Kitabı oku: «Under One Flag», sayfa 2

II

Lizzie Emmett had already departed some time when fresh visitors made an unceremonious entry into her empty room. The door was opened and, without giving any premonitory notice of her intention, a girl came in.

"Lizzie!" she cried. Then perceived that there was no one there. "Well, if Lizzie isn't out!" She slightly raised her voice. "Tom, Lizzie's out, but she's not gone far, because she hasn't locked the door. You can come in-I'll give you leave. We'll wait for her."

There entered the room, with something of a shuffle, a man with a rough, untrimmed brown beard. He was big and broad, also, it seemed, a little shy; attired, obviously, in his best clothes. He seemed ill at ease in them, as if, somehow, they deprived his limbs of their wonted freedom. He gripped the brim of his brown billycock with both his large red hands. There was on his good-natured face a mixture of amusement with confusion, as though he was in possession of some happiness of which he was, at one and the same time, proud yet ashamed.

The girl looked him up and down, as if searching for something wrong in his costume or his bearing.

"Now you've got to behave yourself."

He shuffled from one foot to the other. And he grinned.

"Don't I always behave myself?"

"You've got to behave yourself extra special well, you're in a lady's room." He looked about him, his grin continually expanding. The girl, propping up the mirror which Lizzie had left upon the table against a box, began, by its aid, to fidget with her hat, talking as she did so. "Tom Duffield, you're on your good behaviour; as I might say, you're on appro. If I'm going to be your wife you've got to do something to show that you deserve it, so don't you seem to forget it." The man laughed, for so big a fellow, with curious softness. "It's all very well for you to laugh, but perhaps it is not all so cut and dried as you quite think. You're going to take two ladies out for a holiday to Kew Gardens, Mr Duffield, by the boat, so just you behave to them in a way that'll show you'll do credit to me as a husband." He laughed again. She faced him. "Well, and what might you be laughing at?"

He shuffled with his feet.

"Nothing-at you."

"That's a nice thing to say, upon my word. If you think I'm nothing, or that I'm going to be treated as nothing, you'll soon find that you're mistaken, and so I tell you. Don't stand fidgeting there like a great gawk; go and get some sweets-chocolates-good ones, none of your cheap truck, mind, and some fruit-grapes; Lizzie'll be ready by the time you're back."

The man put on his hat. He went, without a word, to do her bidding, with the obedience and the silence of a well-trained dog. Indeed, on his face, in his eyes, even in his bearing, there was something which was dog-like. The girl stared for a moment at the door through which he had gone.

"He's useful if he's not ornamental."

She returned to the mirror. Not impossibly it suggested to her that exactly the contrary might have been said of herself-she was ornamental if she was not useful. Even stronger than the man's resemblance to a dog was hers to a humming-bird. Like it, she was small; like it, too, she was exquisitely, daintily fashioned, almost too fragile for human nature's daily food. She seemed singularly out of place in that poor, tawdry chamber. Fitted, rather, for a gilded cage, or at least for some shrine of elegance and glitter. Everything about her was in proportion, tiny, and, if she was a little overdressed-if, for instance, in the details of her costume there was too much colour, the accentuation became her peculiarly exotic beauty. Her attitudes, her gestures, her little tricks of movement, all were bird-like; one felt, so free from grossness was her frame, that she scarcely was a thing of earth at all.

She preened herself before the poor apology for a looking-glass as if there was nothing in the world which could be better worth her doing. In it her pretty black eyes flashed back their enjoyment of the situation; they loved to see themselves imaged in a mirror; nor were they ashamed to confess their pleasure. If, on her cheeks, there was the suspicion of a bloom which was not Nature's, it was not there because either youth or health was failing; when one earns one's living behind the floats one's roses fade. The blood-red line of her lips was real enough, as also was the rose-pink of her delicate nostrils.

She had scarcely been alone a minute, and with so small a looking-glass had had no time to examine all that there was of herself that would repay examining, when she heard the sound of footsteps coming up the stairs. She listened.

"Who's that?" Her small white teeth gleamed between her scarlet lips. "It's that silly Tom come back again. Now, what's he forgotten? Perhaps he's met Liz, so they've both come back together." The steps were but a single pair, hardly a woman's. There was an audible uncertainty in the way in which they negotiated each separate tread which suggested that the road was unfamiliar. "It's that Tom! Now, what's he want, I wonder?" Someone tapped at the door. "That doesn't sound like Tom. Someone, I expect, for Lizzie. Bother!" Then aloud, "Come in."

