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Polly James
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Copyright

AVON

A division of HarperCollinsPublishers

1 London Bridge Street,

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollinsPublishers 2016

Copyright © Polly James 2016

Polly James asserts the moral right to be identified as the author of this work.

A catalogue record of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780007548552

Ebook Edition © June 2016 ISBN: 9780007548569

Version 2016-05-13

Dedication

For Mark, Daisy and Jack, as always – and for Becky Thomas, without whom there would be no book.

“There is no disguise which can hide love for long where it exists, or simulate it where it does not.”

François de la Rochefoucauld, 1613–1680

Table of Contents

Cover

Title Page

Copyright

Dedication

Epigraph

Prologue

Twenty-Seven Years Later…

Winter

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Spring

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Summer

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Autumn

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Winter

Chapter 59

Chapter 60

Epilogue

Acknowledgements

Keep Reading …

About the Author

About the Publisher

Prologue

Dan lets go of both oars and searches the front pockets of his jeans, looking more anxious by the second.

“Shit,” he says. “Where’ve I put it?”

I take no notice, as I’m too busy lounging in the stern of the dinghy and trailing my fingers in the water. The sky is intensely blue and I’m as happy as I’ve ever been. (I’m about to get even happier, though I don’t know that yet.)

“A-ha!” says Dan. “I’ve found it. Thank God for that.”

I’m still not looking at him, because now I’m friend-spotting amongst the groups of art school students celebrating the end of finals on the banks of the Serpentine in Hyde Park. The sun’s so bright, I can’t see properly without the sunglasses I dropped overboard the last time Dan kissed me, so I just wave vaguely in the direction of the crowds.

Someone shouts something unintelligible across the water, at the same time as a duck squawks and Dan says something equally unintelligible.

“What?” I say. “I didn’t hear you.”

“Oh, for God’s sake, Hannah,” says Dan, his dark eyes fixed on mine. “Pay attention, will you? I’m trying to do something important here.”

The boat bobs gently up and down as he adds, “I asked you if you’ll marry me.”

I stare at him, wondering if I’ve misheard due to that infuriating still-squawking duck, and then he tries again.

“I love you, Han. Marry me?”

“Oh, my God, yes,” I say, “Yes, please.”

I jump up and hurl myself towards Dan, just as he tries to pass me the small blue ring box that he’s holding, but then the boat rocks and tips me headfirst into the lake.

Thirty seconds later, Dan has already dived in to rescue me from the weeds in which I’m now entangled, and has lost my engagement ring in the process – as well as the boat, which is drifting away.

Fifteen minutes after that, we’ve swum to the bank and are outside the cafe, wrapped in blankets and toasting each other with mugs of hot chocolate, while being lectured on why you should never stand up carelessly in a dinghy by the owner of the one we allowed to drift away. That’s the exact moment at which an off-duty press photographer takes our photograph, the one that appears in the local paper the following day, under the headline: Loved-Up Art Students Make a Splash.

Twenty-Seven Years Later…
Winter

Chapter 1

It’s all the fault of the half-naked teenagers, or most of it, anyway. They’re staggering about drunkenly on the TV screen, and Dan is staring at them as if his life depended on it.

“What the hell are you watching?” I say, as I come into the room bearing two mugs of extra-strong coffee to help prevent the hangover we’ll otherwise be doomed to have.

It’s 12:30am, and we’ve been drinking geriatric drinks all night: Aunt Pearl’s way of thanking us for moving her belongings into her new retirement flat during the day. I don’t think port and lemon agrees with me, and it certainly doesn’t agree with Dan. It’s given him short-term memory loss, judging by the fact that he completely forgot to wish me a happy New Year when we heard Big Ben strike twelve on the radio, in the taxi that was bringing us home.

Once we arrived, Dan got out of the car, unlocked the front door, and then headed straight for the sofa like a homing pigeon. One with opposable claws for operating remote controls, and a tendency to go deaf whenever wives ask awkward questions.

I try again.

“What is this programme, Dan?” I say.

“God knows,” he says, taking the mug I pass him without moving his eyes away from the screen. “Brits in Ibiza, or something like that.”

He must be able to sense my expression, as then he adds, “Probably the channel Joel was watching before he went out tonight.”

It’s so useful having a supposedly adult son still living at home whenever you need to pass the buck. I doubt Joel would be caught dead watching this idiotic programme, not when he can view similar scenes any night of the week when he’s out clubbing – and in the flesh, as it were. God, there’s a lot of that on this TV show.

I shift about in my seat, suddenly uncomfortably aware of what I’m now wearing: mismatched pyjamas, to go with my rather less mismatched face and arse. They say either your arse can look good after the age of forty, or your face, but never both. When you get as close to fifty as I now am, both are past their sell-by date.

“I can’t see the appeal of half-naked teenagers, myself – not since I stopped being one,” I say. “Especially not when they’re vomiting everywhere like this lot will be in a minute. Isn’t there anything better on?”

Dan doesn’t reply. You’d swear he’d been watching this programme for at least the last two hours and it was about to reach a thrilling climax, given how hard he’s concentrating. I repeat what I’ve just said, and then I wave at him across the room, but he doesn’t react, and then I feign a coughing fit. Still no response whatsoever – none – so I pull off one of my slipper socks and throw it at him.

My aim’s a bit off, but I do finally succeed in getting Dan’s attention. In fact, he almost jumps out of his skin.

“What the fuck, Hannah?” he says, fishing the sock out of his coffee, and making a face. “Why did you do that?”

