes, the perfect image to accompany the glowing report of Cochran’s latest dazzling production and the enchanting new star of his chorus. I stare at the two pieces of paper. The life I know in one hand. The life I dream of in the other.

The church bells chime the hour. Time to go back to the Monday wash and the predictable routines that carve out the hours of a maid-of-all-work like me. Wiping the tears from my eyes, I fold the pages and return them to my pockets. I turn my back on the distant puffs of smoke from Teddy’s train and walk along the platform. The surface is icy and I go cautiously, my footing unsure. I slip a little, steady myself, and keep going. Crossing the tracks, I step onto the frosted grass verge that crunches satisfyingly beneath my boots. On firmer ground, my strides lengthen and I walk faster, and all the while the question nags and nags in my mind: Am I walking away from my future, or walking toward it?

I don’t have an answer. It is not mine to give.

War holds all the answers now.

ACT I
Hope

London, 1923

To the question, ‘Are stars worthwhile?’ I must give the elusive reply, ‘There are stars and stars.’

– C. B. Cochran, the Weekly Dispatch, 1924

1
Dolly

‘That’s the fascinating thing about life, Miss Lane. All its wonderful unpredictability.’

‘It is as simple as this: a person can be unpunctual or untidy, but if they intend to get on in life they certainly cannot be both.’ I’ll never forget these words, nor the housekeeper who barked them at me as I skulked back to the house – late and dishevelled – from my afternoon off. I’d been walking with Teddy in the summer rain and completely lost track of time. It was worth being scolded for. ‘You, Dorothy Lane, are a prime example of someone who will never get on in life. You will never become anything.’ It was the first time I was told I wasn’t good enough. It wasn’t the last.

I was in my first position in service at the time. Maid-of-all-work. ‘Maid-of-all-fingers-and-thumbs, more like,’ the housekeeper groused. Peggy Griffin was her name – ‘Piggy’ as I called her in private, on account of her stubby nose and hands like trotters. Piggy didn’t take to me, and I didn’t take to her. I didn’t take to domestic work either for that matter. I suppose it didn’t help that my thoughts were usually anywhere else other than the task in hand.

‘Dolly Daydream’ was the nickname I earned from the maids at Mawdesley Hall. Open windows and doors left ajar are a gift to a girl with keen ears and a head full of dreams. Music from the gramophone player set my feet itching to dance as I mangled the Monday wash. Snatched fragments of conversations drifted along the corridors as I swept and polished, filling my head with thoughts of the stars of the West End stage, the Ziegfeld Follies, Broadway – all of it a distraction from the dreary routine of work, from war, from my fears of Teddy being called up. I may have lost many things in the years since I first felt those naive desires, but I held on to my dreams with a stubborn determination worthy of a Lancashire lass. The longing for something more has never left me. I feel it like a fluttering of wings in my heart.

I feel it now, as I shelter from the rain, huddled in the doorway of a watchmaker’s shop on the Strand. My attention is drawn to the posters on the passing omnibuses: Tallulah Bankhead, Gertrude Lawrence, Loretta May. The stars whose photographs and first-night notices I cut from newspapers and stick into my scrapbooks; the women I admire from high up in the theatre gallery, stamping my feet and shouting my appreciation and wishing I was on the stage with them, dressed in silver chiffon. They call us gallery girls: domestics and shopgirls who buy the cheap tickets and faithfully follow our favourite stars with something like a hysteria. We long for the glamorous life of the chorus girls and principal actresses; for a life that offers more than petticoats to mend and bootlaces to iron and steps to scrub. But I don’t just want to escape a life of drudgery. I want to soar. So I care for this restless fluttering in my heart as if it were a bird with a broken wing, in the hope that it will one day heal and fly.

I jump at the sound of a sharp rap on the window beside me. I turn around to see a hard-featured gentleman scowling at me from inside the shop, mean-looking eyes glowering behind black-rimmed spectacles. He says something I can’t hear and flaps his hands, shooing me away as if I were a dog salivating outside the butcher’s shop. I stick my tongue out at him and leave the doorway, hurrying along, hopping over puddles, my toes drowning like unwanted kittens inside my sodden stockings.

I pass bicycle shops and tobacconists, wine merchants, drapers and milliners, the rain falling in great curtains around me as I catch my reflection in the shop windows. Straggly curls hang limply beneath my cloche, all my efforts with curling irons and spirit lamps ruined by the rain. My new cotton stockings are splashed with dirt and sag at my ankles like folds of pastry, the rubber bands I’ve used as makeshift garter rolls clearly not up to the job. My borrowed coat is two sizes too big. My third-hand shoes squeak an apology for their shabby existence with every step. Piggy Griffin was right. I am an unpunctual untidy girl. A girl who will never get on in life.

I dodge newspaper vendors and sidestep a huddle of gentlemen in bowler hats as tramcars and motorcars rattle along the road beside me, clanging their bells and tooting their horns. Cries of the street sellers and the pounding hooves of a dray horse add to the jumble of noise. My stomach tumbles like a butter churn, excited and terrified by the prospect of my new position as a maid at The Savoy hotel.

The Savoy. I like the sound of it.