The abuse which had been on the tip of the girl's tongue, ready to be hurled at the offending Tom, gave place to something very different indeed. She appeared, for the moment, to be overcome by something which was akin to consternation, to have lost her presence of mind, her readiness of speech. Nor, possibly, was her confusion lessened by the fact that the newcomer seemed to be, every whit, as embarrassed as she was. He was a young man, except, perhaps, in a legal sense, nothing but a boy. Not a very intellectual nor healthy-looking boy either. For a person of his age he was unpleasantly stout; so stout as almost to merit the epithet of bloated. His cheeks were puffy, so also was his body. That the redness of his face was not the ruddiness of physical vigour was demonstrated by the obvious fact that the mere exertion of climbing the staircase had made him short of breath. Although his dress was that of a man of fashion he scarcely seemed a gentleman. Not only was he gauche and clumsy, there was about him an atmosphere of coarseness which was redolent rather of the tap-room than the drawing-room. One perceived, instinctively, that the society in which he would be most at home would be that of the convives of the bar.

That the girl knew him was evident-as evident as that he knew her. He looked at her with something in his eyes which was not spiritual; she at him as if she would infinitely have preferred his room to his company.

She was the first to speak.

"Well, you've got a cheek! Upon my word! What do you mean by coming here?"

There was a curious quality in his voice as he replied, which almost amounted to an impediment in his speech.

"When you gave me your address last night, Miss Emmett, I told you I'd look you up. You didn't suppose I gave you a fiver for it unless I meant to use it."

The girl continued to look at him for still another second. Then a burning flush set all her face in flames. She turned away trembling, as if she were positively frightened. She murmured to herself, -

"Here's a pretty kettle of fish! The brute! If I hadn't clean forgotten all about it! Whatever shall I say?"

He came farther into the room.

"I hope you've received my little present, Miss Emmett, and that you like it."

She angrily confronted him.

"My name's not Emmett, so don't you think it."

"Not Emmett!" He winked. "Of course not. Still, as it's been good enough for me to find you with, it's near enough, for me. If it comes to that, my name's not Smith."

"I don't care what your name is, and the sooner you get out of this the better it'll be for you."

"Don't be cross, my dear. I only want you and I to understand each other."

"I don't want any of your understandings. I don't want to have anything to say to you. My friend's just stepped out; if he comes back and finds you here he'll throw you down the stairs quicker than you came up them."

"Your friend?" An ugly look came into the young man's eyes. "So you've got a friend."

As she met his glance the girl's face hardened.

"What do you mean? You think yourself too clever. I'm not the sort you take me for. When I say my friend I mean the young man to whom I'm engaged to be married, so don't you make any error."

"On my honour, I believe that you look prettier by day than you do by night."

"Don't try any of your nonsense on with me. Are you going to get out of this?"

"You might at least thank me for the pretty present which I sent you!"

"Don't talk stuff to me about your presents, you've sent me none of them."

A look of inquiry came into the young man's face, and of annoyance.

"Hasn't Rossignol been yet? Do you mean to say you haven't had it?"

"Had what? Oh, stow this, do! Do you think I don't know what kind of chap you are? You're a barber's clerk, that's what you are. You've got a pound or two in your pocket, and you go gassing about and pretending you're a don, and talk about sending presents as if you'd got the Bank of England at your back, when, I lay odds, it breaks you to pay for your clothes. We girls come across lots of your sort, so we come to know your trade mark, don't you see."

"I do assure you that in my case you're wrong, Miss Emmett."

"Don't I tell you that my name's not Emmett? When you said last night that you'd give me five pounds for my name and address I saw that you were fool enough for anything, so I gave you the first that came, and that happened to be a friend of mine's, and I'm in her place now, waiting for her to come back with my young man, so that's how you've chanced to find me here."

Her companion eyed her as if he were endeavouring to ascertain from her countenance whether or not she was speaking the truth.

"If what you say is true, then I shouldn't be surprised if your friend has got the present I sent to you."

"Oh, has she? Then she's welcome. I daresay fifteen pence would pay for it." With an exclamation as of alarm she ran to the door. "There's my young man. If you don't go, I'll call out to him. If there's anything you want to say to me you can say it to-night at the theatre. Now, are you going?"

"Honour bright, if I come to the theatre will you let me speak to you?"

"Of course I will. Haven't I always done. Hark! there's my young man coming along the pavement, I know his step. Go, there's a good chap, you don't want to get me into trouble."

"Will you give me a kiss if I go?"

"What, here, now? What do you take me for? Do you want me to get my head knocked off my shoulders? If my young man caught me at any of those games he'd do it as soon as look at me, and yours too. We'll talk about that sort of thing to-night, at the theatre. Can't you go when I ask you?"