“You were ignoring me,” I say. “Too busy ogling those girls with their boobs and arses hanging out.”

“Oh, for Christ’s sake,” says Dan, who suddenly looks quite angry. Very angry, actually. I’m not used to seeing him like that, even during the stupid arguments we’ve been having recently. He did get a bit cross when I complained about him and Joel never putting toilet-roll inners into the bathroom bin the other day, but nothing like as cross as this. Now he looks as if he can’t stand the sight of me.

“I was joking, Dan,” I say, quickly. It’s only half a lie, but he spots it, anyway.

“Like hell you were.”

Dan glares at me, and then he adds, “All I wanted was to chill out in front of the TV, after a bloody long day dealing with Pearl, and it didn’t matter what I was watching, as far as I was concerned. But if I had picked this programme on purpose, then who could blame me? The only flesh I get to see these days is on TV.”

Dan seems almost as shocked by what he’s just said as I am, and there’s silence for a moment, as we both let his words sink in. Then I swallow, and say very slowly and clearly, “You mean that’s the type of flesh you prefer. You make that pretty obvious.”

Did I really say that out loud? I laugh, to lessen the sting, but Dan has lost his temper now.

“You can’t say something like you just did, and then laugh as if you didn’t mean it, Hannah,” he says. “And how exactly do I make my ‘preference’ so obvious?”

I wish I’d never started this conversation now. It’s one thing to feel inadequate, but ten times more humiliating to admit to it, and then to explain why you do.

“I just meant,” I say, keeping my head down and staring intently at a piece of fluff on the carpet, “that you make it clear that you don’t fancy me any more. I know I don’t look like the woman you married these days, but –”

“You don’t act like her, either,” says Dan. “In fact, you’re nothing like her. You want me to be as miserable as you are, and God forbid that either of us should have any fun. So I don’t quite get what I’m supposed to fancy about someone who’s more interested in Joel and Pearl than in me, as well as in their stupid job, and who’s so obsessed with losing their looks that they walk around with a face like a wet weekend the whole damn time. That’s really bloody attractive.”

I’m so stunned I don’t know what to say, or where to start, so I just sit there, twisting my hands in my lap, and trying to ignore the tear that’s rolling down the side of my nose and heading towards my mouth. Dan spots it and it seems to annoy him even more.

“I don’t know why you’re crying, Hannah,” he says. “You started this, and normally you’d be the one with the killer line to finish it. So why don’t we just get it over with? I know you’re unhappy with yourself, but now you’re blaming me for it, and making me feel like a useless husband, too. I’m sick and tired of you trying to push me into saying I don’t fancy you, so here you are: I don’t. Feel better now?”

I think it’s safe to say I don’t, and I feel even worse when Dan and I end up agreeing to separate. Happy New Year, Hannah Pinkman. Nicely done.

Chapter 2

Huh. Dan’s still sleeping in the spare room and doing that “no-talking” thing the rest of the time, even though New Year’s Eve was days ago. How can you have a row so bad that you decide to separate, then fail to mention it ever again? That’s just bloody typical. He obviously didn’t mean a word he said, which is really annoying, as I haven’t slept a wink for the last three nights.

I’m like a sleepwalking zombie when I go back to work this morning, which doesn’t escape the notice of my boss, the Apprentice wannabe better known as the Fembot. At lunchtime, she writes my stats on the whiteboard in much larger writing than she uses for anyone else’s.

“Hannah’s having trouble keeping up with us young ones today,” she announces to anyone who’s listening, at the same time as rising up on her toes and twirling around to show her arse off to its best advantage. What sort of dingbat wears hot pants to work, for goodness’ sake?

“I’m sorry,” I say, when it becomes apparent that eye-rolling is insufficient, and some sort of verbal response is required. “I’m not feeling well. I’ve got a bit of a stomach upset, to tell the truth.”

“I see,” says the Fembot, in the tone of voice that means, I don’t believe a word of it.

I go to the loo four times in the next forty-five minutes, just to prove her wrong. Then, when she leans over the back of my chair to ask if I realise that I’ve been “spotted leaving my desk four times in the last forty-five minutes”, I tell her that there’s a highly-contagious bug going around.

“Joel’s been ill with it for days,” I say. “He looks like shit. I hope none of you will catch it.”

It’s only a small lie, given that Joel has had a three-day hangover since he overdid the drinking on New Year’s Eve, but it serves its purpose very nicely: the Fembot moves away as if she’s been electrocuted. She’s got a date tonight.

“Go home, Hannah,” she says. “Right this minute.”

“Are you sure?” I say, standing up and following her across the room, getting as close as I can and breathing heavily down her neck. I cough a couple of times, for good measure. Now she’s put the idea in my head, I really fancy an afternoon off – preferably spent sound asleep.

“Yes, I’m positive,” says the Fembot, glaring at me. “You can work from home instead.”

I hate modern jobs. In the olden days, when you were too ill to go into your place of work, no one expected you to work at all. Now you do everything on a computer or a mobile phone, you’d have to be dead and buried before you could get away with claiming to be unfit to work.

I particularly hate my modern job.

It isn’t the type of thing I thought I’d be spending my working life doing when I met Dan at art school all those years ago. Then we both thought we were headed for fame and fortune, or for something creative, anyway. Instead, Dan got such a boring job at the Council that he can’t even be bothered to explain to people what it is, and I ended up as a graphic designer for HOO, a question-and-answer site. (Officially, HOO stands for Helpful Opinions Online, but staff know it better as Halfwits’ Opinions Online, or Halfwits for short.)

