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DANGEROUS WOMEN
EDITED BY
GEORGE R. R. MARTIN
AND
GARDNER DOZOIS


Copyright

HarperVoyager

An imprint of HarperCollinsPublishers Ltd.

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperVoyager 2013

Copyright © George R.R. Martin and Gardner Dozois 2013

Dangerous Women / Edited by George R.R. Martin and Gardner Dozois.

“Some Desperado” Copyright © 2013 by Joe Abercrombie

“My Heart Is Either Broken” Copyright © 2013 by Megan Abbott

“Nora’s Song” Copyright © 2013 by Cecelia Holland

“The Hands That Are Not There” Copyright © 2013 by Melinda Snodgrass

“Bombshells” Copyright © 2013 by Jim Butcher

“Raisa Stepanova” Copyright © 2013 by Carrie Vaughn

“Wrestling Jesus” Copyright © 2013 by Joe R. Lansdale

“Neighbors” Copyright © 2013 by Megan Lindholm

“I Know How to Pick ’Em” Copyright © 2013 by Lawrence Block

“Shadows for Silence in the Forests of Hell” Copyright © 2013 by Brandon Sanderson

“A Queen in Exile” Copyright © 2013 by Sharon Kay Penman

“The Girl in the Mirror” Copyright © 2013 by Lev Grossman

“Second Arabesque, Very Slowly” copyright © 2013 by Nancy Kress

“City Lazarus” Copyright © 2013 by Diana Rowland

“Virgins” Copyright © 2013 by Diana Gabaldon

“Hell Hath No Fury” Copyright © 2013 by Sherrilyn Kenyon

“Pronouncing Doom” Copyright © 2013 by S. M. Stirling

“Name the Beast” Copyright © 2013 by Sam Sykes

“Caretakers” Copyright © 2013 by Pat Cadigan

“Lies My Mother Told Me” Copyright © 2013 by Caroline Spector

“The Princess and the Queen” Copyright © 2013 by George R. R. Martin

The author of each individual story asserts their moral rights, including the right be identified as the author of their work

A catalogue copy of this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780007549405

Ebook Edition © NOVEMBER 2013 ISBN: 9780007549412

Version: 2018-06-20

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To Jo Playford, my dangerous minion.

[—George R. R. Martin]

Contents

Cover

Title Page

Copyright

Copyright

Dedication

Introduction

Some Desperado by Joe Abercrombie

My Heart Is Either Broken by Megan Abbott

Nora’s Song by Cecelia Holland

The Hands That Are Not There by Melinda Snodgrass

Bombshells by Jim Butcher

Raisa Stepanova by Carrie Vaughn

Wrestling Jesus by Joe R. Lansdale

Neighbors by Megan Lindholm

I Know How to Pick ’Em by Lawrence Block

Shadows For Silence in the Forests of Hell by Brandon Sanderson

A Queen in Exile by Sharon Kay Penman

The Girl in the Mirror by Lev Grossman

Second Arabesque, Very Slowly by Nancy Kress

City Lazarus by Diana Rowland

Virgins by Diana Gabaldon

Hell Hath No Fury by Sherrilyn Kenyon

Pronouncing Doom by S. M. Stirling

Name the Beast by Sam Sykes

Caretakers by Pat Cadigan

Lies My Mother Told Me by Caroline Spector

The Princess and the Queen by George R. R. Martin

Footnote

About the Publisher

Introduction by Gardner Dozois

Genre fiction has always been divided over the question of just how dangerous women are.

In the real world, of course, the question has long been settled. Even if the Amazons are mythological (and almost certainly wouldn’t have cut their right breasts off to make it easier to draw a bow if they weren’t), their legend was inspired by memory of the ferocious warrior women of the Scythians, who were very much not mythological. Gladiatrix, women gladiators, fought other women—and sometimes men—to the death in the arenas of Ancient Rome. There were female pirates like Anne Bonny and Mary Read, and even female samurai. Women served as frontline combat troops, feared for their ferocity, in the Russian army during World War II, and serve so in Israel today. Until 2013, women in the U.S. forces were technically restricted to “noncombat” roles, but many brave women gave their lives in Iraq and Afghanistan anyway, since bullets and land mines have never cared whether you’re a noncombatant or not. Women who served as Women Airforce Service Pilots for the United States during World War II were also limited to noncombat roles (where many of them were nevertheless killed in the performance of their duties), but Russian women took to the skies as fighter pilots, and sometimes became aces. A Russian female sniper during World War II was credited with more than fifty kills. Queen Boudicca of the Iceni tribe led one of the most fearsome revolts ever against Roman authority, one that was almost successful in driving the Roman invaders from Britain, and a young French peasant girl inspired and led the troops against the enemy so successfully that she became famous forever afterwards as Joan of Arc.

On the dark side, there have been female “highwaymen” like Mary Frith and Lady Katherine Ferrers and Pearl Hart (the last person to ever rob a stagecoach); notorious poisoners like Agrippina and Catherine de Medici, modern female outlaws like Ma Barker and Bonnie Parker, even female serial killers like Aileen Wuornos. Elizabeth Báthory was said to have bathed in the blood of virgins, and even though that has been called into question, there is no doubt that she tortured and killed dozens, perhaps hundreds, of children during her life. Queen Mary I of England had hundreds of Protestants burnt at the stake; Queen Elizabeth of England later responded by executing large numbers of Catholics. Mad Queen Ranavalona of Madagascar had so many people put to death that she wiped out one-third of the entire population of Madagascar during her reign; she would even have you executed if you appeared in her dreams.

Popular fiction, though, has always had a schizophrenic view of the dangerousness of women. In the science fiction of the 1930s, ’40s, and ’50s, women, if they appeared at all, were largely regulated to the role of the scientist’s beautiful daughter, who might scream during the fight scenes but otherwise had little to do except hang adoringly on the arm of the hero afterwards. Legions of women swooned helplessly while waiting to be rescued by the intrepid jut-jawed hero from everything from dragons to the bug-eyed monsters who were always carrying them off for improbable purposes either dietary or romantic on the covers of pulp SF magazines. Hopelessly struggling women were tied to railroad tracks, with nothing to do but squeak in protest and hope that the Good Guy arrived in time to save them.

And yet, at the same time, warrior women like Edgar Rice Burroughs’s Dejah Thoris and Thuvia, Maid of Mars, were every bit as good with the blade and every bit as deadly in battle as John Carter and their other male comrades, female adventuresses like C. L. Moore’s Jirel of Joiry swashbuckled their way through the pages of Weird Tales magazine (and blazed a trail for later female swashbucklers like Joanna Russ’s Alyx); James H. Schmitz sent Agents of Vega like Granny Wannatel and fearless teenagers like Telzey Amberdon and Trigger Argee out to battle the sinister menaces and monsters of the spaceways; and Robert A. Heinlein’s dangerous women were capable of being the captain of a spaceship or killing enemies in hand-to-hand combat. Arthur Conan Doyle’s sly, shady Irene Adler was one of the only people ever to outwit his Sherlock Holmes, and probably one of the inspirations for the legions of tricky, dangerous, seductive, and treacherous “femmes fatale” who featured in the works of Dashiell Hammett and James M. Cain and later went on to appear in dozens of films noir, and who still turn up in the movies and on television to this day. Later television heroines such as Buffy the Vampire Slayer and Xena, Warrior Princess, firmly established women as being formidable and deadly enough to battle hordes of fearsome supernatural menaces, and helped to inspire the whole subgenre of paranormal romance, which is sometimes unofficially known as the “kick-ass heroine” genre.

Like our anthology Warriors, Dangerous Women was conceived of as a cross-genre anthology, one that would mingle every kind of fiction, so we asked writers from every genre—science fiction, fantasy, mystery, historical, horror, paranormal romance, men and women alike—to tackle the theme of “dangerous women,” and that call was answered by some of the best writers in the business, including both new writers and giants of their fields like Diana Gabaldon, Jim Butcher, Sharon Kay Penman, Joe Abercrombie, Carrie Vaughn, Joe R. Lansdale, Lawrence Block, Cecelia Holland, Brandon Sanderson, Sherilynn Kenyon, S. M. Stirling, Nancy Kress, and George R. R. Martin.

Here you’ll find no hapless victims who stand by whimpering in dread while the male hero fights the monster or clashes swords with the villain, and if you want to tie these women to the railroad tracks, you’ll find you have a real fight on your hands. Instead, you will find sword-wielding women warriors; intrepid women fighter pilots and far-ranging spacewomen; deadly female serial killers; formidable female superheroes; sly and seductive femmes fatale; female wizards; hard-living bad girls; female bandits and rebels; embattled survivors in postapocalyptic futures; female private investigators; stern female hanging judges; haughty queens who rule nations and whose jealousies and ambitions send thousands to grisly deaths; daring dragonriders; and many more.

Enjoy!

Joe Abercrombie

As the sizzlingly fast-paced and action-packed story that follows demonstrates, sometimes chasing a fugitive can be as dangerous for the pursuers as for the pursued—particularly when the quarry has no place left to run …

Joe Abercrombie is one of the fastest-rising stars in fantasy today, acclaimed by readers and critics alike for his tough, spare, no-nonsense approach to the genre. He’s probably best known for his First Law trilogy, the first novel of which, The Blade Itself, was published in 2006; it was followed in subsequent years by Before They Are Hanged and Last Argument of Kings. He’s also written the stand-alone fantasy novels Best Served Cold and The Heroes. His most recent novel is Red Country. In addition to writing, Abercrombie is also a freelance film editor and lives and works in London.

SOME DESPERADO

Shy gave the horse her heels, its forelegs buckled, and, before she had a notion what was happening, she and her saddle had bid each other a sad farewell.

She was given a flailing instant aloft to consider the situation. Not a good one at a brief assay, and the impending earth gave her no time for a longer. She did her best to roll with the fall—as she tried to do with most of her many misfortunes—but the ground soon uncurled her, gave her a fair roughing up, and tossed her, flopping, into a patch of sun-shrivelled scrub.

Dust settled.

She stole a moment just to get some breath in. Then one to groan while the world stopped rolling. Then another to shift gingerly an arm and a leg, waiting for that sick jolt of pain that meant something was broke and her miserable shadow of a life would soon be lost in the dusk. She would’ve welcomed it, if it meant she could stretch out and not have to run any more. But the pain didn’t come. Not outside of the usual compass, leastways. As far as her miserable shadow of a life went, she was still awaiting judgment.

Shy dragged herself up, scratched and scuffed, caked in dust and spitting out grit. She’d taken too many mouthfuls of sand the last few months but she’d a dismal premonition that there’d be more. Her horse lay a few strides distant, one foamed-up flank heaving, forelegs black with blood. Neary’s arrow had snagged it in the shoulder, not deep enough to kill or even slow it right off, but deep enough to make it bleed at a good pace. With her hard riding, that had killed it just as dead as a shaft in the heart.

There’d been a time Shy had got attached to horses. A time—despite reckoning herself hard with people and being mostly right—she’d been uncommon soft about animals. But that time was a long time gone. There wasn’t much soft on Shy these days, body or mind. So she left her mount to its final red-frothed breaths without the solace of her calming hand and ran for the town, tottering some at first, but quickly warming to the exercise. At running, she’d a heap of practice.

“Town” was perhaps an overstatement. It was six buildings, and calling them buildings was being generous to two or three. All rough lumber and an entire stranger to straight angles, sun-baked, rain-peeled, and dust-blasted, huddled about a dirt square and a crumbling well.

The biggest building had the look of a tavern or brothel or trading post or more likely all three amalgamated. A rickety sign still clung to the boards above the doorway but the name had been rubbed by the wind to just a few pale streaks in the grain. Nothing, nowhere, was all its proclamation now. Up the steps two by two, bare feet making the old boards wheeze, thoughts boiling away at how she’d play it when she got inside, what truths she’d season with what lies for the most likely recipe.

There’s men chasing me! Gulping breath in the doorway and doing her best to look beyond desperate—no mighty effort of acting at that moment, or any occupying the last twelve months, indeed.

Three of the bastards! Then—provided no one recognised her from all the bills for her arrest—They tried to rob me! A fact. No need to add that she’d robbed the money herself from the new bank in Hommenaw in the company of those three worthies plus another since caught and hung by the authorities.

They killed my brother! They’re drunk on blood! Her brother was safe at home where she wished she was, and if her pursuers were drunk, it would likely be on cheap spirits as usual, but she’d shriek it with that little warble in her throat. Shy could do quite a warble when she needed one, she’d practiced it ’til it was something to hear. She pictured the patrons springing to their feet in their eagerness to aid a woman in distress. They shot my horse! She had to admit it didn’t seem overpowering likely that anyone hard-bitten enough to live out here would be getting into a sweat of chivalry, but maybe fate would deal her a winning hand for once.

It had been known to happen.

She blundered through the tavern’s door, opening her mouth to serve up the tale, and stopped cold.

The place was empty.

Not just no one there, but nothing there, and for damn sure no winning hand. Not a twig of furniture in the bare common room. A narrow stairway and a balcony running across the left-hand wall, doorways yawning empty upstairs. Chinks of light scattered where the rising sun was seeking out the many gaps in the splitting carpentry. Maybe just a lizard skittering away into the shadows—of which there was no shortage—and a bumper harvest of dust, greying every surface, drifted into every corner. Shy stood there a moment just blinking, then dashed back out along the rickety stoop and to the next building. When she shoved the door, it dropped right off its rusted hinges.

This one hadn’t even a roof. Hadn’t even a floor. Just bare rafters with the careless, pinking sky above, and bare joists with a stretch of dirt below, every bit as desolate as the miles of dirt outside.

She saw it now as she stepped back into the street with vision unhindered by hope. No glass in the windows, or wax paper, even. No rope by the crumbling well. No animals to be seen—aside from her own dead horse, that was, which only served to prove the point.

It was a dried-out corpse of a town, long since dead.

Shy stood in that forsaken place, up on the balls of her bare feet as though she was about to sprint off somewhere but lacked the destination, hugging herself with one arm while the fingers of the other hand fluttered and twitched at nothing, biting on her lip and sucking air fast and rasping through the little gap between her front teeth.

Even by recent standards, it was a low moment. But if she’d learned anything the last few months, it was that things can always get lower. Looking back the way she’d come, Shy saw the dust rising. Three little grey trails in the shimmer off the grey land.

“Oh, hell,” she whispered, and bit her lip harder. She pulled her eating knife from her belt and wiped the little splinter of metal on her dirty shirt, as though cleaning it might somehow settle the odds. Shy had been told she had a fertile imagination, but even so, it was hard to picture a more feeble weapon. She’d have laughed if she hadn’t been on the verge of weeping. She’d spent way too much time on the verge of weeping the last few months, now that she thought about it.

How had it come to this?

A question for some jilted girl rather than an outlaw with four thousand marks offered, but still a question she was never done asking. Some desperado! She’d grown expert on the desperate part but the rest remained a mystery. The sorry truth was that she knew full well how it came to this—the same way as always. One disaster following so hard on another that she just bounced between ’em, pinging about like a moth in a lantern. The second usual question followed hard on the first.

What the fuck now?

She sucked in her stomach—not that there was much to suck in these days—and dragged the bag out by the drawstrings, coins inside clicking together with that special sound only money makes. Two thousand marks in silver, give or take. You’d think that a bank would hold a lot more—they told depositors they always had fifty thousand on hand—but it turns out you can’t trust banks any more than bandits.

She dug her hand in, dragged free a fistful of coins, and tossed the money across the street, leaving it gleaming in the dust. She did it like she did most things these days—hardly knowing why. Maybe she valued her life a lot higher’n two thousand marks, even if no one else did. Maybe she hoped they’d just take the silver and leave her be, though what she’d do once she was left be in this corpse town—no horse, no food, no weapon—she hadn’t thought out. Clearly she hadn’t fixed up a whole plan, or not one that would hold too much water, leastways. Leaky planning had always been a problem of hers.

She sprinkled silver as if she was tossing seed on her mother’s farm, miles and years and a dozen violent deaths away. Whoever would’ve thought she’d miss the place? Miss the bone-poor house and the broke-down barn and the fences that always needed mending. The stubborn cow that never gave milk and the stubborn well that never gave water and the stubborn soil that only weeds would thrive in. Her stubborn little sister and brother too. Even big, scarred, softheaded Lamb. What Shy would’ve given now to hear her mother’s shrill voice curse her out again. She sniffed hard, her nose hurting, her eyes stinging, and wiped ’em on the back of her frayed cuff. No time for tearful reminiscences. She could see three dark spots of riders now beneath those three inevitable dust trails. She flung the empty bag away, ran back to the tavern, and—

“Ah!” She hopped over the threshold, bare sole of her foot torn on a loose nail head. The world’s nothing but a mean bully, that’s a fact. Even when you’ve big misfortunes threatening to drop on your head, small ones still take every chance to prick your toes. How she wished she’d got the chance to grab her boots. Just to keep a shred of dignity. But she had what she had, and neither boots nor dignity were on the list, and a hundred big wishes weren’t worth one little fact—as Lamb used to boringly drone at her whenever she cursed him and her mother and her lot in life and swore she’d be gone in the morning.

Shy remembered how she’d been then, and wished she had the chance now to punch her earlier self in the face. But she could punch herself in the face when she got out of this.

She’d a procession of other willing fists to weather first.

She hurried up the stairs, limping a little and cursing a lot. When she reached the top she saw she’d left bloody toe prints on every other one. She was working up to feeling pretty damn low about that glistening trail leading right to the end of her leg, when something like an idea came trickling through the panic.

She paced down the balcony, making sure to press her bloody foot firm to the boards, and turned into an abandoned room at the end. Then she held her foot up, gripping it hard with one hand to stop the bleeding, and hopped back the way she’d come and through the first doorway, near the top of the steps, pressing herself into the shadows inside.

A pitiful effort, doubtless. As pitiful as her bare feet and her eating knife and her two-thousand-mark haul and her big dream of making it back home to the shit-hole she’d had the big dream of leaving. Small chance those three bastards would fall for that, even stupid as they were. But what else could she do?

When you’re down to small stakes, you have to play long odds.

Her own breath was her only company, echoing in the emptiness, hard on the out, ragged on the in, almost painful down her throat. The breath of someone scared near the point of an involuntary shitting and all out of ideas. She just couldn’t see her way to the other side of this. She ever made it back to that farm she’d jump out of bed every morning she woke alive and do a little dance, and give her mother a kiss for every cuss, and never snap at her sister or mock Lamb again for being a coward. She promised it, then wished she was the sort who kept promises.