With my head bent down against the slanting rain, I take the final turn down Carting Lane, where I collide spectacularly with a gentleman hurrying in the opposite direction. I stagger backwards, dropping my travel bag as he takes a dramatic tumble to the ground. It reminds me of a scene from a Buster Keaton picture. I clap my hand over my mouth to stop myself laughing.

‘I’m so sorry! Are you all right?’ I raise my voice above the noise of the rain and the hiss of motorcar tyres through puddles. ‘My fault. I wasn’t looking where I was going.’

Dozens of sheets of paper are scattered around him, plastered to the sodden street like a child’s hopscotch markings. He attempts to stand up, slipping and sliding on the wet paving stones. I offer my hand and an arm for him to balance on. He grasps hold of both and I pull him upright. He is surprisingly tall when he’s vertical. And handsome. Rusted stubble peppers his chin. His lips are crowned with a slim sandy moustache, a shade lighter than his russet hair; the colour of fox fur. I really want to touch it, and clench my fists to make sure I don’t.

‘Are you hurt?’ I ask, bending down to pick up his pages.

‘I don’t think so.’ He shakes water from his coat like a dog just out of the sea and stoops to join me, scrabbling at the edges of the papers stuck to the pavement. ‘Feel like a damned fool, though. Are you hurt? That was quite a collision!’ He speaks like the man from the Pathé newsreels at the picture palace, all lah-de-dah and lovely.

I check myself over. ‘I’ve a ladder in my stocking, but nothing that a needle and thread won’t fix. At least I managed to stay on my feet. Should’ve been looking where I was going.’

‘Me too. It was completely unavoidable.’ He looks at me, the hint of a smile dancing at the edge of his lips, his eyes deep puddles of grey that match the weather perfectly. ‘Or perhaps it was necessary.’

We grin at each other like the greatest fools, as if we are stuck and neither of us is capable of pulling away, or doesn’t want to. London fades into the background as the rain becomes a gentle hush and the cries of the street vendors blend into a waltz in three-four time. For a perfect rain-soaked moment there is nothing to do, nowhere to be, nobody to worry about. Just the melody of a rainy London afternoon, and this stranger. I catch my reflection in his eyes. It is like looking into my future.

A ribbon of rainwater slips off the edge of the peppermint-striped awning of the florist’s shop beside us, pooling in the crown of his hat. Grabbing the last of the papers, he ducks beneath the awning and the moment drifts away from us like a child’s lost balloon and all I can do is watch it disappear over the rooftops. I join him beneath the awning as he pats at his elbows with a white handkerchief and inspects a small tear in the knee of his trousers.

‘Damned new shoes,’ he mutters. ‘Treacherous in weather like this.’

His shoes are smart two-tone navy-and-tan brogues. I glance at my black lace-ups, hand-me-downs from Clover, as battered and worn as old Mrs Spencer at the fish shop. I place one foot over the other, self-consciously. ‘That’s why I don’t bother with them,’ I say. ‘Old shoes are more reliable. Same with men.’

My Lancashire accent sounds common beside him and I regret giving up the elocution lessons I’d started last year. Couldn’t stand the stuck-up woman who taught me. In the end I told her to get knotted with her how-nows and brown cows. Now I can’t help feeling I might have been a bit hasty.

I watch as he fusses and fidgets to set himself right, adjusting his coat and replacing his trilby: nut-brown felt with a chocolate-ribbon trim. Ever so smart. Dark shadows beneath his eyes suggest a late night. He smells of whisky and cigarettes, brilliantine and rain. I can’t take my eyes off him.

‘If you don’t mind me saying, you look knackered.’

He raises an eyebrow. ‘Are you always this complimentary to strangers?’ That smile again, tugging at the edge of his mouth as if pulled by an invisible string. ‘It was a late night, if you must know.’

‘Hope she was worth it.’

He laughs. ‘Well, aren’t you the little comedienne! I needed some amusement today. Thank you.’

As I hand him the sodden pages that I’ve rescued from the pavement, I notice the lines of musical notes. ‘Do you play?’

‘Yes.’ He takes a page from me. ‘I write it actually.’

‘A composer? Blimey! Blues or jazz?’

‘Blues, mainly.’

‘Oh.’

‘You sound disappointed.’

‘Prefer jazz.’

‘Doesn’t everybody?’

I hand him another page. ‘Is it any good then, your music?’

He looks a little embarrassed. ‘I’m afraid not. Not at the moment, anyway.’

‘That’s a shame. I love music. The good type, that is. Especially jazz.’

He smiles again. ‘Then perhaps I should write some.’

‘Perhaps you should.’

And here we are again, grinning at each other. There is something about this fox-haired stranger that makes me smile all the way from my sodden toes to the top of my cloche. Nobody has made me feel like this since I was eight years old and first met Teddy Cooper. I didn’t think anybody would ever make me feel that way again. Part of me has always hoped nobody ever would.

‘And what is it you do?’ he asks. ‘Other than knock unsuspecting gentlemen down in the street?’

I hate telling people my job. My best friend, Clover, pretends she’s a shopgirl or a clerk if anybody asks. ‘Nobody wants to marry a domestic,’ she says. ‘Best to tell a white lie if you’re ever going to find a husband.’ I want to tell him I’m a chorus girl, or an actress in revue at the Pavilion. I want to tell him I’m somebody, but those grey eyes demand the truth.