“Ahem,” says the Fembot, who’s obviously noticed that I’m no longer listening to whatever it is she’s going on about. “As I was saying, Hannah, you can email me that artwork from home tonight, but don’t forget it’s very urgent.”

Only the Fembot would use the word “urgent” to describe a stupid “thumbs-up, happy face” icon. It’s not half as urgent as dealing with a husband who does his wife’s head in by saying something terrible that he doesn’t mean, then taking a vow of silence afterwards. I’m going to make Dan talk to me tonight, as soon as he gets home, and sod the Fembot’s bloody icon.

* * *

Oh, my God. Dan says he meant what he said the other night. He really did. Twenty-seven years of marriage down the drain, just like that.

He comes home just as I’m waking from my nap, but doesn’t say a word until Joel goes out to meet his girlfriend. Then he takes a deep breath and hits me with it. (Not the breath, obviously.)

“So,” he says, turning off Netflix and putting the remote control out of reach. “I guess we should talk about what we’re going to do. I’m assuming you haven’t told Joel yet?”

“Told him what?” I say, annoyed at missing the last five minutes of Breaking Bad.

“That we’re splitting up,” says Dan, as if it should be obvious. “I haven’t said anything about it so far, as I didn’t see the point in stressing him out until we’d got it organised.”

Oh, brilliant. Dan’s worried about stressing Joel out – Joel, who’s oblivious to almost everything once he’s smoked a joint to celebrate finishing work for the day. And what about my stress levels? I could have a heart attack at any second, at my age.

I think I might be, actually. Having a heart attack, I mean. My breathing’s gone all funny and now I feel genuinely sick. I’ve got pins and needles in both my arms as well, though I suppose that could be because my fists have suddenly clenched so tight.

Dan doesn’t seem to notice there’s something wrong with me. He’s too busy looking down at his hands, which he’s fiddling with in his lap.

“If we’re getting on each other’s nerves so much,” he says, inspecting his fingers as if his life depends on it, “then it seems the only sensible thing to do. Doesn’t it?”

Well, if that’s how he feels, it obviously does.

“Yes,” I say.

Then I run upstairs to the bathroom, and am sick. I never believed it when people in films threw up after they’d had a shock. Now I know it happens in real life too.

When I finally come back downstairs, still shaking and clammy, Dan glances up at me, then says,

“You okay? You don’t look good.”

I forgot that was the explanation, or rather, I must have blanked it out. Dan said he doesn’t fancy me any more the other night, didn’t he? And you can’t make someone fancy you again, once they’ve stopped. At least, I don’t think you can … and what’s the point in being married to someone who doesn’t want to be married to you, anyway?

I reach for the remote, and turn the TV back on.

“I’m fine,” I say, staring back at Dan without blinking, so he’ll believe I’m telling the truth.

I’m not going to cry. I am not. Not when the only thing left to salvage is my dignity.

* * *

Well, my no-crying resolution didn’t last long. I’m standing by the coffee machine this morning, when the Fembot starts holding forth about her date last night.

“I don’t usually fancy older men,” she says, “but I think I’ve been missing out on something. They really know what they’re doing in bed, and they appreciate younger women, too. Probably because the ones their own age are so bloody hideous. They give up bothering about how they look, once they’ve been married for a while.”

She means women like me, doesn’t she? And men like Dan. I hadn’t thought of that. Now Dan’s probably going to start dating a hot-panted child, while I’ll be stuck on my own, consigned to the scrapheap just in time for my fiftieth birthday.

“I think your coffee’s ready,” says someone behind me, so I make a grab for the cup, catch it against the top of the machine, and then drop the damn thing on the floor, narrowly missing the Fembot’s feet – which is a tragedy when she’s wearing her favourite pair of Louboutins.

My legs are covered in hot coffee, though I’m not too worried about that. I’m more concerned about the funny noise that’s just started escaping from my chest. It sounds like the beginning of what could easily end up being a full-blown sob, if I don’t choke it off. I bite my tongue, hard, which seems to do the trick, though the Fembot’s already noticed that something’s up.

“All except you, Hannah,” she says, looking a bit shocked. “I didn’t mean you, even though you are a lot more mature than the rest of us. Like Taste the Difference cheddar, you know.”

Cheddar? Now I’m like cheese? I can’t speak, in case another one of those funny noises makes its presence felt. Luckily, I don’t have to: the person behind me intercedes on my behalf.

“Hannah’s fine,” she says. “Though she may have scalded her legs a bit. I’ll go with her while she puts cold water on them.”

Then she takes me firmly by the arm and shepherds me out of the office.

“Thanks, er … um,” I say, as we make our way along the corridor towards the ladies’ loos. Who is this Good Samaritan?

“Esther,” she says. “We met when I came for my interview, a couple of weeks ago.”

I must have been on another planet at the time as I don’t recall ever meeting this girl before, even though I can see her more clearly now my eyes have finally stopped being so inexplicably watery. Girl is a bit of a misnomer, actually, as Esther is definitely a lot older than the Fembot, at first glance. On second thoughts, though, maybe she isn’t. I think it’s just her clothes and hair which give that impression: she’s probably only about thirty-five.

“Nice to meet you, Esther,” I say, shaking her hand. “And thanks for coming to the rescue, too. I don’t know what came over me.”

“Listening to your boss, I should think,” says Esther, pretty much hitting the nail on the head. “All the other staff seem nice, but does she really despise anyone older than her as much as she just sounded as if she did?”