She heard horses outside, crept to the one window with half a view of the street, and peered down as gingerly as if she was peering into a bucket of scorpions.

They were here.

Neary wore that dirty old blanket cinched in at the waist with twine, his greasy hair sticking up at all angles, reins in one hand and the bow he’d shot Shy’s horse with in the other, the blade of the heavy axe hanging at his belt as carefully cleaned as the rest of his repugnant person was beyond neglect. Dodd had his battered hat pulled low, sitting his saddle with that round-shouldered cringe he always had around his brother, like a puppy expecting a slap. Shy would have liked to give the faithless fool a slap right then. A slap for starters. Then there was Jeg, sitting up tall as a lord in that long red coat of his, dirt-fringed tails spread out over his big horse’s rump, hungry sneer on his face as he scanned the buildings, that tall hat which he thought made him look quite the personage poking off his head slightly crooked, like the chimney from a burned-out farmstead.

Dodd pointed to the coins scattered across the dirt around the well, a couple of ’em winking with the sun. “She left the money.”

“Seems so,” said Jeg, voice hard as his brother’s was soft.

She watched them get down and hitch their mounts. No hurry to it. Like they were dusting themselves off after a jaunt of a ride and looking forward to a nice little evening among cultured company. They’d no need to hurry. They knew she was here, and they knew she was going nowhere, and they knew she was getting no help, and so did she.

“Bastards,” Shy whispered, cursing the day she ever took up with them. But you have to take up with someone, don’t you? And you can only pick from what’s on offer.

Jeg stretched his back, took a long sniff and a comfortable spit, then drew his sword. That curved cavalry sword he was so proud of with the clever-arsed basketwork, which he said he’d won in a duel with a Union officer, but that Shy knew he’d stolen, along with the best part of everything else he’d ever owned. How she’d mocked him about that stupid sword. She wouldn’t have minded having it to hand now, though, and him with only her eating knife.

“Smoke!” bellowed Jeg, and Shy winced. She’d no idea who’d thought that name up for her. Some wag had lettered it on the bills for her arrest and now everyone used it. On account of her tendency to vanish like smoke, maybe. Though it could also have been on account of her tendencies to stink like it, stick in folks’ throats, and drift with the wind.

“Get out here, Smoke!” Jeg’s voice clapped off the dead fronts of the buildings, and Shy shrank a little further into the darkness. “Get out here and we won’t hurt you too bad when we find you!”

So much for taking the money and going. They wanted the price on her too. She pressed her tongue into the gap between her teeth and mouthed, “Cocksuckers.” There’s a certain kind of man, the more you give him, the more he’ll take.

“We’ll have to go and get her,” she heard Neary say in the stillness.

“Aye.”

“I told you we’d have to go and get her.”

“You must be pissing your pants with joy over the outcome, then, eh?”

“Said we’d have to get her.”

“So stop pointing it out and get it done.”

Dodd’s wheedling voice. “Look, the money’s here, we could just scrape this up and get off, there ain’t no need to—”

“Did you and I really spring from between the same set o’ legs?” sneered Jeg at his brother. “You are the stupidest bastard.”

“Stupidest,” said Neary.

“You think I’m leaving four thousand marks for the crows?” said Jeg. “You scrape that up, Dodd, we’ll break the mare.”

“Where do you reckon she is?” asked Neary.

“I thought you was the big tracker?”

“Out in the wild, but we ain’t in the wild.”

Jeg cocked an eyebrow at the empty shacks. “You’d call this the highest extent of civilisation, would you?”

They looked at each other a moment, dust blowing up around their legs, then settling again.

“She’s here somewhere,” said Neary.

“You think? Good thing I got the self-described sharpest eyes west of the mountains with me, so I don’t miss her dead horse ten fucking strides away. Yes, she’s here somewhere.”

“Where do you reckon?” asked Neary.

“Where would you be?”

Neary looked about the buildings and Shy jerked out of the way as his narrowed eyes darted over the tavern.

“In that one, I reckon, but I ain’t her.”

“Course you ain’t fucking her. You know how I can tell? You got bigger tits and less sense. If you was her, I wouldn’t have to fucking look for her now, would I?”

Another silence, another dusty gust. “Guess not,” said Neary.

Jeg took his tall hat off, scrubbed at his sweaty hair with his fingernails, and jammed it back on at an angle. “You look in there, I’ll try the one next to it, but don’t kill the bitch, eh? That’ll half the reward.”

Shy eased back into the shadows, feeling the sweat tickling under her shirt. To be caught in this worthless arsehole of a place. By these worthless bastards. In bare feet. She didn’t deserve this. All she’d wanted was to be somebody worth speaking of. To not be nothing, forgotten on the day of her death. Now she saw that there’s a sharp balance between too little excitement and a huge helping too much. But like most of her lame-legged epiphanies, it had dawned a year too late.

She sucked air through the little gap between her teeth as she heard Neary creaking across the boards in the common room, maybe just the metal rattle of that big axe. She was shivering all over. Felt so weak of a sudden she could hardly hold the knife up, let alone imagine swinging it. Maybe it was time to give up. Toss the knife out the door and say, “I’m coming out! I’ll be no trouble! You win!” Smile and nod and thank ’em for their betrayal and their kind consideration when they kicked the shit out of her or horsewhipped her or broke her legs and whatever else amused them on the way to her hanging.

She’d seen her share of those and never relished the spectacle. Standing there tied while they read your name and your crime, hoping for some last reprieve that wouldn’t come while the noose was drawn tight, sobbing for mercy or hurling your curses and neither making the slightest hair of difference. Kicking at nothing, tongue stuck out while you shat yourself for the amusement of scum no better’n you. She pictured Jeg and Neary, up front in the grinning crowd as they watched her do the thief’s dance at rope’s end. Probably arrayed in even more ridiculous clothes secured with the reward money.

Megan Abbott

Megan Abbott was born in the Detroit area, graduated from the University of Michigan with a B.A. in English literature, received her Ph.D. in English and American literature from New York University, and has taught literature, writing, and film at New York University and the State University of New York at Oswego. She published her first novel, Die a Little, in 2005, and has since come to be regarded as one of the foremost practitioners of modern noir mystery writing, with the San Francisco Chronicle saying that she was poised to “claim the throne as the finest prose stylist in crime fiction since Raymond Chandler.” Her novels include Queenpin, which won the Edgar Award in 2008, The Song Is You, Bury Me Deep, and The End of Everything. Her most recent novel is Dare Me. Her other books include, as editor, the anthology A Hell of a Woman: An Anthology of Female Noir and a nonfiction study, The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir. She lives in Forest Hills, New York, and maintains a website at meganabbott.com.

In the subtle yet harrowing story that follows, she shows us that there are some things that you just can’t get over, no matter how hard you try—and some insights into the hearts of even those we love the most that you can’t unsee once you see them.

MY HEART IS EITHER BROKEN

He waited in the car. He had parked under one of the big banks of lights. No one else wanted to park there. He could guess why. Three vehicles over, he saw a woman’s back pressed against a window, her hair shaking. Once, she turned her head and he almost saw her face, the blue of her teeth as she smiled.

Fifteen minutes went by before Lorie came stumbling across the parking lot, heels clacking.

He had been working late and didn’t even know she wasn’t home until he got there. When she finally picked up her cell, she told him where she was, a bar he’d never heard of, a part of town he didn’t know.

“I just wanted some noise and people,” she had explained. “I didn’t mean anything.”

He asked if she wanted him to come get her.

“Okay,” she said.

On the ride home, she was doing the laughing-crying thing she’d been doing lately. He wanted to help her but didn’t know how. It reminded him of the kinds of girls he used to date in high school. The ones who wrote in ink all over their hands and cut themselves in the bathroom stalls at school.

“I hadn’t been dancing in so long, and if I shut my eyes no one could see,” she was saying, looking out the window, her head tilted against the window. “No one there knew me until someone did. A woman I didn’t know. She kept shouting at me. Then she followed me into the bathroom stall and said she was glad my little girl couldn’t see me now.”

He knew what people would say. That she was out dancing at a grimy pickup bar. They wouldn’t say she cried all the way home, that she didn’t know what to do with herself, that no one knows how they’ll act when something like this happens to them. Which it probably won’t.

But he also wanted to hide, wanted to find a bathroom stall himself, in another city, another state, and never see anyone he knew again, especially his mother or his sister, who spent all day on the Internet trying to spread the word about Shelby, collecting tips for the police.

Shelby’s hands—well, people always talk about baby’s hands, don’t they?—but they were like tight little flowers and he loved to put his palm over them. He never knew he’d feel like that. Never knew he’d be the kind of guy—that there even were kinds of guys—who would catch the milky scent of his daughter’s baby blanket and feel warm inside. Even, sometimes, press his face against it.

It took him a long time to tug off the dark red cowboy boots she was wearing, ones he did not recognize.

When he pulled off her jeans, he didn’t recognize her underwear either. The front was a black butterfly, its wings fluttering against her thighs with each tug.

He looked at her and a memory came to him of when they first dated, Lorie taking his hand and running it along her belly, her thighs. Telling him she once thought she’d be a dancer, that maybe she could be. And that if she ever had a baby she’d have a C-section, because everyone knew what happened to women’s stomachs after, not to mention what it does down there, she’d said, laughing, and put his hand there next.

He’d forgotten all this, and other things too, but now the things kept coming back and making him crazy.

He poured a tall glass of water for her and made her drink it. Then he refilled it and set it beside her.

She didn’t sleep like a drunk person but like a child, her lids twitching dreamily and a faint smile tugging at her mouth.

The moonlight coming in, it felt like he watched her all night, but at some point he must have fallen asleep.

When he woke, she had her head on his belly, was rubbing him drowsily.

“I was dreaming I was pregnant again,” she murmured. “It was like Shelby all over again. Maybe we could adopt. There are so many babies out there that need love.”

They had met six years ago. He was working for his mother, who owned a small apartment building on the north side of town.

Lorie lived on the first floor, where the window was high and you could see people walking on the sidewalk. His mother called it a “sunken garden apartment.”

She lived with another girl and sometimes they came in very late, laughing and pressing up against each other in the way young girls do, whispering things, their legs bare and shiny in short skirts. He wondered what they said.

He was still in school then and would work evenings and weekends, changing washers on leaky faucets, taking out the trash.

Once, he was in front of the building, hosing down the garbage cans with bleach, and she rushed past him, her tiny coat bunched around her face. She was talking on the phone and she moved so quickly he almost didn’t see her, almost splashed her with the hose. For a second he saw her eyes, smeary and wet.

“I wasn’t lying,” she was saying into the phone as she pushed her key into the front door, as she heaved her shoulders against it. “I’m not the liar here.”

One evening not long after, he came home and there was a note under the door. It read:

My heart is either broken or I haven’t paid the bill.

Thx, Lorie, #1-A

He’d read it four times before he figured it out.

She smiled when she opened the door, the security chain across her forehead.

He held up his pipe wrench.

“You’re just in time,” she said, pointing to the radiator.

No one ever thinks anything will ever happen to their baby girl. That’s what Lorie kept saying. She’d been saying that to reporters, the police, for every day of the three weeks since it happened.

He watched her with the detectives. It was just like on TV except nothing like on TV. He wondered why nothing was ever like you thought it would be and then he realized it was because you never thought this would be you.

She couldn’t sit still, her fingers twirling through the edges of her hair. Sometimes, at a traffic signal, she would pull nail scissors from her purse and trim the split ends. When the car began moving, she would wave her hand out the window, scattering the clippings into the wind.

It was the kind of careless, odd thing that made her so different from any girl he ever knew. Especially that she would do it front of him.

He was surprised how much he had liked it.

But now all of it seemed different and he could see the detectives watching her, looking at her like she was a girl in a short skirt, twirling on a bar stool and tossing her hair at men.

“We’re gonna need you to start from the beginning again,” the male one said, and that part was like on TV. “Everything you remember.”

“She’s gone over it so many times,” he said, putting his hand over hers and looking at the detective wearily.

“I meant you, Mr. Ferguson,” the detective said, looking at him. “Just you.”

They took Lorie to the outer office and he could see her through the window, pouring long gulps of creamer into her coffee, licking her lips.

He knew how that looked too. The newspapers had just run a picture of her at a smoothie place. The caption was “What about Shelby?” They must have taken it through the front window. She was ordering something at the counter, and she was smiling. They always got her when she was smiling. They didn’t understand that she smiled when she was sad. Sometimes she cried when she was happy, like at their wedding, when she cried all day, her face pink and gleaming, shuddering against his chest.

I never thought you would, she had said. I never thought I would. That any of this could happen.

He didn’t know what she meant, but he loved feeling her huddled against him, her hips grinding against him like they did when she couldn’t hold herself together and seemed to be holding on to him to keep from flying off the earth itself.

“So, Mr. Ferguson,” the detective said, “you came home from work and there was no one home?”

“Right,” he said. “Call me Tom.”

“Tom,” the detective started again, but the name seemed to fumble in his mouth like he’d rather not say it. Last week he’d called him Tom. “Was it unusual to find them gone at that time of day?”

“No,” he said. “She liked to keep busy.”

It was true, because Lorie never stayed put and sometimes would strap Shelby into the car seat and drive for hours, putting 100 or 200 miles on the car.

She would take her to Mineral Pointe and take photos of them in front of the water. He would get them on his phone at work and they always made him grin. He liked how she was never one of these women who stayed at home and watched court shows or the shopping channels.

She worked twenty-five hours a week at the Y while his mother stayed with Shelby. Every morning, she ran five miles, putting Shelby in the jogging stroller. She made dinner every night and sometimes even mowed the lawn when he was too busy. She never ever stopped moving.

This is what the newspapers and the TV people loved. They loved to take pictures of her jogging in her short shorts and talking on the phone in her car and looking at fashion magazines in line at the grocery store.

“What about Shelby?” the captions always read.

They never understood her at all. He was the only one.

“So,” the detective asked him, rousing from his thoughts, “what did you do when you found the house empty?”

“I called her cell.” He had. She hadn’t answered, but that wasn’t unusual either. He didn’t bother to tell them that. That he’d called four or five times and the phone went straight to voice mail and it wasn’t until the last time she picked up.

Her voice had been strange, small, like she might be in the doctor’s office, or the ladies’ room. Like she was trying to make herself quiet and small.

“Lorie? Are you okay? Where are you guys?”

There had been a long pause and the thought came that she had crashed the car. For a crazy second he thought she might be in the hospital, both of them broken and battered. Lorie was a careless driver, always sending him texts from the car. Bad pictures came into his head. He’d dated a girl once who had a baby shoe that hung on her rearview mirror. She said it was to remind her to drive carefully, all the time. No one ever told you that after you were sixteen.

“Lorie, just tell me.” He had tried to make his voice firm but kind.

“Something happened.”

“Lorie,” he tried again, like after a fight with her brother or her boss, “just take a breath and tell me.”

“Where did she go?” her voice came. “And how is she going to find me? She’s a little girl. She doesn’t know anything. They should put dog tags on them like they did when we were kids, remember that?”

He didn’t remember that at all, and there was a whirr in his head that was making it hard for him to hear.

“Lorie, you need to tell me what’s going on.”

So she did.

She said she’d been driving around all morning, looking at lawn mowers she’d found for sale on Craigslist. She was tired, decided to stop for coffee at the expensive place.

She saw the woman there all the time. They talked online about how expensive the coffee was but how they couldn’t help it. And what was an Americano, anyway? And, yeah, they talked about their kids. She was pretty sure the woman said she had kids. Two, she thought. And it was only going to be two minutes, five at the most.

“What was going to be five minutes?” he had asked her.

“I don’t know how it happened,” she said, “but I spilled my coffee, and it was everywhere. All over my new white coat. The one you got me for Christmas.”

He had remembered her opening the box, tissue paper flying. She had said he was the only person who’d ever bought her clothes that came in boxes, with tissue paper in gold seals.

She’d spun around in the coat and said, Oh, how it sparkles.

Crawling onto his lap, she’d smiled and said only a man would give the mother of a toddler a white coat.

“The coat was soaking,” she said now. “I asked the woman if she could watch Shelby while I was in the restroom. It took a little while because I had to get the key. One of those heavy keys they give you.”

When she came out of the restroom, the woman was gone, and so was Shelby.

He didn’t remember ever feeling the story didn’t make sense. It was what happened. It was what happened to them, and it was part of the whole impossible run of events that led to this. That led to Shelby being gone and no one knowing where.

But it seemed clear almost from the very start that the police didn’t feel they were getting all the information, or that the information made sense.

“They don’t like me,” Lorie said. And he told her that wasn’t true and had nothing to do with anything anyway, but maybe it did.

He wished they could have seen Lorie when she had pushed through the front door that day, her purse unzipped, her white coat still damp from the spilled coffee, her mouth open so wide, all he could see was the red inside her, raw and torn.

Hours later, their family around them, her body shuddering against him as her brother talked endlessly about Amber Alerts and Megan’s Law and his criminal justice class and his cop buddies from the gym, he felt her pressing into him and saw the feathery curl tucked in her sweater collar, a strand of Shelby’s angel-white hair.

By the end of the second week, the police hadn’t found anything, or if they did they weren’t telling. Something seemed to have shifted, or gotten worse.

“Anybody would do it,” Lorie said. “People do it all the time.”

He watched the detective watch her. This was the woman detective, the one with the severe ponytail who was always squinting at Lorie.

“Do what?” the woman detective asked.

“Ask someone to watch their kid, for just a minute,” Lorie said, her back stiffening. “Not a guy. I wouldn’t have left her with a man. I wouldn’t have left her with some homeless woman waving a hairbrush at me. This was a woman I saw in there every day.”

“Named?” They had asked her for the woman’s name many times. They knew she didn’t know it.

Lorie looked at the detective, and he could see those faint blue veins showing under her eyes. He wanted to put his arm around her, to make her feel him there, to calm her. But before he could do anything, she started talking again.

“Mrs. Caterpillar,” she said, throwing her hands in the air. “Mrs. Linguini. Madame Lafarge.”

The detective stared at her, not saying anything.

“Let’s try looking her up on the Internet,” Lorie said, her chin jutting and a kind of hard glint to her eyes. All the meds and the odd hours they were keeping, all the sleeping pills and sedatives and Lorie walking through the house all night, talking about nothing but afraid to lie still.

“Lorie,” he said. “Don’t—”

“Everything always happens to me,” she said, her voice suddenly soft and strangely liquid, her body sinking. “It’s so unfair.”

He could see it happening, her limbs going limp, and he made a grab for her.

She nearly slipped from him, her eyes rolling back in her head.