‘I’m just a maid,’ I say, as Big Ben strikes the hour.

‘Just a maid?’

‘Yes. For now. I start a new position today. At The Savoy.’ The chimes are a reminder. ‘Now, actually.’

‘A maid with ambition. A rare and wonderful thing.’ A grin spreads across his face as he chuckles to himself. I’m not sure whether he is teasing me. ‘Well, I mustn’t keep you.’ He rolls the damp papers up and bundles them under his arm like a bathing towel. ‘Perry,’ he says, offering his hand. ‘Perry Clements. Delighted to meet you.’

His hand is warm against the fabric of my glove. The sensation makes the skin prickle on my palm. ‘Perry? That’s an unusual name.’

‘Short for Peregrine. Frightful, isn’t it?’

‘I think it’s rather lovely.’ I think you are rather lovely. ‘Dorothy Lane,’ I say. ‘Dolly, for short. Pleasure to meet you, Mr Clements.’ I gesture to the paper bathing towel under his arm. ‘I hope it’s not completely ruined.’

‘You’ve done me a favour, to be honest, Miss Lane. Possibly the most dismal piece I’ve ever written.’

And then he does something extraordinary and shoves the papers into a litter bin beside me, as casually as if they were the empty wrappings of a fish supper.

I gasp. ‘You can’t do that!’

‘Why not?’

‘Well. Because. You just can’t!’

‘But apparently I just did. That’s the fascinating thing about life, Miss Lane. All its wonderful unpredictability.’ He slides his hands into his coat pockets and turns to walk away. ‘It was terribly nice to meet you.’ He is shouting above the din of traffic and rain. ‘You’re really quite charming. Good luck with the new position. I’m sure you’ll be marvellous!’

I watch as he runs tentatively down the street, slipping and skidding as he goes. I notice that he carries a limp and hope it is an old war wound and not the result of our collision. He tips his hat as he jumps onto the back of an omnibus and I wave back. It feels more like an enthusiastic hello to an old friend than a polite good-bye to a stranger.

When he is completely out of sight I grab the bundle of papers from the litter bin. I’m not sure why, but it feels like the right thing to do. Something about these sodden pages speaks to me of adventure and, as Teddy said when we watched the first group of men head off to France, you should never ignore adventure when it comes knocking. Little did any of us know that the experience of war would be far from the great adventure they imagined as they waved their farewells.

Pushing the papers into my coat pocket, I run on down Carting Lane, being careful not to slip on the cobbles that slope steadily down towards the Embankment and the river. It is pleasantly quiet after the chaos of the Strand, even with the steady stream of delivery vans and carts that rumble past. I head for the service entrance, sheltered by an archway, and turn to walk down a flight of steep steps that lead down to a black door. A maid is stooped over, rubbing a great lump of hearthstone against the middle step. It seems to me a fool’s errand with the rain spilling down and dirty boots and shoes everywhere, but as I well know, it is not a maid’s place to question the sense of the chores she is given.

She looks up and wipes her hands on her sacking-cloth apron. ‘Beg pardon, miss.’

I smile at her. ‘Don’t let me stop you.’

Her cheeks are flushed from her efforts. She is young. Probably in her first position. I was that girl not so long ago, scrubbing steps, polishing awkward brass door handles, hefting heavy buckets of coal, constantly terrified to put a foot wrong in case the housekeeper or the mistress gave me my marching orders. The girl looks blankly at me and drags her pail noisily to one side so that I can pass. I go on tiptoe so as not to spoil her work.

Above the door, a sign says FOR DELIVERIES KNOCK TWICE. Since I’m not delivering anything I pull on the doorbell. In my head my mother chastises me. ‘Late on your first day, Dorothy Mary Lane. And look at the state of you. Honestly. It beggars belief.’

I hear footsteps approaching behind the door before a bolt is drawn back and it swings open. A harried-looking maid glares at me.

‘You the new girl?’

‘Yes.’

Grabbing the handle of my travelling bag, she drags me inside. ‘You’re late. She’s spitting cobs.’

‘Who is?’

‘O’Hara. Head of housekeeping. Put her in a right narky mood you have, and we’ll all suffer for it.’

Before I have chance to defend myself or reply, she shoves me into a little side room, tells me to wait there, and rushes off, muttering under her breath.

I place my bag down on the flagstone floor and look around. A clock ticks on the mantelpiece. A picture of the King hangs on the wall. A small table stands beneath a narrow window. Other than that, the room is quiet and cold and unattractive, not at all what I’d expected of The Savoy. Feeling horribly damp and alone, I take the photograph from my coat pocket, brushing my fingers lightly across his image. The face that stirs such painful memories. The face I turn to after every housekeeper’s reprimand and failed audition. The face I look at every time someone tells me I’m not good enough. The face that makes me more determined to show them that I am.

Hearing brisk footsteps approaching along the corridor, I put the crumpled photograph back into my pocket and pray that the head of housekeeping is a forgiving and understanding woman.

As she enters the room, it is painfully apparent that she is neither.

2
Dolly

Wonderful adventures await for those who dare to find them.