“Not everyone,” I say, as I finish taking off my tights, then stick one foot into the sink and turn the cold tap on. “Only older women, as far as I can tell. Older men seem to be in a different category: the lust-worthy one. Oh, sod it all to hell and back.”

I’ve turned the tap on too far and now there’s water all over my dress, as well as on my leg. The Fembot will probably assume I’m incontinent, and order a Tena Lady dispensing machine for the loo, clearly marked for my use only. Then she’ll ask Dan out on a date … or someone even younger will.

“A-a-arrhhh,” I say. Out loud, despite biting my tongue again, which just makes the sob more hiccupy. Then, before I know it, I’ve taken my foot out of the sink and am sliding down the wall onto the cold tiled floor, where I sit wailing like a baby. In front of a brand new member of staff. I think I’d better ask for permission to go home. Again.

* * *

That’s better. I’ve got a grip now, thanks to back-to-back episodes of Friends on Comedy Central, though I’ll probably get fired if I take any more time off work. The Fembot made that pretty clear before she told me I could go home early “yet again”.

It was worth her disapproval, though. After four hours of lying on the sofa and watching how much fun you can have when you’re single, I am fine with this. Absolutely, completely fine. In fact, I’d go so far as to say I think it’s going to be exciting, which is one thing life with Dan hasn’t been for donkey’s years.

All I need to do is find somewhere to live – a house-share with a few cool, fun people, preferably my age – and then Bob’s your uncle! Before you can say, “hot pants”, I’ll be youngish, free and single, and having a ball. (I ruled out “middle-aged, free and single” because it didn’t have the same ring.)

I can see my new life now, as clear as day. After work (where I’ll be responsible for something that doesn’t involve icons), I’ll rush home to get changed into something simple and chic (but dazzlingly sexy), then I’ll swig a quick glass of chilled white wine in the kitchen while my funny, affectionate new friends quiz me about whether tonight’s date is “good enough” for me.

Then my taxi will arrive and I’ll waft off into the night, leaving behind a trail of Chanel or whatever’s cool these days, and arrive fashionably late at a little Italian restaurant: one that only the most sophisticated man would know about. It’ll be intime, and the maître d’ will not only know my date’s name, but he’ll give him the thumbs-up approvingly when he thinks that I’m not looking.

I suppose I might have to eat from one of those stupid wooden chopping boards with handles (the ones Dan always calls “totally pretentious”), but the food will be great, and – who knows – being single might prove so good for my cholesterol levels that I won’t have to pull a bottle of Benecol out of my bag and swig it as soon as I’ve finished eating, for once.

And there’ll be conversation, too – proper conversation, not just moaning about work, and Joel, and why he and Dan never throw toilet-roll inners into the bin – and there’ll be eye contact, as well. Lots of eye contact, so intense it’ll fire up all those neurons or whatever those things are that give you the shivers when you’re filled with lust. If my neurons aren’t all dead from lack of use, of course.

Afterwards, my date will say, “I don’t want the night to end yet, Hannah. Your place … or mine?”

I’m having a hot flush just thinking about it. Well, not a hot flush, because sexy single women don’t have hot flushes. It’s a bit humid for January, that’s all.

Where was I? Oh, yes – so while I’m playing at being Charlize Theron or Keira Knightley in one of those perfume ads, and staring deep into Mr Suave’s gorgeous eyes, Dan’ll just be lying on the sofa watching TV, and only remembering that I don’t live with him any more when he glances across to see if I’ve noticed the covert nap that he’s just woken from. No more watching his eyes glaze over when I tell him about the Fembot’s latest idiotic idea, either, or when I ask him where we’ve gone wrong with Joel; no more being “mum” first, and a woman second, and no more boring Hannah without anything resembling a social life. I’ll get a makeover, and become a cougar or whatever Courteney Cox is called these days. It’s all going to be better than fine.

All I need to do to get to Friends-cum-perfume-advert land is take control. No more wallowing in self-pity, and no more keeping what’s happening to myself, in the hope that it will go away. Dan and I will tell Joel when he gets home from work tonight – just like we agreed we would last night. Then, as soon as I’ve found somewhere to live, I’ll move out, leaving the pair of them free to fill the whole house with empty toilet-roll inners, if they like. That’s if they can spare the time to go to the loo while binge-watching episodes of Half-Naked Brits in Ibiza. I won’t care. I’ll be too busy drinking, dancing and being interesting again. Just like I used to be when I married Dan, all those years ago.

Chapter 3

By the time I wake up from another very uncougar-like nap on the sofa, Dan and Joel are both in the living room, though they’re not talking to each other. Joel’s too busy yelling abuse at a faceless stranger who’s annoyed him by killing him when he wasn’t looking. (Young guys are so rude to each other when playing Call of Duty online, I’m sure it’s a major factor in the lack of world peace.)

I pull a disapproving face, then tell Joel to shove up and make room for me on the sofa.

“Keep quiet, Mum,” he says. “I’ve already messed up once, thanks to Dad.”

“I had the temerity to ask him what he fancied for dinner,” says Dan, before he stands up and moves towards the door. He can’t bear to be in the same room as me for more than five minutes at the moment.

“Hang on a sec, Dan,” I say. “I thought we were going to speak to Joel together.”

“But –” says Dan, as Joel throws the controller onto the floor and sighs as if the world is ending. Which I suppose it’s about to, in a way.

“What?” says Joel. “This had better be important.”

I don’t know whether it is, or isn’t, actually – to Joel, anyway. Who knows what’s going on in his head? Sometimes I think he can’t stand either me or Dan, but then sometimes – especially if he comes into a room unexpectedly, and catches me when I’m feeling a bit tearful, or lonely – he’ll say, “Mum! What’s wrong? Come over here.”