“She’s fainting,” he said, grabbing her, her arms cold like frozen pipes. “Get someone.”

The detective was watching.

“I can’t talk about it because I’m still coping with it,” Lorie told the reporters who were waiting outside the police station. “It’s too hard to talk about.”

He held her arm tightly and tried to move her through the crowd, bunched so tightly, like the knot in his throat.

“Is it true you’re hiring at attorney?” one of the reporters asked.

Lorie looked at them. He could see her mouth open and there was no time to stop her.

“I didn’t do anything wrong,” she said, a hapless grin on her face. As if she had knocked someone’s grocery cart with her own.

He looked at her. He knew what she meant—she meant leaving Shelby for that moment, that scattered moment. But he also knew how it sounded, and how she looked, that panicky smile she couldn’t stop.

That was the only time he let her speak to reporters.

Later, at home, she saw herself on the nightly news

Walking slowly to the TV, she kneeled in front of it, her jeans skidding on the carpet, and did the oddest thing.

She put her arms around it, like it was a teddy bear, a child.

“Where is she?” she whispered. “Where is she?”

And he wished the reporters could see this, the mystifying way grief was settling into her like a fever.

But he was also glad they couldn’t.

It was the middle of the night, close to dawn, and she wasn’t next to him.

He looked all over the house, his chest pounding. He thought he must be dreaming, calling out her name, both their names.

He found her in the backyard, a lithe shadow in the middle of the yard.

She was sitting on the grass, her phone lighting her face.

“I feel closer to her out here,” she said. “I found this.”

He could barely see, but moving closer saw the smallest of earrings, an enamel butterfly, caught between her fingers.

They had had a big fight when she came home with Shelby, her ears pierced, thick gold posts plugged in such tiny lobes. Her ears red, her face red, her eyes soft with tears.

“Where did she go, babe?” Lorie said to him now. “Where did she go?”

He was soaked with sweat and was pulling his T-shirt from his chest.

“Look, Mr. Ferguson,” the detective said, “you’ve cooperated with us fully. I get that. But understand our position. No one can confirm her story. The employee who saw your wife spill her coffee remembers seeing her leave with Shelby. She doesn’t remember another woman at all.”

“How many people were in there? Did you talk to all of them?”

“There’s something else too, Mr. Ferguson.”

“What?”

“One of the other employees said Lorie was really mad about the coffee spill. She told Shelby it was her fault. That everything was her fault. And that Lorie then grabbed your daughter by the arm and shook her.”

“That’s not true,” he said. He’d never seen Lorie touch Shelby roughly. Sometimes it seemed she barely knew she was there.

“Mr. Ferguson, I need to ask you: Has your wife had a history of emotional problems?”

“What kind of question is that?”

“It’s a standard question in cases like this,” the detective said. “And we’ve had some reports.”

“Are you talking about the local news?”

“No, Mr. Ferguson. We don’t collect evidence from TV.”

“Collecting evidence? What kind of evidence would you need to collect about Lorie? It’s Shelby who’s missing. Aren’t you—”

“Mr. Ferguson, did you know your wife spent three hours at Your Place Lounge on Charlevoix yesterday afternoon?”

“Are you following her?”

“Several patrons and one of the bartenders contacted us. They were concerned.”

“Concerned? Is that what they were?” His head was throbbing.

“Shouldn’t they be concerned, Mr. Ferguson? This is a woman whose baby is missing.”

“If they were so concerned, why didn’t they call me?”

“One of them asked Lorie if he could call you for her. Apparently, she told him not to.”

He looked at the detective. “She didn’t want to worry me.”

The detective looked back at him. “Okay.”

“You can’t tell how people are going to act when something like this happens to you,” he said, feeling his head dipping. Suddenly his shoulders felt very heavy and he had these pictures of Lorie in his head, at the far corner of the long black lacquered bar, eyes heavy with makeup and filled with dark feelings. Feelings he could never touch. Never once did he feel sure he knew what she was thinking. That was part of it. Part of the throb in his chest, the longing there that never left.

“No,” he said, suddenly.

“What?” the detective asked, leaning forward.

“She has no history of emotional problems. My wife.”

It was the fourth week, the fourth week of false leads and crying and sleeping pills and night terrors. And he had to go back to work or they wouldn’t make the mortgage payment. They’d talked about Lorie returning to her part-time job at the candle store, but somebody needed to be home, to be waiting.

(Though what, really, were they waiting for? Did toddlers suddenly toddle home after twenty-seven days? That’s what he could tell the cops were thinking.)

“I guess I’ll call the office tomorrow,” he said. “And make a plan.”

“And I’ll be here,” she said. “You’ll be there and I’ll be here.”

It was a terrible conversation, like a lot of those conversations couples have in dark bedrooms, late into the night, when you know the decisions you’ve been avoiding all day won’t wait anymore.

After they talked, she took four big pills and pushed her face into her pillow.

He couldn’t sleep and went into Shelby’s room, which he only ever did at night. He leaned over the crib, which was too small for her but Lorie wouldn’t use the bed yet, said it wasn’t time, not nearly.

He put his fingers on the soft baby bumpers, festooned with bright yellow fish. He remembered telling Shelby they were goldfish, but she kept saying Nana, nana, which was what she called bananas.

Her hands were always covered with the pearly slime of bananas, holding on to the front of Lorie’s shirt.

One night, sliding his hand under Lorie’s bra clasp, between her breasts, he felt a daub of banana even there.

“It’s everywhere,” Lorie had sighed. “It’s like she’s made of bananas.”

He loved that smell, and his daughter’s forever-glazed hands.

At some point, remembering this, he started crying, but then he stopped and sat in the rocking chair until he fell asleep.

In part, he was relieved to go back to work, all those days with neighbors and families and friends huddling in the house, trading Internet rumors, organizing vigils and searches. But now there were fewer family members, only a couple friends who had no other place to go, and no neighbors left at all.

The woman from the corner house came late one evening and asked for her casserole dish back.

“I didn’t know you’d keep it so long,” she said, eyes narrowing.

She seemed to be trying to look over his shoulder, into the living room. Lorie was watching a show, loudly, about a group of blond women with tight lacquered faces and angry mouths. She watched it all the time; it seemed to be the only show on TV anymore.

“I didn’t know,” the woman said, taking her dish, inspecting it, “how things were going to turn out.”

you sexy, sexy boy, Lorie’s text said. i want your hands on me. come home and handle me, rough as u like. rough me up.

He swiveled at his desk chair hard, almost like he needed to cover the phone, cover his act of reading the text.

He left the office right away, driving as fast as he could. Telling himself that something was wrong with her. That this had to be some side effect of the pills the doctor had given her, or the way sorrow and longing could twist in her complicated little body.

But that wasn’t really why he was driving so fast, or why he nearly tripped on the dangling seat belt as he hurried from the car.

Or why he felt, when he saw her lying on the bed, flat on her stomach and head turned, smiling, that he’d burst in two if he didn’t have her. If he didn’t have her then and there, the bed moaning beneath them and she not making a sound but, the blinds pulled down, her white teeth shining, shining from her open mouth.

It felt wrong but he wasn’t sure why. He knew her, but he didn’t. This was her, but a Lorie from long ago. Except different.

The reporters called all the time. And there were two that never seemed to leave their block. They had been there right at the start, but then seemed to go away, to move on to other stories.

They came back when the footage of Lorie coming out of Magnum Tattoo Parlor began appearing. Someone shot it with their cell phone.

Lorie was wearing those red cowboy boots again, and red lipstick, and she walked right up to the camera.

They ran photos of it in the newspaper with the headline: A Mother’s Grief?

He looked at the tattoo.

The words Mirame quemar written in script, wrapping itself around her hip.

It covered just the spot where a stretch mark had been, the one she always covered with her fingers when she stood before him naked.

He looked at the tattoo in the dark bedroom, a band of light coming from the hallway. She turned her hip, kept turning it, spinning her torso so he could feel it, all of it.

“I needed it,” she said. “I needed something. Something to put my fingers on. To remind me of me.

“Do you like it?” she asked, her breath in his ear. The ink looked like it was moving.

“I like it,” he said, putting his fingers there. Feeling a little sick. He did like it. He liked it very much.

Late, late into that night, her voice shook him from a deep sleep.

“I never knew she was coming and then she was here,” she was saying, her face pressed in her pillow. “And I never knew she was going and now she’s gone.”

He looked at her, her eyes shut, dappled with old makeup.

“But,” she said, her voice grittier, strained, “she was always doing whatever she wanted.”

That’s what he thought she said. But she was sleeping, and didn’t make any sense at all.

“You liked it until you thought about it,” she said. “Until you looked close at it and then you decided you didn’t want it anymore. Or didn’t want to be the guy who wants it.”

He was wearing the new shirt she had bought for him the day before. It was a deep, deep purple and beautiful and he felt good in it, like the unit manager who all the women in the office talked about. They talked about his shoes and he always wondered where people got shoes like that.

“No,” he said. “I love it. But it’s just … expensive.”

That wasn’t it, though. It didn’t seem right buying things, buying anything, right now. But it was also how colorful the shirt was, the sheen on it. The bright, hard beauty of it. A shirt for going out, for nightclubs, for dancing. For those things they did when they still did things: vodka and pounding music and frenzied sex in her car.

The kind of drunken sex so messy and crazy that you were almost shy around each other after, driving home, screwed sober, feeling like you’d showed something very private and very bad.

Once, years ago, she did something to him no one had ever done and he couldn’t look at her afterward at all. The next time he did something to her. For a while, it felt like it would never stop.

“I think someone should tell you about your wife,” the e-mail said. That was the subject line. He didn’t recognize the address, a series of letters and digits, and there was no text in the body of the e-mail. There was only a photo of a girl dancing in a bright green halter top, the ties loose and dangling.

It was Lorie, and he knew it must be an old picture. Weeks ago, the newspapers had gotten their hands on some snapshots of Lorie from her late teens, dancing on tabletops, kissing her girlfriends. Things girls did when they were drinking and someone had a camera.

In those shots, Lorie was always posing, vamping, trying to look like a model, a celebrity. It was a Lorie before he really knew her, a Lorie from what she called her “wild girl days.”

But in this picture she didn’t seem to be aware of the camera at all, seemed to be lost in the thrall of whatever music was playing, whatever sounds she was hearing in her crowded head. Her eyes were shut tight, her head thrown back, her neck long and brown and beautiful.

She looked happier than he had ever seen her.

A Lorie from long ago, or never.

But when he scrolled further down, he saw the halter top riding up her body, saw the pop of a hip bone. Saw the elegant script letters: Mirame quemar.

That night, he remembered a story she had told him long ago. It seemed impossible he’d forgotten it. Or maybe it just seemed different now, making it seem like something new. Something uncovered, an old sunken box you find in the basement smelling strong and you’re afraid to open it.

It was back when they were dating, when her roommate was always around and they had no place to be alone. They would have thrilling bouts in his car, and she loved to crawl into the backseat and lie back, hoisting a leg high over the headrest and begging him for it.

It was after the first or second time, back when it was all so crazy and confusing and his head was pounding and starbursting, that Lorie curled against him and talked and talked about her life, and the time she stole four Revlon eyeslicks from CVS and how she had slept with a soggy-eared stuffed animal named Ears until she was twelve. She said she felt she could tell him anything.

Somewhere in the blur of those nights—nights when he, too, told her private things, stories about babysitter crushes and shoplifting Matchbox cars—that she told him the story.

How, when she was seven, her baby brother was born and she became so jealous.

“My mom spent all her time with him, and left me alone all day,” she said. “So I hated him. Every night, I would pray that he would be taken away. That something awful would happen to him. At night, I’d sneak over to his crib and stare at him through the little bars. I think maybe I figured I could think it into happening. If I stared at him long enough and hard enough, it might happen.”

He had nodded, because this is how kids could be, he guessed. He was the youngest and wondered if his older sister thought things like this about him. Once, she smashed his finger under a cymbal and said it was an accident.

But she wasn’t done with her story and she snuggled closer to him and he could smell her powdery body and he thought of all its little corners and arcs, how he liked to find them with his hands, all the soft, hot places on her. Sometimes it felt like her body was never the same body, like it changed under his hands. I’m a witch, a witch.

“So one night,” she said, her voice low and sneaky, “I was watching him through the crib bars and he was making this funny noise.”

Her eyes glittered in the dark of the car.

“I leaned across, sticking my hands through the rails,” she said, snaking her hand towards him. “And that’s when I saw this piece of string dangling on his chin, from his pull toy. I starting pulling it, and pulling it.”

He watched her tugging the imaginary string, her eyes getting bigger and bigger.

“Then he let out this gasp,” she said, “and started breathing again.”

She paused, her tongue clicking.

“My mom came in at just that moment. She said I saved his life,” she said. “Everyone did. She bought me a new jumper and the hot-pink shoes I wanted. Everyone loved me.”

A pair of headlights flashed across them and he saw her eyes, bright and brilliant.

“So no one ever knew the real story,” she said. “I’ve never told anyone.”

She smiled, pushing herself against him.

“But now I’m telling you,” she said. “Now I have someone to tell.”

“Mr. Ferguson, you told us, and your cell phone records confirm, that you began calling your wife at 5:50 p.m. on the day of your daughter’s disappearance. Finally, you reached her at 6:45. Is that right?”

“I don’t know,” he said, this the eighth, ninth, tenth time they’d called him in. “You would know better than me.”

“Your wife said she was at the coffee place at around five. But we tracked down a record of your wife’s transaction. It was at 3:45.”

“I don’t know,” he said, rubbing at the back of his neck, the prickling there. He realized he had no idea what they might tell him. No idea what might be coming.

“So what do you think your wife was doing for three hours?”

“Looking for this woman. Trying to find her.”

“She did make some other calls during that time. Not to the police, of course. Or even you. She made a call to a man named Leonard Drake. Another one named Jason Patrini.”

One sounded like an old boyfriend—Lenny someone—the other he didn’t even know. He felt something hollow out inside him. He didn’t know who they were even talking about anymore, but it had nothing to do with him.

The female detective walked in, giving her partner a look.

“Since she was making all these calls, we could track her movements. She went to the Harbor View Mall.”

“Would you like to see her on the security camera footage there?” the female detective asked. “We have it now. Did you know she bought a tank top.”

He felt nothing.

“She also went to the quickie mart. The cashier just IDed her. She used the bathroom. He said she was in there a long time and when she came out, she had changed clothing.

“Would you like to see the footage there? She looks like a million bucks.”

She slid a grainy photo across the desk. A young woman in a tank top and hoodie tugged low over her brow. She was smiling.

“That’s not Lorie,” he said softly. She looked too young, looked like she looked when he met her, a little elfin beauty with a flat stomach and pigtails and a pierced navel. A hoop he used to tug. He’d forgotten about that. She must have let it seal over.

“I’m sure this is tough to hear, Mr. Ferguson,” the male detective said. “I’m sorry.”

He looked up. The detective did look very sorry.

“What did you say to them?” he asked.

Lorie was sitting in the car with him, a half block from the police station.

“I don’t know if you should say anything to them anymore,” he said. “I think maybe we should call a lawyer.”

Lorie was looking straight ahead, at the strobing lights from the intersection. Slowly, she lifted her hand to the edges of her hair, combing them thoughtfully.

“I explained,” she said, her face dark except for a swoop of blue from the car dealership sign, like a tadpole up her cheek. “I told them the truth.”

“What truth?” he asked. The car felt so cold. There was a smell coming from her, of someone who hasn’t eaten. A raw smell of coffee and nail polish remover.

“They don’t believe anything I say anymore,” she said. “I explained how I’d been to the coffee place twice that day. Once to get a juice for Shelby and then later for coffee for me. They said they’d look into it, but I could see how it was on their faces. I told them so. I know what they think of me.”

She turned and looked at him, the car moving fast, sending red lights streaking up her face. It reminded him of a picture he once saw in a National Geographic of an Amazon woman, her face painted crimson, a wooden peg through her lip.

“Now I know what everyone thinks of me,” she said, and turned away again.

It was late that night, his eyes wide open, that he asked her. She was sound asleep, but he said it.

“Who’s Leonard Drake? Who’s Jason whatever?”

She stirred, shifted to face him, her face flat on the sheet.

“Who’s Tom Ferguson? Who is he?

“Is that what you do?” he asked, his voice rising. “Go around calling men.”

It was easier to ask her this than to ask her other things. To ask her if she had shaken Shelby, if she had lied about everything. Other things.

“Yes,” she said. “I call men all day long, I go to their apartments. I leave my daughter in the car, especially if it’s very hot. I sneak up their apartment stairs.”

She had her hand on her chest, was moving it there, watching him.

“You should feel how much I want them by the time they open their doors.”

Stop, he said, without saying it.

“I have my hands on their belts before they close the door behind me. I crawl onto their laps on their dirty bachelor’s sofas and do everything.”

He started shaking his head, but she wouldn’t stop.

“You have a baby, your body changes. You need something else. So I let them do anything. I’ve done everything.”

Her hand was moving, touching herself. She wouldn’t stop.

“That’s what I do while you’re at work. I wasn’t calling people on Craigslist, trying to replace your lawn mower. I wasn’t doing something for you, always for you.”

He’d forgotten about the lawn mower, forgotten that’s what she’d said she’d been doing that day. Trying to get a secondhand one after he’d gotten blood blisters on both hands using it the last time. That’s what she’d said she was doing.

“No,” she was saying, “I was calling men, making dates for sex. That’s what I do since I’ve had a baby and been at home. I don’t know how to do anything else. It’s amazing I haven’t been caught before. If only I hadn’t been caught.”

He covered his face with his hand. “I’m sorry. I’m sorry.”

“How could you?” she said, a strangle in her throat. She was tugging all the sheet into her hands, rolling it, pulling off him, wringing it. “How could you?”

He dreamt of Shelby that night.

He dreamt he was wandering through the blue-dark of the house and when he got to Shelby’s room, there was no room at all and suddenly he was outside.

The yard was frost-tipped and lonely looking and he felt a sudden sadness. He felt suddenly like he had fallen into the loneliest place in the world, and the old toolshed in the middle seemed somehow the very center of that loneliness.

When they’d bought the house, they’d nearly torn it down—everyone said they should—but they decided they liked it; the “baby barn,” they’d called it, with its sloping roof and faded red paint.

But it was too small for anything but a few rakes and that push lawn mower with the sagging left wheel.

It was the only old thing about their house, the only thing left from before he was there.

By day, it was a thing he never thought about at all anymore, didn’t notice it other than the smell sometimes coming off it after rain.