O’Hara, the head of housekeeping, is a furious Irishwoman with a frown to freeze hell and an attitude to match. She is tall and strangely angular, her hair frozen in tight black waves around her face. Her arms are folded across her chest, her elbows straining against the fabric of her black silk dress, like fire irons waiting to prod anyone who gets in her way.

‘Dorothy, I presume?’ Her voice is clipped and authoritative.

I nod. ‘Yes, miss. Dorothy Lane. Dolly, for short.’

She looks pointedly at a watch fob attached to the chest panel of her dress. ‘You are five minutes late. Whilst I might expect poor timekeeping of flighty girls who work in factories and wear too much make-up and coloured stockings and invariably come to a bad end, I do not expect it of girls employed at The Savoy. I presume this is the first and last time you will be late?’

Her words snap at me like the live crabs at Billingsgate Market. I nod again and take a step back. When she speaks the veins in her neck pop out, as if they are trying to get away from her. If I were a vein in O’Hara’s neck, I’d be trying to get away from her too.

‘Mr Cutler is not impressed by tardiness,’ she continues. ‘Not at all. Not to mention the governor.’

I have no idea who Mr Cutler or the governor are, but decide that now is not the best time to ask. ‘I’m very sorry. I bumped into someone you see, miss, and the rain—’

A brusque wave of the hand stops me midsentence. ‘Your excuses do not interest me and I most certainly do not have time for them.’ She consults the watch fob again, as if it somehow operates her. ‘Hurry now. Get your bag. Come along.’

She turns and sweeps from the room. I pick up my bag and scuttle along behind, following the familiar scent of Sunlight soap that she leaves in her wake. She moves with brisk neat steps, the swish swish of her skirt reminding me of Mam rubbing her hands together to warm them by the fire. We go up a short stone staircase that leads to a series of narrow sloping passageways, the plain walls lit by occasional lampless lights. We pass a large room where maids are stooped over wicker baskets sorting great piles of laundry, and another room where a printing press clicks and whirs and men with ink-stained aprons peer through spectacles at blocks of lettering. The air is laced with a thick smell of oil and tar. It is stark and industrial. Far from the sparkling chandeliers and sumptuous carpets I’d imagined.

‘Your reference from Lady Archer was complimentary,’ O’Hara remarks, looking over her shoulder and down her nose with a manner that suggests I don’t match up at all with the girl she was expecting. ‘And the housekeeper spoke highly of you.’

‘Really? That was very kind of them.’ I’m surprised. I can’t believe Lady Archer would be complimentary about anything, let alone me. I worked for her in my last position at a house in Grosvenor Square. She can’t have said more than a dozen words to me in the four years I spent there and most of them were only to remark on my appearance and suggest how it might be improved.

‘It wasn’t kind, Dorothy. It was honest. Kindness and honesty are very different things. You’d be advised not to confuse one with the other.’

We walk on a little farther until she takes a sharp left and stops. ‘We’ll take the service lift,’ she says, checking her watch fob again and tutting to herself as she bustles me into a narrow lift and instructs the attendant to take us to second. He mutters a good afternoon before pulling the iron grille across the front and pressing a button on a panel in the wall.

‘I presume you haven’t been in an electric lift before,’ O’Hara says as the contraption jolts to life and we start our ascent.

‘No. I haven’t.’ I push my palms against the wall to steady myself as the passage slips away beneath us. I’m not sure I like the feeling.

‘The Savoy is the first hotel to be fully equipped with electricity,’ she continues. ‘Electric lifts, electric lighting – and centrally heated, of course. No doubt there’ll be plenty of new experiences for you here.’ She pushes her shoulders back and stands proud. ‘You’ll soon get used to it.’

‘Yes. I suppose I will.’ The sensation of the lift makes me queasy. My mouth feels dry. I could murder a brew.

Stepping out of the lift, I follow O’Hara along another corridor and into a large room, similar to the servants’ room at Mawdesley Hall. She tells me this is the Staff Hall Maids’ Room, where I will take all my meals. At least a dozen maids sit around a long wooden table, their faces lit by electric globe lights suspended on a pulley from the ceiling. The walls are distempered a sickly mustard yellow.

O’Hara waves an arm towards the table. ‘I’m sure you’re capable of introducing yourselves. Afternoon break is ten minutes. Breakfast, lunch, and supper are all served in here. The tea urn can be temperamental. Wait there.’

She departs in a rustle of silk. I put my bag down and shove my hands into my coat pockets. ‘Seems like the tea urn isn’t the only thing that’s temperamental.’ I mutter the words to myself but one of the girls sitting closest to me hears. She spits tea with laughing.

‘That’s the funniest thing I’ve heard all year. Where’d they find you then, the music halls?’

I have that uncomfortable feeling of being the new girl at school, unsure whether I should sit down and join the others or wait for the irate Irishwoman to return. The girls at the table chatter away like a flock of starlings. They pretend to pay no notice to me, but I can tell they are all trying to sneak a glance without obviously staring. A couple of them smile at me. One glares at me so intently that I wonder if I’ve worked with her before and offended her in some way, although I can’t place her.

The youngest-looking girl pours tea from a pot and hands me a cup. ‘You been for a swim in the Thames?’ she says. ‘You’re soaked. And you’re leaving puddles on the floor.’