Then he’ll give me a big hug, and tell me that everything’s going to be okay, even when he has no idea what I’m sad about. It helps much more than you’d think it would – but I can’t let myself think about feeling lonely at the moment. I have to get this nightmare over and then I can focus on making my Friends fantasy come to life.

“We’ve got something important to tell you, Joel,” I say, “so pay attention.”

“Um, Hannah,” says Dan, shifting about from foot to foot, and looking extremely uncomfortable. “There’s something else I should tell you first.”

I take no notice, as delaying tactics are typical of Dan. He’ll always put off doing anything tricky or emotional if he can, but he’s not getting away with it this time. We said we’d do this together, and we said we’d do it tonight – and that’s exactly what we’re going to do. Even if “together” means him standing there like a spare part while I do the difficult bit.

“Your dad and I are splitting up, Joel,” I say.

Joel doesn’t react at all, but when I look across at Dan and catch his eye, he shakes his head and swallows, then decides he’d better help out, after all.

“Joel?” he says. “Did you hear what your mother said? We’re splitting up.”

Dan’s voice sounds deadly serious, if a bit shaky, but Joel just laughs.

“Yeah, yeah – very funny,” he says. “Pull the other one. You two would never split up.”

It takes ages to persuade him that we would – and are – and then he’s incredulous, and extremely upset.

“But why?” he says. “Why the hell would you do that?”

I suggest Dan explains, seeing as the whole thing was originally his idea, but that doesn’t help at all, because he takes so long to get to the point. He starts by telling Joel about the argument, and what it was about.

“You argued about what?” says Joel, staring at Dan and me in turn. “A television programme? Have you both gone senile overnight?”

For a split second, I wonder if we have, but then Dan tells Joel that we haven’t. He adds, “I suppose we’re trying to make our lives happier, before we do.”

When I hear that, I excuse myself by saying I need to make an urgent call. I suddenly can’t face hearing why Dan’s so unhappy with me and, anyway, it’s always good to check that the Speaking Clock still exists. I give myself a talking-to at the same time as I discover it is 7:32 exactly, and then I replay the Mr Suave scenario several times in my head, just to remind myself that everything will be all right, eventually.

It almost works, until I go back to the living room, to find Dan sitting slumped in a chair with his head in his hands, and Joel pacing round and round the room in circles.

“You tell him why we’re doing this, Hannah,” says Dan. “I’ve run out of reasons, and he thinks all the ones I’ve already given him are ‘total crap’. He says we’re both going to be lonely, too.”

“No, we won’t,” I say. “We’ll be fine, Joel. We’ll have our friends to keep us company – and you, of course. You can come and see me whenever you like.”

“You two have ignored your friends for so long, you haven’t got any real ones left,” says Joel, at the same time as Dan says, “What d’you mean he can come and see you, Hannah? See you where? He’ll be here – with you – every day. You’ll need him to pay rent to help with the mortgage, once I move out at the end of this week.”

Oh, dear God. When Dan moves out at the end of this week? This week? And Dan’s the one who’s moving out, not me? I don’t know what to say to any of that, but Joel does.

“I’ve never heard such a dumbass reason for splitting up, in all my life,” he says. “And I think one of you is lying, or both of you. Which one of you is seeing someone else?”

That possibility hadn’t occurred to me until now, but if one of us is, it isn’t me. Not when Mr Suave’s not real. I think I may be about to cry again.

Chapter 4

It seems that one of Dan’s colleagues had a spare room going – really cheap – so Dan says he’d have been a fool if he hadn’t taken it. He also insists that Joel was wrong about him seeing someone else, though he was right about the other thing: I’ve got no friends. Well, I have, but even though I’ve rung all of them over the last few days – while Dan’s been supposedly working late – they all went on so much about how long it had been since the last time I called, that I ended up not telling any of them that he and I were splitting up. They might have thought it was the only reason I was bothering to phone them now.

It was, I suppose, but that’s not the point. They’ve all posted that thing on Facebook about it not mattering how long it’s been since you last spoke to an old friend, so I’d assumed that was genuinely how they felt. Obviously, it wasn’t, so things are already looking pretty desperate on the friends front by the time that Joel gets home from work.

He sits down on the sofa next to me, and kicks off his shoes while I stare in disbelief at his socks. One says, “Fuck” and the other says, “Off”.

This is what you have to endure when your son refuses to go to university, and insists on working in a super-hip streetwear store instead, one where all the staff are required to talk in gangsta-speak even if they’ve never been anywhere near a gang. The whole thing drives Dan mad, and Joel’s still in the middle of a fairly incomprehensible explanation of how he uses the socks to swear at his boss without him being aware of it, when I lose the will to listen and decide to phone Theo and Claire, instead.

They’re neighbours, rather than friends, but Dan and I have probably socialised more often with them than with anyone else over the last ten years (mainly because that keeps us close enough to home to prevent Joel throwing parties while we’re out). I think they’re all right, though Dan’s never been keen on Claire.

When she answers the phone I tell her my news straight away. There’s no point giving myself the chance to chicken out, even though I know it’ll make the whole thing feel much worse once someone other than Joel knows.

“Good God,” says Claire, and then she repeats herself. After that, there’s quite an uncomfortable pause before she adds, “I assume you won’t be coming to our dinner tonight, if that’s the case?”