But in the dream it seemed a living thing, neglected and pitiful.

It came to him suddenly that the lawn mower in the shed might still be fixed, and if it were, then everything would be okay and no one would need to look for lawn mowers and the thick tug of grass under his feet would not feel so heavy and all this loneliness would end.

He put his hand on the shed’s cool, crooked handle and tugged it open.

Instead of the lawn mower, he saw a small black sack on the floor of the shed.

He thought to himself in the way you do in dreams: I must have left the cuttings in here. They must be covered with mold and that must be the smell so strong it—

Grabbing for the sack, it slipped open, and the bag itself began to come apart in his hands.

There was the sound, the feeling of something heavy dropping to the floor of the shed.

It was too dark to see what was slipping over his feet, tickling his ankles.

Too dark to be sure, but it felt like the sweet floss of his daughter’s hair.

He woke already sitting up. A voice was hissing in his head: Will you look in the shed? Will you?

And that was when he remembered there was no shed in the backyard anymore. They’d torn it down when Lorie was pregnant because she said the smell of rot was giving her headaches, making her sick.

The next day the front page of the paper had a series of articles marking the two-month anniversary of Shelby’s disappearance.

They had the picture of Lorie under the headline: What Does She Know? There was a picture of him, head down, walking from the police station yesterday. The caption read: “More unanswered questions.”

He couldn’t read any of it, and when his mother called he didn’t pick up.

All day at work, he couldn’t concentrate. He felt everyone looking at him.

When his boss came to his desk, he could feel the careful way he was being talked to.

“Tom, if you want to leave early,” he said, “that’s fine.”

Several times he caught the administrative assistant staring at his screen saver, the snapshot of Lorie with ten-month-old Shelby in her Halloween costume, a black spider with soft spider legs.

Finally he did leave, at three o’clock.

Lorie wasn’t in the house and he was standing at the kitchen sink, drinking a glass of water, when he saw her through the window.

Though it was barely seventy degrees, she was lying on one of the summer loungers.

Headphones on, she was in a bright orange bikini with gold hoops in the straps and on either hip.

She had pushed the purple playhouse against the back fence, where it tilted under the elm tree.

He had never seen the bikini before, but he recognized the sunglasses, large ones with white frames she had bought on a trip Mexico she had taken with an old girlfriend right before she got pregnant.

Gleaming in the center of her slicked torso was a gold belly ring.

She was smiling, singing along to whatever music was playing in her head.

That night he couldn’t bring himself to go to bed. He watched TV for hours without watching any of it. He drank four beers in a row, which he had not done since he was twenty years old.

Finally, the beer pulled on him, and the Benadryl he took after, and he found himself sinking at last onto their mattress.

At some point in the middle of the night, there was a stirring next to him, her body shifting hard. It felt like something was happening.

“Kirsten,” she mumbled.

“What?” he asked. “What?”

Suddenly she half sat up, her elbows beneath her, looking straight ahead.

“Her daughter’s name was Kirsten,” she said, her voice soft and tentative. “I just remembered. Once, when we were talking, she said her daughter’s name was Kirsten. Because she liked how it sounded with Krusie.”

He felt something loosen inside him, then tighten again. What was this?

“Her last name was Krusie with a K,” she said, her face growing more animated, her voice more urgent. “I don’t know how it was spelled, but it was with a K. I can’t believe I just remembered. It was a long time ago. She said she liked the two Ks. Because she was two Ks. Katie Krusie. That’s her name.”

He looked at her and didn’t say anything.

“Katie Krusie,” she said. “The woman at the coffee place. That’s her name.”

He couldn’t seem to speak or even move.

“Are you going to call?” she said. “The police?”

He found he couldn’t move. He was afraid somehow. So afraid he couldn’t breathe.

She looked at him, paused, and then reached across him, grabbing for the phone herself.

As she talked to the police, told them, her voice now clear and firm, what she’d remembered, as she told them she would come to the station, would leave in five minutes, he watched her, his hand over his own heart, feeling it beating so hard it hurt.

“We believe we have located the Krusie woman,” the female detective said. “We have officers heading there now.”

He looked at both of them. He could feel Lorie beside him, breathing hard. It had been less than a day since Lorie first called.

“What are you saying?” he said, or tried to. No words came out.

Katie-Ann Krusie had no children, but told people she did, all the time. After a long history of emotional problems, she had spent a fourteen-month stint at the state hospital following a miscarriage.

For the past eight weeks she had been living in a rental in Torring, forty miles away with a little blond girl she called Kirsten.

After the police released a photo of Katie-Ann Krusie on Amber Alert, a woman who worked at a coffee chain in Torring recognized her as a regular customer, always ordering extra milk for her babies.

“She sure sounded like she loved her kids,” the woman said. “Just talking about them made her so happy.”

The first time he saw Shelby again, he couldn’t speak at all.

She was wearing a shirt he’d never seen and shoes that didn’t fit and she was holding a juice box the policeman had given her.

She watched him as he ran down the hall toward her.

There was something in her face that he had never seen before, knew hadn’t been there before, and he knew in an instant he had to do everything he could to make it gone.

That was all he would do, if it took him the rest of his life to do it.

The next morning, after calling everyone, one by one, he walked into the kitchen to see Lorie sitting next to Shelby, who was eating apple slices, her pinkie finger curled out in that way she had.

He sat and watched her and Shelby asked him why he was shaking and he said because he was glad to see her.

It was hard to leave the room, even to answer the door when his mother and sister came, when everyone started coming.

Three nights later, at the big family dinner, the Welcome Home dinner for Shelby, Lorie drank a lot of wine and who could blame her, everyone was saying.

He couldn’t either, and he watched her.

As the evening carried on, as his mother brought out an ice cream cake for Shelby, as everyone huddled around Shelby, who seemed confused and shy at first and slowly burst into something beautiful that made him want to cry again—as all these things were occurring—he had one eye on Lorie, her quiet, still face. On the smile there, which never grew or receded, even when she held Shelby in her lap, Shelby nuzzling her mother’s wine-flushed neck.

At one point he found her standing in the kitchen and staring into the sink; it seemed to him she was staring down into the drain.

It was very late, or even early, and Lorie wasn’t there.

He thought she had gotten sick from all the wine, but she wasn’t in the bathroom either.

Something was turning in him, uncomfortably, as he walked into Shelby’s room.

He saw her back, naked and white from the moonlight. The plum-colored underpants she’d slept in.

She was standing over Shelby’s crib, looking down.

He felt something in his chest move.

Then, slowly, she kneeled, peeking through the crib rails, looking at Shelby.

It looked like she was waiting for something.

For a long time he stood there, five feet from the doorway, watching her watching their sleeping baby.

He listened close for his daughter’s high breaths, the stop and start of them.

He couldn’t see his wife’s face, only that long white back of hers, the notches of her spine. Mirame quemar etched on her hip.

He watched her watching his daughter, and knew he could not ever leave this room. That he would have to be here forever now, on guard. There was no going back to bed.

Cecelia Holland

Cecelia Holland is one of the world’s most highly acclaimed and respected historical novelists, ranked by many alongside other giants in that field such as Mary Renault and Larry McMurtry. Over the span of her thirty-year career, she’s written more than thirty historical novels, including The Firedrake, Rakóssy, Two Ravens, Ghost on the Steppe, The Death of Attila, Hammer for Princes, The King’s Road, Pillar of the Sky, The Lords of Vaumartin, Pacific Street, The Sea Beggars, The Earl, The Kings in Winter, The Belt of Gold, and more than a dozen others. She also wrote the well-known science fiction novel Floating Worlds, which was nominated for a Locus Award in 1975, and of late has been working on a series of fantasy novels, including The Soul Thief, The Witches’ Kitchen, The Serpent Dreamer, Varanger, and The King’s Witch. Her most recent books are the novels The High City, Kings of the North, and The Secret Eleanor.

In the high drama that follows, she introduces us to the ultimate dysfunctional family, whose ruthless, clashing ambitions threw England into bloody civil war again and again over many long years: King Henry II, his queen, Eleanor of Aquitaine, and their eight squabbling children. All deadly as cobras. Even the littlest one.

NORA’S SONG

MONTMIRAIL,

JANUARY, 1169

Nora looked quickly around, saw no one was watching, and slipped away between the trees and down the bank to the little stream. She knew there would be no frogs to hunt; her brother had told her that when the trees had no leaves, the streams had no frogs. But the water glittered over bright stones and she saw tracks printed into the damp sand. She squatted down to pick a shiny bit from the stream. It wouldn’t be pretty when it dried out. Behind her, her little sister Johanna slid down the bank in a rush.

“Nora! What do you have?”

She held out the pebble to her sister and went on a little way along the trickle of water. Those tracks were bird feet, like crosses in the damp sand. She squatted down again, to poke at the rocks, and then saw, in the yellow gritty stream bank, like a little round doorway, a hole.

She brushed aside a veil of hairy roots, trying to see in; did something live there? She could reach her hand in to find out, and in a quick tumble of her thoughts she imagined something furry, something furry with teeth, the teeth snapping on her hand, and tucked her fist against her skirt.

From up past the trees, a voice called, “Nora?”

That was her new nurse. She paid no attention, looking for a stick to probe the hole with; Johanna, beside her, went softly, “Ooooh,” and on all fours leaned toward the burrow. Her skirt was soaked from the stream.

“Nora!” Another voice.

She leapt up. “Richard,” she said, and scrambled up the bank, nearly losing a shoe. On the grassy edge, she pulled the shoe back on, turned and helped Johanna up behind her, and ran out through the bare trees, onto the broad open ground.

Her brother was striding toward her, smiling, his arms out, and she ran to him. She had not seen him since Christmas, the last time they had all been together. He was twelve years old, a lot older than she was, almost grown up. He bundled her into his arms and hugged her. He smelled like horses. Johanna came whooping up and he hugged her too. The two nurses, red in the face, were panting along behind them, their skirts clutched up in their hands. Richard straightened, his blue eyes blazing, and pointed across the field.

“See? Where Mother comes.”

Nora shaded her eyes, looking out across the broad field. At first she saw only the crowded people, stirring and swaying all around the edges of the field, but then a murmur swept through them, and on all sides rose into a roar. Far down there, a horse loped up onto the field and stopped, and the rider raised one hand in salute.

“Mama!” Johanna cried, and clapped.

Now the whole crowd was yelling and cheering, and, on her dark grey horse, Nora’s Mama was cantering along the sideline, toward the wooden stand under the plane trees, where they would all sit. Nora swelled, full to bursting; she yelled, “Hooray! Hooray, Mama!”

Up there, by the stand, a dozen men on foot went forward to meet the woman on the horse. She wheeled in among them, cast her reins down, and dismounted. Swiftly she climbed onto the platform, where two chairs waited, and stood there, and lifted her arm, turning slowly from one side to the other to greet the cheering crowd. She stood straight as a tree, her skirts furling around her.

Above the stand, suddenly, her pennant flapped open like a great wing, the Eagle of Aquitaine, and the thunderous shouting doubled.

“Eleanor! Eleanor!”

She gave one last wave to the crowd, but she had seen her children running toward her, and all her interest turned to them. She stooped, holding her arms out toward them, and Richard scooped Johanna into his arms and ran toward the platform. Nora went up the steps at the side. Coming to the front, Richard set Johanna at their mother’s feet.

Their mother’s hands fell on them. Nora buried her face in the Queen’s skirts.

“Mama.”

“Ah.” Their mother sat down, holding Johanna slightly away from her; she slid her free arm around Nora’s waist. “Ah, my dear ones. How I’ve missed you.” She kissed them both rapidly, several times. “Johanna, you’re drenched. This won’t do.” She beckoned, and Johanna’s nurse came running. Johanna squealed but was taken.

Still holding Nora against her, Eleanor leaned forward and leveled her gaze on Richard, leaning with his arms folded on the edge of the platform in front of her.

“Well, my son, are you excited?”

He pushed away from the platform, standing taller, his face flaming, his fair hair a wild tangle from the wind. “Mother, I can’t wait! When will Papa get here?”

Nora leaned on her mother. She loved Richard too, but she wished her mother would pay more heed to her. Her mother was beautiful, even though she was really old. She wore no coif, only a heavy gold ring upon her sleek red hair. Nora’s hair was like old dead grass. She would never be beautiful. The Queen’s arm tightened around her, but she was still tilted forward toward Richard, fixed utterly on Richard.

“He’s coming. You should get ready for the ceremony.” She touched the front of his coat, lifted her hand to his cheek. “Comb your hair, anyway.”

He jiggled up and down, vivid. “I can’t wait. I can’t wait. I’m going to be Duke of Aquitaine!”

The Queen laughed. A horn blew, down the pitch. “See, now it begins. Go find your coat.” She turned, beckoned to a page. “Attend the Lord Richard. Nora, now …” She nudged Nora back a step so that she could run her gaze over her from head to toe. Her lips curved upward and her eyes glinted. “What have you been doing, rolling in the grass? You’re my big girl now; you have to be presentable.”

“Mama.” Nora didn’t want to be the big girl. The idea reminded her that Mattie was gone, the real big girl. But she loved having her mother’s attention, she cast wildly around for something to say to keep it. “Does that mean I can’t play anymore?”

Eleanor laughed and hugged her again. “You will always be able to play, my girl. Just different games.” Her lips brushed Nora’s forehead. Nora realized she had said the right thing. Then Eleanor was turning away.

“See, here your father comes.”

A ripple of excitement rose through the crowd like the wind in a dry field, turned to a rumble, and erupted into a thunderous cheer. Down the pitch came a column of riders. Nora straightened, clapping her hands together, and drew in a deep breath and held it. In the center of the horsemen, her father rode along, wearing neither crown nor royal robes, and yet it seemed that everything bowed and bent around him, as if nobody else mattered but him.

“Papa.”

“Yes,” Eleanor said, under her breath. “The kingly Papa.” She drew her arm from Nora and sat straighter on her chair.

Nora drew back; if she got behind them, out of sight, they might forget her, and she could stay. Richard had not gone away, either, she saw, but lingered at the front of the royal stand. Her father rode up and swung directly from his saddle to the platform. He was smiling, his eyes narrow, his clothes rumpled, his beard and hair shaggy. He seemed to her like the king of the greenwood, wild and fierce, wreathed in leaves and bark. All along this side of the field, on either side of the booth, his knights rode up in a single rank, stirrup to stirrup, facing the French across the field. The king stood, throwing a quick glance that way, and then lowered his gaze to Richard, standing stiff and tall before him.

“Well, sirrah,” their father said, “are you ready to shiver a lance here?”

“Oh, Papa!” Richard bounced up and down. “Can I?”

Their father barked a laugh at him, looking down on him from the height of the booth. “Not until you can pay your own ransoms when you lose.”

Richard flushed pink, like a girl. “I won’t lose!”

“No, of course not.” The King waved him off. “Nobody ever thinks he’ll lose, sirrah.” He laughed again, scornful, turning away. “When you’re older.”

Nora bit her lip. It was mean to talk to Richard that way, and her brother drooped, kicked the ground, and then followed the page down the field. Suddenly he was just a boy again. Nora crouched down behind her mother’s skirts, hoping her father did not notice her. He settled himself in the chair beside the Queen’s, stretched his legs out, and for the first time turned toward Eleanor.

“You look amazingly well, considering. I’m surprised your old bones made it all the way from Poitiers.”

“I would not miss this,” she said. “And it’s a pleasant enough ride.” They didn’t touch, they didn’t give each other kisses, and Nora felt a little stir of worry. Her nurse had come up to the edge of the platform and Nora shrank deeper into Eleanor’s shadow. Eleanor paid the king a long stare. Her attention drifted toward his front.

“Eggs for breakfast? Or was that last night’s supper?”

Startled, Nora craned up a little to peer at him: his clothes were messy but she saw no yellow egg. Her father was glaring back at her mother, his face flattened with temper. He did not look down at his coat. “What a prissy old woman you are.”

Nora ran her tongue over her lower lip. Her insides felt full of prickers and burrs. Her mother’s hand lay on her thigh, and Nora saw how her mother was smoothing her skirt, over and over, with hard, swift, clawing fingers.

Her nurse said, “Lady Nora, come along now.”

“You didn’t bring your truelove,” the Queen said.

The King leaned toward her a little, as if he would leap on her, pound her, maybe, with his fist. “She’s afraid of you. She won’t come anywhere near you.”

Eleanor laughed. She was not afraid of him. Nora wondered what that was about; wasn’t her mother the King’s truelove? She pretended not to see her nurse beckoning her.

“Nora, come now!” the nurse said, loudly.

That caught her mother’s attention, and she swung around, saw Nora there, and said, “Go on, my girl. Go get ready.” Her hand dropped lightly to Nora’s shoulder. “Do as you’re bid, please.” Nora slid off the edge of the platform and went away to be dressed and primped.

Her old nurse had gone with Mattie when Nora’s big sister went to marry the Duke of Germany. Now she had this new nurse, who couldn’t brush hair without hurting. They had already laced Johanna into a fresh gown, and braided her hair, and the others were waiting outside the little tent. Nora kept thinking of Mattie, who had told her stories, and sung to her when she had nightmares. Now they were all walking out onto the field for the ceremony, her brothers first, and then her and Johanna.

Johanna slipped her hand into Nora’s, and Nora squeezed her fingers tight. All these people made her feel small. Out in the middle of the field everybody stood in rows, as if they were in church, and the ordinary people were all gathered closely around, to hear what went on. On either side banners hung, and a herald stood in front of them all, watching the children approach, his long shiny horn tipped down.

On big chairs in the very middle sat her father and mother and, beside them, a pale, weary-looking man in a blue velvet gown. He had a little stool for his feet. She knew that was the King of France. She and her sister and brothers went up before them, side by side, and the herald said their names, and as one they bowed, first to their parents and then to the French king.

“Mama—”

The Queen said, her voice suddenly harsh, “Let go of her, sir.”

“What?” the King said, with a little laugh. “Aren’t you my sweetheart, Nora?” He planted a kiss on Nora’s cheek. His arms draped around Nora; one hand stroked her arm. “I want my sons. Get my sons back here, woman.” Abruptly, he was thrusting Nora away, off his lap, back onto her feet, and he stood up. He crooked his finger at Richard. “Attend me.” His feet scraped loud on the floor. Everybody was staring at him, mute. Heavily, he went out the door, Richard on his heels.

Nora rubbed her cheek, still damp where her father’s mouth had pressed; her gaze went to her mother. The Queen reached out her arms and Nora went to her and the Queen held her tight. She said, “Don’t be afraid. I’ll protect you.” Her voice was ragged. She let Nora go and clapped her hands. “Now we’ll have some music.”