I look down. A small pool of water has gathered on the floor as the water drips from the hem of my coat. I take it off and bundle it under my arm, telling the girl that it’s cats and dogs outside.

The girl who spat her tea asks if I’ve ever heard of a thing called an umbrella. ‘Sissy, by the way,’ she says. ‘Sissy Roberts.’

‘Dorothy Lane,’ I reply. ‘Dolly, for short. I never bother with umbrellas. Too much bumping into people and apologizing. Anyway, a bit of rain never hurt anyone.’

Sissy laughs. ‘It’ll hurt the governor’s Turkish carpets if you drip all over them.’

As I take my first sip of tea, O’Hara sweeps back into the room. ‘Come along now, Dorothy. I’ll show you to the maids’ quarters.’ She stops and stares as if noticing me for the first time. ‘Goodness, girl! You’re soaked. Did you swim here?’

Her comment sets the others sniggering again. Sissy mouths a ‘good luck’ as I reluctantly leave my tea and rush along after O’Hara like a gosling following a mother goose.

We walk down another long passage that leads to a narrow staircase where two porters are struggling with a heavy-looking crate of champagne. One of them winks at me as they shuffle past. Cheeky sod. We pass a maid whose cap is just visible above a towering pile of linen balanced in her arms, and then a young page in a powder-blue uniform who stands obediently to one side to let us pass. He reminds me of a toy soldier with his smart white gloves and epaulettes. He wishes O’Hara good morning and gawps at me like he’s never seen a girl before. I flash him my best smile, setting him blushing like a ripe peach. O’Hara tells him it is rude to stare and to straighten his cap and to hurry along with whatever message he is delivering. His cheeks flare scarlet under her castigation.

‘You’ll share your room with three other maids,’ O’Hara explains as she bustles on ahead. ‘I suggest you get out of those damp clothes straightaway or you’ll have pneumonia before you’ve even changed so much as a pillow slip. Your uniform is laid out on your bed: two blue print morning dresses, two black moiré silk dresses for afternoons and evenings, three white aprons, two frill caps, black stockings, and black shoes. Laundry is sent out on Mondays. The hotel has its own laundry out Kennington way.’ The mention of Kennington sets my heart tumbling, but I have no time to dwell on the memories stirred as O’Hara rabbits on. ‘Sissy Roberts will show you around the areas of the hotel you are permitted in. Pay attention. Nobody likes to see a maid where she isn’t supposed to be. I’ll stop by later with the house list.’

I haven’t the foggiest what the house list is. I would ask, but my mouth is dry and my tongue feels as fat as a frog.

‘Second floor is live-in staff quarters,’ she explains. ‘Heads of department are accommodated on eighth. The governor – Reeves-Smith – keeps an apartment here, although he usually stays at our sister hotel, the Berkeley. Each guest floor has an assigned waiter, valet, and maid for floor service. You’ll take instruction from them, as necessary.’

The corridor is brighter than the passages below. Electric lights shine from sconces along the walls. My sodden shoes squeak against the nut-brown linoleum as I walk, the sound setting my teeth on edge. I follow O’Hara to a panelled door, where she stops and takes a key from the impressive collection hanging from her waist. She opens the door and we both step inside.

The room is neat, functional, and comfortably furnished. Far nicer than the sparse little room I’d shared with Clover at the top of the house in Grosvenor Square. It smells of furniture polish and lavender. A Turkey rug sits in the middle of the room, worn in patches from the footsteps of countless maids. Each of the four iron bedsteads is neatly made up with a white candlewick counterpane pulled tight across the sheets and mattress. O’Hara strides towards a narrow sash window and pulls it shut.

‘The maids’ bathroom is across the corridor,’ she says. ‘The necessary is to the right. You’ll be attending to guest rooms on floors four and six. All rooms are turned out daily, starting with unoccupied rooms for incoming guests, and then on to occupied rooms as soon as the guest departs for the day. Knock three times before announcing yourself by saying, “Housekeeping.” You’ll hang a MAID AT WORK sign on the door and always close the door behind you. Nobody wishes to see the work in progress, as it were.’ She tugs at the edge of a counterpane and plumps a pillow. ‘Should a guest return unexpectedly, you must vacate the room and finish it when instructed to do so. Things happen at peculiar and unpredictable times of the day in a hotel, Dorothy. You cannot expect the rigidity and routine of a regular household.’

‘No. Yes. Of course.’ My mind dances with thoughts of the hotel’s impressive guest list. Hollywood stars. Privileged American heiresses. The darlings of London society. Far more impressive than the stuffy old ladies who visited Lady Archer for boring bridge evenings and dreary at-homes.

‘You’ll attend to various other duties throughout the day – sorting the linen cupboards, occasional sewing for guests, that sort of thing. You’ll pull the blinds and curtains and turn down the beds in the evening. You must greet guests with a polite good morning, good afternoon, or good evening, and use their full title.’

I try to take everything in as O’Hara reels off her endless lists of instructions, but I’m preoccupied with thoughts of who the other three beds belong to, whether my roommates are pleasant, whether we will become good friends.

O’Hara chatters on. ‘I’m sure I needn’t remind you that the utmost discretion is required at all times.’ She raises an eyebrow. ‘Maids may occasionally see or hear things that are, shall we say, out of the ordinary. My advice to you is to turn a blind eye.’