I’d forgotten all about it, what with what’s been going on with me and Dan, and I’m about to confirm we won’t be there when I wonder if I’m being stupid. You’re probably supposed to start as you mean to go on, when you’re trying to rebuild your messed-up life.

“Well, I guess I could come by myself,” I say to Claire, after taking a few deep breaths. “Seeing as I’m still going to be your neighbour, at least until Joel decides it’s time to move out.”

It sounds as if Claire snorts at the remoteness of that ever happening, but then she pulls herself together and says, “That’s great! See you in a couple of hours.”

Her voice sounds a bit weird when she says it, but I don’t give that any further thought, until the phone rings ten minutes later, and Joel answers it. He sounds very charming and un-gangsta-like while doing so, which is reassuring, but what happens next isn’t reassuring at all. The caller is Theo (of Theo-and-Claire), and he’s obviously drawn the short straw, given that he’s the one making this call.

“I’m so sorry, Hannah,” he says. “Claire asked me to tell you she was so stunned by your news, she completely forgot to mention there’s been a problem with the catering, so we’ve had to cancel the dinner party. We’ll reschedule it for another time.”

“Oh, that’s a shame,” I say. “Seeing as it was for your anniversary, and that’s today, isn’t it?”

Their twenty-seventh wedding anniversary, the same one that Dan and I celebrated less than a year ago, not that Theo gives a toss about that.

“Oh, yes,” he says. “It is today. Another year of the life sentence without parole done and dusted. Oh. Um. Sorry, Hannah. A bit insensitive in the circumstances.”

Theo’s not usually so tactless, but he doesn’t sound himself at all. In fact – at the risk of sounding like the Fembot – I don’t believe a word he’s just said about the dinner being cancelled, and that impression’s strengthened when he adds that Claire says why don’t I pop round and have a quiet drink with her next week instead?

“I’ll be away on business then,” says Theo, “so she could use some company when she’s on her own. Oh. Ah, I guess you probably could, as well.”

I’m going to borrow Joel’s socks and wear them during my next visit, if Theo keeps this up. Claire always makes guests remove their shoes.

* * *

When I get off the phone, Joel’s even more furious with Theo and Claire than he is with me and Dan, when I tell him what’s just happened. First he describes the pair of them as “tossers”, and then he invites me to accompany him and his girlfriend Izzy to the cinema, but I refuse. Three’s company at the best of times and, anyway, I ought to go round to Pearl’s. It’s not fair to tell outsiders about me and Dan when I haven’t told her yet.

* * *

I drive across town, while trying to work out the best way to handle what’s bound to be a tricky conversation, but I’m still clueless by the time that I arrive. However I put it, Pearl isn’t going to take my announcement well. She’s always been very fond of Dan, and she knows better than anyone what it’s like to end up on your own after a long-term marriage, since her husband died three years ago. They’d been together for the previous forty-five, roaming the world due to Clive’s job as a senior diplomat. That’s why I visit Pearl so often these days, because I know how much she hates being on her own, especially in the evenings, and she’s bound to be even more lonely now that she’s living somewhere new.

I pull into a parking space directly outside the Elysium Retirement Home, which Pearl renamed “Abandon Hope” when Dan and I moved her in on New Year’s Eve. I can’t see why she called it that, as it looks like a stately home to me. The diplomatic service look after their own, unlike Halfwits, and I’ll be lucky to afford something the size of one of the broom cupboards in a building like this when I retire.

* * *

I push open the main doors, then walk across the lobby and into a wide carpeted corridor that leads to Pearl’s new ground-floor flat.

“It’s open,” she shouts, when I ring the doorbell. “As long as you’ve brought some money with you, that is. We’re not messing about with buttons or IOUs tonight.”

That makes no sense whatsoever, until I open the door to reveal a dozen elderly people playing poker.

The cocktails are flowing and there are already plenty of competitors for the title of drunkest OAP, though Pearl’s not one of them.

“I pride myself on being able to hold my drink, Hannah,” she says. “Unlike some people I could mention. Now let me introduce you to the Hopeless gang.”

There are loads of people in Pearl’s flat, and I doubt I’d recognise any of them again, except for Albert and Fred, who I end up sitting between. Albert looks like Pope Francis, the nice one from Buenos Aires, while Fred looks more like the Child Catcher in Chitty Chitty Bang Bang. I must count as a child, given the disparity in our ages, as that’s the only reason I can think of to explain why I keep finding Fred’s hand creeping up my leg under cover of the tablecloth.

* * *

“Bloody hell, Pearl,” I say, when she shows the last guest out, then joins me in the kitchen, where I’ve been hiding from Fiddling Fred for the last half-hour. “That Fred’s a creep, but I like your other new friends. You’ve made so many here, already!”

“You can’t waste time when you get to my age,” says Pearl. “Or yours, for that matter. You look terrible – what’s up?”

I’ve lost my bottle while I’ve been waiting to spill the beans and now I can’t go through with it. Telling people what’s happened makes it all seem far too real.

“Nothing much,” I say, swilling out a cocktail shaker and putting it aside to drain.

Pearl raises her eyebrows and says, “You’ve always been a poor liar, ever since you were a child, so leave the washing up and try again. And this time, make it the whole truth and nothing but.”

I do as I’m told, though I don’t mention that Dan said he doesn’t fancy me any more. That would be too humiliating, so I just say we had an argument about a television programme that turned into something much, much worse.

“Good God,” says Pearl, when I’ve finished. “Are you sure about this, Hannah? It’s no fun being on your own, you know. Why d’you think I agreed to move in here? This place has a better ratio of men to women than every other retirement place I looked at, which is not a lucky coincidence. I did my research, because I’m sick and tired of being alone after the last few years.”