Feathers of steam rose from the tray of almond buns on the long wooden table. Nora crept down the kitchen steps, staying close by the wall, and swiftly ducked down under the table’s edge. Deeper in the kitchen, someone was singing, and someone else laughed; nobody had noticed her. She reached up over the side of the table and gathered handfuls of buns, dumping them into the fold of her skirt and, when her skirt was full, swiftly turned and scurried back up the steps and out the door.

Just beyond the threshold, Alais hopped up and down with delight, her eyes sparkling, her hands clasped together. Nora handed her a bun. “Quick!” She started toward the garden gate.

“Hey! You girls!”

Alais shrieked and ran. Nora wheeled, knowing that voice, and looked up into Richard’s merry eyes.

“Share those?”

They went into the garden and sat on a bench by the wall, and ate the buns. Richard licked the sweet dust from his fingers.

“Nora, I’m going away.”

“Away,” she said, startled. “Where?”

“Mama wants me to go find Boy and Geoffrey. I think she’s just getting me away from Papa. Then I’m going to look for some knights to follow me. I’m duke now, I need an army.” He hugged her, laid his cheek against her hair. “I’ll be back.”

“You’re so lucky,” she burst out. “To be duke. I’m nobody! Why am I a girl?”

He laughed, his arm warm around her, his cheek against her hair. “You won’t always be a little girl. You’ll marry someday, and then you’ll be a queen, like Mama, or at least a princess. I heard them say they want you to marry somebody in Castile.”

“Castile. Where’s that?” A twinge of alarm went through her. She looked up into his face. She thought that nobody was as handsome as Richard.

“Somewhere in the Spanish Marches.” He reached for the last of the buns, and she caught his hand and held on. His fingers were all sticky.

“I don’t want to go away,” she said. “I’ll miss you. I won’t know anybody.”

“You won’t go for a while. Castile—that means castles. They fight the Moors down there. You’ll be a Crusader.”

She frowned, puzzled. “In Jerusalem?” In the convent, they had always been praying for the Crusade. Jerusalem was on the other side of the world, and she had never heard it called Castile.

“No, there’s a Crusade in Spain too. El Cid, you know, and Roland. Like them.”

“Roland,” she said, with a leap of excitement. There was a song about Roland, full of thrilling passages. She tilted her face toward him again. “Will I have a sword?”

“Maybe.” He kissed her hair again. “Women don’t usually need swords. I have to go. I just wanted to say good-bye. You’re the oldest one left at home now, so take care of Johanna.”

“And Alais,” she said.

“Oh, Alais,” he said. He took her hand. “Nora, listen, something is going on between Mama and Papa, I don’t know what, but something. Be brave, Nora. Brave and good.” His arm tightened a moment and then he stood and walked away.

“When will we be in Poitiers?” Alais said happily. She sat on a chest in the back of the wagon and spread her skirts out.

Nora shrugged. The carts went very slowly and would make the journey much longer. She wished they would let her ride a horse. Her nurse climbed in over the wagon’s front, turned, and lifted Johanna after her. The drover led the team up, the reins bunched in his hands, turned the horses’ rumps to the cart, and backed them into the shafts. Maybe he would let her hold the reins. She hung over the edge of the wagon, looking around at the courtyard, full of other wagons, people packing up her mother’s goods, a line of saddled horses waiting.

The nurse said, “Lady Nora, sit down.”

Nora kept her back to her, to show she didn’t hear. Her mother had come out of the hall door, and at the sight of her everybody else in the whole courtyard turned toward her as if she were the sun; everybody warmed in that light. Nora called, “Mama!” and waved, and her mother waved back.

“Lady Nora! Sit!”

She leaned on the side of the wagon. Beside her, Alais giggled and poked her with her elbow. A groom was bringing the Queen’s horse; she waved away someone waiting to help her and mounted by herself. Nora watched how she did that, how she kept her skirts over her legs but got her legs across the saddle anyway. Her Mama rode like a man. She would ride like that. Then, from the gate, a yell went up.

“The King!”

Alais on the chest twisted around to look. Nora straightened. Her father on his big black horse was riding in the gate, a line of knights behind him, mailed and armed. She looked for Richard, but he wasn’t with them. Most of the knights had to stay outside the wall because there was no room in the yard.

Eleanor reined her horse around, coming up beside the wagon, close enough that Nora could have reached out and touched her. The horse sidestepped, tossing its head up. His face dark, the King forced his way through the crowd toward her.

She said, “My lord, what is this?”

He threw one wide look all around the courtyard. His face was blurry with beard and his eyes were rimmed in red. Nora sat quickly down on the chest. Her father spurred his horse up head to tail with her mother’s.

“Where are my sons?”

“My lord, I have no notion, really.”

He stared at her, furious. “Then I’ll take hostages.” He twisted in his saddle, looking back toward his men. “Get these girls!”

Nora shot to her feet again. “No,” the Queen said, forcing her way between him and the wagon, almost nose to nose with him, her fist clenched. “Keep your hands off my daughters.” Alais reached out and gripped Nora’s skirt in her fist.

He thrust his face at her. “Try to stop me, Eleanor!”

“Papa, wait.” Nora leaned over the side of the wagon. “We want to go to Poitiers.”

The King said evilly, “What you want.” Two men had dismounted, were coming briskly toward the wagon. He never took his gaze off her mother.

The Queen’s horse bounded up between the men and the cart. Leaning closer to the King, she spoke in a quick low voice. “Don’t be foolish, my lord, on such a small matter. If you push this too hastily, you will never get them back. Alais has that handsome dowry; take her.”

“Mama, no!” Nora stretched her arm out. Alais flung her arms around her waist.

“Please—please—”

The Queen never even looked at them. “Be still, Nora. I will deal with this.”

“Mama!” Nora tried to catch hold of her, to make her turn and look. “You promised. Mama, you promised she would come with us!” Her fingers grazed the smooth fabric of her mother’s sleeve.

Eleanor struck at her, hard, knocking her down inside the wagon. Alais gave a sob. The King’s men were coming on again, climbing up toward them. Nora lunged at them, her fists raised.

“Get away! Don’t you dare touch her!”

From behind, someone got hold of her and dragged her out of the way. The two men scrambled up over the side of the wagon and fastened on the little French princess. They were dragging her up over the side. She cried out once and then was limp, helpless in their arms. Nora wrenched at the arm around her waist, and only then she saw it was her mother holding her.

“Mama!” She twisted toward Eleanor. “You promised. She doesn’t want to go.”

Eleanor thrust her face down toward Nora’s. “Be still, girl. You don’t know what you’re doing.”

Behind her, the King was swinging his horse away. “You can keep that one. Maybe she’ll poison you.” He rode off after his men, who had Alais clutched in their grip. Other men were lifting out Alais’ baggage. They were hauling her off like baggage. Nora gave a wordless cry. With a sharp command, her father led his men on out the gate again, taking Alais like a trophy.

Her arm still around Nora’s waist, Eleanor was scowling after the King. Nora wrenched herself free and her mother turned to face her.

“Well, now, Nora. That was unseemly, wasn’t it.”

“Why did you do that, Mama?” Nora’s voice rang out, high-pitched and furious, careless who heard.

“Come, girl,” her mother said, and gave her a shake. “Settle yourself. You don’t understand.”

With a violent jerk of her whole body, Nora wrenched away from her mother. “You said Alais could come.” Something deep and hard was gathering in her, as if she had swallowed a stone. She began to cry. “Mama, why did you lie to me?”

Her mother blinked at her, her forehead crumpled. “I can’t do everything.” She held out her hand, as if asking for something. “Come, be reasonable. Do you want to be like your father?”

Tears were squirting from Nora’s eyes. “No, and not like you, either, Mama. You promised me, and you lied.” She knocked aside the outstretched hand.

Eleanor recoiled; her arm rose and she slapped Nora across the face. “Cruel, ungrateful child!”

Nora sat down hard. She poked her fists into her lap, her shoulders hunched. Alais was gone; she couldn’t save her after all. It didn’t matter that she hadn’t really liked Alais much. She wanted to be a hero, but she was just a little girl, and nobody cared. She turned to the chest and folded her arms on it, put her head down, and wept.

Later, she leaned up against the side of the wagon, looking down the road ahead.

She felt stupid. Alais was right: she couldn’t be a king, and now she couldn’t even be a hero.

The nurses were dozing in the back of the wagon. Her mother had taken Johanna away to ride on her saddle in front of her, to show Nora how bad she had been. The drover on his bench had his back to her. She felt as if nobody could see her, as if she weren’t even there.

She didn’t want to be a king anyway if it meant being mean and yelling and carrying people off by force. She wanted to be like her mother, but her old mother, the good mother, not this new one, who lied and broke promises, who hit and called names. Alais had said, “Your mother is wicked,” and she almost cried again, because it was true.

She would tell Richard when he came back. But then in her stomach something tightened like a knot: if he came back. Somehow the whole world had changed. Maybe even Richard would be false now.

“You’ll be a Crusader,” he had said to her.

She didn’t know if she wanted that. Being a Crusader meant going a long, long way and then dying. “Be good,” Richard had said. “Be brave.” But she was just a little girl. Under the whole broad blue sky, she was just a speck.

The wagon jolted along the road, part of the long train of freight heading down toward Poitiers. She looked all around her, at the servants walking along among the carts, the bobbing heads of horses and mules, the heaps of baggage lashed on with rope. Her mother was paying no heed to her, had gone off ahead, in the mob of riders leading the way. The nurses were sleeping. Nobody was watching her.

Nobody cared about her anymore. She waited to disappear. But she didn’t.

She stood, holding on to the side to keep from falling. Carefully, she climbed up over the front of the wagon onto the bench, keeping her skirts over her legs, and sat down next to the drover, who gawked down at her, a broad, brown face in a shag of beard.

“Now, my little lady—”

She straightened her skirts, planted her feet firmly on the kickboard, and looked up at him. “Can I hold the reins?” she said.

Melinda Snodgrass

A writer whose work crosses several mediums and genres, Melinda M. Snodgrass has written scripts for television shows such as Profiler and Star Trek: The Next Generation (for which she was also a story editor for several years), a number of popular SF novels, and was one of the cocreators of the long-running Wild Card series, for which she has also written and edited. Her novels include Circuit, Circuit Breaker, Final Circuit, The Edge of Reason, Runespear (with Victor Milán), High Stakes, Santa Fe, and Queen’s Gambit Declined. Her most recent novel is The Edge of Ruin, the sequel to The Edge of Reason. Her media novels include the Wild Cards novel Double Solitaire and the Star Trek novel The Tears of the Singers. She’s also the editor of the anthology A Very Large Array. She lives in New Mexico.

Here she takes us to a distant planet to show us that even in a society where spaceships thunder through the night and aliens mingle with humans on crowded city streets, some of the games you might run into go way back.

THE HANDS THAT ARE NOT THERE

Glass met glass with dull, tuneless clunks as the human bartender filled orders. A Hajin waitress with a long and tangled red mane running down her bare back clicked on delicate hooves through the bar delivering drinks. The patrons were a surly lot, mere shadows huddled in the dark dive, and carefully seated at tables well away from each other. No one talked. Substituting for conversation were commentators calling the action of a soccer game playing on the wall screen over the bar. Even those voices were growling rumbles because the sound was turned down so low. The odors of spilled beer and rancid cooking oil twisted through the smoke, but they and the tobacco smells were trumped by the scents of despair and simmering anger.

This dank hole was a perfect match for Second Lieutenant Tracy Belmanor’s mood. He had picked it because it was well away from the spaceport and he was unlikely to meet any of his shipmates. He should have been happy. He had graduated from the Solar League’s military academy only last month and had been assigned to his first posting. Problem was, his fellow classmates had walked out as newly minted first lieutenants, but such was not the case for the lowborn tailor’s son who had attended the academy on a scholarship. When he had received his insignia, he’d stared down at the stars and single bar and realized that he was one rung below his aristocratic classmates, even though his grades had been better, his performance in flight the equal of any of them save Mercedes, whose reflexes and ability to withstand high gee had put them all to shame. When he’d looked up at the commandant of the High Ground, Vice Admiral Sergei Arrington Vasquez y Markov, the big man had casually delivered the explanation, totally unaware how insulting it had been.

“You must understand, Belmanor, it wouldn’t do for you to be in the position of issuing orders to your classmates, especially to the Infanta Mercedes. This way you will never hold the bridge solo, and so be spared the embarrassment.”

The implication that he would be embarrassed to issue an order to highborn assholes, including the Emperor’s daughter, had ignited his too-quick temper. “I’m sure that will be a great comfort to me as I’m dying because one of those idiots wrecked the ship.” But of course he hadn’t said that. The unwary words had been at the edge of his teeth, but after four years being drilled in protocol and the chain of command, he managed to swallow the angry retort. Instead he had saluted and managed a simple “Yes, sir.” At least he hadn’t thanked Markov for the insult.

Later, he wondered why he hadn’t spoken up. Cowardice? Was he really intimidated by the FFH? That was a terrible thought, for it implied that he did know his place. If he was honest with himself, that was why he hadn’t attended the postgraduation ball. He knew that none of Mercedes’s ladies-in-waiting would have accepted him as escort. He couldn’t bring a woman of his own social strata. And Mercedes was the daughter of the Emperor, and no one could ever know what they had shared, or that Tracy loved her and that she loved him.

So he didn’t go to the ball. Instead, he stood on the Crystal Bridge on Ring Central and watched Mercedes, out of uniform and a vision in crimson and gold, enter the ballroom on the arm of Honorius Sinclair Cullen, Knight of the Arches and Shells, Duke de Argento, known casually as Boho, and Tracy’s nemesis and rival. It should have been Tracy at her side. But that could never be.

Tracy took a long pull on his whiskey, draining the glass. It was cheap liquor and it etched pain down his throat, and settled like a burning coal in his gut. Unlike the other morose and uncommunicative patrons, Tracy had chosen to sit at the bar. The bartender, a big man, the stripes on his apron imperfectly hiding the grime, nodded at Tracy’s empty glass.

“Another?”

“Sure. Why the hell not?”

“You’ve really been hammering these down, kid.” Tracy looked up and was surprised by the kindness in the man’s brown eyes. “You gonna be able to find your way back to your ship?” Whiskey gurgled into the glass.

“Maybe it would be better if I didn’t.”

A rag emerged from the apron pocket and wiped down the steel surface of the bar. “You don’t wanna do that. The League hangs deserters.”

Tracy downed the drink in one gulp, and fought back nausea. He shook his head. “Not me. They wouldn’t look for me. They’d be glad the Embarrassment has been quietly swept under the rug.”

“Look, kid, you got troubles. I can see that.”

“Wow, you always this perceptive?”

“Cut the attitude,” but the words were said mildly and with a faint smile. “Look, if you want feel better about the state of the galaxy and your place in it, you should talk to that guy. It may all be bullshit, but Rohan’s got one hell of a story.”

Tracy looked in the direction of the pointing finger and saw a portly man of medium height seated at a corner table and cuddling an empty glass. His dark hair was streaked with grey, and his forehead overly large due to the receding hairline. The bartender moved to the far end of the bar and started filling the empty glasses on the Hajin’s tray. Tracy looked again at the slumped man. On impulse, he snatched up his glass and walked over to the table.

Jerking a thumb over his shoulder at the bartender, Tracy said, “He says you’ve got a good story that’s going to put everything in perspective for me.” Tracy kicked out a chair and sat down. He half hoped that the man would object and start a fight. Tracy was in the mood to hit somebody, and here on Wasua, unlike at the High Ground, a fight wouldn’t turn into a stupid duel. Tracy touched the scar at his left temple, a gift from Boho. A closer look at the man revealed the unlikeliness of a fight breaking out. There was no muscle beneath the fat, and dark, puffy bags hung beneath his eyes.

“Loren doesn’t believe me,” Rohan said. “But it’s all true.” Alcohol slurred the words, but Tracy could hear the aristocratic accent of a member of the Fortune Five Hundred. God knew he could recognize it. He’d been listening to it for four damn years. He even feared he’d begun to ape it.

“Okay, I’ll bite: What’s all true?”

The tip of the man’s tongue licked at his lips. “I could tell the story better with something to wet my throat,” he said.

“Okay, fine.” Tracy went back to the bar and returned with a bottle of bourbon. He slammed it down between them. “There. Now I’ve paid for the tale. So go on, amaze me.”

Rohan drew himself up, but the haughtiness of the movement was undercut when he began swaying in his chair. A pudgy hand grabbed the edge of the table and he stabilized. “I am more, much more than I seem.”

“Okay.” Tracy drew out the word.

The man looked around with exaggerated care. “I have to be careful. If they knew I was talking …”

“Yes?”

The man drew a finger across his throat. He leaned across the table. His breath was a nauseating mix of booze and halitosis. “What I’m going to tell you could shake the foundations of the League.”

The drunk poured himself a drink, tossed it back, and continued. “But it happened—all of it—and it’s all true. Listen and learn, young man.” Rohan refilled his glass, topped off Tracy’s, and saluted with his glass. This time he settled for a sip rather than a gulp. Rohan sighed and no longer seemed focused on the young officer.

“It all started when one of my aides arranged a bachelor party …”

If a strip club could ever be considered tasteful, Rohan assumed that this one fit that bill. Not that he was an expert. This was his first time in such an establishment, where human women flaunted themselves, much to the fury of the Church. So why had he agreed to join his staff at a stag party in honor of Knud’s upcoming nuptials? The answer came easily. Because my wife’s latest lover is the same age as my daughter, and this one was just too much. So his presence in the Cosmos Club was—what? Payback? And how likely was it that Juliana would ever find out? Surpassingly small. And that she would care? Smaller yet.

He blushed as a nearly naked hostess, her breasts and mons outlined with a jeweled harness, took their coats and, with the graceful hand gestures of a trained courtesan, ushered them over to the smiling maître d’, a handsome man with a spade beard and sparkling black eyes. He led the group through tall double doors and into the club proper. The lighting in the main room was subdued, but recessed spotlights struck fire from the slowly rotating platforms that held beautiful, naked women. The platforms were shaped like spiral galaxies, the stars formed by faux diamonds. Rohan stared at the rounded buttocks of the girls and wondered what those behinds looked like after a long night seated on the platforms. Between the platforms was a stage made of clear glass. A crystal pole thrust up, an aggressive statement, from the center of the stage.