‘Yes. Of course.’

‘You have a ten-minute morning tea break. Lunch is at twelve or one, depending on which relay you are on from week to week. Tea is at five, and supper – if all your chores are complete – is cocoa and bread and butter at nine. You have Wednesday afternoons and alternate Sundays off. I presume you’ll be powdered and painted and heading off to the picture palaces or the dance halls like the others.’ She tuts as she straightens the hearth rug. Her words fall off me like raindrops. All I can remember is cocoa and bread and butter at nine and my stomach rumbles at the thought. ‘Curfew is ten o’clock. Sissy Roberts will accompany you on your rounds today and tomorrow. Then you are on your own. Watch and learn, Dorothy. Watch and learn.’

I set my bag down beside the bed where my uniform is laid out. ‘It’s Dolly,’ I mutter. ‘Dolly, for short.’ She doesn’t hear me, or if she does, she chooses to ignore me as she stoops to pick up a piece of lint from the rug.

‘Any questions?’

I have dozens. ‘No. Everything seems straightforward. I’m sure I’ll soon pick it up.’

‘Very well. Then welcome to The Savoy, Dorothy. She is quite wonderful when you get to know her. I hope you will get along very well.’

She closes the door behind her, leaving me alone with the sound of the rain pattering against the window and a nagging voice in my head wondering how I’ll ever remember everything.

Hanging my sopping hat and coat on the stand beside the door, I take a better look at the room. Beside the beds, occasional items on the nightstands suggest a hint of the other girls who sleep here: a framed photograph of a soldier in uniform, a copy of Jane Austen’s Persuasion, a scallop-edged gilt powder compact that I can’t take my eyes off, a well-thumbed copy of The Sheik, and a pile of Peg’s Paper magazines. Clover’s favourite.

Dear Clover. I wish she were here with me. She’d tell me to stop worrying. She’d say something to make me laugh. While I wonder about things, Clover just gets on with them, accepts her lot, and makes do. She teases me about my dream of a life on the stage, but she also believes in me. ‘There’s something about you, Dolly,’ she says. ‘Something in your eyes. I saw it the very first time I met you. And you’re as stubborn as an old Lancashire goat. If anyone can get onto that stage, you can. I’d bet my best knickers on it.’

Her belief in me has only ever been matched by Teddy. He always said I would become someone special, that the little girl who twirled and danced her way through childhood when she should have been sitting still or feeding the chickens would find greater things. It was Teddy who found The Adventure Book for Girls in the laneway behind the house all those years ago when we were just children. ‘It’s yours now, Dolly,’ he said, brushing the mud off the cover with his elbow and pressing the book into my hands. ‘Finders keepers.’ And then he ran off to chase a butterfly. Teddy was always chasing butterflies. He never kept them though. Said he just liked to admire them close up before he let them go.

The Adventure Book for Girls was heavy, filled with 236 pages of stories, but it was the inscription inside that intrigued me the most: Wonderful adventures await for those who dare to find them. With much love, Auntie Gert. Those words crept into my heart and since nobody knew who the book belonged to, or who Auntie Gert was, I kept it. My sisters squabbled about it, saying it wasn’t fair. My taunting response of ‘Finders keepers, losers weepers’ only made things worse. Mam eventually put the book out of reach on top of the grandfather clock and told us it would stay there until we could learn to be nice to one another.

It was a week before that book came down.

My sisters soon lost interest, but I read every page, a dozen times at least. As time passed, the book was discarded by all of us in favour of other things – bicycles and boys mostly. The last time I saw it, it was being used to balance out a wobbly leg at the kitchen table, but I’ve never forgotten those adventure stories, nor Auntie Gert’s words. They whisper to me still, blowing my dreams onward despite everything that has happened, and everyone I have loved and lost in the years between.

Shivering against the cloying damp of my clothes, which now feel horrible against my skin, I step out of my shoes and strip down to my underwear, draping my brown serge dress, slip, and stockings over a wooden clotheshorse that stands in front of the fire. They hang there like a wilted version of myself in shades of tea and stout as I place my shoes on the hearth, despairing at the dull practicality of them. More than any cap or apron, I’ve always felt it is a maid’s shoes that really distinguishes ‘Them’ from ‘Us’. I stand in front of the fire, first to the front, then to back, just like I did as a young girl standing beside my two sisters, our reedy bodies convulsing as we tried to get warm after the weekly bath. I smile at the memory. What would they say if they could see me now, standing half naked in The Savoy hotel in London? I squeeze my eyes shut and say a silent prayer to them.

When I’m a little warmer I take the photograph from my coat pocket and set it on the hearth to dry. ‘We made it,’ I whisper, resting my fingers lightly on the image of his face, my heart contracting and expanding in great waves at the thought of him. Beside the photograph and my shoes, I lay out the pages of music, wishing I could understand the black dots and squiggles dancing across the lines. The heat from the fire lifts the faintest scent of him from the paper: whisky and cigarettes.

Perry Clements. Peregrine Clements. Mr Clements.

The name skips through my mind as I picture him staggering to his feet; fox-fur hair, grey puddles for eyes. The thought of our brief encounter sends goose bumps running over my skin and makes me smile, and yet at the same time I am saddened to know that it is someone other than Teddy who occupies my thoughts and sets my heart racing.