So that’s why Pearl was doing sit-ups when I came round the other day – she’s on the pull, when I thought I was too old to find someone new!

“I’ll be fine,” I say. “I mean, I am fine. I won’t be on my own forever, after all.”

I try to conjure up an image of my fantasy Mr Suave, as Pearl looks me up and down, but he won’t appear. I just keep seeing Dan’s face instead, and Pearl clearly isn’t too impressed with what she sees when she looks at me, given how worried she’s now become.

“What?” I say. “Why are you looking at me like that? I’m miles younger than you and you’re not planning on remaining single, so why should I?”

“No reason,” says Pearl. “I just think you two splitting up is the most ridiculous thing I’ve ever heard of. And who is this colleague Dan’s moving in with, anyway – do you know?”

Why do people keep asking that? I don’t know any of Dan’s colleagues, not least because he usually refuses to go to any of the few social events to which staff are allowed to bring their partners. He claims that’s because I have an even lower boredom threshold than he does, so I’d probably say something to get him sacked – but now Pearl’s implying that might not be the only reason, just like Esther did when I mentioned it to her the other day at work.

“I don’t know,” I say, “but that’s not the biggest problem, is it? Dan swears he isn’t leaving me for another woman, but he’ll find one at some point, once he’s living the single life.”

That thought makes me feel sick, which must show on my face, as Pearl decides the time has come for some distraction.

“Let’s go for a walk while we give this further thought,” she says. “I want to show you the gardens here. The residents can help in them, if they’re up to it, so I’m thinking of signing up myself. It’ll keep me fit, all that physical activity in the fresh air.”

* * *

Although it’s dark, the gardens are illuminated and exceptionally beautiful, even now in what’s still winter, and for the first time in years, I wish I’d brought a sketchbook with me. There’s nothing very artistic in designing stupid icons, but I’d love to draw the view from where we’re standing. It’s on the top of a steepish incline (which Pearl climbed a lot faster than me), and it overlooks a large area of dense, glossy greenery, that eventually gives way to a meandering path that leads to the Elysium building itself. The silver bark of the birch trees lining the path sparkles where the lights hit it, and the effect is spectacular. Abandon Hope, my arse.

“What are these?” I say, pointing at some tiny, glossy-leaved plants peeking out through a mass of dead foliage.

“Violas,” says Pearl, pointing her torch at them. “You can take one with you, if you like? Gardening’s good for the soul and the staff won’t notice. They rarely bother with this section.”

If gardening’s good for the soul, I’ll try it, and I might even draw the viola once it blooms, if I can persuade Dan to get my art materials out of the attic before he moves out – and maybe I’ll come back and sketch this landscape in the daytime, too.

Pearl pulls a tiny trowel out of one pocket, and a plastic bag from another, and then she digs up the plant and dumps it into the bag.

“Did I mention violas are also known as ‘heart’s-ease’, Hannah?” she says, handing me the bag. “On which note, why don’t you get off home now, while Dan’s still living there? You could always try talking to him about staying, instead of wasting time discussing what you’ll do without him once he’s gone.”

Chapter 5

Even though I take Pearl’s advice and drive straight home, Dan’s already asleep on the sofa by the time I get there, and I’m still dithering about whether to wake him up and talk to him about being my soulmate, when Joel turns up. He’s barefoot, and carrying his trainers in one hand.

“You okay, Mum?” he asks, after peering into the living room and spotting the snoring Dan. “I’m sure you guys could get this sorted out if you still wanted to. You don’t have to split up over something so stupid, you know.”

For one wonderful moment I think he may be right, until I recall that Dan doesn’t fancy me any more, and that he seemed pretty definite about moving in with that colleague of his.

“I don’t think I’ve got any choice, Joel,” I say. “Your dad seems determined it’s going to happen, and anyway, who knows? Maybe he’s right, and we’ll both be happier once we’re single.”

“You won’t be happier if everyone starts treating you like that bloody pair of idiots up the road just did, once you are,” says Joel. “I can’t believe they uninvited you from that dinner party just because you’d have been going on your own. Talking of which, that reminds me. Come outside.”

It’s pitch dark and freezing cold by now, so I try to refuse, but Joel insists.

“Put your coat on,” he says, “if you’re as cold as that. It won’t take a minute and it’ll be worth it, I promise. It might even make you laugh.”

I seriously doubt that, though I change my mind when Joel walks me along the road to the place where Claire has parked her car.

“Ta-da!” he says, gesturing at the windscreen, or more specifically, at the windscreen wipers. Each now carries a succinct message – from a sock.

* * *

I still think that Joel’s anonymous message to Theo and Claire was so funny that I tell Dan about it when I get up this morning and find him in the kitchen, drinking coffee, but he doesn’t laugh at all. He just gives me a wan, half-hearted smile, and then makes polite conversation about nothing until the time comes for me to leave.

“Shouldn’t you have left already, if you’re not going to be late for work?” I say to him as I pull on my boots, then start to button up my coat.

He shrugs, then says, “I’ve got a few things to do before I go.”

He looks at me with a really weird expression – and for what feels like a very long time – and it’s as if he’s trying to convey something desperately important, though he doesn’t say a word. I’m going to be late myself, if I don’t leave now, but I’m not comfortable going while he’s looking at me like this.

“What is it, Dan?” I say.

There’s a long pause, but whatever it is, it can’t be that important, because then he just shakes his head and says: “Nothing, Hannah. You’d better go.”