Waitresses dressed—no, make that accented—with the same kind of jeweled harness worn by the hostess moved between the tables, serving drinks and food. Rohan saw a Brie en croûte garnished with sour cherries go past on a tray, and the aromas from the kitchen were as good as anything he’d smelled in the city’s finest restaurants. His belly gave a growl of appreciation. Yes, definitely an upscale establishment, catering to the wealthy and wellborn of the FFH. Another anomaly struck him. There were no aliens present. The waitstaff were all humans, an expensive affectation. Rohan assumed that in the bowels of the kitchen, Hajin and Isanjo labored as dishwashers, but the image presented to the paying customers was aggressively human.

John Fujasaki had reserved a circular booth at the edge of the stage. An ice-filled champagne bucket and the expected bottle were already waiting. As the party arranged themselves, the maître d’ opened the bottle with a discreet pop and filled their glasses. The upholstery was plush, made from neural fabric that sensed the tension in Rohan’s lower back and began to massage the spot. The floating holo table displayed a constantly shifting view of spectacular astronomical phenomenon. Rohan stared, mesmerized, as a blossoming supernova tried to consume his drink.

John Fujasaki, the instigator of this outing, leaned in close to Rohan and murmured, “You’re blushing, sir.” Laughter hung on the words.

“I’m not accustomed to seeing this much … female … flesh,” he murmured back.

“Pardon my saying so, but you need to get out more” was the response. Then John turned away to respond to another comment.

Rohan watched the bubbles rising in his glass and wondered what the young aide would think if he knew that his boss did frequent less reputable establishments in Pony Town that catered to humans with a taste for the alien and the exotic. Then the hypocrisy of his anger at his wife over her infidelity struck him. He fell back on the age-old defense: whoring was expected of men, and no woman should place a cuckoo in her husband’s nest. The excuses rang hollow.

John tapped his glass with a spoon. The young men fell silent and Fujasaki stood up. “Well, here’s to Knud. Those of us who’ve avoided the wedded state think he’s mad, and those who have entered the bonds of matrimony also think he’s mad. But at least for tonight we’ll put aside such worries and concentrate on sending him off in style. So, a toast to Knud on his final night of freedom, and may it be memorable!” John cried.

There were calls of “Here, here!” from around the table; glasses were clinked, drained, and refilled. Knud, smiling but with a hint of worry in the back of his eyes, laid a hand over his glass. “Now, go easy, fellas. I have to be in reasonably good shape tomorrow.”

“Not to worry, Knud,” Franz said. “You’re with us.”

“And that’s why I’m worried.”

A waitress took their dinner orders. Booze continued to flow. Rohan found himself thinking about the inflation numbers from the Wasua star system. That made him switch from champagne to bourbon. A live band began to play, and girl after girl in various and creative outfits took to the stage. The creative outfits where shed in time to the pulsing music, and the ladies were all very … Rohan searched for a word and settled on “flexible.” Almost all the tables were filled now, parties of men with sweat gleaming on their faces, stocks and ties loosened, coats removed. Girls settled into laps and ran tapering fingers through their marks’ hair. The roar of conversation was basso and primal.

A quintet of five girls was dancing and singing on the stage to an old SpaceCom marching song, but with some interesting new lyrics. The sprightly music had Rohan first humming along and then singing along, but it was frustrating that the girls couldn’t get the beat right. They were late. He began to conduct vigorously, and felt his elbow connect with something.

“Whoa!” shouted Fujasaki. There was a large wet stain on the front of his trousers.

“He’s drunk,” Rohan vaguely heard someone say.

“So what? We’re all drunk,” Franz replied.

“Yeah, but he’s the Chancellor, what if—” Bret, a newly hired aide began.

“Relax. They sweep the place regularly and keep the press out,” John replied.

“Yeah, relax, Bret. We’re having fun. I’m fun. I’m … I’m just made of fun!” Rohan shouted.

The five ladies went trooping off the stage, their sassy little buttocks wiggling provocatively. “Where are they going?” Rohan asked. “Where are all the lovely ladies going?” he repeated, and felt a tightness in his chest at the sadness of it all.

“Gone to housewives everyone,” Franz said.

“What an awful waste,” Rohan groaned. “We need an expert commission—girls keep turning into wives. It’s a scandal. We need an investiga—”

A drum roll cut through his slurring words. All the lights in the club went out save for a single stabbing spotlight pinning the stage. Into that cone of light leaped a girl. She seemed to be flying, so high was her grand jeté, and the long cloak flowing behind her added to the illusion of flight. The music resumed, a primitive, urgent beat. She stood front and center, her features covered by an elaborate mask and headdress. All that could be seen was an unnaturally pointed chin and the glitter of her eyes. She caught the edges of the cloak with long claws set with light-emitting diodes, and dropped it to reveal an elaborate costume, far more concealing than was usual for a stripper. Rohan wondered if the claws were sewn into gloves?

She began to dance. No harsh gyrating and suggestive posing. She danced with breath-catching grace. Her arms wove patterns, and the diodes left streaks of multicolored fire in the air around her. Layers began to fall away. The crowd shouted its approval as each piece of clothing fell. Another slithered to the stage floor and a long silky tail covered with sleek red and white fur unfolded and wove around her like a dancing snake. The shouts became roars.

The girl danced in close to her sweating admirers. Hands groped for her like blind babies seeing the tit, but she always eluded them. Unless those reaching hands held credit spikes. Those she allowed to be thrust into the credit deck that adorned the low-slung belt that clasped her waist. Rohan sat rigid, fingers gripping the edge of the table, willing her to remove the mask. Show me … show me … She approached their table. The young men leaned across the table, spikes extended like some commercial metaphor for sex. Rohan couldn’t move. He just watched as another layer fell away to reveal pale cream and red fur that covered her flanks and belly and rose like a spear point between her breasts. There was a gasp from the audience.

John fell back against the booth. “The Pope’s holy whickerbill!” he breathed.

The music quickened in tempo. Fire sparked from the tips of her long claws, the jewels and bells on the mask and headdress set up a hysterical ringing. She spun, faster and faster, then another great leap took her back center stage. Legs widely braced, hands cupping her breasts. She slowly slid them up her chest, across her neck, lifted the mask and headdress and flung them aside. She was alien and yet familiar. Rohan devoured her features. Noting the tiny upturned nose with flaring nostrils, pricked ears thrusting through the wild tumble of cream and red curls. They were tufted on each point. Cat eyes of emerald green.

“An alien,” Bret said, and his voice held both disgust and lust.

Pressure on his bladder sent him into the bathroom. As he relieved himself it started to penetrate: every vestige of Sammy was gone. No toothbrush, no hairbrush, no makeup, even the delicate perfume bottle he’d bought her—all gone. But if it had been nothing more than a con, why had she waited so many months and through so many encounters before robbing him? He staggered to the sink to wash his hands and splash his face, and recoiled from the image in the mirror.

A stranger looked back at him.

The frightened eyes staring out at him were now a pale grey. His hair was dark and straight rather than reddish and curly. His forehead was much higher because this alien hair seemed to be rapidly retreating toward the back of his neck. His skin tone was decidedly darker. Nose larger and bulbous on the tip. Ears clipped closer to his skull. His real ears had been rather protuberant. He looked down. His belly was larger, and the birthmark on his left hip was gone. He stumbled back to the toilet and vomited until he was reduced to dry heaves.

Whimpering, he returned to the sink, rinsed out his mouth, and gulped down water. Then stared at his hands. His wedding ring and the heavy signet ring with the family crest were missing. His gut twisted again, but he managed to keep from hurling. Back in the bedroom, he snatched up his clothes with trembling hands and started to dress. Because of his weight gain, he couldn’t close the top clasp on his trousers, and the straining buttons on his shirt gapped open enough to reveal skin.

He left the bedroom and found the living room to be equally void of any trace of the occupant. On an impulse, he checked the kitchen. All the dishes, utensils, and food were gone. In this room he was more aware of a faint disinfectant smell, as if every surface had been washed down with bleach.

He made his way down the stairs and out into the street, where he stood blinking in the sunlight. He had lost a night. Then he realized that heat and humidity pounded at his head and shoulders. Sweat bloomed in his armpits and went rolling down his sides. It was high summer. When he’d come looking for Sammy the night of the ball it had been a cool fall night. Dear God, he had lost months!

He needed to get home. But how to accomplish that journey loomed monumental. No money, no comm, no proof that he was who he claimed to be. Not even a face. He guessed it was about twenty miles from Pony Town to the Cascades and his mansion. He didn’t think he could walk one mile, much less twenty. Still, he wouldn’t know until he tried. He walked away from the building. He tried not to, but he looked back several times until its salmon-colored stucco was hidden by other structures.

Two hours later his feet were a mass of stabbing pain, and he felt the wetness of a burst blister. He saw the glowing shield that indicated a police station and realized that he was an idiot. He had been kidnapped, assaulted, surgically altered. The police would help him. They would call his home, Hobb would arrive with the flitter, and he would be whisked away from all this. And the hue and cry would be raised for Sammy. Rohan swallowed bile. It was unfortunate but necessary. The creature deserved nothing less. He walked into the precinct house.

“I need to report a crime,” he announced to the desk sergeant.

The man didn’t even look up, just pushed over an etablet. “Write it up. Bring it back when you’re done.”

When he presented his name and title in his aristocratic accent, the man became a good deal more attentive. His eyes did narrow with suspicion as he studied the ill-fitting clothing, but the sergeant offered coffee and water. It would never do to offend if Rohan really was a member of the FFH.

Mollified, Rohan settled into a chair and typed up his experiences. The beverages were supplied and the desk sergeant sent the report up to his superiors. A few minutes later a captain arrived. He walked up to stand in front of Rohan and called over his shoulder to the desk clerk.

“Don’t follow politics, do you, Johnson? This is not the Chancellor.”

“As I indicated in my report, my appearance has been altered,” Rohan said.

“And I just talked to the Chancellor’s office. According to John Fujasaki, the Chancellor’s aide, the Conde is in a meeting with the Prime Minister. Now, get out of here and try your con someplace else.”

Rohan just kept staring up at the officer, trying to process the words. His removal was then expedited by the arrival of two burly officers, who frog-marched him out of the building.

Panic lay like a stone on his chest. Rohan gasped for breath. He stood on the sidewalk, blocking the flow of humanity and staring back at the police station. Eventually he resumed his slow march toward home.

He was getting odd looks because of his formal, too-small evening attire in the middle of the day, and his limping progress wasn’t helping. A Hajin message runner gave him a somewhat sympathetic look. Rohan gathered his nerve and approached the alien.

“Excuse me. I’ve been robbed, and I need to make a call. May I borrow your comm? If you’ll give me your name, I’ll see that you’re compensated once I have access to my funds.”

The Hajin handed over his comm. “Of course.” The creature ducked his head, his forelock veiling his eyes. “And you don’t have to pay me.”

The sudden kindness in the midst of the nightmare had tears stinging his eyes. “Thank you.” Rohan forced the words past the lump in his throat. He took the offered comm and called his private line at the Exchequer. John answered.

“Chancellor’s office, Fujasaki speaking.”

“John,” Rohan said. “John, listen. I’m in a nightmare. I think—”

“Who is this?”

“It’s Rohan. I know it sounds incredible—”

The line went dead. Numbly, Rohan handed back the comm to the Hajin. “Thank you,” he said automatically. One should always show respect to one’s inferiors.

He turned and continued walking.

At the house, he didn’t even attempt to explain the situation to the butler. Instead he shoved the elderly Hajin aside and ran, panting, up the long, curving staircase. Behind him were rising cries of alarm. He raced through Juliana’s mirrored and gold-inlaid dressing room. Her Isanjo maid clutched a discarded ball gown against her chest and gazed at Rohan from wide, frightened eyes.

“Where is she? Where’s my wife?”

The creature reverted to her alien nature and went swarming up the drapes to cower on the rod. The large golden eyes shifted toward the bedroom door.

Rohan stormed through. He was met with the sight of an expanse of bare white back, a few freckles on the shoulders. The man propped himself on his forearms, his doughy behind pumping in an age-old dance. A woman’s soft cries emerged from among the tumbled pillows.

Juliana opened her eyes, looked at Rohan, and let out a piercing scream. The man who had been plowing her gave a grunt and pulled out.

“What in the hell?” he roared, and now Rohan finally saw his face.

It was him.

“The authorities arrived and took away the madman. I kept trying to make them understand. To realize that the Cara had placed an agent at the very heart of government. No one would listen. I would show them articles that proved what the impostor was doing, sending money to companies that I knew were fronts for the aliens. An audit would have revealed that funds were missing, redirected, but they wouldn’t listen. Eventually, I realized if I ever wanted to be released I had to end my accusations. I also knew that in the sanatorium I was at greater risk of being assassinated. I needed to get free. Once I was released, I headed to the outer worlds. Here I tell the story to people like you.” He rose to his feet, swaying. “I am Rohan Danilo Marcus Aubrey, Conde de Vargas, and I adjure you to act! Inform your superiors. Alert them to the danger!”

He seemed to have expended all his strength in the ringing call to arms. The drunk dropped heavily into his chair and his head nodded toward his chest.

Disgusted by his gullibility, and out the cost of a bottle, Tracy pushed back violently from the table. The shriek of the chair legs on the floor brought Rohan, or whatever his name might be, out of his stupor. The drunk belched and raised his head.

“Wha …?”

“Nice. What a scam. He”—Tracy jerked a thumb at the bartender—“sells more booze, and you get to drink for free.”

“Wha …?” the grifter repeated.

“The Conde de Vargas is Prime Minister. Second only to the Emperor in power.” Tracy tapped the name into the comm set in his jacket sleeve. “This is the real Rohan.” Tracy thrust his arm under the man’s nose, showing him the photos.

He waved a pudgy hand in a vague circle, indicating his visage. “I told you. They stole my face, my life … my wife … he made her love him again, or maybe love him for the first time.”

Tracy shook his head and headed for the door.

“Wait!” the drunk called. The young officer looked back, and the drunken Scheherazade gave Tracy a desperate look. “Your duties will take you all over League space. If you see her tell her … tell her …” His voice was thick with unshed tears and an excess of booze. “I never saw Sammy again, and I need to … need to …” The man began to sob. “I love her,” Rohan said brokenly. “Love her so much.”

Embarrassment, pity, and fury warred for primacy. Tracy embraced the anger. Clapping slowly, Tracy said, “Nice touch.”

The young officer stepped out into the darkness. The cold air cleared his head a bit, but he was still very drunk. He stared at the distant glow of the spaceport. Follow through on his threat? Go AWOL? He was only twenty-one. Was it worth risking a noose to walk away from casual insults and petty condescension? He realized that he could far too easily become that pathetic drunk in the bar, telling fantastic stories for the price of a drink.

I saved the heir to the throne from a scandal that might have rocked the League. We shared a secret love. I know that Mercedes de Arango, the Infanta, loves me, the tailor’s son.

But his story was true, not like that bit of farrago to which he’d just been treated.

And your story is any less fantastic?

No, Rohan’s—or whatever his name was—his story couldn’t be true. If it was, then he, Tracy Belmanor, second lieutenant in the Imperial Fleet, was privy to a secret that would not just rock the League but destroy it. He peered suspiciously into the shadowy depths of the alley to his left and saw nothing beyond the hulking shadow of a garbage container. But what if they were there, hiding among them, watching, waiting, listening? What if they decided they needed to silence him?

Tracy broke into a run and didn’t stop until he reached the ship. The outer hatch cycled closed and he leaned, panting, against the bulkhead. Inside the steel-and-resin bulwark of the warship, his panic receded. How foolish. The whole thing had been a scam. Sammy didn’t exist. The Cara weren’t hiding among them. Human males were still at the apex of power.

It had just been a story.

Jim Butcher

New York Times bestseller Jim Butcher is best known for the Dresden Files series, starring Harry Dresden, a wizard for hire who goes down some very mean streets indeed to do battle against the dark creatures of the supernatural world, and who is one of the most popular fictional characters of the twenty-first century to date; he even had his own TV show. The Dresden Files books include Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites, Dead Beat, Proven Guilty, White Night, Small Favor, Turn Coat, and Changes. Butcher is also the author of the swashbuckling sword and sorcery Codex Alera series, consisting of Furies of Calderon, Academ’s Fury, Cursor’s Fury, Captain’s Fury, and Princeps’ Fury. His most recent books are First Lord’s Fury, the new Codex Alera novel, and Ghost Story, a Dresden Files novel. There’s also a collection of stories featuring Harry Dresden, Side Jobs: Stories from the Dresden Files. Coming up is a new Dresden Files novel, Cold Days. Butcher lives in Missouri with his wife, his son, and a ferocious guard dog.

Butcher flabbergasted everyone by killing Harry Dresden off at the end of Changes. (The next novel, Ghost Story, was told from the point of view of Harry’s ghost!) Here Harry’s young protégé, trying to carry on the fight against the forces of darkness without Harry, finds that she has some very big shoes to fill, and that she’d better fill them fast—or die.

BOMBSHELLS

I miss my boss.

It’s been most of a year since I helped him die, and ever since then I’ve been the only professional wizard in the city of Chicago.

Well, okay. I’m not, like, officially a wizard. I’m still sort of an apprentice. And no one really pays me, unless you count the wallets and valuables I lift from bodies sometimes, so I guess I’m more amateur than professional. And I don’t have a PI license like my boss did, or an ad in the phone book.

But I’m all there is. I’m not as strong as he was, and I’m not as good as he was. I’m just going to have to be enough.

So anyway, there I was, washing the blood off in Waldo Butters’ shower.

I did a lot of living outdoors these days, which didn’t seem nearly as horrible during the summer and early autumn as it had during the arctic chill of the previous superwinter. It was like sleeping on a tropical beach by comparison. Still, I missed things like regular access to plumbing, and Waldo let me clean up whenever I needed to. I had the shower heat turned all the way up, and it was heaven. It was kind of a scourgey, scoury heaven, but heaven nonetheless.

The floor of the shower turned red for a few seconds, then faded to pink for a while as I sluiced the blood off. It wasn’t mine. A gang of Fomor servitors had been carrying a fifteen-year-old boy down an alley toward Lake Michigan. If they’d gotten him there, he’d have been facing a fate worse than death. I intervened, but that bastard Listen cut his throat rather than give him up. I tried to save him while Listen and his buddies ran. I failed. And I’d been right there with him, feeling everything he did, feeling his confusion and pain and terror as he died.

Harry wouldn’t have felt that. Harry would have saved the day. He would have smashed the Fomor goons around like bowling pins, picked the kid up like some kind of serial-movie action hero, and taken him to safety.

I missed my boss.