I always knew the day would come.

I always knew it would be too soon.

I have to leave, Teddy. For reasons I can’t explain, I have to go away. I will never stop loving you, and if only things were different there is nowhere I would rather be than by your side.

My thoughts are disturbed as the bedroom door flies open and three maids come tumbling in. I shriek and run to my bed, pulling off the counterpane and wrapping it around my shoulders to cover myself. I recognize Sissy from the maids’ room. She takes one look at me and bursts out laughing.

‘I’d get dressed if I were you,’ she says, throwing herself down onto the bed beside mine and putting on a snooty accent. ‘This isn’t one of those hotels. This, darling, is The Savoy!’

3
Loretta

‘Hope is a dangerous thing, darling. It is usually followed by disappointment and too much gin.’

The soothing lilt of the piano drifts around the Winter Garden at Claridge’s. With a pleasing jazz medley the pianist captivates us all, the music mingling with polite chatter and the jangle of silver teaspoons against fine china cups. The sounds of afternoon tea. The sounds of luxury.

I sit alone at my usual table for two, my brother being habitually late. One would think I would be used to his tardiness by now, but I find it irksome and unnecessary. Seated behind a huge date palm, I at least have a little privacy while I wait. A little, but not too much. The spaces between the foliage afford the guests an occasional glimpse, sending whispered speculations racing across the crisp white tablecloths. ‘Is it her?’ ‘I thought she was in Paris.’ ‘Yes, I’m certain it’s her.’

I smile. Let them whisper and wonder. It is, after all, part of the performance.

I sip my cup of Earl Grey as I watch the raindrops slip down the windowpanes. Mother always insists that tea tastes better when it rains, something to do with precipitation and dampness bringing out the flavour in the leaves. She is full of such tedious nonsense. It is one of the reasons I visit her as infrequently as possible. The fact that she can barely stand to be in the same room as me being another. In any event, despite the inclement weather, my tea tastes peculiar, and there is nothing more unsettling than peculiar-tasting tea, particularly at Claridge’s.

I sniff the milk jug as discreetly as it is possible for one to sniff a milk jug in public. It has definitely turned. Mother would be appalled by the very fact that I take milk in Earl Grey at all. I look around for a waiter but think better of it. I don’t like to make a fuss. Not at Claridge’s. I’m awfully fond of Claridge’s, and besides I can’t summon the enthusiasm to make a proper fuss about anything recently. I decide to forgive this small oversight, assign the bad taste to too many gin cocktails last night, and reserve my annoyance for my wretched brother.

I’m quite aware that Peregrine tolerates our ritual of afternoon tea simply to humour me. He has complained about it since we first started meeting here when he was a jaded young lawyer and I was a bored society debutante. He thinks it unfair that I only invite him to tea and not our older brother, Aubrey, but as I remind him frequently Aubrey is too busy and too married and too full of his own self-importance to contemplate tea with his little sister and brother. We are better off without him.

‘But must we take afternoon tea every Wednesday, Etta?’

‘Yes, Perry. We must.’

‘Might I ask why?’

‘Because afternoon tea is predictable and charming – qualities that should be preserved wherever possible. Because it is one of the few things in my life that I can do without a chaperone, and because if we stop meeting for afternoon tea, who knows what we will stop doing next. Eventually we’ll stop seeing each other altogether. We’ll become distant strangers, like Aubrey, communicating only through a few thoughtless lines scribbled on tasteless Christmas cards. One day we’ll realize that we miss afternoon tea on a Wednesday terribly, but it will be too late, because one – or both of us – will be dead.’

Perry laughed and called me melodramatic, but he kept showing up nevertheless. In the end it wasn’t his lack of enthusiasm that brought an end to our little arrangement, it was war.

Overnight, the carefree privileged life we knew came crashing to a halt as a new and terrifying existence settled upon us all like a suffocating fog. My brothers went to France to serve as officers on the Western Front. I enrolled as a Voluntary Aid Detachment nurse. Simple pleasures such as afternoon tea became a distant memory until the war ended and my brothers returned. We were all changed irrevocably by the long years between. Now I cling to Perry and afternoon tea at Claridge’s like a life raft, holding on with grim determination, even if his habitual tardiness irritates me immensely and gives me a daylong headache.

‘Would you care for another pot of Earl Grey while you wait, Miss May?’

I glance up at the waiter. A handsome young chap. All taut-skinned and vibrant-eyed. The treasures of youth. ‘I suppose another can’t do any harm.’

‘No, miss. Not on such a dreadful day. And another slice of Battenberg, perhaps?’

I nod. Even the waiters at Claridge’s know my preferences and tastes. It makes life extraordinarily dull at times. ‘And a fresh jug of milk,’ I add.

‘Very well, Miss May.’

He moves with the precision of a principal ballet dancer, pirouetting behind the great ferns and Oriental screens that segment the room into private nooks and crannies. I almost call after him, tell him I’ve changed my mind and to bring Darjeeling and Madeira cake instead, but I don’t. Sometimes it is simpler to keep things as they are.