It appeared that he could, because he did. She shut the door behind him the instant he was through it, keeping fast hold of the handle with her hand. She listened to his descending footsteps with an expression of satisfaction not unmingled with anxiety. As they died away she sighed-a sigh of unequivocal relief.

"That was a near thing, it ought to be a lesson to me, it's given me quite a turn." In spite of its artificial bloom, her pretty, dainty face had assumed a sudden pallor, a fact of which her candid friend, the mirror, at once informed her. "I declare that I look quite white; that sort of thing's enough to make anyone look white." She repaired her loss of complexion with the aid of something which she took from her pocket. "It's a mercy Tom wasn't here, or even Lizzie. She's a queer sort, is Lizzie, and she might have wanted a lot of explanation before she could have been got to see the joke of my giving him her name and address instead of mine. Of course I only did it for a lark. If I'd thought he meant to do anything with it I wouldn't have given it him for a good many fivers, though the coin was useful." There came from between her lips a little ripple of laughter almost like the burst of music which proceeds from a song-bird's throat. "What fools fellows are! He's no toff, anyone can see it with half an eye, he's only a clerk or something got hold of 'a little bit of splosh' and trying to do the swagger. He's said his last words to me, anyhow; Saturday, the theatre'll see my back for good and all. And until then I'll take care that Tom comes and does the dutiful." She stood in an attitude of listening. "That is Lizzie. It's lucky that Mr Jack Smith was off the premises before she came."

Lizzie came boisterously in, her cheeks red with the haste she had made, her eyes glistening with excitement.

"Polly Steele!" she exclaimed. "You here!"

The other girl bestowed on her one mischievous glance, then returned to the mirror.

"It looks like it, doesn't it? You don't happen to have seen Tom, I suppose?"

"Tom? Tom Duffield?"

"That's the gentleman. I've got a bit of news for you, my dear. Tom and I have made it up."

"Made it up?" She looked at the speaker inquisitorially, then read her meaning. "Oh, Polly, I'm so glad!"

"I thought you would be. He doesn't seem sorry."

"When was it? Last night at the theatre I didn't seem as if I could get a word with you."

"No? I wonder how that was." Polly eyed her friend, her face alive with mischief. "It was this morning, my dear. He came round while I was at breakfast, and he went on so, and he seemed so set on it, that I couldn't find it in my heart to keep on saying no. So the banns are to be put up on Sunday, and we're to be married a month to-day."

"Oh, Polly!"

"And Saturday'll be my last appearance on any stage. Tom's going to allow me forty shillings a week until we're married; and of course I shall have my meat for nothing-he won't hear of my keeping on at the theatre. He's making money hand over fist at that shop of his; sold ten beasts last week and I don't know how many sheep. You should hear him talking! I shall be riding in my carriage before you know where you are."

Lizzie was leaning against the mantelshelf as Agnes Graham had leaned, and, as the famous actress had done, was looking down at the empty grate.

"I'm glad you're leaving the theatre. I was beginning to get worried about you."

"Worried about me! Whatever for?"

Again Miss Polly's countenance was instinct with impish roguery.

"Oh, you know very well what I mean, my lady, so no pretending. You're too pretty for the theatre, and that's the truth."

"Why, I thought a theatre was just the place where pretty girls are wanted."

"Maybe. But pretty girls don't want a theatre, leastways, not if they can help it, they don't." Lizzie spoke with sudden animation. "But talk about your news! What do you think's come my way?"

"A set of diamonds?"

There was mockery in Polly's tone, and in her eyes.

"You may laugh, but that's just what it was-leastways, a diamond necklace."

"Lizzie!"

"Yes, as fine a one as ever you saw-better than Maggie Sinclair's, and they say hers is worth a thousand."

"It wasn't meant for you."

"Wasn't it? There it was upon the parcel as plain as print, 'Miss Lizzie Emmett, 14 Hercules Buildings, Westminster,' and inside there was the fellow's card-'With Mr Jack Smith's compliments.'"

"What? Lizzie! Where is it?"

"It's where it ought to be-with her as Mr Jack Smith ought to marry."

"Whatever do you mean?"

"Why, Polly, it's like a story, just like it is in the books. Who do you think's been here this morning? In this very room?"

Polly drew back, as with a sudden accession of timidity.

"Not Jack Smith?"

"Jack Smith! I'd have Jack Smithed him if he'd shown his nose inside my place. Someone as is worth a good few Jack Smiths-Agnes Graham!"

"Agnes Graham!"