I used a lot of soap. I probably cried. I had begun ignoring tears months ago, and at times I honestly didn’t know when they were falling. Once I was clean—physically, anyway—I just stood there soaking up the heat, letting the water course all over me. The scar on my leg where I’d been shot was still wrinkled, but the color had changed from purple and red to angry pink. Butters said it would be gone in a couple of years. I was walking normally again, unless I pushed myself too hard. But yikes, my legs and various pieces needed to get reacquainted with a razor, even with medium-blond hair.

I was going to ignore them, but … grooming is important for keeping one’s spirits up. A well-kept body for a well-kept mind and all that. I wasn’t a fool. I knew I wasn’t exactly flying level lately. My morale needed all the boost it could get. I leaned out of the shower and swiped Andi’s pink plastic razor. I’d pay Waldo’s werewolf girlfriend back for it later.

I wrapped up about the same time as the hot water ran out, got out of the shower, and toweled off. My things were in a pile by the door—some garage-sale Birkenstocks, an old nylon hiker’s backpack, and my bloodied clothes. Another set gone. And the sandals had left partial tracks in blood at the scene, so I’d have to get rid of them, too. I was going to have to hit another thrift store at this rate. Normally, that would have cheered me up, but shopping just wasn’t what it used to be.

I was carefully going over the tub and floor for fallen hairs and so on when someone knocked. I didn’t stop scanning the floor. In my line of work, people can and will do awful things to you with discarded bits of your body. Not cleaning up after yourself is like asking for someone to boil your blood from twenty blocks away. No, thank you.

“Yes?” I called.

“Hey, Molly,” Waldo said. “There’s, uh … there’s someone here to talk to you.”

We’d prearranged a lot of things. If he’d used the word “feeling” at any point in his sentence, I would have known there was trouble outside the door. Not using it meant that there wasn’t—or that he couldn’t see it. I slipped on my bracelets and my ring and set both of my wands down where I could snatch them up instantly. Only then did I start putting clothes on.

“Who?” I called.

He was working hard not to sound nervous around me. I appreciated the effort. It was sweet. “Says her name is Justine. Says you know her.”

I did know Justine. She was a thrall of the vampires of the White Court. Or at least a personal assistant to one and the girlfriend of another. Harry always thought well of her, though he was a big goofy idiot when it came to women who might show the potential to become damsels in distress.

“But if he was here,” I muttered to myself, “he’d help her.”

I didn’t wipe the steam off the mirror before I left the bathroom. I didn’t want to look at anything in there.

Justine was a handful of years older than me, but her hair had turned pure white. She was a knockout, one of those girls all the boys assume are too pretty to approach. She had on jeans and a button-down shirt several sizes too large for her. The shirt was Thomas’s, I was certain. Her body language was poised, very neutral. Justine was as good at hiding her emotions as anyone I’d ever seen, but I could sense leashed tension and quiet fear beneath the calm surface.

I’m a wizard, or damned close to it, and I work with the mind. People don’t really get to hide things from me.

If Justine was afraid, it was because she feared for Thomas. If she’d come to me for help, it was because she couldn’t get help from the White Court. We could have had a polite conversation that led up to that revelation, but I had less and less patience for the amenities lately, so I cut to the chase.

“Hello, Justine. Why should I help you with Thomas when his own family won’t?”

Justine’s eyes bugged out. So did Waldo’s.

I was getting used to that reaction.

“How did you know?” Justine asked quietly.

When you’re into magic, people always assume anything you do must be connected to it. Harry always thought that was funny. To him, magic was just one more set of tools that the mind could use to solve problems. The mind was the more important part of that pairing. “Does that matter?”

She frowned and looked away from me. She shook her head. “He’s missing. I know he left on some kind of errand for Lara, but she says she doesn’t know anything about it. She’s lying.”

“She’s a vampire. And you didn’t answer my first question.” The words came out a little harsher and harder than they’d sounded in my head. I tried to relax a little. I folded my arms and leaned against a wall. “Why should I help you?”

It’s not like I wasn’t planning to help her. But I knew a secret about Harry and Thomas few others did. I had to know if Justine knew the secret, too, or if I’d have to keep it hidden around her.

Justine met my eyes with hers for a moment. The look was penetrating. “If you can’t go to family for help,” she said, “who can you turn to?”

I averted my eyes before it could turn into an actual soulgaze, but her words and the cumulative impression of her posture, her presence, her self, answered the question for me.

She knew.

Thomas and Harry were half brothers. She’d have gone to Harry for help if he was alive. I was the only thing vaguely like an heir to his power around these parts, and she hoped I would be willing to step into his shoes. His huge, stompy, terrifying shoes.

“You go to friends,” I said quietly. “I’ll need something of Thomas’s. Hair or fingernail clippings would be …”

She produced a zip-closed plastic bag from the breast pocket of the shirt and offered it to me without a word. I went over and picked it up. It had a number of dark hairs in it.

“You’re sure they’re his?”

Justine gestured toward her own snow-white mane. “It’s not like they’re easy to confuse.”

I looked up to find Butters watching me silently from the other side of the room. He was a beaky little guy, wiry and quick. His hair had been electrocuted and then frozen that way. His eyes were steady and worried. He cut up corpses for the government, professionally, but he was one of the more savvy people in town when it came to the supernatural.

“What?” I asked him.

He considered his words before he spoke—less because he was afraid of me than because he cared about not hurting my feelings. That was the reverse of most people these days. “Is this something you should get involved in, Molly?”

What he really wanted to ask me was if I was sane. If I was going to help or just make things a lot worse.

“I don’t know,” I said honestly. I looked at Justine and said, “Wait here.”

Then I got my stuff, took the hairs, and left.

The first thing Harry Dresden ever taught me about magic was a tracking spell.

“It’s a simple principle, kid,” he told me. “We’re creating a link between two similar things out of energy. Then we make the energy give us an indicator of some kind, so that we can tell which way it’s flowing.”

“What are we going to find?” I asked.

He held up a rather thick grey hair and nodded back toward his dog, Mouse. He should have been named Moose. The giant, shaggy temple dog was pony-sized. “Mouse,” Harry said, “go get lost and we’ll see if we can find you.”

The big dog yawned and padded agreeably toward the door. Harry let him out and then came over to sit down next to me. We were in his living room. A couple of nights before, I had thrown myself at him. Naked. And he’d dumped a pitcher of ice water over my head. I was still mortified—but he was probably right. It was the right thing for him to do. He always did the right thing, even if it meant he lost out. I still wanted to be with him so much, but maybe the time wasn’t right yet.

That was okay. I could be patient. And I still got to be with him in a different way almost every day.

“All right,” I said when he sat back down. “What do I do?”

In the years since that day, the spell had become routine. I’d used it to find lost people, secret places, missing socks, and generally to poke my nose where it probably didn’t belong. Harry would have said that went with the territory of being a wizard. Harry was right.

I stopped in the alley outside Butters’s apartment and sketched a circle on the concrete with a small piece of pink chalk. I closed the circle with a tiny effort of will, drew out one of the hairs from the plastic bag, and held it up. I focused the energy of the spell, bringing its different elements together in my head. When we’d started, Harry had let me use four different objects, teaching me how to attach ideas to them, to represent the different pieces of the spell, but that kind of thing wasn’t necessary. Magic all happens inside the head of the wizard. You can use props to make things simpler, and in truly complex spells they make the difference between impossible and merely almost impossible. For this one, though, I didn’t need the props anymore.

I gathered the different pieces of the spell in my head, linked them together, infused them with a moderate effort of will, and then with a murmured word released that energy down into the hair in my fingers. Then I popped the hair into my mouth, broke the chalk circle with a brush of my foot, and rose.

Harry always used an object as the indicator for his tracking spells—his amulet, a compass, or some kind of pendulum. I hadn’t wanted to hurt his feelings, but that kind of thing really wasn’t necessary, either. I could feel the magic coursing through the hair, making my lips tingle gently. I got out a cheap little plastic compass and a ten-foot length of chalk line. I set it up and snapped it to mark out magnetic north.

Then I took the free end of the line and turned slowly, until the tingling sensation was centered on my lips. Lips are extremely sensitive parts of the body, generally, and I’ve found that they give you the best tactile feedback for this sort of thing. Once I knew which direction Thomas was, I oriented the chalk line that way, made sure it was tight, and snapped it again, resulting in an extremely elongated V shape, like the tip of a giant needle. I measured the distance at the base of the V.

Then I turned ninety degrees, walked five hundred paces, and repeated the process.

Promise me you won’t tell my high school math teacher about it, but after that I sat down and applied trigonometry to real life.

The math wasn’t hard. I had the two angles measured against magnetic north. I had the distance between them in units of Molly-paces. Molly-paces aren’t terribly scientific, but for purposes of this particular application, they were practical enough to calculate the distance to Thomas.

Using such simple tools, I couldn’t get a measurement precise enough to know which door to kick down, but I now knew that he was relatively nearby—within four or five miles, as opposed to being at the North Pole or something. I move around the city a lot, because a moving target is a lot harder to hit. I probably covered three or four times that on an average day.

I’d have to get a lot closer before I could pinpoint his location any more precisely than that. So I turned my lips toward the tingle and started walking.

Thomas was in a small office building on a big lot.

The building was three stories, not huge, though it sat amidst several much larger structures. The lot it stood upon was big enough to hold something a lot bigger. Instead, most of it was landscaped into a manicured lawn and garden, complete with water features and a very small, very modest wrought-iron fence. The building itself showed a lot of stone and marble in its design, and it had more class in its cornices than the towers nearby had in their whole structures. It was gorgeous and understated at the same time; on that block, it looked like a single, small, perfect diamond being displayed amidst giant jars of rhinestones.

There were no signs outside it. There was no obvious way in, beyond a set of gates guarded by competent-looking men in dark suits. Expensive dark suits. If the guards could afford to wear those to work, it meant that whoever owned that building had money. Serious money.

I circled the building to be sure, and felt the tingling energy of the tracking spell confirming Thomas’s location; but even though I’d been careful to stay on the far side of the street, someone inside noticed me. I could feel one guard’s eyes tracking me, even behind his sunglasses. Maybe I should have done the initial approach under a veil—but Harry had always been against using magic except when it was truly necessary, and it was way too easy to start using it for every little thing if you let yourself.

In some ways, I’m better at the “how” of magic than Harry was. But I’ve come to learn that I might never be as smart as him when it came to the “why.”

I went into a nearby Starbucks and got myself a cup of liquid life and started thinking about how to get in. My tongue was telling me all about what great judgment I had when I sensed the presence of supernatural power rapidly coming nearer.

I didn’t panic. Panic gets you killed. Instead I turned smoothly on one heel and slipped into a short hallway leading to a small restroom. I went inside, shut the door behind me, and drew my wands from my hip pocket. I checked the energy level on my bracelets. Both of them were ready to go. My rings were all full up, too, which was about as ideal as things could get.

So I ordered my thoughts, made a small effort of will, whispered a word, and vanished.

Veils were complex magic, but I had a knack for them. Becoming truly and completely invisible was a real pain in the neck: passing light completely through you was a literal stone-cold bitch, because it left you freezing cold and blind as a bat to boot. Becoming unseen, though, was a different proposition entirely. A good veil would reduce your visibility to little more than a few flickers in the air, to a few vague shadows where they shouldn’t be, but it did more than that. It created a sense of ordinariness in the air around you, an aura of boring unremarkability that you usually only felt in a job you didn’t like, around three thirty in the afternoon. Once you combined that suggestion with a greatly reduced visible profile, remaining unnoticed was at least as easy as breathing.

As I vanished into that veil, I also called up an image, another combination of illusion and suggestion. This one was simple: me, as I’d appeared in the mirror a moment before, clean and seemingly perky and toting a fresh cup of creamy goodness. The sensation that went with it was just a kind of heavy dose of me: the sound of my steps and movement, the scent of Butters’s shampoo, the aroma of my cup of coffee. I tied the image to one of the rings on my fingers and left it there, drawing from the energy I’d stored in a moonstone. Then I turned around, with my image layered over my actual body like a suit made of light, and walked out of the coffee shop.

Once outside, the evasion was a simple maneuver, the way all the good ones are. My image turned left and I turned right.

To anyone watching, a young woman had just come out of the store and gone sauntering down the street with her coffee. She was obviously enjoying her day. I’d put a little extra bounce and sway into the image’s movements, to make her that much more noticeable (and therefore a better distraction). She’d go on walking down that street for a mile or more before she simply vanished.

Carrie Vaughn

New York Times bestseller Carrie Vaughn is the author of a wildly popular series of novels detailing the adventures of Kitty Norville, a radio personality who also happens to be a werewolf and who runs a late-night call-in radio advice show for supernatural creatures. The Kitty books include Kitty and the Midnight Hour, Kitty Goes to Washington, Kitty Takes a Holiday, Kitty and the Silver Bullet, Kitty and the Dead Man’s Hand, Kitty Raises Hell, Kitty’s House of Horrors, Kitty Goes to War, and Kitty’s Big Trouble. Her other novels include Voices of Dragons, her first venture into young adult territory, and a fantasy, Discord’s Apple. Vaughn’s short work has appeared in Lightspeed, Asimov’s Science Fiction, Subterranean, Inside Straight (a Wild Cards novel), Realms of Fantasy, Jim Baen’s Universe, Paradox, Strange Horizons, Weird Tales, All-Star Zeppelin Adventure Stories, and elsewhere. Her most recent books include the novels After the Golden Age and Steel; a collection, Straying from the Path; a new Kitty novel, Kitty Steals the Show; and a collection of her Kitty stories, Kitty’s Greatest Hits. Coming up is another new Kitty novel, Kitty Rocks the House. She lives in Colorado.

In the vivid and compelling story that follows, she takes us to the front lines in Russia during the darkest days of World War II for the story of a young woman flying the most dangerous of combat missions, who is determined to do her duty as a soldier and keep flying them, even if it kills her—which it very well might.

RAISA STEPANOVA

My Dear Davidya:

If you are reading this, it means I have died. Most likely been killed fighting in service of the glorious homeland. At least I hope so. I have this terrible nightmare that I am killed, not in the air fighting Fascists, but because a propeller blade falls off just as I am walking under the nose of my Yak and cuts my head off. People would make a good show of pretending to mourn, but they’d be laughing behind my back. My dead back, so I won’t notice, but still, it’s the principle of the thing. There’d certainly be no Hero of the Soviet Union for me, would there? Never mind, we will assume I perished gloriously in battle.

Please tell all the usual to Mama and Da, that I am happy to give my life in defense of you and them and Nina and the homeland, as we all are, and that if I must die at all I’m very happy to do it while flying. So don’t be sad for me. I love you.

Very Sincerely: Raisa

“Raisa!” Inna called from outside the dugout. “We’re up! Let’s go!” “Just a minute!” She scribbled a last few lines.

P.S. My wingman, Inna, will be very upset if I am killed. She’ll think it’s her fault, that she didn’t cover me. (It won’t be true because she’s a very good pilot and wingman.) I think you should make an effort to comfort her at the very first opportunity. She’s a redhead. You’ll like her. Really like her, I mean. I keep a picture of you in our dugout and she thinks you’re handsome. She’ll weep on your shoulder and it will be very romantic, trust me.

“Raisa!”

Raisa folded the page into eighths and stuffed it under the blanket on her cot, where it was sure to be found if she didn’t come back. David’s name and regiment were clearly written on the outside, and Inna would know what to do with it. She grabbed her coat and helmet and ran with her wingman to the airfield, where their planes waited.

The pair of them flew out of Voronezh on a routine patrol and spotted enemy planes even before reaching the front. Raisa breathed slow to keep her heart from racing, letting the calm spread to her hands to steady them, where they rested on the stick.

“Raisa, you see that? Two o’clock?” Inna’s voice cracked over the radio. She flew behind and to the right—Raisa didn’t have to look to know she was there.

“Yes.” Raisa squinted through the canopy and counted. More planes, dark spots gliding against a hazy sky, seemed to appear as she did so. They were meant to be patrolling for German reconnaissance planes, which only appeared one or two at a time. This—this was an entire squadron.

The profile of the planes clarified—twin propellers, topside canopy, long fuselage painted with black crosses. She radioed back to Inna, “Those are Junkers! That’s a bombing run!”

She counted sixteen bombers—their target could have been any of the dozens of encampments, supply depots, or train stations along this section of the front. They probably weren’t expecting any resistance at all.

“What do we do?” Inna said.

This was outside their mission parameters, and they were so far outnumbered as to be ridiculous. On the other hand, what else were they supposed to do? The Germans would have dropped their bombs before the 586th could scramble more fighters.

“What do you think?” Raisa answered. “We stop them!”

“With you!”

Raisa throttled up and pushed forward on the stick. The engine rumbled and shook the canopy around her. The Yak streaked forward, the sky a blur above her. A glance over her shoulder, and she saw Inna’s fighter right behind her.

She aimed at the middle of the German swarm. Individual bombers became very large very quickly, filling the sky in front of her. She kept on, like an arrow, until she and Inna came within range.

The bombers scattered, as if they’d been blown apart by a wind. Planes at the edges of the formation peeled off, and ones in the middle climbed and dived at random. Clearly, they hadn’t expected a couple of Russian fighters to shoot at them from nowhere.

She picked one that had the misfortune to evade right into her path, and focused her sights on it. She fired a series of rounds from the 20mm cannon, missed when the bomber juked out of range. She cursed.

Rounds blazed above her canopy; a gunner, shooting back. She banked hard, right and up, keeping a watch out for collisions. Dicey, maneuvering with all this traffic. The Yak was fast—she could fly circles around the Junkers and wasn’t terribly worried about getting shot. But she could easily crash into one of them by not paying close enough attention. All she and Inna really had to do was stop the group from reaching its target, but if she could bring down one or two of them in the meantime … One second at a time, that was the only way to handle the situation. Stay alive so she could do some good.

The enemy gunner fired at her again, then Raisa recognized the sound of another cannon firing. A fireball expanded and burned out at the corner of her vision—a Junker, one of its engines breaking apart. The plane lurched, off balance until it fell in an arc, trailing smoke. It waggled once or twice, the pilot trying to regain control, but then the bomber started spinning and it was all over.

Inna cried over the radio, “Raisa! I got him, I got him!” It was her first kill in battle.

“Excellent! Only fifteen more to go!”

“Raisa Ivanovna, you’re terrible.”

The battle seemed to drag, but surely only seconds had passed since they scattered the formation. They couldn’t engage for much longer before they’d run out of ammunition, not to mention fuel. The last few shots had to count, then she and Inna ought to run. After those last few shots, of course.