The pianist plays ragtime as the rain thrums in time against the window. All is a colourless grey smudge outside, weather for reading a racy novel, or for playing backgammon by the fire if one isn’t easily enthralled by the notion of illicit love affairs. Bored and restless, I drape my arm casually over the back of the chair beside me, the creamy white of my skin visible where my sleeve rides up over my wrist. A gentleman at the table to my right can’t take his eyes off me. I stretch out a little farther, languishing like a cat. I am still beautiful on the outside, despite the cracks that are appearing beneath the surface.

The waiter returns and pours the tea as I shuffle in my chair, fussing with the pleats and folds in my skirt, checking my reflection in the silver teapot: perfect golden waves, crimson lips, pencilled eyebrows over hooded eyes, green paste earrings that swing pleasingly as I tilt my head from side to side to catch the best of the light from the chandeliers. Claridge’s has always had flattering light. It is one of the reasons I insist on coming here.

I check my watch. Where the devil can Peregrine have got to?

I fiddle with the menu card, tapping it against the edge of the rose-patterned saucer. Lines of script whirl through my mind like circus acrobats as carefully choreographed steps play out on my feet beneath the linen tablecloth. I cannot sit still. My nerves rattle like the bracelets that knock together on my arm.

It is always the same. Always at three o’clock on the afternoon before opening night when the butterflies start dancing and the jitters set in. Tomorrow is opening night of a new musical comedy at the Shaftesbury, a full-length piece, the female lead written especially for me. The Fleet Street hacks and society-magazine gossip columnists are waiting for me to fail, desperate to type their sniping first-night notices: Miss May’s acting talents are obviously limited to revue and the lighter productions that made her a star. She would be well advised to leave the more challenging roles to accomplished actresses, such as the wonderful Diana Manners and the incomparable Alice Delysia. I feel nauseous at the thought.

The new production, HOLD TIGHT!, is a huge personal and professional risk. I don’t know how I ever let Charles Cochran talk me into it. Presumably it had a lot to do with the wonderful Parisian dresses he promised, and the large volume of champagne we drank on the night the contracts were signed – not to mention the fact that I cannot deny darling Cockie anything. But it isn’t just opening night that has my nerves on edge. There are other matters troubling me, matters far more important than forgotten lines and missed cues. Matters that I do not wish to dwell on.

My only small comfort is in knowing that I’m not the only one feeling anxious today. It is early in the autumn season. New productions open nightly across the city and everyone in the business is skittish. Final dress rehearsals are gruelling fourteen-hour-long marathons. Tempers and nerves are as frayed as the hems on unfinished costumes. The precariously balanced reputations of writers, composers, producers, actors, and actresses are all at stake. Everybody wants their show, their leading lady, to be the big sensation. For established stars such as myself, there is the added threat of the new girls – ambitious beautiful young things who will inevitably emerge from the chorus to become the darling of the season. That dreadful Tallulah Bankhead has already gone some way to shaking things up with Cockie engaging her in the lead role of The Dancers. The gallery girls find everything about her so exotic: her name, her beauty, her quick wit and overt sexuality. Under the glare of such bright young things, is it any wonder I feel dull and worn? It wasn’t so long ago when ambition and beauty were synonymous with the name Loretta May, when I wore my carefree attitude as easily as my Vionnet dresses. I was the darling of the set, wild and free, out-dazzling the diamonds at my neck. But things move quickly in this business. What shines today glares horribly tomorrow. We all lose our lustre in the end.

As the pianist plays ‘Parisian Pierrot’, a popular number from André Charlot’s new revue London Calling!, I spot Perry crossing the road. I urge the pianist to play faster and finish the piece. Perry is fragile enough without hearing the most popular number of the season so far, written by one of his friends. While Perry struggles to write anything at all, Noël Coward could write an address on an envelope and it would be a hit. Thankfully the final chords fade as he is shown to our table, limping towards me like a shot hare, apologizing all the way. He is as sodden as a bath sponge and has a tear in the knee of his trousers. Disapproving stares follow him.

‘Sorry, sorry, sorry.’ He leans forward to kiss me, his stubble scratching my skin. He smells of Scotch and cigarettes. I tell him to sit down. Quickly.

‘You’re an absolute fright, Perry Clements. You look like a stray dog that has been out all night. Where on earth have you been to get into such a state?’

‘In the rain mostly. I bumped into someone near The Savoy. Quite literally. She sent me skittering across the pavement like a newborn foal.’

‘Anyone interesting?’ I ask.

‘No. Just some girl.’ He takes a tin of Gold Flake from his breast pocket, lights a cigarette, and takes a couple of long, satisfying drags. ‘Damned nuisance really. And then the omnibus got a flat, so I decided to walk the rest of the way. Anyway, I’m here now, and while I know you’re desperate to lecture me on appearance and send me straight off to Jermyn Street for some smart new clothes, I’d rather like it if we didn’t squabble. Not today. I have an outrageous headache.’

‘Scotch?’

‘And absinthe. Rotten stuff. Don’t know why anybody drinks it.’

‘Because the Green Fairy is wicked, and everybody else does. I have no sympathy for you, darling. None whatsoever.’

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₺462,45
Yaş sınırı:
0+
Litres'teki yayın tarihi:
28 aralık 2018
Hacim:
426 s. 27 illüstrasyon
ISBN:
9780008162306
Telif hakkı:
HarperCollins

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