I do, in case the Fembot sacks me for poor timekeeping like the woman Esther was brought in to replace, but tonight, I’m not going to bed until I’ve had it out with Dan, once and for all. This whole thing’s ridiculous, and it can’t go on.

* * *

I can’t settle all day at work, even though Esther tries her best to cheer me up. As this mainly takes the form of telling me how unlucky in love she’s always been, it doesn’t actually serve its purpose, and nor do the cupcakes the Fembot brings in “as a treat” – not once she announces what she intends to do with them.

“We’re all going to take it in turns to bake cupcakes every evening from now on,” she says. “Then we’re going to photograph everyone holding their own cakes and upload the pictures to our social media streams. It’ll help our users get to know us, and to feel they’re a part of the team here at HOO.”

“Well, that’s our credibility shot,” I say to Esther, later on. “Now the whole world will find out that we’re part of the team at HOO – and they’ll know what we look like, too. I’ll never get a proper job as an artist, if prospective employers find out I’m responsible for that stupid ‘thumbs-up, happy face’ thing.”

“I wouldn’t worry about that,” says Esther, with a rare flash of humour. “I should think the Fembot will find an excuse not to use our photos. You’re too old and I’m too fat.”

Esther can’t be more than a size 12, so I do wish she wouldn’t keep going on about her weight, but when I tell her so, she just says that, even if fat isn’t an issue, her acne is. She’s only got one or two spots, as far as I can see, but she’s right about one thing, anyway: the Fembot isn’t going to use our photos.

At the end of the day, she calls us both into her office, and says, “I know you guys are busy, and you have a lot more personal responsibilities than the younger ones, so don’t feel you have to join in with the cake-baking thing. You can contribute in some other way.”

Honestly, I wouldn’t mind but, although I’ve got Joel and Pearl to think about, Esther’s only got a rabbit, and just wait ’til I tell Dan about it! There’s no way he can keep claiming his job’s worse than mine – not after this.

Oh, I forgot, he probably won’t be claiming anything, will he? Not if he’s still being as uncommunicative as he was this morning when I get back home. I shall just have to keep talking to him, until he starts talking back. Meaningful looks never solved anything.

* * *

Oh, my God, Dan’s moved out. He snuck out today while I was at work, the bloody, bloody coward. This whole separation thing was his idea and then he hasn’t even got the nerve to face me when he’s bringing our life together to a sudden end. No wonder he was giving me funny looks this morning: he must have been riddled with guilt and, if he wasn’t, he damn well should have been.

“Thought it might be easier on both of us this way, Han,” says the note he’s left on the kitchen counter. “I’ll be in touch about collecting the rest of my stuff, and money for outstanding bills, etc. Look after yourself.”

He’s underlined the last sentence and scribbled over something that followed it. I try scratching the ink off with my fingernails, and then with the edge of a paring knife, but I still can’t tell if Dan added kisses or something, by mistake. My eyes have gone blurry all of a sudden, which is also why I don’t immediately realise that he’s left his keys on the counter, too.

When I do eventually spot his keyring, the one containing a photo of us on our honeymoon, my eyes get a whole lot blurrier and my chest gets tight, and I think I may be about to have a stroke. I call Joel’s name, but there’s no reply, not even when I shout it at the top of my voice, so he must be out and I’m all alone, which makes things even worse.

I spend ten minutes breathing into a paper bag until I don’t feel quite so dizzy, and then I crawl up the stairs and spend the next three hours curled up on the floor of our – I mean, my – bedroom, sobbing and hiccuping into one of Dan’s old shirts. I found it at the back of his wardrobe, and it still smells of him.

I don’t even know why I’m crying, for goodness’ sake. If Dan doesn’t want me any more, I’m buggered if I’m going to want him either. I’m just being stupid and pathetic with all this crying, and I need to get a grip before Joel comes in and sees me in such a state.

I know, I’ll go and plant the viola from the garden at “Abandon Hope”, and see if it survives its change of circumstances.

If it can do it, then so can I.

* * *

Joel’s just come in and woken me up.

“What time is it?” I say, completely befuddled.

“Almost midnight,” he says. “Are you okay? I was in the pub with Izzy when Dad sent me a text telling me what he’d done, so I came home because I was worried about you. I had no idea he was planning to move out today. Did you?”

“No,” I say, though I’m not sure if Joel hears me, as the word comes out more like a hiccup than a “no”, so I shake my head, for clarity. Then I roll myself into a ball on the sofa and start to cry as if I’ll never stop.

“Oh, Mum,” says Joel, in an unusually quiet voice.

He sounds so sad, it makes me cry all the more, and then he tries everything to make me stop, from patting me ineffectually to pushing a large glass of neat vodka into my hand. It must have been left over from when he and Izzy were “pre-loading” before they went out tonight.

Once I’ve drunk the lot, wincing at the taste, Joel leans over me, slides an arm under my shoulders and pulls me to my feet.

“Come on, Mum,” he says, “I’m taking you upstairs to bed. Everything will seem a lot better if you get some sleep.”

“Will it?” I say, as we make our way up the stairs. “Are you sure?”

Joel doesn’t answer until we reach the landing, and then he just says,

“It has to, doesn’t it? It can’t get worse.”

Ücretsiz ön izlemeyi tamamladınız.

₺90,94
Yaş sınırı:
0+
Litres'teki yayın tarihi:
28 aralık 2018
Hacim:
342 s. 4 illüstrasyon
ISBN:
9780007548569
Telif hakkı:
HarperCollins

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