Raisa caught another target and banked hard to follow it. The bomber climbed, but it was slow, and she was right on it. By now her nerves were singing and instinct guided her more than reason. She squeezed hard on the trigger before the enemy was fully in her crosshairs, but it worked, because the Junker slid into the line of fire just as her shots reached it. She put holes across its wings and across its engine, which sparked and began pouring smoke. The plane could not survive, and sure enough, the nose tipped forward, the whole thing falling out of control.

Inna cheered for her over the radio, but Raisa was already hunting her next target. So many to choose from. The two fighters were surrounded, and Raisa should have been frightened, but she could only think about shooting the next bomber. And the next.

The Junkers struggled to return to formation. The loose, straggling collection had dropped five hundred meters from its original altitude. If the fighters could force down the entire squadron, what a prize that would be! But no, they were running, veering hard from the fighters, struggling to escape.

Bombs fell from the lead plane’s belly, and the others followed suit. The bombs detonated on empty forest, their balloons of smoke rising harmlessly. They’d scared the bombers into dropping their loads early.

Raisa smiled at the image.

With nothing left in their bomb bays and no reason to continue, the Junkers peeled off and circled back to the west. Lighter and faster now, they’d be more difficult for the fighters to catch. But they wouldn’t be killing any Russians today, either.

Raisa radioed, “Inna, let’s get out of here.”

“Got it.”

With Inna back on her wing, she turned her Yak to the east, and home.

“That makes three confirmed kills total, Stepanova. Two more, and you’ll be an ace.”

Raisa was grinning so hard, she squinted. “We could hardly miss, with so many targets to pick from,” she said. Inna rolled her eyes a little, but was also beaming. She’d bagged her first kill, and though she was doing a very good job of trying to act humble and dignified now, right after they’d landed and parked she’d run screaming up to Raisa and knocked her over with a big hug. Lots of dead Germans and they’d both walked away from the battle. They couldn’t have been much more successful than that.

Commander Gridnev, a serious young man with a face like a bear, was reviewing a typed piece of paper at his desk in the largest dugout at the 101st Division’s airfield. “The squadron’s target was a rail station. A battalion of infantry was there, waiting for transport. They’d have been killed. You saved a lot of lives.”

Even better. Tremendous. Maybe Davidya had been there and she’d saved him. She could brag about it in her next letter.

“Thank you, sir.”

“Good work, girls. Dismissed.”

Out of the commander’s office, they ran back home, stumbling in their oversized men’s flight suits and jackets and laughing.

A dozen women shared the dugout, which if you squinted in dim light seemed almost homelike, with wrought iron cots, wool bedding, whitewashed walls, and wooden tables with a few vases of wildflowers someone had picked for decorations. The things always wilted quickly—no sunlight reached inside. After a year of this—moving from base to base, from better conditions to worse and back again—they’d gotten used to the bugs and rats and rattling of distant bombing. You learned to pay attention to and enjoy the wilted wildflowers, or you went mad.

Though that happened sometimes, too.

The second best thing about being a pilot (the first being the flying itself) was the better housing and rations. And the vodka allotment for flying combat missions. Inna and Raisa pulled chairs up close to the stove to drive away the last of the chill from flying at altitude and tapped their glasses together in a toast.

“To victory,” Inna said, because it was tradition and brought luck.

“To flying,” Raisa said, because she meant it.

At dinner—runny stew and stale bread cooked over the stove—Raisa awaited the praise of her comrades and was ready to bask in their admiration—two more kills and she’d be an ace; who was a better fighter pilot, or a better shot, than she? But it didn’t happen quite like that.

Katya and Tamara stumbled through the doorway, almost crashing into the table and tipping over the vase of flowers. They were flushed, gasping for breath as if they’d been running.

“You’ll never guess what’s happened!” Katya said.

Tamara talked over her: “We’ve just come from the radio operator; he told us the news!”

Raisa’s eyes went round and she almost dropped the plate of bread she was holding. “We’ve pushed them back? They’re retreating?”

“No, not that,” Katya said, indignant, as if wondering how anyone could be so stupid.

“Liliia scored two kills today!” Tamara said. “She’s got five now. She’s an ace!”

Liliia Litviak. Beautiful, wonderful Liliia, who could do no wrong. Raisa remembered their first day with the battalion, and Liliia showed up, this tiny woman with the perfect face and bleached blond hair. After weeks of living in the dugouts, she still had a perfect face and bleached blond hair, looking like some American film star. She was so small, they thought she couldn’t possibly pilot a Yak, she couldn’t possibly serve on the front. Then she got in her plane and she flew. Better than any of them. Even Raisa had to admit that, but not out loud.

Liliia painted flowers on the nose of her fighter, and instead of making fun of her, everyone thought she was so sweet.

And now she was a fighter ace. Raisa stared. “Five kills. Really?”

“Indisputable! She had witnesses; the news is going out everywhere. Isn’t it wonderful?”

It was wonderful, and Raisa did her best to act like it, smiling and raising a toast to Liliia and cursing the Fascists. They ate dinner and wondered when the weather would change, if winter had a last gasp of frigid cold for them or if they were well into the merely chilly damp of spring. No one talked about when, if ever, the war might be done. Two years now since the Germans invaded. They’d not gotten any farther in the last few months, and the Soviets had made progress—recapturing Voronezh for one, and moving forward operations there. That was something.

But Inna knew her too well to let her go. “You were frowning all the way through dinner,” she said, when they were washing up outside, in darkness, before bed. “You didn’t hide it very well.”

Raisa sighed. “If I’d been sent to Stalingrad, I’d have just as many kills as she does. I’d have more. I’d have been an ace months ago.”

“If you’d been sent to Stalingrad, you’d be dead,” Inna said. “I’d rather have you here and alive.”

Frowning, she bit off her words. “We’re all dead. All of us on the front, we’re all here to die; it’s just a matter of when.”

Inna wore a knit cap over her short hair, which curled up over the edges. This, along with the freckles dotting her cheeks, made her look elfin. Her eyes were dark, her lips in a grim line. She was always solemn, serious. Always telling Raisa when her jokes had gone too far. Inna would never say a bad word about anyone.

“It’ll be over soon,” she said to Raisa under the overcast sky, not even a dim lantern to break the darkness, lest German reconnaissance flights find them. “It has to be over soon. With the Brits and Americans pounding on the one side and us on the other, Germany can’t last for long.”

Raisa nodded. “You’re right, of course you’re right. We just have to hold on as long as we can.”

“Yes. That’s exactly right.”

Inna squeezed her arm, then turned back to the dugout and a cot with too-thin blankets and the skittering of rats. Sometimes Raisa looked around at the dirt and the worn boots, the tired faces and the lack of food, and believed she’d be living like this for the rest of her life.

Raisa arrived at the command dugout for a briefing—a combat mission, she hoped, and a chance for her next two kills—but one of the radio operators pulled her aside before she could go in.

She and Pavel often traded information. She’d give him the gossip from the flight line, and he’d pass on any news he’d heard from other regiments. He had the most reliable information from the front. More reliable than what they could get from command, even, because the official reports that trickled down were filtered, massaged, and manipulated until they said exactly what the higher-ups wanted people like her to know. Entire battalions had been wiped out and no one knew because the generals didn’t want to damage morale, or some such nonsense.

Today Pavel seemed pale, and his frown was somber.

“What is it?” she asked, staring, because he could only have bad news. Very bad, to come seek her out. She thought of David, of course. It had to be about David.

“Raisa Ivanovna,” he said. “I have news … about your brother.”

Her head went light, as if she were flying a barrel roll, the world going upside down around her. But she stood firm, didn’t waver, determined to get through the next few moments with her dignity intact. She could do this, for her brother’s sake. Even though she was supposed to die first. The danger she faced in the air, flying these death traps against Messerschmitts, was so much greater. She’d always felt so sure that she would die, that David would have to be the one to stand firm while he heard the news.

“Tell me,” she said, and her voice didn’t waver.

“His squadron saw action. He … he’s missing in action.”

She blinked. Not the words she was expecting. But this … the phrase hardly made sense. How did a soldier just disappear, she wanted to demand. David wasn’t like an earring or a slip of paper that one wandered the house searching for. She felt her face turn furrowed, quizzical, looking at Pavel for an explanation.

“Raisa—are you all right?” he said.

“Missing?” she repeated. The information and what it meant began to penetrate.

“Yes,” the radio operator answered, his tone turning to despair.

“But that’s … I don’t even know what to say.”

“I’m so sorry, Raisa. I won’t tell Gridnev. I won’t tell anyone until official word comes down. Maybe your brother will turn up before then and it won’t mean anything.”

Pavel’s hangdog look of pity was almost too much to take. When she didn’t reply, he walked away, trudging through the mud.

She knew what he was thinking, what everyone would think, and what would happen next. No one would say it out loud—they didn’t dare—but she knew. Missing in action; how much better for everyone if he had simply died.

Comrade Stalin had given the order soon after the war began: “We have no prisoners of war, only traitors of the motherland.” Prisoners were collaborators, because if they had been true patriots they would have died rather than be taken. Likewise, soldiers missing in action were presumed to have deserted. If David did not somehow reappear in the Soviet army, he would be declared a traitor, and his family would suffer. Their parents and younger sister would get no rations or aid. Raisa herself would most likely be barred from flying at the very least. They’d all suffer, even though David was probably lying dead at the bottom of a bog somewhere.

She pinched her nose to hold the tears back and went into the dugout for whatever briefing the commander had for the flight. She mustn’t let on that anything was wrong. But she had a hard time listening that morning.

David wasn’t a traitor, but no matter how much she screamed that truth from the mountaintops, it didn’t matter. Unless he appeared—or a body were found, proving that he’d been killed in action—he’d be a traitor forever.

Terrible, to wish a body would be found.

She had a sudden urge to take up a gun—in her own two hands, even, and not in the cockpit of her plane—and murder someone. Stalin, perhaps.

If anyone here could read her mind, hear her thoughts, she’d be barred from flying, sent to a work camp, if not executed outright. Then her parents and sister would be even worse off, with two traitors in the family. So, she should not think ill of Stalin. She should channel her anger toward the real enemy, the ones who’d really killed David. If he were dead. Perhaps he wasn’t dead, only missing, like the report said.

Inna sat beside her and took her arm. “Raisa, what’s wrong? You look like you’re going to explode.”

“It’s nothing,” Raisa answered in a whisper.

She kept writing letters to David as if nothing had happened. The writing calmed her.

Dear Davidya:

Did I mention I have three kills now? Three. How many Germans have you killed? Don’t answer that, I know you’ll tell me, and it’ll be more, and I know it’s harder for you because you have to face them with nothing but bullets and bayonets, while I have my beautiful Yak to help me. But still, I feel like I’m doing some good. I’m saving the lives of your fellow infantry. Inna and I stopped a whole squadron from completing its bombing run, and that’s something to be proud of.

I’m so worried about you, Davidya. I try not to be, but it’s hard.

Two more kills and I’ll be an ace. Not the first woman ace, though. That’s Liliia Litviak. Amazing Liliia, who fought at Stalingrad. I don’t begrudge her that at all. She’s a very good pilot, I’ve seen her fly. I won’t even claim to be better. But I’m just as good, I know I am. By the way, you should know that if you see a picture of Litviak in the papers (I hear the papers are making much of her, so that she can inspire the troops or some such thing) that Inna is much prettier. Hard to believe, I know, but true. After my next two kills, I wonder if they’ll put my picture in the paper? You could tell everyone you know me. If you’re not too embarrassed by your mouse-faced little sister.

I’ve gotten a letter from Mama, and I’m worried because she says Da is sick again. I thought he was better, but he’s sick all the time, isn’t he? And there isn’t enough food. He’s probably giving all his to Nina. It’s what I would do. I’m afraid Mama isn’t telling me everything, because she’s worried that I can’t take it. You’d tell me, wouldn’t you?

You’d think I had enough to worry about, that I wouldn’t worry about home, too. They can take care of themselves. As I can take care of myself, so do not worry about me. We have food, and I get plenty of sleep. Well, I get some sleep. I hear the bombing sometimes, and it’s hard to think they won’t be here next. But never mind.

Until I see you again, Raisa

Like dozens of other girls, Raisa had written a letter to the famous pilot Marina Raskova asking her how she could fly for the war. Comrade Raskova had written back: I am organizing a battalion for women. Come.

Of course Raisa did.

Da had been angry: he wanted her to stay home and work in a factory—good, proud, noble work that would support the war effort just as much as flying a Yak would. But her mother had looked at him and quietly spoken: Let her have her wings while she can. Da couldn’t argue with that. Her older brother, David, made her promise to write him every day, or at least every week, so he could keep an eye on her. She did.

Raisa was assigned to the fighter regiment, and for the first time met other girls like herself who’d joined a local flying club, who had to fight for the privilege of learning to fly. At her club, Raisa had been the only girl. The boys didn’t take her seriously at first, laughed when she showed up wanting to take the classes to get her license. But she kept showing up to every session, every meeting, and every class. They had to let her join. Truth to tell, they didn’t take her seriously even after she soloed and scored better on her navigation test than any of the boys. She never said it out loud, but what made Raisa particularly angry was the hypocrisy of it all. The great Soviet experiment with its noble egalitarian principles that was meant to bring equality to all, even between men and women, and here the boys were, telling her she should go home, work in a factory with other women, get married, and have babies, because that was what women were supposed to do. They weren’t meant to fly. They couldn’t fly. She had to prove them wrong over and over again.

Thank goodness for Marina Raskova, who proved so much for all of them. When she died—a stupid crash in bad weather, from what Raisa heard—the women pilots were afraid they’d be disbanded and sent to factories, building the planes they ought to be flying. Raskova and her connections to the very highest levels—to Stalin himself—were the only things keeping the women flying at the front. But it seemed the women had proven themselves, and they weren’t disbanded. They kept flying, and fighting. Raisa pinned a picture of Raskova from a newspaper to the wall of their dugout. Most of the women paused by it now and then, offering it a smile, or sometimes a frown of quiet grief. More dead pilots had lined up behind her since.

“I want a combat mission, not scut work,” Raisa told Gridnev. Didn’t salute, didn’t say “sir.” They were all equal Soviet citizens, weren’t they?

He’d handed her flight its next mission outside the dugout, in a blustery spring wind that Raisa hardly noticed. They were supposed to report to their planes immediately, but she held back to argue. Inna hovered a few yards away, nervous and worried.

“Stepanova. I need pilots for escort duty. You’re it.”

“The flight plan takes us a hundred miles away from the front lines. Your VIP doesn’t need escorting, he needs babysitting!”

“Then you’ll do the babysitting.”

“Commander, I just need those next two kills—”

“You need to serve the homeland in whatever fashion the homeland sees fit.”

“But—”

“This isn’t about you. I need escort pilots; you’re a pilot. Now go.”

Gridnev walked away before she did. She looked after him, fuming, wanting to shout. She wouldn’t get to kill anything flying as an escort.

She marched to the flight line.

Inna ran after her. “Raisa, what’s gotten into you?”

Her partner had asked that every hour for the last day, it seemed like. Raisa couldn’t hide. And if she couldn’t trust Inna, she couldn’t trust anyone.

“David’s missing in action,” Raisa said, and kept walking.

She opened her mouth, properly shocked and pitying, as Pavel had done. “Oh—oh no. I’m so sorry.”

“It’s nothing. But I have to work twice as hard, right?”

They continued to their planes in silence.

Raisa’s hands itched. They lay lightly on the stick, and she didn’t have to do much to keep steady. The air was calm, and they—Inna, Katya, and Tamara were in the other fighters—were flying in a straight line, practically. But she wanted to shoot something. They weren’t told who it was in the Li-2 they guarded, not that it would have mattered. But she imagined it might be Stalin himself. She wondered if she’d have the courage to radio to him, “Comrade, let me tell you about my brother …” But the higher-ups wouldn’t tap a flight of women pilots from the front to protect the premier. It wasn’t him.

Not that their VIP needing guarding. Out here, the most dangerous thing she faced was the other pilots slipping out of formation and crashing into her. That would be embarrassing.

Just before they’d left, the radio operator had brought news that Liliia had scored another kill. Six confirmed kills. The Germans seemed to be lining up for the privilege of being shot down by beautiful Liliia. And here Raisa was, miles and miles from battle, playing at guarding.

If she died in battle, heroically, with lots of witnesses, leaving behind an indisputable body, perhaps she might help recover David’s reputation. If she were a hero—an ace, even—he could not be a traitor, right?

She stretched her legs and scratched her hair under her leather helmet. Another couple of hours and they’d land and get a hot meal. That was one consolation—they were flying their charge to a real base with real food, and they’d been promised a meal before they had to fly back to Voronezh. Raisa wondered if they’d be able to wrap some up to stuff in their pockets and take back with them.

Scanning the sky around her, out to the horizon, she didn’t see so much as a goose in flight. The other planes—the bullet-shaped Yaks and the big Lisunov with its two wing-mounted engines and stocky frame—hummed around her, in a formation that was rather stately. It always amazed her, these great beasts of steel and grease soaring through the air, in impossible defiance of gravity. The world spread out below her, wide plains splotched in beige and green, trimmed by forests, cut through with the winding path of a creek. She could believe that nothing existed down there—a clean, new land, and she was queen of everything she could see, for hundreds and hundreds of miles. She sailed over it without effort. Then she’d spot a farm, rows of square fields that should have been green with the new growth of crops but instead held blackened craters and scraps of destroyed tanks.

If she focused on the sound of the engine, a comforting rattle that flowed through the skin of the fuselage around her, she wouldn’t think so much about the rest of it. If she tipped her head back, she could watch blue sky passing overhead and squint into the sun. The day was beautiful, and she had an urge to open her canopy and drink in the sky. The freezing wind would thrash her at this altitude, so she resisted. The cockpit was warm and safe as an egg.

Something outside caught her eye. Far off, across the flat plain they soared over, to where sky met earth. Dark specks moving against the blue. They were unnatural—they flew too straight, too smoothly to be birds. They seemed far away, which meant they had to be big—hard to tell, without a point of reference. But several of them flew together in the unmistakable shape of airplanes in formation.

She turned on the radio channel. “Stepanova here. Ten o’clock, toward the horizon, do you see it?”

Inna answered. “Yes. Are those bombers?”

They were, Raisa thought. They had a heavy look about them, droning steadily on rather than racing. The formation was coming closer, but still not close enough to see if they had crosses or stars painted on them.

“Theirs or ours?” Katya said.

“I’ll find out,” Raisa said, banking out of formation and opening the throttle. She’d take a look, and if she saw that black cross, she’d fire.

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