"Yes, you may stare, but it's truth, she came into this very room. And I've just come from her place. And what do you think she done as I was coming away? Kissed me-yes! straight. It seems as this here Jack Smith he's as good as promised to marry her, and she's been driving herself half silly because he's been carrying on with a girl at our show-yes! And this morning, as they was having a few words, something fell out of his pocket. She picked it up. On it was my name and my address. She asks him if that was the girl. He says it was-like his blamed impudence! So she comes round to me and asks me not to sneak away her bloke."

"Asks you?"

"Yes, queer start, ain't it? I'm the sort to sneak away anybody's bloke! I'd give a bit to know how he got hold of my name and address."

"It does seem odd!"

"Odd ain't the word for it. There's something what's a little more than odd about it, as it seems to me. And who do you think Jack Smith is?"

"Some barber's clerk or other, I suppose."

"Barber's clerk! Why, he's the Earl of Bermondsey!"

"Who? Lizzie! You don't mean that!"

"I do, it's gospel truth! His name was printed on the card; 'With Mr Jack Smith's compliments' was wrote on the back. Miss Graham told me it was him, she knew his writing directly she set eyes on it. He's been passing himself off as Jack Smith to some girl or other up at our place, and going on no end."

Miss Steele, her face turned away from Lizzie, was drumming on the table with the fingers of her left hand.

"Did you say that he was going to marry Miss Graham?"

"It seems that he as good as promised that he would, but now she's afraid that he'll take up with this other girl what he's been carrying on with."

"What makes her think so?"

"Don't I tell you that he about equal to up and told her so."

Miss Steele was silent.

"Does she think" – there was a tremulous break in her voice-"that he would marry the other girl?"

"That's what she's afraid of, though, if I was her, I'd let him. If I was Miss Graham I wouldn't marry him, not if he was a hundred times the Earl of Bermondsey. Don't you remember what we was reading about him only the other day-how he'd just come into his money, and what a lot of it there was? And houses, and parks, and forests, and I don't know what? My truth! He's only a kid, and a pretty sort of kid he seems to be; one of them fools what's worse than the clever ones, just because they're fools. I shouldn't be surprised if this girl what he's been carrying on with-I'll find out who she is before this night is gone, and if she gave him my address I'll mark her!"

"Perhaps she only did it for a joke!"

"A nice sort of joke! What do you think? I'll spoil her beauty, the nasty cat! I shouldn't be surprised, if she played her cards cleverly, but what she got him to take her to church."

"I wonder!"

"The Countess of Bermondsey! That's a mouthful, ain't it?"

"The Countess of Bermondsey!"

As Miss Polly Steele echoed her companion's words she was still standing against the table, her little slender figure drawn as upright as a dart. Her cheeks were flushed, her eyes were sparkling, her lips were parted; one could see how her bosom rose and fell as her breath came in quick, eager respirations. Something had filled her with a strange excitement which each moment was mastering her more completely.

It was Lizzie who first heard the ascending footsteps.

"Hullo!" she cried. "Here's Mr Duffield."

A sudden peculiar change had taken place in the expression on Polly's countenance; it had become hard, even angry, her gleaming teeth had closed upon her lower lip. Lizzie admitted the returning lover.

"Morning, Mr Duffield." She looked at him with what was intended to be archness. "Polly has been telling me all about it. I wish you joy."

He laughed, as though she had perpetrated a capital joke.

"Thank you, Miss Emmett. We mean to have a bit if we can get it, don't we, Polly?" He was laden with paper parcels. He advanced with them towards the little silent figure which was standing at the table, his good-humoured face one mighty smile. "I've brought the whole shop full. Here you are, old girl. You'll want a cart to carry them."

She struck out at him with her clenched hands, dashing the parcels he was holding out to her in confusion on to the floor. She was in a flame of passion.

"I don't want your rubbish! And how dare you call me old girl? Who do you think you are, and what do you think I am? Keeping me waiting here, dancing attendance on your pleasure, and then insulting me; if you ever try to speak to me again I'll slap your face."

She pushed past him towards the door.

"Polly!" cried Lizzie, staring at her in a maze of wonder.

Miss Steele shook her fist so close to Lizzie's face it grazed her skin. Rage transfigured her. Her voice was shrill with fury.

"You great, ugly, stupid idiot! You've done more harm this morning than you'll ever do good in all your life! Let me pass!"

At the door she turned to shake her fist at Mr Duffield.

"Don't you dare to follow me!"

She vanished, flying down the stairs three or four steps at a time, in a whirlwind of haste, leaving her lover and her friend in speechless amazement, as if the heavens had fallen.